Conventions | John Giuffo does a compare-and-contrast between Comic-Con International and New York Comic Con. While San Diego has more Hollywood presence, NYCC has grown with stunning rapidity — it’s hard to believe that first event had just 25,000 people and shared the Javits Center with a travel convention; this year attendance was 116,000, gaining hard on San Diego’s 125,000. One key difference is that CCI spills out of the San Diego Convention Center into the surrounding neighborhood, which has restaurants and bars and parks, while the area around the Javits is pretty barren, limiting opportunities for parties or even a decent lunch, let alone the sort of outside activities that have sprung up in San Diego. [Forbes]
Legal | A Missouri man has pleaded guilty to federal obscenity charges stemming from comics depicting minors having sex with adults and other minors. The prosecutor has asked that he be sentenced to three years in federal prison without parole. [Anime News Network]
As Brigid reported earlier this month, Mark Siegel is on tour promoting his new graphic novel Sailor Twain (which I reviewed here on Robot 6). First Second has photos from one of those events, the book’s launch party on board an actual boat that sails on the Hudson River, the Clearwater. Most of Sailor Twain takes place aboard a Hudson River steamboat, so the Clearwater was an especially appropriate venue even though it’s a sailboat and doesn’t run on coal. First Second marketing director Gina Gagliano speculates that “maybe they are all gone because it is not the eighteen hundreds anymore?”
Hit the jump to see the Hudson from the sloop’s bow as well as pictures of honest-to-Neptune Sailor Twain wine. And if that’s not enough for you, heed the siren call of the First Second blog for even more.
Comics | Ahead of Joe Quesada’s appearance tonight on ABC’s Jimmy Kimmel Live, and the debut Wednesday of Uncanny Avengers, Marvel unpacks its Marvel NOW! initiative for the national press. “This ain’t a reboot, we’re simply hitting the refresh button. ‘Marvel NOW!’ simply offers a line-wide entry-point into the Marvel Universe that you’re already reading about,” Editor-in-Chief Axel Alonso says. Tom Brevoort, senior vice president of publishing, calls it “a game of musical chairs” for creators, who will be switched around to make things interesting. [The Associated Press]
Creators | Writer Gail Simone discusses the coming battle between Batgirl and Knightfall in Batgirl #13, as well as the impending return of The Joker: “The Joker is really the Elvis of comic-book villains. There’s no one with his primal star power, there’s no one else anywhere who has sent more chills up the spines of readers, because there genuinely is something terrifying about him.” [USA Today]
As we noted earlier, Mark Siegel has been writing some diary posts at The Comics Journal’s website; in yesterday’s post, he casually dropped an exciting bit of news: First Second will be publishing … something … with art by Becky Cloonan. No details, but he posted this sketch, which should give a good flavor of what’s in store. Cloonan posted the sketch on Twitter and remarked that it is “something longer I’m starting next summer …” And that’s all we have for now.
Conventions | MorrisonCon and the Las Vegas Comic Expo aren’t the only comic conventions this weekend (more on them shortly): There’s also Wizard World Ohio Comic Con in Columbus, and Asbury Park Comic Con in New Jersey. Last year, Wizard took over Mid-Ohio Con and turned it into Wizard World Ohio Comic Con, and on the eve of this year’s event, the local alternative weekly looks at how the event has changed and what to expect. Meanwhile, Saturday’s Asbury Park Comic Con gets back to basics: “The problem that I have with the big comic conventions is that they’ve turned into pop culture conventions and it’s anything goes —anything from video games to wrestlers and bands, stuff that has nothing or very little to do with comics. What we want to do is bring it back to what brought us all together — our passion for comics,” says co-founder Cliff Galbraith. The event, which is being held in a rock club/bowling alley, features such comics guests as Larry Hama, Evan Dorkin, Sarah Dyer, Dean Haspiel, Seth Kushner and Reilly Brown. [The Other Paper, Asbury Park Press]
The newest graphic novel from First Second Books is Nothing Can Possibly Go Wrong, adapted by Faith Erin Hicks from a novel by Prudence Shen. As they did with Americus and Hicks’ earlier graphic novel Friends With Boys, First Second will serialize the entire story online before releasing it in print. The webcomic launches with the entire first chapter, which sets up the conflict nicely: The science club must battle for funds with the cheerleaders; will the money go for robot parts or “hoochie outfits”? Shen and Hicks also manage to introduce a decent-sized cast of characters and sketch out their personalities a bit with a minimum of boring expository dialogue. I’m looking forward to seeing where this goes!
Legal | Marvel has sued a Jerusalem retailer for $25,000, claiming the well-known Kippa Man store is infringing on its trademarks by selling unlicensed yarmulkes bearing Spider-Man’s likeness. “A reasonable consumer could be fooled into thinking that the infringing product is manufactured and/or sold by the plaintiff with the knowledge and/or approval of the defendant,” Marvel said in its complaint. Kippa Man owner Avi Binyamin notes the yarmulkes are manufactured in China, and that he only sells them. “There are 20 stores on this street, they all sell the same thing,” he told The Jerusalem Post, theorizing that he’s being targeted because his store is well known. The Times of Israel characterized the lawsuit as “the first move by Marvel against what it perceives as widespread copyright infringement in Israel, where products featuring its copyrighted superheros are commonly sold.” [The Jerusalem Post, The Times of Israel]
Conventions | Coming up this weekend: Stan Lee’s Comikaze in Los Angeles, featuring special guests Todd McFarlane, Neal Adams and Marv Wolfman. Attendance is expected to reach 60,000, which is a pretty big number for such a convention that’s only in its second year. [Hero Complex]
Conventions | James Sime, owner of Isotope Comics and one of the organizers of MorrisonCon, talks about, well, Isotope Comics and MorrisonCon, and what it was like translating the world of writer Grant Morrison into a comics event: “The *promise* of MorrisonCon is this crazy, life-altering weekend where you’re plugged directly into this swirling world of brilliant ideas, offbeat interests, mad obsessions, and personalities who fire Grant’s creativity. We had to make that promise real, to translate as many improbable concepts and even random off the cuff Morrison riffs as possible into the tangible world. To render all that into nightclubs and hotel rooms and meeting space chairs and places for awesome humans to meet and mingle. We all agreed, it just wasn’t worth doing unless we could live up to that promise, to truly make something worthy of the name MorrisonCon… and go far beyond it.” [Three If By Space]
I wasn’t very familiar with Ben Hatke‘s work before I met him in 2010 at the Small Press Expo, apart from reading his contribution to the second Flight anthology. So I was pleasantly taken by surprise at how charming his debut graphic novel, the all-ages Zita the Spacegirl, is. The book, about a young girl who is inadvertently transported to another galaxy full of strange and fearsome aliens, adheres closely in style to many well-worn fantasy adventure comics. But it manages to stand out from the pack with a cast of broad, engaging characters, an appealing heroine, and some smartly (and tightly) paced actions scenes.
Now Hatke has a sequel, Legends of Zita the Spacegirl, which finds the pint-sized interplanetary traveler struggling to cope with her new-found celebrity, and encountering a would-be impostor who’s more than happy to taker her place.
I talked with Hatke about the new Zita book, how he became a cartoonist, and his goals for the series.
Although I sometimes revisit old favorites of mine, I never re-read a book as soon as I’m done with it. Ever. Life’s too short, and I have too much on my reading pile, so it just isn’t done. It is a Rule. But it’s a rule I broke with Sailor Twain.
When I finished it the first time, I had a feeling similar to the one I had after seeing The Sixth Sense. Sailor Twain doesn’t rely on a big reveal at the end the way that movie does – Mark Siegel unpacks the mysteries of his story slowly and all along its course – but at the end I still wanted to go back and re-read earlier chapters knowing what I’d learned in later ones. And the experience of the book was so enchanting the first time that I wouldn’t mind reliving that again as well.
Sailor Twain begins at the end with the title character Captain Elijah Twain sitting with a beautiful woman in a rough-looking pub near the Hudson River. They’re impatient with each other. She’s eager to learn what he knows about the death of someone they were both close to; he’s eager not to tell her. But she presents a curious stone on a necklace, and that’s enough to make him tell the tale.
Comics | The negatives for Cerebus: High Society were destroyed last week in a fire that gutted a building in Waterloo, Ontario, that contained the apartment of Sandeep Atwal, communications director for Dave Sim’s Aardvark-Vanaheim Inc. According to Sim, Atwal, who had been scanning artwork for the Kickstarter-funded audio/visual digital edition of High Society, escaped with only his wallet and the clothes he was wearing. “So, I thought I’d better let everyone know that we’re definitely not on track for the September 12 launch at this point,” Sim wrote. “I don’t expect that I’ll hear from Sandeep for at least a few days — he’s staying with friends and obviously has a lot more important things to think about than HIGH SOCIETY DIGITAL.” Cerebus Fangirl has begun collecting donations to help Atwal. [A Moment of Cerebus, via The Beat]
Digital comics | The Japanese web portal JManga today launched an unlimited-access site JManga7, although it won’t be putting any actual content on it until October. Unlike JManga, which sells digital manga one volume at a time, JManga7 operates on an “all-you-can-eat” model, with single chapters of a variety of titles available for free, and a wider selection with a paid subscription. The site will be updated daily and will include a mix of genres, with some new content that is being published close to its Japanese release date as well as some older series. The idea is for readers to check out the manga at JManga7 and ultimately buy them for keeps at JManga. To encourage readers to pre-register, JManga is raffling off seven Nexus 7 tablets and seven free subscriptions. Plans for the site were unveiled last month at Comic-Con International in an exclusive interview with Comic Book Resources. [JManga]
It seems like Box Brown has been making comics for a long time, so it’s a bit of a shock to realize that when First Second Books publishes his Andre the Giant next year, it will be his first full-length graphic novel. Brown is the creator of the webcomic Bellen and Everything Dies (which doesn’t seem to be available online, except for this). An episode from that comic, “Ben Died of a Train,” won the Ignatz Award for Best Comic. Most recently, his The Survivalist was published by U.K. publisher Blank Slate.
Brown is also the moving force behind Retrofit Comics, which published a number of indy one-shot comics in print format, as well as several Kickstarters; the latest is an anthology in the spirit of the alt-manga magazine Garo.
Andre the Giant is a big step for Brown, who is going from self-published and small-press indy comics to a graphic novel from a big publisher. So naturally, I had some questions, which he was kind enough to answer.
Robot 6: What interested you about Andre the Giant, and why do you think his story is a good fit for the comics medium?
I grew up a big wrestling fan. And, at some point last year found myself looking up Andre on the Internet. I read that Andre got a ride to school from Samuel Beckett when he was a kid. I had two free weeks before SPX and thought that would make a good zine. Then I just kept diving back in for more. And eventually I’d assembled 100 pages worth of Andre stories.
Publishing | First Second editorial director Mark Siegel sits down with Milton Greipp to talk about his company’s success, which comes in part by marketing books in a number of different channels — independent bookstores, libraries, even textbook adoptions. He also talks numbers, and it’s interesting to see that Feynman spent 11 weeks at the top of The New York Times graphic books best-seller list with a print run of 10,000; that’s an indication of the order of magnitude of book sales for the titles on that list. Siegel also gives a preview of the fall list. Updated (Aug. 13): Siegel notes to Robot 6 that Feynman has had multiple printings, exceeding 35,000 copies. It will soon be released in paperback. [ICv2]
Legal | The attorney for Tony Moore explains why the artist’s legal dispute with his former Walking Dead collaborator Robert Kirkman has moved into federal court. “Once Moore establishes fraud and rescinds the agreement [as laid out in the first filing], the issue is going to be whether he was a co-author of these works,” Devin McRae tells Newsarama. “And it’s the federal court that has the power to decide that. So we still have to first go in the state court and prove the fraud, which we think we’ll do. This is just something that is part and parcel of the whole thing. Nothing’s really changed.” [Newsarama]
It’s time once again for our monthly trip through Previews looking for cool, new comics. Michael, Graeme, and Chris Arrant have each picked the five new comics we’re most anticipating in order to create a Top 15 of the best new comics coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Golden Age of DC Comics: 1935-1956 HC (Taschen, $59.95): If you were as jealous of everyone who could afford the mammoth 75 Years of DC Comics: The Art of Modern Myth-Making from a couple of years ago as I was, here’s some great news; Taschen is reissuing the material in a series of different (cheaper) volumes, reworked and expanded with new art and commentary by Paul Levitz. The next in the series, covering the Silver Age, is the one I’ll really covet, but you know that this will be awesome.
Julio’s Day HC (Fantagraphics Books, $19.99): Continuing my education in all things Love and Rockets, this never-collected Gilbert Hernandez strip from the second series of L&R is one of those things that goes on my “Want” list almost as soon as I discovered it existed.
Multiple Warheads: Alphabet to Infinity #1 (of 4) (Image Comics, $3.99): I’ve been waiting for more Multiple Warheads since Oni Press put out the first issue a few years back. Now that I know it’s 48 pages for just $3.99 and in color, it seems worth the wait. Brandon Graham is an amazing talent.
Sailor Twain HC (First Second, $24.99): I dropped off Mark Siegel’s amazing webcomic online fairly early, promising myself that I’d get the inevitable collected edition when it was all done and read it in one sitting. I’m glad it’s finally here.
The Zaucer of Zilk #1 (of 2) (IDW Publishing, $3.99): Without doubt, my favorite superhero comic in years – I read it in its 2000AD incarnation – I am overjoyed to see this get a US release like this. Hopefully, everyone will read it and realize just how great Brendan McCarthy and Al Ewing are, leading to all manner of zequels (sorry, I couldn’t resist).