Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.
If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.
If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?
Creators | iZombie writer Chris Roberson discusses his recent public announcement that he would no longer accept work from DC Comics and his subsequent dismissal from his last writing job for the publisher. “Well, this has been building over the last few months, and mostly had to do with what I saw DC and Time Warner doing in regards to creator relations. I think the first thing — you have to understand that when I first started working for DC in 2008, the Siegels had just recaptured half of the copyright for Action Comics #1 and I felt very good about that. That seemed like a very positive step. And then over the course of the last few months there has been the counter-suit against the Siegels’ lawyer, Marc Toberoff, and I was less sanguine about that, and starting to get a little itchy about it, and then there were just a few general things about the way that it seemed that DC regards creators now that are working for them — and I can talk about that more in detail — but the real kind of proverbial straw that broke the camel’s back was the announcement at the beginning of February of Before Watchmen, which I just thought was unconscionable. And so I had already signed a contract by that point to do six more issues of iZombie, of which three of them had been turned in, and so I just made the decision to go ahead and turn in the remaining three, not wanting to jeopardize the livelihood of my collaborators Mike and Laura Allred. But once I turned in the last one, even though I had other work lined up, I would have to at least — if only for my own peace of mind — let people know that I wasn’t happy with it.” [The Comics Journal]
Following his announcement that after an upcoming arc of the Fables spinoff Fairest he’s done writing for DC Comics, writer Chris Roberson said today that the Fairest arc he was scheduled to write is no longer happening.
“Sorry to disappoint anyone, but I won’t be writing a Fairest arc after all,” Roberson said on Twitter. “It was decided my services were no longer required.”
The tweet was soon followed by a show of support from Fables creator Bill Willingham: “Not decided by me. I will work with @chris_roberson any time. Any place.”
If you missed it yesterday, Roberson announced he would no longer write for the publisher based on their treatment of other creators and their heirs. “My reasons for no longer wanting to be associated with DC don’t stem from anything to do with my personal experiences there, but from watching the way that the company has treated and continues to treat other creators and their heirs,” Roberson told CBR yesterday. “The counter-suit against the Siegel estate and the announcement of the Watchmen prequels were the specific incidents that crystallized my feelings on the matter. I’d like to make clear, though, that I have nothing but nice things to say about the editorial staff at Vertigo with whom I’ve worked for the past few years.”
Roberson, who has written not only the awesome iZombie and various Cinderella spinoff mini’s but also took over as writer of Superman after J. Michael Straczynski left the title, has taken a stand based on principle and has now paid the price by having paying work taken from him. No doubt he expected it–hell, given DC’s history, everyone probably knew this would happen–and I give him big props for doing it anyway.
And as Kurt Busiek said in our comments section yesterday, DC ain’t the only game in town. “I am privy to a little inside information of what @chris_roberson will be doing instead of his Fairest arc and it will be awesome. So there,” Willingham said.
Update: Roberson says that he has been paid for the work he’s already turned in on Fairest.
“Aside from the Fairest arc I already committed to doing, iZombie will be the last time I’ll ever write for DC,” he said, following it later with “I decided quite some time ago, but waited until after the cancellation of my book was announced to discuss it. The short version is, I don’t agree with the way they treat other creators and their general business practices.” The cancellation of iZombie, the Vertigo title Roberson does with Mike Allred, was announced at the Emerald City ComiCon earlier this month.
As for the reason for his decision, Roberson cited a recent post written by David Brothers on ComicsAlliance titled “The Ethical Rot Behind ‘Before Watchmen’ & ‘The Avengers.’” CBR reached out to Roberson for further clarification:
“My reasons for no longer wanting to be associated with DC don’t stem from anything to do with my personal experiences there, but from watching the way that the company has treated and continues to treat other creators and their heirs,” Roberson told CBR. “The counter-suit against the Siegel estate and the announcement of the Watchmen prequels were the specific incidents that crystallized my feelings on the matter. I’d like to make clear, though, that I have nothing but nice things to say about the editorial staff at Vertigo with whom I’ve worked for the past few years.”
iZombie ends with issue #28, and I don’t think the timing of his Fairest arc has been announced yet. Despite not wanting to work with DC anymore, this doesn’t spell an end to Roberson’s comics career. “I’m not going anywhere! I’ve got loads of new stuff in the pipeline,” he also tweeted last night.
(Hat tip: Bleeding Cool)
Friday update: Roberson said on Twitter that he will no longer be working on Fairest. “Sorry to disappoint anyone, but I won’t be writing a Fairest arc after all. It was decided my services were no longer required.”
The latest member of the Fables family came into the world last Wednesday, as Fairest #1 by Bill Willingham, Phil Jimenez, Andy Lanning, Andrew Dalhouse and Todd Klein. The book promises to explore “the secret histories of Sleeping Beauty, Rapunzel, Cinderella, The Snow Queen, Thumbelina, Snow White, Rose Red and others.” The first story arc picks up where Fables #107 left off, as it focuses on Briar Rose/Sleeping Beauty after she is stolen away by the goblin army.
So what do people think of this latest spinoff of the popular and long-running Fables franchise? Here’s a round-up of a few reviews …
Alex Zalben, MTV Geek: “By gobsmacking, of course, I’m referring to the plot of the issue: a thief we haven’t seen in a good long while picks up a jar we may have forgotten about, and sets in search of a lady or two who have been trapped by goblins. Much smacking of said gobs ensues… Though mostly by one of the most bad-ass wooden puppets you might ever hope to meet. And all of this involves characters or ideas that have been seeded throughout Fables the past few years, but one of the beauties of the book (beyond, you know, Sleeping Beauty) is that Willingham provides easy entry for even the newest reader.”
Don MacPherson, Eye on Comics: “There’s no denying this is a Fables spinoff. One has to be familiar with a fair bit of continuity from the mother title to figure out where the characters are in this story and what their deal is (especially Oakheart). I haven’t read Fables in a while, but fortunately, what I remember from before I stopped following the book was enough to pick up on the appropriate and required references here. Of course, not everyone will be privy to the same backstory from Fables. Of course, one could argue DC expects only Fables readers to pick up Fairest, but limiting one’s expected readership to an audience within an established audience seems like it would be setting the bar far too low. Willingham’s script really could’ve used more exposition.”
When DC Comics and comiXology initially launched their branded DC app, you could find both DC Comics and Vertigo books in it to download. The in August of 2010, all the Vertigo titles disappeared from the app’s store. The DC app is a 12+ age-rated app, and the more adult content of Vertigo books didn’t meet Apple’s standards for being aimed at 12-year-old kids. Vertigo titles were relegated to being sold through the Comics by comiXology app … at least until today.
DC Entertainment and comiXology have launched a Vertigo app to sell and promote all of Vertigo’s digital titles. To kick it off, they’re holding a three-day in-app sale on all Sandman titles, which you can download for 99 cents each.
The timing couldn’t be better, as Vertigo prepares to launch four new titles over the coming weeks, starting with the Fables spinoff title Fairest today. As for the app itself, it’s no different than the other comiXology apps in terms of functionality, at least as far as I can tell in the first few minutes of installing it. And like those apps, it will automatically sync up your digital Vertigo purchases made elsewhere when you log in.
“Making all of our digital titles available in one downloadable location provides readers even more accessibility to our vast array of ground-breaking stories. What’s better than that? I can’t wait to get the app on my phone.” said Karen Berger, executive editor, Vertigo. “With four new series launching in March, this is the perfect time for fans to download the Vertigo app and keep coming back each and every week.”
“As the digital landscape becomes increasingly crowded, this stand alone app underscores DCE’s commitment to growing and spotlighting Vertigo by directly addressing its unique reader base,” stated Hank Kanalz, senior vice president of digital, DC Entertainment. “Vertigo fans can now access same day digital content faster and more conveniently on their iOS devices.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
This is one of those tough weeks when the floppies aren’t doing it for me, so I want graphic novels, and graphic novels aren’t cheap. At the $15 level, I’ll pick up vol. 1 of Soulless ($12.99), Yen Press’s manga-style adaptation of the first volume of Gail Carriger’s Parasol Protectorate series. With a sharp-witted heroine pitted against vampires and werewolves, and detailed yet dynamic art by the talented rem, it is a solid and entertaining read.
My first choice of the week has to wait until I have $30, though, because Faith Erin Hicks’s Friends With Boys is priced at $15.99. Worth it! Hicks is another talented storyteller and her tale of a home-schooled girl starting high school with three brothers looming over her—but without her mother, who has recently left—is funny and sweet and very heartfelt. So when I’m done with the vampire-killings, this is the book I want to read.
For my splurge, I’ll start with the thick second volume of Archie: The Married Life ($19.99), which collects the second six issues of Life With Archie magazine. The “Archie Marries” stories are fast-moving soap operas, and this comic is one of my guilty pleasures. And then I’ll add the first volume of the Girl Genius hardcover omnibus ($34.99), which is truly a splurge as it’s a free webcomic, but I’d love to have this one in print, for keeps.
We don’t cover a lot of store signings, but this seems like kind of a big deal for a couple of reasons. Bill Willingham and Adam Hughes are kicking off the hotly anticipated Fairest series with a launch party/signing at The Source Comics and Games in Falcon Heights, Minnesota (a suburb of Saint Paul) on Wednesday, March 7.
Coming at a time when many readers are looking for comics that feature great female characters, Fairest focuses on the fairy tale women of Bill Willingham’s Fables. Willingham is writing the book; Hughes provides the covers.
Adam Hughes has revealed his cover for the third issue of Fairest, Vertigo’s upcoming Fables spinoff series that will spotlight such female characters as Thumbelina, Rapunzel, Snow White and Rose Red. While the six-issue initial arc, by Fables creator Bill Willingham and artists Phil Jimenez and Andy Lanning, centers on Briar Rose, Hughes puts Lumi, the Snow Queen (previously seen in the background of his cover for Fairest #1) front and center.
Check out the full image below. Fairest debuts from Vertigo in March; the third issue arrives in May.