What's the Deal With [SPOILER] in "X-Men: Apocalypse's" Post-Credits Scene?
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In, this final round, we hear from Vito Delsante, Jacq Cohen, Mark Sable, Dean Haspiel, Joshua Williamson, Jordie Bellaire, Paul Allor, Adam P. Knave, Tim Gibson, Bryan Q. Miller, Nathan Edmondson, Ann Nocenti, Jason Latour, Paul Tobin, Ming Doyle, Jeff Parker, Francesco Francavilla and Gabriel Hardman.
And if you missed them, be sure to check out Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6 where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson, Kurt Busiek, Faith Erin Hicks, Tyler Kirkham, G. Willow Wilson and many more.
Two elements of Stuart Moore and Gus Storms‘ new Image Comics series EGOs make me exceedingly eager to read the first issue: the flawed marriage at the heart of the title (automatic fodder for great drama), and a foe that’s a living galaxy.
To get a better understanding of EGOs, which debuts Jan. 15, I pelted the creators with a series of questions. Moore has a grasp of the comics medium (and its unlimited potential) in a manner few others possess, so to say it was a delight to chat with him and Storms is an understatement. How strong is EGOs? As noted in our discussion, it has Saga writer Brian K. Vaughan as its guardian angel. What more needs to be said? Well, I’m a sucker for any series with a broken-down cyborg. I needed to say that.
Small press publisher 2D Cloud will have two new books debut at this year’s Toronto Comics Arts Festival. One of those is Rudy by Mark Connery, which we mentioned on Wednesday. The other is Detrimental Information by John and Luke Holden. Critic and blogger Rob Clough describes the Holdens as “two brothers with a touch for the bizarre and grotesque” and “a deadpan, absurd sense of humor perfectly offset by the scrawled, often manic nature of their linework.”
2D Publisher Raighne Hogan provided us with a eight-page preview of their upcoming book, which is expected to arrive in stores in the spring. Check it out below.
One of the real thrills of the U.K.’s graphic novel renaissance of recent years has been the reemergence of Rob Davis as a major talent. Both his short works for various sources (like “My Family And Other Gypsies” and “How I Built My Father”) and the longer-form Nelson, the format-busting anthology he co-steered to the prize for Best Book at the first British Comics Awards in 2012, reveal an artist whose greatest theme might be familial dysfunction. Davis’ next work will be The Motherless Oven, which looks like it’ll also be mining that rich seam of material. It’ll be released by SelfMadeHero, the U.K. imprint that published Davis’s impressive adaptation of Cervantes’ Don Quixote.
Here’s how editor Dan Lockwood describes the book:
The comic stars a three-legged dog named Piggy, who gains super powers and fights crime. He’s actually based on Emko’s real-life three-legged dog, who has quite the origin story of his own. I spoke with Young and Emko — whose “day jobs” have included being an anti-whaling “pirate” with Sea Shepherd and the founder of Darwin Animal Doctors — about the project and much more.
Monkeybrain Comics has provided ROBOT 6 with sneak peeks at its January titles: Anti-Hero #6, The Army of Dr. Moreau #3, Bandette #6, Copernicus Jones: Robot Detective #1, D4VE #2, Edison Rex #13, Red Light Properties #7: Golden Palms Part I, Strange Nation #4 and Theremin #4.
All titles will be available for purchase from comiXology.com.
New York-based cartoonist Gregory Benton has had a whirlwind of a year, with his self-published graphic novel B+F winning the 2013 MoCCA Award of Excellence and getting picked up for a joint French/English publication.
However, the ideas for what became B+F were created in the middle of Benton losing almost everything. The characters of B+F (“B” is the yellow dog and “F” is the woman) were first dreamed up by him in the aftermath of a massive storm in 2011 that flooded his studio, washing away years of his most precious art. That very real conflict of man versus nature lit a fire in Benton, leading him to doodle those two characters.
Fast-forward to today and Benton is back on top, with AdHouse Books and Éditions çà et là partnering to publish the mostly worldless graphic novel with its scheduled premiere in a matter of days.
B+F follows the titular dog and human as they trek across an otherworldly landscape of mountains, monsters, and fiery fauna. B and F face many obstacles, and find unique ways to overcome them — even sometimes involving dying and being reborn.
ROBOT 6 spoke with Benton about the unique path B+F took to creation, and how he won MoCCA’s Award of Excellence but was too busy printing the book to attend the awards ceremony.
Linthout’s first book on these shores was The Years of the Elephant, about a father trying to cope with his son’s suicide, published in 2010 by Fanfare/Ponent Mon. This new book, Conundrum’s description notes, is a sequel to Years, which won the Flemish Bronzen Adhemar.
[What We Need to Know] uses a wide-angle lens to encompass the entire family, specifically three brothers who each need to cope with their own ghosts. The style of both these autobiographical books is done in pencils without inks, in other words a rough and unfinished look, which perfectly matches the psychological state of the characters. Fortunately, they can consult “The Book” in emergencies. In that magic reference work, the famous artist WL’s mother has collected innumerable facts, recipes, and advice, in essence, what we need to know about life.
Conundrum was kind enough to provide us with a preview of the book, which you can see below.
When I set out to conduct an interview, particularly when it’s focused on one project, I usually expect the conversation to go in a certain direction. I concede that this Q&A with Zero writer Ales Kot surprised me in its ability to venture into a variety of topics, including genetic memory, synchronicity and the importance of honesty in branding.
Tim O’Shea: How early in the development of Zero did you realize you wanted to use a variety of artists?
Ales Kot: Pretty much right in the beginning, if I remember correctly. The choice was a storytelling decision and a way to work with many artists I am interested in at the same time. I believe a narrative doesn’t have to be conventional in the way it is depicted (i.e. one artist for the story) in order to achieve clear communication of itself. Clearly I am right but really how hard is that to figure out? People who read comics are smart and wonderful and hungry for new stories and new ways of telling them. We live in a world that carries easiness of sensory overload within itself and our encounters with said sensory overload can teach us how to modulate/expand our perceptions. We are mutants. My approach to Zero is that of acknowledging and embracing evolution as a gift. That is one of the reasons why a variety of artists is correct here. Another reason would be because I simply felt like it.
Canadian purveyor of fine comics Renegade Arts Entertainment has sent along some preview images from its 2014 slate.
I’ve recently spotted Dept. of Monsterology artist Paul “PJ” Holden tweet of his disappointment that the positive buzz and great reviews for the comic haven’t necessarily translated into sales, and that’s a shame. The first three issues were among my favorite comics of 2013, jam-packed with old-school pulp action, with writer Gordon Rennie filling it with Easter eggs to be spotted by fans of classic sci-fi and horror.
I’d heartily recommend it to fans of the Mignola-verse, Doug Moench’s Master of Kung Fu comics, or Moore and O’Neill’s League of Extraordinary Gentlemen. 2014 will see the first miniseries end, to be collected as a trade paperback at some later point, and hopefully we’ll also see a second series commissioned soon, too.
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In this round, we hear from Greg Pak, G. Willow Wilson, Joshua Hale Fialkov, Joe Harris, Mike Norton, Caleb Goellner, Buster Moody, Peter Birkemoe, Ben Towle, Mike Baehr, Christopher Butcher, Paul Maybury, Joey Esposito, Benjamin Bailey, Shannon Eric Denton, Dusty Higgins, Kevin Colden, Frank Barbiere and Jamie S. Rich.
And if you missed them, be sure to check out Part 1, Part 2, Part 3, Part 4 and Part 5, where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson, Kurt Busiek, Faith Erin Hicks, Tyler Kirkham and many more.
Cartoonist Sam Alden has had quite a year in 2013 — and 2014 looks to be in even better.
The artist, who won this year’s Ignatz Award for Promising New Talent for his work on Haunter and Hawaii 1997, will release Wicked Chicken Queen through Box Brown’s Retrofit Comics. Debuting in February, Wicked Chicken Queen will be Retrofit’s flagship book for spring 2014, to be joined by comics from Zac Gorman and Madeleine Flores.
Retrofit has given ROBOT 6 the exclusive first look at the cover to Alden’s next work, which we’re happy to show off here.
London-based small press publisher Breakdown Press hasn’t been around very long, but it already has an ambitious line-up planned for the new year.
Having already published books by such intriguing up-and-coming artists as Connor Willumsen and Richard Short, Breakdown’s 2014 line-up includes Mutiny Bay by Antoine Cosse, a 16th-century epic about two of Magellan’s men who end up marooned, and Good News Bible: The Deadline Strips of Shaky Kane, which collects all the work The Bulletproof Coffin artist did for the ’90 British comics magazine.
Below you can find some exclusive preview pages, as well as details from the publisher.
Remember last new year, when we published these season’s greetings from ROBOT 6 favorite Edmund Bagwell? Well, he’s sent along this sequel.
It’s been a busy couple of years for Bagwell, who’s become 2000AD‘s go-to guy for projects needing some cosmic-scaled psychedelia, with his recent work on Rob Williams’ ‘The Ten-Seconders’ being a particular treat. Everything I said last year remains true, I’d love to see him take on some of Marvel or DC’s Kirby legacy characters at some point. Hey, Marvel is relaunching Silver Surfer again soon, right? Surely, Mike Allred could do with a fill-in artist sometime?
We’ve been hearing about what comics various industry folks enjoyed in 2013 in our Looking Forward, Looking Back series, and now it’s our turn: ROBOT 6 contributors share their favorites from 2013, which include Hawkeye, Marble Season, East of West and Batman.