Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
Digital comics | Vertical Inc. becomes the latest manga publisher to take the plunge into digital, beginning with the release of three series: Twin Spica, Drops of God and 7 Billion Needles for Kindle, Nook and iBooks. [Anime News Network]
Conventions | Fables creator Bill Willingham is the host of this weekend’s Fabletown and Beyond convention in Rochester, Minnesota, focusing on “mythic fiction.” He and organizer Stacy Sinner give a preview of what is to come. “I’m the host of the event, which means I get a lot of people to do the actual hard work, while I sit back imperiously on my throne and say ‘Yes,’ to this, and, ‘No,’ to that,” Willingham said. “The downside is, of course, I also have to write the checks.” [Rochester Post-Bulletin]
The gold and silver finalists were selected over the weekend for the 20th Spectrum Fantastic Art Annual, which honors the best in fantasy, science fiction and horror art.
Tor.com has the complete rundown of the nominees in all the categories, ranging from advertising to books to concept art — readers will recognize such names as Shaun Tan, Charles Vess, Dan Dos Santos and Greg Ruth — but what we’re really interested in are the comics finalists. You’ll find those below, with their art.
The winners will be announced at Spectrum Fantastic Art Live, held May 17-19 in Kansas City, Missouri.
Graphic novels | BookScan’s January list of the Top 20 graphic novels sold in bookstores shows a bit more variety than the previous month, in which 10 of the slots were taken by volumes of The Walking Dead. This time it’s just
six, with Building Stories, Saga, and the latest volumes of Sailor Moon and Fables cracking the Top 10. An adaptation of the Book of Revelation from evangelical publisher Zondervan was No. 9, followed by perennial bestseller Watchmen. (Note: The original version erroneously reported the number of Walking Dead titles in the Top 20.) [ICv2]
Creators | Paul Pope talks about his graphic novel Battling Boy, due out this summer, as well as the prequel comic The Death of Haggard West, which will released in in July. [Kotaku]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start with Black Beetle #1 (Dark Horse, $3.99), Francesco Francavilla’s pulp action hero who jumps into his own miniseries after a run in Dark Horse Presents. I’d also grab Threshold #1 (DC Comics, $2.99), which continues the story from last week’s New Guardians annual, featuring a new Green Lantern and a whole bunch of cosmic DC characters. I’d also grab Comeback #3 (Image, $3.50), as I just got around to reading the first issue and really enjoyed it. They’re doing some fun stuff with time travel that should make for a cool series. That leaves room for one more, which is a hard choice … but let’s go with Indestructible Hulk #3 (Marvel, $3.99), because I love the new direction and take on the character and his status quo.
If I had $30, I’d also pick up Saga #9 (Image, $2.99) and Daredevil #22 ($2.99), because, well, Saga and Daredevil. I’m also really digging what Kelly Sue Deconnick is doing with the Avengers, so next I’d get Avengers Assemble #11 (Marvel, $3.99). Lastly, I’d grab Captain America #3 (Marvel, $3.99), as I’m really worried about Cap and the kid, and hope they come out of Zola’s world OK.
Finally, for my spulrge, I’d go with the big Paul Pope book from Image, One Trick Rip-Off ($29.99).
Publishing | Pulp heroes The Spirit, Doc Savage and The Avenger disappeared from the DC Comics lineup more than a year ago, with Co-Publisher Dan DiDio now confirming on his Facebook page that the company’s rights to the characters have lapsed. Brian Azzarello paired the vintage characters with Batman, Black Canary, the Blackhawks and other current DC heroes in his First Wave miniseries, which launched in 2010. Heidi MacDonald adds, “we’ve heard that at WB it was pointed out that DC paying good money to license old characters didn’t make much sense when they had their own catalog of little-used characters to exploit.” [Blog@Newsarama]
Digital comics | As noted here Monday, comiXology was No. 3 on the list of top-grossing iPad apps of 2012, and in the press release announcing this, the comiXology folks dropped another number on us: They have served more than 2 billion pages since their launch three years ago. [comiXology]
The news of Karen Berger leaving Vertigo spread quickly. It wasn’t so much that it was a surprise, but that it finally happened. DC
Comics Entertainment has been going through significant changes over the past couple of years, including grabbing characters long associated with Vertigo and returning them to the DC Universe, and rumored changes to creator contracts. Despite the unfortunate end, Berger leaves behind an amazing legacy no matter what becomes of the nearly 20-year-old imprint.
I have a very clear memory of high school in the 1990s where kids much cooler than me were reading The Sandman. These were kids who otherwise didn’t read comics, and certainly not the superhero stuff from Marvel and DC. This was not an isolated incident. Vertigo in the ’90s brought a new audience to comics, a maturing audience with interests in horror, fantasy, suspense and mythology. These readers didn’t have access to, and probably weren’t ready for, the underground or alternative comix scene. As superhero comics turned into garish collector items, Vertigo provided the alternative: stories.
After a late afternoon opening to the general public on Thursday, the New York Comic Con kicked into high gear today with panels, announcements and the usual con craziness we’ve come to expect from big shows. Here’s a round-up of comic-related news and announcements coming out of Friday. If you missed anything from Thursday, I’ve also got your back. I’d also point you to Brigid Alverson’s rundown of the ICv2 sessions before NYCC that go deep on comic sales in 2011 and 2012 thus far, if you’re into that.
• Keith Giffen returns to the stars next year with Threshold, a new DC Comics series that features Blue Beetle, Space Ranger, Star Hawkins, the original Starfire and other space heroes, with a Larfleeze back-up. Giffen also seemingly confirmed that the current Blue Beetle series is coming to an end.
• Vertigo announced several new projects today, including The Wake by Scott Snyder and Sean Murphy, Trillium by Jeff Lemire and an Unwrtten/Fables event that will see the Unwritten characters wander into the Fables comic. Snyder said that American Vampire will go on hiatus after issue #34 so he and artist Rafael Albuquerque can catch up on it. When it returns, it’ll jump ahead to the 1960s.
Retailing | DC Comics dominated bookstore graphic novel sales in August, probably because of the release of The Dark Knight Rises and a “buy two, get one free” sale on DC graphic novels at Barnes & Noble. Six of the Top 10 titles are Batman comics, with The Walking Dead, Watchmen, Avatar: The Last Airbender and Naruto each taking a slot as well. [ICv2]
Creators | Judge Dredd writer John Wagner talks about the origins of his character, the importance of U.K. publisher DC Thomson, and his dislike of digital comics. [The Daily Record]
Creators | Nick Spencer guests on Kieron Gillen’s podcast to discuss Morning Glories. [Kieron Gillen’s Workblog]
Publishing | Kodansha’s Attack on Titan, the action-fantasy manga by Hajime Isayama, has sold more than 9 million copies in Japan, according to the Sports Nippon newspaper. The eighth volume was released last week in Japan; Kodansha USA will publish the second volume next month in North America. [Anime News Network]
Publishing | Alex Zalben pays a visit to the Valiant offices and talks shop with editor Warren Simons: “Asking whether the idea was to set these up so that you can go right to TV, video games, or other properties, Simons strongly denies that was behind the relaunch. ‘I think you have guys who really love comic books,’ said Simons. ‘I’m just interested in publishing comic books. Obviously in this space, in this day and age you want to pay attention to everything – just like everyone does. But I think it all derives from publishing … [The publishers] just wanted to read comics about the characters that they loved growing up!'” [MTV Geek]
Passings | The Comics Journal collects tributes to Maurice Sendak, the legendary children’s book author and illustrator who passed away Tuesday at age 83. Philip Nel, director of Kansas State University’s Program in Children’s Literature, also writes an obituary for the influential creator of Where the Wild Things Are. [TCJ.com]
Publishing | In an interview with the retail news and analysis site ICv2, IDW Publishing President and CEO Ted Adams says that while digital sales are at 10 percent of print sales, both are going up: “There’s just no question at this point that selling comics digitally is definitively not impacting [print] comic book sales. If anything you could make the argument that the success of digital is driving more print comic book sales. The correlation at this point is that increased digital has resulted in increased print. Whether or not that is a direct correlation, I don’t know how you would figure that out. I can say with no uncertainty that our increased digital revenue has come at a time when we’ve had increased comic book sales.” [ICv2]
Following his announcement that after an upcoming arc of the Fables spinoff Fairest he’s done writing for DC Comics, writer Chris Roberson said today that the Fairest arc he was scheduled to write is no longer happening.
“Sorry to disappoint anyone, but I won’t be writing a Fairest arc after all,” Roberson said on Twitter. “It was decided my services were no longer required.”
The tweet was soon followed by a show of support from Fables creator Bill Willingham: “Not decided by me. I will work with @chris_roberson any time. Any place.”
If you missed it yesterday, Roberson announced he would no longer write for the publisher based on their treatment of other creators and their heirs. “My reasons for no longer wanting to be associated with DC don’t stem from anything to do with my personal experiences there, but from watching the way that the company has treated and continues to treat other creators and their heirs,” Roberson told CBR yesterday. “The counter-suit against the Siegel estate and the announcement of the Watchmen prequels were the specific incidents that crystallized my feelings on the matter. I’d like to make clear, though, that I have nothing but nice things to say about the editorial staff at Vertigo with whom I’ve worked for the past few years.”
Roberson, who has written not only the awesome iZombie and various Cinderella spinoff mini’s but also took over as writer of Superman after J. Michael Straczynski left the title, has taken a stand based on principle and has now paid the price by having paying work taken from him. No doubt he expected it–hell, given DC’s history, everyone probably knew this would happen–and I give him big props for doing it anyway.
And as Kurt Busiek said in our comments section yesterday, DC ain’t the only game in town. “I am privy to a little inside information of what @chris_roberson will be doing instead of his Fairest arc and it will be awesome. So there,” Willingham said.
Update: Roberson says that he has been paid for the work he’s already turned in on Fairest.
Finalists have been announced for the 2011 Hugo Awards, which recognize the best in science fiction and fantasy. Presented annually since 1955 by the World Science Fiction Society, the Hugo is among science fiction’s most prestigious awards.
This year’s winners will be presented Sept. 2 in Chicago during Chicon 7, the 70th World Science Fiction Convention.
The nominees for best graphic story are:
• Digger, by Ursula Vernon (Sofawolf Press)
• Fables, Vol. 15: Rose Red, by Bill Willingham and Mark Buckingham (Vertigo)
• Locke & Key, Vol. 4: Keys to the Kingdom, written by Joe Hill, illustrated by Gabriel Rodriguez (IDW Publishing)
• Schlock Mercenary: Force Multiplication, written and illustrated by Howard Tayler, colors by Travis Walton (The Tayler Corporation)
• The Unwritten, Vol. 4: Leviathan, created by Mike Carey and Peter Gross, written by Mike Carey, illustrated by Peter Gross (Vertigo)
This is the fourth year for the graphic story category. Girl Genius, which won the first three years, was not included on the ballot at the request of creators Phil and Kaja Foglio.
Nominees of note in other categories include Dan dos Santos for best professional artist, xkcd creator Randall Munroe for best fan artist, and Captain America: The First Avenger and Hugo for best dramatic presentation-long form. See the full list of nominees on the Hugo Awards website.
I don’t know who to blame for the current revival of popular interest in fairy tales and fables. It’s probably Shrek that got popular audiences thinking about those stories again, but for me and a lot of other comics fans, it will always be Bill Willingham’s fault. Maybe “fault” isn’t the right word, because though there’s a lot of fairy tale crap coming out (looking at you, Mirror Mirror), discerning audiences can pick through the bad stuff and sample some great adaptations of stories that are the very definition of “timeless.” I’m all for that.
One promising new book is Cautionary Fables and Fairy Tales, an anthology by several webcomics creators. Edited by Kel McDonald (Sorcery 101), the 200-page book features stories by McDonald, Kory Bing (Skin Deep), Jose Pimenta (From Scratch), Mary Cagle (Kiwi Blitz), KC Green (Gun Show), Kate Ashwin (Widdershins), Katie and Shaggy Shanahan (Silly Kingdom), and Lin Visel (The Chipperwhale). The stories include familiar favorites like “Puss in Boots” and “Rapunzel” as well as less-known tales like “The Singing Bone” and “Tatterhood.” It was some sample pages by the Shanahans that sold me on it (see a snippet below) and now I’m looking forward to checking out the rest.
Do you enjoy all the recent fairy tale adaptations or are you tired of them? If you’re picking and choosing, which are worthwhile and which need to be hidden beneath a troll-infested bridge?
The second day of WonderCon in Anaheim, California, featured announcements ranging from Marvel’s new Captain Marvel series to Dark Horse’s new motion-comics venture to IDW Publishing’s Womanthology miniseries:
• In his “Talk to the Hat” panel, Marvel’s Senior Vice President of Publishing Tom Brevoort revealed that Carol Danvers, long known as Ms. Marvel, will become Captain Marvel in a series by Kelly Sue DeConnick and Dexter Soy. He also announced that, spinning out of his Astonishing X-Men run, Greg Pak will team with Stephen Segovia for X-Treme X-Men, which includes Dazzler in its lineup. “You have no idea how hard I’ve fallen for this woman,” Pak told Newsarama. “She’s so much fun to write — she’s funny and real and wry; she’s a survivor who’s seen it all and lived to tell the tale; and she will save your life with rock and roll.”
• Dark Horse will bring motion comics featuring such characters as Hellboy, Conan, Usagi Yojimbo and the Umbrella Academy to Felicia Day’s new YouTube Channel Geek & Sundry, beginning April 2.
• IDW Publishing will follow Womanthology: Heroic, the Kickstarter-funded graphic novel anthology showcase for female creators, with a five-issue miniseries titled Womanthology: Space.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
This is one of those tough weeks when the floppies aren’t doing it for me, so I want graphic novels, and graphic novels aren’t cheap. At the $15 level, I’ll pick up vol. 1 of Soulless ($12.99), Yen Press’s manga-style adaptation of the first volume of Gail Carriger’s Parasol Protectorate series. With a sharp-witted heroine pitted against vampires and werewolves, and detailed yet dynamic art by the talented rem, it is a solid and entertaining read.
My first choice of the week has to wait until I have $30, though, because Faith Erin Hicks’s Friends With Boys is priced at $15.99. Worth it! Hicks is another talented storyteller and her tale of a home-schooled girl starting high school with three brothers looming over her—but without her mother, who has recently left—is funny and sweet and very heartfelt. So when I’m done with the vampire-killings, this is the book I want to read.
For my splurge, I’ll start with the thick second volume of Archie: The Married Life ($19.99), which collects the second six issues of Life With Archie magazine. The “Archie Marries” stories are fast-moving soap operas, and this comic is one of my guilty pleasures. And then I’ll add the first volume of the Girl Genius hardcover omnibus ($34.99), which is truly a splurge as it’s a free webcomic, but I’d love to have this one in print, for keeps.