Comics | Scottish publisher DC Thomson has asked Dundee City Council to rename a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. An unnamed street adjacent to 142/144 West Marketgait would be called Bash Street as part of the celebration of the magazine’s 75th anniversary. [LocalGov]
Retailing | North Hollywood will get a new comics shop on Nov. 10, when Blastoff Comics opens its doors. Owner Jud Meyers seems to think it is an essential part of a hip neighborhood: “They want restaurants, they want bars, they want supermarkets, they want gyms. What didn’t they have? They don’t have a comic book store, every neighborhood has got to have a comic book store.” The opening will feature an assortment of comics guests, including Mark Waid, Greg Hurwitz, and Jim Kreuger, whose The High Cost of Happily Ever After will premiere at the event. [Patch.com]
Conventions | Jason Knize makes a case for New York Comic Con potentially becoming “the Comic Con” next year, surpassing Comic-Con International as the completion of renovations on the Jacob Javits Center frees up an additional 90,000 square feet of space. However, he notes that space and attendance — NYCC’s 116,000 this year versus CCI’s 130,000 or so — certainly aren’t the only determining factors. [Panels on Pages]
Comics | Don MacPherson, who’s a newspaper reporter as well as a comics blogger, ponders Clark Kent’s departure from The Daily Planet in this week’s Superman #13: “In the scene in which Clark issues his ideological proclamation, Perry White retorts, ‘Go easy on us mortals, Clark. Times are changing and print is a dying medium.’ The challenges the Planet faces in the story reflect not only real-world ones in the newspaper industry, but also those faced by DC Comics itself as it struggles to stave off ebbing readership and find a way to foster an audience for online comics. Digital-publishing initiatives in the world of comics aside, I feel it important to argue Perry is wrong. Print isn’t a dying medium. What’s dying are past business models.” [Eye on Comics]
Manga | Eight manga creators, including Rumiko Takahashi (InuYasha, Maison Ikkoku), will create new comics featuring the characters they are known for and donate the royalties to the effort to rebuild the Tohoku region of Japan, which was devastated by the 2011 earthquake and tsunami. The fund-raiser is being spearheaded by Gallery Fake creator Fujihiko Hosono. [The Japan Times]
Awards | While we were all busy at New York Comic Con, the Frankfurt Book Fair was going on in Germany, and Torsten Adair rounds up the comics awards that were given at the fair to German and international creators. [The Beat]
Conventions | Christopher Spata talks to some of the attendees at this past weekend’s Tampa Bay Comic Con, including the parents of a 1-year-old who was in costume—and already has a room full of superhero items. [Tampa Bay Online]
Conventions | John Giuffo does a compare-and-contrast between Comic-Con International and New York Comic Con. While San Diego has more Hollywood presence, NYCC has grown with stunning rapidity — it’s hard to believe that first event had just 25,000 people and shared the Javits Center with a travel convention; this year attendance was 116,000, gaining hard on San Diego’s 125,000. One key difference is that CCI spills out of the San Diego Convention Center into the surrounding neighborhood, which has restaurants and bars and parks, while the area around the Javits is pretty barren, limiting opportunities for parties or even a decent lunch, let alone the sort of outside activities that have sprung up in San Diego. [Forbes]
Legal | A Missouri man has pleaded guilty to federal obscenity charges stemming from comics depicting minors having sex with adults and other minors. The prosecutor has asked that he be sentenced to three years in federal prison without parole. [Anime News Network]
As Brigid reported earlier this month, Mark Siegel is on tour promoting his new graphic novel Sailor Twain (which I reviewed here on Robot 6). First Second has photos from one of those events, the book’s launch party on board an actual boat that sails on the Hudson River, the Clearwater. Most of Sailor Twain takes place aboard a Hudson River steamboat, so the Clearwater was an especially appropriate venue even though it’s a sailboat and doesn’t run on coal. First Second marketing director Gina Gagliano speculates that “maybe they are all gone because it is not the eighteen hundreds anymore?”
Hit the jump to see the Hudson from the sloop’s bow as well as pictures of honest-to-Neptune Sailor Twain wine. And if that’s not enough for you, heed the siren call of the First Second blog for even more.
Comics | Ahead of Joe Quesada’s appearance tonight on ABC’s Jimmy Kimmel Live, and the debut Wednesday of Uncanny Avengers, Marvel unpacks its Marvel NOW! initiative for the national press. “This ain’t a reboot, we’re simply hitting the refresh button. ‘Marvel NOW!’ simply offers a line-wide entry-point into the Marvel Universe that you’re already reading about,” Editor-in-Chief Axel Alonso says. Tom Brevoort, senior vice president of publishing, calls it “a game of musical chairs” for creators, who will be switched around to make things interesting. [The Associated Press]
Creators | Writer Gail Simone discusses the coming battle between Batgirl and Knightfall in Batgirl #13, as well as the impending return of The Joker: “The Joker is really the Elvis of comic-book villains. There’s no one with his primal star power, there’s no one else anywhere who has sent more chills up the spines of readers, because there genuinely is something terrifying about him.” [USA Today]
As we noted earlier, Mark Siegel has been writing some diary posts at The Comics Journal’s website; in yesterday’s post, he casually dropped an exciting bit of news: First Second will be publishing … something … with art by Becky Cloonan. No details, but he posted this sketch, which should give a good flavor of what’s in store. Cloonan posted the sketch on Twitter and remarked that it is “something longer I’m starting next summer …” And that’s all we have for now.
Conventions | MorrisonCon and the Las Vegas Comic Expo aren’t the only comic conventions this weekend (more on them shortly): There’s also Wizard World Ohio Comic Con in Columbus, and Asbury Park Comic Con in New Jersey. Last year, Wizard took over Mid-Ohio Con and turned it into Wizard World Ohio Comic Con, and on the eve of this year’s event, the local alternative weekly looks at how the event has changed and what to expect. Meanwhile, Saturday’s Asbury Park Comic Con gets back to basics: “The problem that I have with the big comic conventions is that they’ve turned into pop culture conventions and it’s anything goes —anything from video games to wrestlers and bands, stuff that has nothing or very little to do with comics. What we want to do is bring it back to what brought us all together — our passion for comics,” says co-founder Cliff Galbraith. The event, which is being held in a rock club/bowling alley, features such comics guests as Larry Hama, Evan Dorkin, Sarah Dyer, Dean Haspiel, Seth Kushner and Reilly Brown. [The Other Paper, Asbury Park Press]
The newest graphic novel from First Second Books is Nothing Can Possibly Go Wrong, adapted by Faith Erin Hicks from a novel by Prudence Shen. As they did with Americus and Hicks’ earlier graphic novel Friends With Boys, First Second will serialize the entire story online before releasing it in print. The webcomic launches with the entire first chapter, which sets up the conflict nicely: The science club must battle for funds with the cheerleaders; will the money go for robot parts or “hoochie outfits”? Shen and Hicks also manage to introduce a decent-sized cast of characters and sketch out their personalities a bit with a minimum of boring expository dialogue. I’m looking forward to seeing where this goes!
Legal | Marvel has sued a Jerusalem retailer for $25,000, claiming the well-known Kippa Man store is infringing on its trademarks by selling unlicensed yarmulkes bearing Spider-Man’s likeness. “A reasonable consumer could be fooled into thinking that the infringing product is manufactured and/or sold by the plaintiff with the knowledge and/or approval of the defendant,” Marvel said in its complaint. Kippa Man owner Avi Binyamin notes the yarmulkes are manufactured in China, and that he only sells them. “There are 20 stores on this street, they all sell the same thing,” he told The Jerusalem Post, theorizing that he’s being targeted because his store is well known. The Times of Israel characterized the lawsuit as “the first move by Marvel against what it perceives as widespread copyright infringement in Israel, where products featuring its copyrighted superheros are commonly sold.” [The Jerusalem Post, The Times of Israel]
Conventions | Coming up this weekend: Stan Lee’s Comikaze in Los Angeles, featuring special guests Todd McFarlane, Neal Adams and Marv Wolfman. Attendance is expected to reach 60,000, which is a pretty big number for such a convention that’s only in its second year. [Hero Complex]
Conventions | James Sime, owner of Isotope Comics and one of the organizers of MorrisonCon, talks about, well, Isotope Comics and MorrisonCon, and what it was like translating the world of writer Grant Morrison into a comics event: “The *promise* of MorrisonCon is this crazy, life-altering weekend where you’re plugged directly into this swirling world of brilliant ideas, offbeat interests, mad obsessions, and personalities who fire Grant’s creativity. We had to make that promise real, to translate as many improbable concepts and even random off the cuff Morrison riffs as possible into the tangible world. To render all that into nightclubs and hotel rooms and meeting space chairs and places for awesome humans to meet and mingle. We all agreed, it just wasn’t worth doing unless we could live up to that promise, to truly make something worthy of the name MorrisonCon… and go far beyond it.” [Three If By Space]
I wasn’t very familiar with Ben Hatke‘s work before I met him in 2010 at the Small Press Expo, apart from reading his contribution to the second Flight anthology. So I was pleasantly taken by surprise at how charming his debut graphic novel, the all-ages Zita the Spacegirl, is. The book, about a young girl who is inadvertently transported to another galaxy full of strange and fearsome aliens, adheres closely in style to many well-worn fantasy adventure comics. But it manages to stand out from the pack with a cast of broad, engaging characters, an appealing heroine, and some smartly (and tightly) paced actions scenes.
Now Hatke has a sequel, Legends of Zita the Spacegirl, which finds the pint-sized interplanetary traveler struggling to cope with her new-found celebrity, and encountering a would-be impostor who’s more than happy to taker her place.
I talked with Hatke about the new Zita book, how he became a cartoonist, and his goals for the series.
Although I sometimes revisit old favorites of mine, I never re-read a book as soon as I’m done with it. Ever. Life’s too short, and I have too much on my reading pile, so it just isn’t done. It is a Rule. But it’s a rule I broke with Sailor Twain.
When I finished it the first time, I had a feeling similar to the one I had after seeing The Sixth Sense. Sailor Twain doesn’t rely on a big reveal at the end the way that movie does – Mark Siegel unpacks the mysteries of his story slowly and all along its course – but at the end I still wanted to go back and re-read earlier chapters knowing what I’d learned in later ones. And the experience of the book was so enchanting the first time that I wouldn’t mind reliving that again as well.
Sailor Twain begins at the end with the title character Captain Elijah Twain sitting with a beautiful woman in a rough-looking pub near the Hudson River. They’re impatient with each other. She’s eager to learn what he knows about the death of someone they were both close to; he’s eager not to tell her. But she presents a curious stone on a necklace, and that’s enough to make him tell the tale.
Comics | The negatives for Cerebus: High Society were destroyed last week in a fire that gutted a building in Waterloo, Ontario, that contained the apartment of Sandeep Atwal, communications director for Dave Sim’s Aardvark-Vanaheim Inc. According to Sim, Atwal, who had been scanning artwork for the Kickstarter-funded audio/visual digital edition of High Society, escaped with only his wallet and the clothes he was wearing. “So, I thought I’d better let everyone know that we’re definitely not on track for the September 12 launch at this point,” Sim wrote. “I don’t expect that I’ll hear from Sandeep for at least a few days — he’s staying with friends and obviously has a lot more important things to think about than HIGH SOCIETY DIGITAL.” Cerebus Fangirl has begun collecting donations to help Atwal. [A Moment of Cerebus, via The Beat]
Digital comics | The Japanese web portal JManga today launched an unlimited-access site JManga7, although it won’t be putting any actual content on it until October. Unlike JManga, which sells digital manga one volume at a time, JManga7 operates on an “all-you-can-eat” model, with single chapters of a variety of titles available for free, and a wider selection with a paid subscription. The site will be updated daily and will include a mix of genres, with some new content that is being published close to its Japanese release date as well as some older series. The idea is for readers to check out the manga at JManga7 and ultimately buy them for keeps at JManga. To encourage readers to pre-register, JManga is raffling off seven Nexus 7 tablets and seven free subscriptions. Plans for the site were unveiled last month at Comic-Con International in an exclusive interview with Comic Book Resources. [JManga]