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U.K. publisher Nobrow has been making serous inroads in North America, thanks largely to a colorful, lively and diverse lineup of titles that appeal to a variety of ages while showcasing the strengths of the comics medium.
The new year might possibly be the company’s breakthrough into the American market, as it’s not only making a push with a new U.S. office, but also has a lineup of intriguing comics planned. Readers can expect to see a new book in the increasingly popular Hilda series from Luke Pearson, the second volume in Jesse Moynihan’s ongoing Forming storyline, an all-ages account of Shackleton’s journey to Antarctica, a comic about neuroscience and more.
Check out details about Nobrow’s upcoming releases, as well as some swell cover art, below.
Nobrow, the most art- and design-obsessed of the new generation of U.K. graphic novel publishers, has started a new kids’ books imprint, Flying Eye Books, and its first crop of releases are as typically gorgeous as the parent company’s output. Nobrow favorite Ben Newman and animator Jambonbon have created an exceedingly cute animation to celebrate the new endeavor:
Publishing | More than 4,000 new comic titles were released in the European Francophone market in 2012, marking the 17th consecutive year of growth. According to the Association des Critiques et journalistes de Bande Dessinée, the French association of comic strip critics and journalists, more comics were produced in the Francophone market than in the United States. [RFI]
Comics | The death of Spider-Man hits the mainstream media, with Marvel Editor-in-Chief Axel Alonso asserting, “We didn’t make this move lightly.” Stan Lee called it “a helluva birthday present” but added “But then, a little voice in my head whispered, ‘never say never. Just go with it while you can because Marvel, the House of Ideas, will always have a surprise up its creative sleeve for you and the rest of Marveldom Assembled!'” Entertainment Weekly’s Geoff Boucher said the ongoing deaths of superheroes are starting to feel “a little gimmicky” but he also nailed why the publishers do it: “if you look at who’s buying Marvel and DC, it’s long term fans and those readers are going to complain about this and debate about it — but are going to buy two copies.” [New York Daily News]