Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
The Monday before Halloween, as well as the Monday before the release of the Beasts of Burden/Hellboy one-shot (Set for release this Wednesday from Dark Horse), was the ideal time for an interview with writer/artist Jill Thompson. October has been busy for Dark Horse and Thompson, given that earlier in the month the publisher released the new hardcover Scary Godmother collection of the four “Eisner Award-winning, fully painted children’s books … (Scary Godmother, Revenge of Jimmy, The Mystery Date, and The Boo Flu)”. The prospect of new Scary Godmother was a great topic to cover with Thompson, as well as learning her thoughts on how she creates certain tales and how organic the creative process is for her. Thanks to Dark Horse’s Jim Gibbons for arranging this interview, and I offer a great deal of gratitude to Thompson for this discussion.
Tim O’Shea: How satisfying is it to have all of the fully-painted Scary Godmother stories repackaged into one book? You considered teaming with different publishers to collect the stories, but what factors motivated you to go with Dark Horse?
Jill Thompson: Well, the original books, published by Sirius Entertainment had been out of print for a long while and I was very anxious to find a way to get them back out to the reading public. Since there are two animated specials in seasonal rotation on the Cartoon Network I knew there were a great many new fans I could introduce or reintroduce to the original material. I’m so happy that the book is back in print and available at comic shops and bookstores and online.