5 Deadpool Friends & Frenemies We Gotta See in the Sequel
Film, Comic Books
Collecting | For the better part of three decades, 78-year-old Ray Brown has been “rescuing” comic books and giving them a good home — namely, his. The South Dakota man estimates his collection includes some 75,000 comics, the bulk of which he purchased from five Rapid City-area stores that went out of business. “They take up a lot of room,” he says. “They don’t eat anything, though.” Brown doesn’t read them, however; instead he simply takes pleasure in saving them from the trash bin. He does sell a few on the Internet from time to time, but he’s in no hurry to get rid them. [Black Hills Fox]
Legal | The trial began Monday in San Diego for Matthew Pocci, the driver who plowed through a crowd of pedestrians, injuring one, last year at the annual ZombieWalk, held during Comic-Con International. He;s charged with felony reckless driving. Pocci, who’s deaf, said he was frightened by the crowd, but prosecutors say he was angry and impatient. New video shows the car moving through the crowd and running over one woman. [NBC San Diego]
Political cartoons | J.J. Sedelmaier shows off some political cartoons by Winsor McCay on the topic of Prohibition, taken from a compilation, Temperance—or Prohibition?, that Sedelmaier picked up in a used bookstore. [Paste]
Political cartoons | On the 10th anniversary of the publication of cartoons of the Prophet Muhammad in the Danish newspaper Jyllands-Posten, experts and journalists reflect on the controversy that followed. While the publication of the cartoons and their aftermath have “made some journalists more thoughtful about the way they cover minority groups,” journalism professor Angela Phillips says, “In other instances I think it made quite a lot of journalists if anything less sensitive to these issues. There is in some countries an even faster recourse to a rather essentialist notion of freedom of expression.” [Agence France-Presse]
Creators | Masashi Kishimoto says he’s done with Naruto and his friends, now that the manga has ended its 15-year run, and he’s also not eager to return to the grind of a weekly series. However, that doesn’t mean he’s putting away his pen and ink. On the contrary, he has already created character designs for a new sci-fi series, and he’s interested in working with the digital magazine Shonen Jump Plus, which would be more flexible with regard to the story’s length and schedule. “Since Naruto was a bigger hit than I could ever imagine,” he said, “I’d like to aim for the next hit. I don’t know when I can announce the next manga, but because I plan on challenging myself to surpass Naruto, please wait for it.” [Kotaku]
The Kramers Ergot anthology, edited by Sammy Harkham, has had an irregular publication history, with long spaces between volumes and a different publisher every few years. The oversized Kramers Ergot 7, which stood almost two feet tall, was released in 2008 by Buenaventura Press, and Kramers Ergot 8 came out in 2012 from the now-defunct art publisher PictureBox.
So it’s big news that a new volume is on the way, this time from Fantagraphics.
Ed Piskor’s bestselling book series Hip Hop Family Tree will released beginning in August as a monthly comic, a first for Fantagraphics Books. Each issue will feature a new cover and splash page, “director’s commentary” from Piskor and other extras.
Debuting in 2013, the Eisner-nominated series chronicles the history of hip hop, tracing the genre back to its origins in the South Bronx. The 32-page first issue shines a spotlight on those break-dancers, graffiti artists, DJs and MCs who formed hip-hop culture in the early 1970s.
If you thought teaser images and announcements of announcements were strictly the domain of superhero publishers, think again.
Fantagraphics Books raised the subject of Daniel Clowes’ next graphic novel with a teaser image posted on its Twitter page:
Passings | MAD Magazine writer Tom Koch passed away March 22 at age 89. He was a writer for the Bob and Ray radio comedy show in 1957, when MAD was trying to broaden its reach by featuring work by popular comedians. Koch adapted some routines he had written, and editor Al Feldstein realized his work was a good fit and asked him to to become a contribute. He wrote for the magazine for nearly four decades, contributing more than 300 pages, but he said he was proudest of a 1965 work, “43-man Squamish.” It’s still the magazine’s most requested reprint. [News from ME, MAD Magazine]
At first glance, you might expect Lucy Knisley‘s latest travelogue Displacement to be filled with the same humor and insight as her previous books Relish: My Life in the Kitchen and An Age of License. After all, it recounts the 2012 cruise with her memory-impaired 91-year-old grandmother and physically challenged 93-year-old grandfather. Yet the quality that’s made Knisley a great storyteller — her ability to recall nuanced encounters with a blend of wit and compassion — allows her to craft a compelling and complicated account of this time spent with her grandparents.
Auctions | A page of original artwork from 1971’s Asterix and the Laurel Wreath sold at auction Sunday for more than $158,000, with proceeds going to benefit the families of those killed in the attack on Charlie Hebdo‘s offices. The art included a special dedication by Asterix co-creator Albert Uderzo, who came out of retirement in the days after the attack to draw tributes to the victims. The auction house Christie’s waived its commission for Sunday’s sale. [BBC News]
Political cartoons | Ecuadorean cartoonist Xavier Bonilla, who has been sued, threatened and reprimanded by his own government because of his political cartoons, revealed last week that he has also received threats from an Ecuadorean member of ISIS over a cartoon making fun of the extremist group. While he ultimately decided the threat wasn’t credible, Bonilla said, “It has to be understood within this climate of hostility and harassment that’s been created within the country. It’s gotten to the point where even humor is being persecuted and oppressed by the president.” Reporter Jim Wyss also looks at some other cases of government suppression of political cartoons in Latin America [Miami Herald]
As anyone who’s ever worked at a newspaper can attest, readers don’t react well to changes to the comics section, which is a major reason why so many strips trudge on, zombie-like, long after the spark of life left them. So when financial or space constraints force editors to eliminate some old favorites, they expect complaints — although not necessarily a profanity-laced tirade from an 8-year-old.
The Society of Illustrators has announced the winners of the 2015 Comic and Cartoon Art Annual competition. Olivier Schrauwen took the gold medal in the Long-Form category for Arsène Schrauwen, and Bianca Gagnarelli received top honors in the Short Form category for Fish. Lauren Weinstein won the gold medal in digital media for Carriers, her five-part webcomic about learning she and her husband both had the gene for cystic fibrosis, and therefore her unborn child might have the disease.
The winning entries will be put on display in two exhibits at the Society of Illustrators gallery in New York: The Short Form, Digital Media, and Special Format exhibit will run from June 16-July 18, and the Long Form, Single Image, and Comic Strip show will run from July 21-August 15. Many of the entries will also be on display at the MoCCA Arts Fest in April.
Here’s the complete list of winners:
Catreena Lopez told KOAT Albuquerque she was disturbed by the “pornographic” images she found in the graphic novel, which her 14-year-old son reportedly checked out Wednesday from the Rio Rancho High School library, thinking it might be manga.
Flipping through the 500-page Fantagraphics hardcover, which collects all of Hernandez’s inarguably mature-themed “Heartbreak Soup” stories from Love & Rockets, Lopez flagged 30 illustrations she considered to be pornographic.
Publishing | The French satire magazine Charlie Hebdo was teetering on the edge of bankruptcy before armed gunmen attacked its offices last month, but the outpouring of support that followed has changed the financial picture: The first issue after the attack sold millions of copies, 250,000 new subscribers signed up, and the paper even received more than $4.5 million in donations. The flush of wealth is causing dissension among the staff, Sam Schechner reports, with some arguing that the publication should become a cooperative. At the same time, they’re discussing how Charlie Hebdo will keep its edge under the new circumstances. A new issue, the second since the attacks, is out on newsstands today. [The Wall Street Journal]
Publishing | Abraham Riesman looks at the revival of Valiant, which was once the third-largest comics publisher in the United States and now, under new management, aspires to reclaim that position. The article covers the rise and fall of the original company, its rescue by now-CEO Dinesh Shamdasani, and the strategy the new Valiant has used to quickly build an audience for a different type of superhero comic. [Vulture]
Conventions | San Diego officials had to do some shuffling to accommodate the Major League Baseball All-Star Game, which will be played in the city in 2016, but they didn’t move Comic-Con International, which is only a few days later. “Their attendees are such a unique group that they don’t take well to change,” said Joe Terzi, chief executive of the San Diego Convention & Visitors Bureau. “They plan their year around this event.” [U-T San Diego]