First Second Archives - Page 4 of 15 - Robot 6 @ Comic Book Resources
Creators | Artist J.K. Woodward (Fallen Angel, Star Trek: The Next Generation/Doctor Who) recounts how he and his wife lost everything but their cat and the clothes they were wearing during Hurricane Sandy — and how what happened afterward changed his perspective: ““When things are going right, you really don’t know what kind of world you’re living in. You tend to be cynical. But there has been such an outpouring of support not just here but from the comics community — we did a podcast interview, for example, and I mentioned how we had to go to the laundromat every day because of our clothing situation. As a result of that, two days later I went to my studio was packed full of care packages with toiletries and other necessities. It showed that what should have been a real tragedy turned into a blessing. It gave me a much more positive outlook.” [The Conway Daily Sun]
Creators | Colorist Jordie Bellaire launches a protest against a convention that refuses to include colorists as guests. “Your one sentence, ‘this is not a colorists thing,’ was surely the most pigheaded and dismissive thing I’ve been told since I began professional coloring,” she writes, and then goes on to point out all the things colorists do to make comics great and make a forceful argument for including them (as many major cons already do). In a later post she explains why she won’t name the convention. [Jordie Colors Things]
Graphic novels | A study soon to be released by a University of Oklahoma researcher shows that students who read a textbook in graphic novel form retained more than those who read a straight prose textbook. [The Oklahoman]
Creators | Gene Luen Yang, creator of American Born Chinese, has revealed his latest project Boxers and Saints, a set of two graphic novels about the Boxer Rebellion in China; one story is about a peasant who joins the Boxers, while the other is about a woman who converts to Catholicism. First Second will publish them as a slipcased set. There’s a 10-page preview as well as an interview at the link. [Wired]
Comics | Jim Rugg notices that his print copy of Hellboy in Hell doesn’t look as good as his friend’s digital copy, and where most of us would have just shrugged and moved on, he takes the time to think about why that is and how careful publishers can ensure that print comics look their best. [Jim Rugg]
Publishing | Heidi MacDonald reports that shareholders of Platinum Studios held a conference call Wednesday, with President Chris Beall sending a letter to founder Scott Rosenberg suspending him indefinitely as the company’s chief executive officer. Rich Johnston posted the press release announcing the call, and some of the topics on the agenda were fairly jaw-dropping. [The Beat]
Publishing | Andrews McMeel Publishing and Universal UClick (which are different divisions of the same company) are collaborating on a new line of digital comics, Udig, which collects themed newspaper strips into short e-books (the one I checked had 55 comics) for $2.99 each. [Good E-Reader]
The wait is nearly over for Battling Boy, the long-anticipated superhero/fantasy opus from Paul Pope announced way back in 2007, as First Second has at last set an Oct. 8 release date for the graphic novel. It says so in this EW.com interview in which Pope explains the reasons for the delay. In short, blame Hollywood.
After Paramount Pictures picked up the rights to Battling Boy for Brad Pitt’s Plan B production company, Pope began working with the original screenwriter on the film’s script. Many months, and many drafts, passed, all while the artist was supposed to be completing the book for its targeted 2010 release. Eventually everyone involved realized, in Pope’s words, “The film can’t get made until the book is done, but the book can’t get done until I get off the film to finish it.” He was also lured away to help develop a Grand Theft Auto-style video game, after which he concluded, “I had to superglue my ass to a chair and finish the book.”
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Comic Book Creator #1 (TwoMorrows, $8.95): I still fondly remember the now-defunct Comic Book Artist magazine from years ago, and now the creator of that magazine, Jon Cooke returns with a new 80-page offering to take its place. With a first issue filled with Jack Kirby, Kurt Busiek and Alex Ross, this is a must-read for me.
Mark Waid’s The Green Hornet #1 (Dynamite, $3.99): Waid has been having a career renaissance, in terms of recognition at least, and that led to getting his name on the title of this new revamp of Dynamite’s Green Hornet line (art is by Daniel Indero). I dig the creator, I dig the character, and I’m looking forward to seeing what happens when the two collide.
The Secret History of Marvel Comics HC (Fantagraphics, $35.00): I’ve been looking forward to this one since I first heard about it. Blake Bell looks at the non-comics material being published by the company that would one day become Marvel Comics, including pulp and girlie mag work by Jack Kirby, Bill Everett and Dan DeCarlo. It’s like the perfect companion for Sean Howe’s Marvel Comics: The Untold Story!
Star Wars: Legacy — Prisoner of the Floating World #1 (Dark Horse, $2.99): As if the Brian Wood series wasn’t enough to get me back into Star Wars comics, now we get a new series from the Planet of the Apes team of Corinna Bechko and Gabriel Hardman? If these are the final days of Dark Horse’s Star Wars license as many are rumoring, then they’re definitely going out with a bang.
Wake Up, Percy Gloom HC (Fantagraphics, $24.99): I fell madly in love with Cathy Malkasian’s beautiful Percy Gloom graphic novel a few years back, which was as beautiful as it was unexpected, so there is little to no way that I am not eagerly anticipating this follow-up. For those who like gorgeously-illustrated, melancholy and touching books: This is for you.
One of my favorite books from First Second in recent years was Solomon’s Thieves by Jordan Mechner (Prince of Persia) and the fantastic art team of LeUyen Pham and Alex Puvilland. I reviewed it for Robot 6, and talked about how much I was looking forward to the following two parts of the trilogy. In Dumas-like fashion, Mechner added swashbuckling flourishes to historical fact to create an exciting story about the rank-and-file knights of the Templar order who found themselves, as Mechner describes them, “pawns in a political chess game their simple ideals of chivalry and brotherhood hadn’t equipped them for.”
For fans of Solomon’s Thieves, the wait is finally over, and not just for the second volume. Rather than publish the last two parts of the trilogy as separate books, First Second is releasing the entire epic as a single volume called Templar, to debut in July.
First Second provided ROBOT 6 with the following preview:
I’ve gone on at some length about how awesome George O’Connor’s Olympians series is. His most recent volume even made my Top 10 comics of the year. I’m also on record as digging Aquaman and other ocean-based characters, so it’s exciting that these interests are coming together in March with Olympians, Volume 5: Poseidon — Earth Shaker.
As is typical for the series, O’Connor won’t just tell the story of everyone’s favorite sea god, but will also include the myths around associated characters. In this case: Theseus and the Minotaur, Odysseus and Polyphemos, and the founding of Athens.
Publisher First Second provided ROBOT 6 with the following exclusive preview:
Comics | The Dundee, Scotland, city council has approved a proposal by publisher DC Thomson to name a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. Dundee already has statues honoring comic characters Desperate Dan and Minnie the Minx. [BBC News]
Comics | Laura Sneddon continues the New Statesmen’s week-long series on comics with a look at children’s comics in the U.K., including the digital relaunch of The Dandy, the continuing popularity of The Beano (which sells a respectable 30,000 copies per week) and the new kid on the block, The Phoenix. [New Statesman]
In the spirit of his new book Adventures in Cartooning Christmas Special, James Sturm has created a holiday comic, and he’s allowing us to premiere it at Robot 6. Check out “A Yeti Christmas” below, and don’t miss our new interview with Sturm in which he discusses the Adventures in Cartooning series and working with children, and answers the important question “Why a yeti?”
James Sturm has had a rich and varied career, as the creator of critically acclaimed graphic novels such as Market Day, the writer of the Eisner Award-winning miniseries Fantastic Four: Unstable Molecules, and the head of the Center for Cartoon Studies in Vermont. A few years ago he embarked on something new: Adventures in Cartooning, a book that encourages children to draw their own comics. The book, co-created with Andrew Arnold and Alexis Frederick-Frost and published by First Second, was a big hit, as was its sequel, Adventures in Cartooning Activity Book. Now he’s back, just in time for the holidays, with Adventures in Cartooning Christmas Special, which features a grouchy Santa, high-tech elves, and a yeti. I talked to James about the new book and why he enjoys creating comics for children.
Robot 6: Before these books came along, I was more familiar with your work for adults, such as Market Day. What do you like about making comics for children, and how does it challenge you?
James Sturm: As a parent, I’m constantly trying to figure out how to communicate with my own kids in ways that are age-appropriate and engaging without being patronizing. So for starters I’m much more aware of my audience. That said, I find writing for kids more liberating than confining. There’s a goofy and silly side to my writing that comes out that doesn’t for more mature audiences.
First Second sent out its latest catalog earlier this week, highlighting all the graphic novels it will release next spring. The bad news is, there’s still no Battling Boy on the schedule, nor do the Box Brown Andre the Giant or as-yet-unrevealed Becky Cloonan books appear. But the good news is there are projects featuring the likes of Faith Erin Hicks, Matt Kindt, Steven T. Seagle and Teddy Kristiansen, Dave Roman and many more.
Here’s the rundown:
Odd Duck, by Cecil Castellucci and Sara Varon. “A heartwarming tale of the perils and pleasures of friendship featuring two ducks who are both a bit odd.” Varon has done several graphic novels for First Second, including Bake Sale and Robot Dreams, while Castellucci wrote the Plain Janes books for DC’s Minx line, as well as several Young Adult novels.
Primates, by Jim Ottaviani and Maris Wicks. A new science book from Jim Ottaviani, the author of thwe well-received Feynman, “with Jane Goodall, Dian Fossey, Biruté Galdikas and all sorts of primates.” Wicks, meanwhile, has a fun blog where you can check out her work, which includes several kids titles like Spongebob and Adventure Time.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.
If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.
If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?
Digital comics | Technology journalist Andy Ihnatko discusses the significance of DC Comics’ expansion of its digital-comics availability from comiXology and its branded app to the iBooks, Kindle and Nook stores: “Now, all of the company’s titles have a presence in the same bookstore where hundreds of millions of people worldwide buy the rest of their content.” [Chicago Sun-Times]
Conventions | Steve Morris reports in on this past weekend’s Thought Bubble convention, in Leeds, England, which sounds like it was amazing. [The Beat]
Conventions | Meanwhile, on this side of the pond, Young Lee has an account of Durham’s NC Comicon. [Technicianonline.com]
It is official– Battling Boy v.1 is completed and in production. There is a set release date for BBv.1, although it is up to my publisher First Second to make that announcement, in conjunction with their larger marketing plan for BB. I begin work on BBv.2 in December 2012, with a 9-10 month production schedule locked in for 2013. I am currently working on another project, which will be most of my creative concern for November 2012. Details to come.
Typically for Pope, he can’t announce one project without trailing another. The man is a either a sadist or a masochist, I haven’t decided yet (above image is “one of … many cover concepts for BBv.1. – Battling Boy and Dad.”).