EXCL. PREVIEW: Marvel's "Darth Vader" #9 Puts the Sith Lord at a Crossroads
Creators | Masashi Kishimoto says he’s done with Naruto and his friends, now that the manga has ended its 15-year run, and he’s also not eager to return to the grind of a weekly series. However, that doesn’t mean he’s putting away his pen and ink. On the contrary, he has already created character designs for a new sci-fi series, and he’s interested in working with the digital magazine Shonen Jump Plus, which would be more flexible with regard to the story’s length and schedule. “Since Naruto was a bigger hit than I could ever imagine,” he said, “I’d like to aim for the next hit. I don’t know when I can announce the next manga, but because I plan on challenging myself to surpass Naruto, please wait for it.” [Kotaku]
The Kramers Ergot anthology, edited by Sammy Harkham, has had an irregular publication history, with long spaces between volumes and a different publisher every few years. The oversized Kramers Ergot 7, which stood almost two feet tall, was released in 2008 by Buenaventura Press, and Kramers Ergot 8 came out in 2012 from the now-defunct art publisher PictureBox.
So it’s big news that a new volume is on the way, this time from Fantagraphics.
Ed Piskor’s bestselling book series Hip Hop Family Tree will released beginning in August as a monthly comic, a first for Fantagraphics Books. Each issue will feature a new cover and splash page, “director’s commentary” from Piskor and other extras.
Debuting in 2013, the Eisner-nominated series chronicles the history of hip hop, tracing the genre back to its origins in the South Bronx. The 32-page first issue shines a spotlight on those break-dancers, graffiti artists, DJs and MCs who formed hip-hop culture in the early 1970s.
If you thought teaser images and announcements of announcements were strictly the domain of superhero publishers, think again.
Fantagraphics Books raised the subject of Daniel Clowes’ next graphic novel with a teaser image posted on its Twitter page:
Passings | MAD Magazine writer Tom Koch passed away March 22 at age 89. He was a writer for the Bob and Ray radio comedy show in 1957, when MAD was trying to broaden its reach by featuring work by popular comedians. Koch adapted some routines he had written, and editor Al Feldstein realized his work was a good fit and asked him to to become a contribute. He wrote for the magazine for nearly four decades, contributing more than 300 pages, but he said he was proudest of a 1965 work, “43-man Squamish.” It’s still the magazine’s most requested reprint. [News from ME, MAD Magazine]
At first glance, you might expect Lucy Knisley‘s latest travelogue Displacement to be filled with the same humor and insight as her previous books Relish: My Life in the Kitchen and An Age of License. After all, it recounts the 2012 cruise with her memory-impaired 91-year-old grandmother and physically challenged 93-year-old grandfather. Yet the quality that’s made Knisley a great storyteller — her ability to recall nuanced encounters with a blend of wit and compassion — allows her to craft a compelling and complicated account of this time spent with her grandparents.
Auctions | A page of original artwork from 1971’s Asterix and the Laurel Wreath sold at auction Sunday for more than $158,000, with proceeds going to benefit the families of those killed in the attack on Charlie Hebdo‘s offices. The art included a special dedication by Asterix co-creator Albert Uderzo, who came out of retirement in the days after the attack to draw tributes to the victims. The auction house Christie’s waived its commission for Sunday’s sale. [BBC News]
Political cartoons | Ecuadorean cartoonist Xavier Bonilla, who has been sued, threatened and reprimanded by his own government because of his political cartoons, revealed last week that he has also received threats from an Ecuadorean member of ISIS over a cartoon making fun of the extremist group. While he ultimately decided the threat wasn’t credible, Bonilla said, “It has to be understood within this climate of hostility and harassment that’s been created within the country. It’s gotten to the point where even humor is being persecuted and oppressed by the president.” Reporter Jim Wyss also looks at some other cases of government suppression of political cartoons in Latin America [Miami Herald]
As anyone who’s ever worked at a newspaper can attest, readers don’t react well to changes to the comics section, which is a major reason why so many strips trudge on, zombie-like, long after the spark of life left them. So when financial or space constraints force editors to eliminate some old favorites, they expect complaints — although not necessarily a profanity-laced tirade from an 8-year-old.
The Society of Illustrators has announced the winners of the 2015 Comic and Cartoon Art Annual competition. Olivier Schrauwen took the gold medal in the Long-Form category for Arsène Schrauwen, and Bianca Gagnarelli received top honors in the Short Form category for Fish. Lauren Weinstein won the gold medal in digital media for Carriers, her five-part webcomic about learning she and her husband both had the gene for cystic fibrosis, and therefore her unborn child might have the disease.
The winning entries will be put on display in two exhibits at the Society of Illustrators gallery in New York: The Short Form, Digital Media, and Special Format exhibit will run from June 16-July 18, and the Long Form, Single Image, and Comic Strip show will run from July 21-August 15. Many of the entries will also be on display at the MoCCA Arts Fest in April.
Here’s the complete list of winners:
Catreena Lopez told KOAT Albuquerque she was disturbed by the “pornographic” images she found in the graphic novel, which her 14-year-old son reportedly checked out Wednesday from the Rio Rancho High School library, thinking it might be manga.
Flipping through the 500-page Fantagraphics hardcover, which collects all of Hernandez’s inarguably mature-themed “Heartbreak Soup” stories from Love & Rockets, Lopez flagged 30 illustrations she considered to be pornographic.
Publishing | The French satire magazine Charlie Hebdo was teetering on the edge of bankruptcy before armed gunmen attacked its offices last month, but the outpouring of support that followed has changed the financial picture: The first issue after the attack sold millions of copies, 250,000 new subscribers signed up, and the paper even received more than $4.5 million in donations. The flush of wealth is causing dissension among the staff, Sam Schechner reports, with some arguing that the publication should become a cooperative. At the same time, they’re discussing how Charlie Hebdo will keep its edge under the new circumstances. A new issue, the second since the attacks, is out on newsstands today. [The Wall Street Journal]
Publishing | Abraham Riesman looks at the revival of Valiant, which was once the third-largest comics publisher in the United States and now, under new management, aspires to reclaim that position. The article covers the rise and fall of the original company, its rescue by now-CEO Dinesh Shamdasani, and the strategy the new Valiant has used to quickly build an audience for a different type of superhero comic. [Vulture]
Conventions | San Diego officials had to do some shuffling to accommodate the Major League Baseball All-Star Game, which will be played in the city in 2016, but they didn’t move Comic-Con International, which is only a few days later. “Their attendees are such a unique group that they don’t take well to change,” said Joe Terzi, chief executive of the San Diego Convention & Visitors Bureau. “They plan their year around this event.” [U-T San Diego]
For comics fans, Black Friday was only the warm-up, as a number of companies are also holding sales today for Cyber Monday. From graphic novels and digital comics to art books and superhero-themed apparel, there’s likely something to be found for the fan in your life (even if that means picking up a little something for yourself).
Most of the deals end at midnight tonight, so don’t procrastinate. And if you’re aware of a a Cyber Monday sale we missed, let us know in the comments.
• Marvel has undertaken its own roundup, highlighting deals from its partners. In addition, this week a subscription to Marvel Unlimited is just 75 cents for the first month for new or former subscribers (it’s usually $9.99).
• You have until 11:59 p.m. PT to take advantage of Image Comics’ big Cyber Monday sale: 50 percent off all digital titles on the publisher’s online storefront.
Legal | The Malaysian cartoonist Zunar is being investigated once more under the country’s Sedition Act, his lawyer revealed Tuesday. Three of Zunar’s assistants were arrested last week for selling two of his books, neither of which has been officially banned, and his webmaster has been summoned to talk to police on Thursday. Zunar has also been called in for questioning at a future date. What’s more, the Malaysian Home Ministry has appealed the Court of Appeals’ decision to remove the ban on two of Zunar’s other books. [Malaysia Chronicle]
Publishing | Red Giant Entertainment has announced that retailers ordered about 900,000 copies each of its four anthology comics, which are ad-supported and will be given away for free. The company, which also releases digital comics and paid print comics, kicked off this program with a package of four zero issues on Free Comic Book Day. [ICv2]
Manga | Masashi Kishimoto’s Naruto comes to an end in next week’s issue of Shonen Jump, but it’s not going away. Already side projects are popping up, including a miniseries that will launch in the spring, marking the 15th anniversary of the manga, and a series of novels about the different characters in the franchise. It all seems to be part of something bigger, the “Naruto Shin Jidai Kaimaku Project” (Naruto‘s New Era Opening Project), and the official Naruto website has a countdown to an announcement on Monday. [Anime News Network]
Digital comics | Tom Spurgeon talks to comiXology’s Chip Mosher about the comiXology Submit program, which is tailored for small publishers and self-published work. To prepare for the interview, Spurgeon gathered questions from creators at the Small Press Expo (which comiXology co-sponsored), and he talks to Mosher about the nuts and bolts of the Submit program, including payments, processing and the willingness to handle unusual formats. “We’ve had people sell thousands of copies and we’ve had people sell one or two copies,” Mosher says. “People have told me they’ve paid their rent with money from Submit. Or they were able to work on more comics with the money they made from Submit. It’s great to offer our customers such diverse comics from the program and at the same time be able to support the creation of more diverse work.” [The Comics Reporter]