First Second Archives - Page 3 of 15 - Robot 6 @ Comic Book Resources
Gene Luen Yang’s two-volume Boxers & Saints is among the finalists for the 2013 National Book Award for Young People’s Literature. His 2006 work American Born Chinese was the first graphic novel to be nominated for a National Book Award.
Published by First Second Books, Boxers & Saints tells two parallel stories set against the backdrop of the Boxer Rebellion: the first is of Little Bao, a peasant boy who joins in the violent uprising against Westerners following the destruction of his village; and the second is of a girl taken in by Christian missionaries when her village has no place for her. Boxers & Saints was released just last week.
Conventions | The inaugural Salt Lake Comic Con, which sold 50,000 tickets in advance of the Sept. 5-7 event and reportedly drew an additional 20,000 attendees, has rekindled discussion about a new mega-hotel in downtown Salt Lake City Utah. The proposed $350 million project, which would have been funded in part with tax dollars, was narrowly defeated by the state legislature in March. [Fox 13 News]
Creators | Art Spiegelman talks about his life and work, touching on writing vs. art, how Maus came into being, and his lack of depth perception: “I don’t really see stereo, so it’s not good for getting in and out of cars, but when I draw something, it looks real.” [NPR]
Tony Cliff didn’t have to escape jail, run from enraged armies or travel in flying ships to complete his debut graphic novel Delilah Dirk and the Turkish Lieutenant, but it wouldn’t surprise me a bit if he had. The energy he invests in his story of a globetrotting, devil-may-care adventurer and the reluctant but noble soldier who inadvertently ends up tagging along suggests Cliff has a bit of the thrill-seeker in him, or at least in his pen.
Wanting to learn more about this former Flight cartoonist and his new book, I lobbed a bunch of questions to Cliff, who was nice enough to lob the answers back my way.
Robot 6: How did Delilah Dirk come to be? What was the original idea behind the character, and how did it change from the initial webcomic to Turkish Lieutenant?
Tony Cliff: It started off as a 30-page comic that I thought I’d put together just as a fun thing to do. I’d been reading a lot of Napoleonic War-era novels and wanted to make something in the same time period, with the sort of spirit I’d enjoyed in Indiana Jones and James Bond movies. Something fun, with a bunch of action and a variety of colorful settings.
I combined that first comic with a short story from the Flight anthologies, added a hundred pages to combine the two, and that became The Turkish Lieutenant as it appeared online. The print edition is more or less the same as the webcomic, though some of the text’s been finessed and there are roughly a dozen new pages of what has been described as “Delilah and Selim being cute in the woods,” a description whose accuracy I cannot dispute.
Conventions | The fourth Cincinnati Comic Expo kicks off Friday, just a week after the inaugural Cincinnati ComicCon, but administrator Matt Bredestege says he thinks his show has a broader appeal: “We are more of a multigenre show. We have a lot of celebrities and vendors that aren’t comic-related. There’s also more cosplay (costuming) and activities for the kids.” Still, he says, local comics creators are the backbone of the show. The comics guest list includes Dough Mahnke, Art Baltazar, Eddy Barrows, Andy Bennett, Heather Breckel, Rich Buckler, Mike McKone, Yanick Paquette and Thom Zahler. [Journal News]
Creators | Writer Geoff Johns talks about the DC Comics crossover Forever Evil and how it will upend the publisher’s superhero universe while making an unlikely hero of Lex Luthor. [The Detroit News]
Following the release of Tony Cliff’s 19th-century adventure Delilah Dirk and the Turkish Lieutenant, First Second has announced a second book, tentatively titled Delilah Dirk and the Blades of England.
As ROBOT 6 contributor Tom Bondurant recounted in Monday’s “Cheat Sheet,” the thief whose wit is as sharp as her sword debuted in 2007 in the self-published 28-page Delilah Dirk and the Treasure of Constantinople, which earned an Eisner nomination and a devoted fan base, leading Cliff to continue the character’s adventures online. That material was then collected in graphic novel form by First Second.
Conventions | The Taipei Comics Exhibition drew 582,000 people this year, up from 560,000 last year, with more than 450 booths and appearances by 49 creators, 25 of them from Taiwan. Roger Kao, one of the organizers, said that sales of Taiwanese comics were up, perhaps because of the personal appearances. [Taipei Times]
Conventions | Graeme McMillan notes some comments by First Second’s Gina Gagliano about the cost to publishers, in time and money, of attending comics conventions. [The Hollywood Reporter]
Creators | Unshelved co-creator Gene Ambaum talks with Lucy Knisley about her graphic novel Relish and food in general. [Unshelved]
I’m not sure how this slipped beneath the radar, but BoingBoing has debuted the trailer for Paul Pope’s long-awaited graphic novel Battling Boy, and it’s kind of great. There’s also a preview, part of which we’ve seen previously.
Arriving Oct. 8 from First Second, Battling Boy centers on on the son of a war god — he’s been characterized as a “haughty yet naïve superboy” — who’s sent by his father to rid the Monstropolis of monsters after Haggard West, the previous protector of the continent-sized city, is assassinated. There’s also West’s daughter Aurora, a wannabe hero with a taste for vengeance. (Haggard West starred last month in his own one-shot, which of course ended poorly for the hero. “Haggard is dead for good at the end of this one-shot,” Pope told Comic Book Resources, “but his tragic ending sets a much larger wheel in motion, which sucks in the realms of gods and monsters, battling it out in the realm of humans.”)
A second volume of Battling Boy is targeted for release next year.
Failure (Alternative Comics): Faithful readers of ROBOT 6 may recall the name of cartoonist Karl Stevens from a fall 2012 story about his Boston Phoenix strip Failure being canceled after an installment referred to Bud Light — one of the paper’s advertisers — as “diluted horse piss.” The Phoenix denied this at the time, and, coincidentally, several months later ceased publication all together (after a brief time in which it was split into five different newspapers with five different editors — Cyclops, Emma Frost, Namor, Colossus and Magik — until Cyclops assumed control over all five papers and it took the combined might of all of the Avengers to stop him … there’s a comic book joke for you!).
While that history may not be particularly relevant to readers, Stevens covers his side of the incident in his introduction to the Failure collection, which packages the final installments of his strip — right up to, and a few past, the “horse piss” one — into 150 pages of gorgeously drawn material.
What is important is that this is some great work, of the must-read variety. Failure, at this point in its existence, had become a sort of slice-of-life strip, with one to four panels devoted to anecdotes from his own life, including his relationship with his girlfriend, funny things his friends said or funny things he overheard. There are, additionally, plenty of flights of fancy starring his descendant in the far-flung future, and recurring characters like Bongbot, a time-traveling robot bong, and Pope Cat, a cat who is also the pope (if I’ve got that right).
What keeps Failure from being as mundane as you might imagine it, based on how I just described its premise, is what an incredible artist Stevens is. He works in a lush, highly detailed, representational style, as if he were drawing portraits rather than cartoons. Check this out:
Lucy Knisley’s Relish: My Life in the Kitchen has been one of the most talked about graphic novels of the year since its debut in April at the MoCCA Arts Festival. That’s not too surprising, as the emotional pull of food and the way it intermingles with family and other relationships often makes for compelling reading. In Relish, Knisley has put together a series of short stories about her foodie parents and her own experiences in and out of the kitchen and accompanied them with some favorite recipes, all illustrated in her loose, colorful style.
For a while it seemed like everyone in the world was interviewing Knisley, and as someone who enjoys a good food story, I didn’t want to be left out.
Brigid Alverson: Obviously food is very important to your family, but why did you think it was a good theme for a memoir?
Lucy Knisley: Sense memory is a great connection to our past! I grew up with a family that cares a lot about food, and learned from them how to care about food. I have so many wonderful memories associated with foods, it makes perfect sense to tell these stories centered around the food I love.
In the prose world, food writing has become its own genre. Do you have any favorite food writers?
Lately I love David Lebovitz‘s food writing — he has a great (and hilarious) voice, and writes quite a bit about Paris (which I love) and chocolate (ditto).
BookExpo America takes place the Javits Center, just like New York Comic Con, but it’s a completely different kind of show. It’s a trade show, not a consumer show, so the folks in the aisles aren’t fans looking for a fix, they are potential customers to be wooed. And what you see there is a pretty reliable guide to what everyone will be talking about in a couple of months.
So if you happened into the little graphic novel enclave at the right time, you might see Gene Luen Yang sitting there, pen in hand, ready to autograph a free Avatar graphic novel for you, or maybe Rep. John Lewis, the civil rights pioneer, sitting next to Andrew Aydin, with ashcans of their graphic novel about Lewis’ life, March, and while you might have to wait a few minutes for your turn, you wouldn’t have to stand on the sort of long lines they might draw at San Diego. The pace is more leisurely than a comic convention — the creators chat as they sign your comics — and the blasting noise of video game and movie displays is blissfully absent.
It’s true there aren’t a lot of comics publishers at BEA, although there are a fair number of book publishers who include comics in their lines. Abrams didn’t send their ComicArts people, but if you consider Diary of a Wimpy Kid to be a comic (I’m always happy to claim that one for our side), then they were well represented, and many attendees had Wimpy Kid stickers on their badges.
The next project from Gene Luen Yang, creator of American Born Chinese, is a set of two graphic novels that tell both sides of the story of the Boxer Rebellion, the anti-foreign, anti-Christianity, pro-Nationalist movement in China circa 1899-1901. One of the books is about a peasant who joins the Boxers, while the other is about a woman who converts to Catholicism. The books will be sold individually or as a boxed set.
There are just two things I didn’t really like about Nothing Can Possibly Go Wrong, the new young-adult graphic novel by writer Prudence Shen (making her comics debut) and artist Faith Erin Hicks (Friends With Boys, The War at Ellsmere, Zombies Calling, other stuff). And they are minor things — quibbles, really — but I’m going to go ahead and lead my review with them anyway, as otherwise I have nothing but gushingly nice things to say about the comic, and I would hate to lose my reputation as a hard-to-please critic.
First, the supporting character Ben (second from the right on the cover) looks so much like actor Richard Ayoade that I found much of his panel-time during my first reading distracting, as I kept trying to place where I’ve seen him before.
Second, two other supporting characters are twin roboticists, and, naturally, when I think of twins who are also roboticists, I think of Kyle and Ken Katayanagi, Ramona’s fifth and sixth evil exes from Bryan Lee O’Malley’s Scott Pilgrim series. While the designs of the two sets of twins are pretty different, I think Hicks’ style bears a close enough resemblance to O’Malley’s (a little in the eyes, a lot in the manga-influenced action scenes) by dint of the two artists sharing similar influences, that the feeling of “Hey, haven’t I seen these guys before?” may be exacerbated. At least among the younger, more casual, more mainstream comics readers that this book is likely to appeal to (and by that I mean this is a comic that readers will be finding in bookstores and libraries more often than the comic book stores they visit once a week; it’s a comic for people who don’t already have a life-time habit of comics, in addition to those that do).
Passings | Silver Age artist Dan Adkins died earlier this month at the age of 76. Adkins, who began with self-published zines before becoming a freelance illustrator, served as Wally Wood’s assistant. As a member of Wood’s studio, he was one of the original artists for T.H.U.N.D.E.R. Agents. Adkins was a prolific penciller and inker for numerous publishers, from DC Comics and Warren Publishing to Harvey Comics and Marvel, notably drawing 132 covers for the latter. He talked in detail about his career, and working with Wood, in this interview with Alter Ego. [News from ME]
Kickstarter | Jeff Yang analyzes why Jonathan Coulton and Greg Pak’s Code Monkey Save World Kickstarter, which started with a single Tweet, was destined for success, and he talks to both creators about how it came to be. [Speakeasy]
Today is one of my favorite days of the year, as most Major League Baseball teams have their opening day. In late February, when writer/artist Matt Kindt tweeted that he was returning from a St. Louis Cardinals spring training trip to Florida, I got him to agree to an interview on the spot.
This exchange took place before Dark Horse’s WonderCon announcement that Kindt’s series, Mind MGMT, would have a finite 36-issue run.
In addition to discussing his Dark Horse series, and our shared appreciation of baseball (despite his Cardinals eliminating my hometown Atlanta Braves from playoff contention last season), we delve into the May 7 release of his First Second book, Red Handed: The Fine Art of Strange Crimes. There are few storytellers that set a narrative environment as uniquely as Kindt can. This go-around he establishes the city of Red Wheelbarrow to serve a larger homage to classic detective fiction.
For additional insight into Kindt’s work on Mind MGMT, be sure to read Jeffrey Renaud’s CBR interview with the writer/artist from early February.
As a longtime fan of Kindt’s narrative sensibilities, I hope he gets in contact with the right folks with the MLB in order to pursue that baseball project.
Crime | Comix Experience in San Francisco was robbed at gunpoint Friday afternoon, with two young men demanding that owner Brian Hibbs empty the cash register containing about $75 and turn over an iPhone used for credit card transactions. A Lower Haight neighborhood blog interviewed Hibbs about the incident: “Divis [Divisadero Street] is generally pretty safe these days, so I was a LITTLE shocked at, y’know, a ‘brazen daylight armed robbery’ of it — but I am kind of more shocked that anyone thought that a comic book store was a high value target about an hour after they opened. Hell, life is like 85% credit cards these days, so even at our fattest there’s seldom enough to risk that kind of jail time, in my opinion …” [Haighteration]
History | Scholar Carol Tilley gives a first-person account of her research on Fredric Wertham, the super-villain of comics history, and how looking through his papers led her to an unexpected conclusion: His published works misrepresented what his research subjects had told him: “For many hard-to-articulate reasons, I didn’t want to write the scholarly paper on Wertham and the problems I found in his evidence, but not to write it seemed a disservice to the young people whose words and experiences Wertham distorted to help make his case against comics.” [Boing Boing]