Francesco Francavilla Archives - Robot 6 @ Comic Book Resources
If you’ve been itching to get your hands on some of those posters created for Mondo’s “75 Years of Batman” gallery show, here’s your chance. With the exhibit in Austin, Texas, now closed, the collectible-art boutique is making the remaining prints available for purchase, beginning Tuesday.
The sale, which will of course be announced at a random time on the Mondo Twitter feed, begins with stunning pieces by Jock, Francesco Francavilla, Alex Pardee, Matt Taylor, We Buy Your Kids, JC Richard, Tom Whalen and Brandon Holt. Check them out below, and keep an eye on Twitter on Tuesday.
Throughout October on his Tumblr, Francesco Francavilla has taken folks on a one-a-day horror film art tour, christened FFFear. What’s so great about Francavilla’s romp through the horror genre is one day he could pay tribute to a 1931 classic, while the next he he tackles a movie from the ’80s.
Even better, rather than just sharing one photo of the art each day, he shows glimpses of the work in progress, and specifies the medium he used (typically for FFFear he opts for ink/inkwash on 9-inch by 12-inch Bristol board). It’s impossible to select the best of the 31 (I bet he may have saved the best for last; we’ll see). But still, here are some of my favorites.
For those of us who can’t make it to Austin for Mondo’s gallery show celebrating the 75th anniversary of Batman, Slashfilm has rounded up all of the prints and paintings on display. It’s an incredible collection of works that draws inspiration from television, film and comic books, although more the first two than the list.
However, ROBOT 6 favorites Jock and Francesco Francavilla do stick close to home with their contributions: Batman: Year One (in regular and variant varieties), by Jock; Batman & Dracula: Red Rain by Francavilla; and Batman: The Black Mirror, a collaboration between the two of them.
On Thursday, Mondo will offer six posters by Alex Ross, Francesco Francavilla and Jay Shaw that were previously only available at MondoCon, held last month in Austin, Texas. So if you’re a fan of those artists, or of The Iron Giant, Afterlife With Archie or Deadpool, you’ll probably want to keep an eye on Mondo’s Twitter account for the on-sale announcements.
Check out the prints, and the details, below.
Mondo has announced the complete lineup for the inaugural MondoCon, the Sept. 20-21 event in Austin, Texas, celebrating film, music, art and toys. And it turns out the participation of artists Geof Darrow, Francesco Francavilla, Jock, Mike Mignola and Bernie Wrightson is only the tip of the comics presence.
There’s the world premiere of Future Shock! The Story of 2000AD, a documentary celebrating 35 years of the influential comics anthology (watch the trailer below); a “Designing Movies” panel, with Darrow, Jock, Mignola, Wrightson and others discussing their film work; and “Geof Darrow’s Shaolin Cowboy,” which includes a presentation of eight minutes of never-before-seen animation from an uproduced adaptation of his comic.
At some point today — you have to follow along on Twitter to find out when — Mondo will announce the availability of five Guardians of the Galaxy limited-edition screen prints by Francesco Francavilla, Tyler Stout, Kevin Tong, Phantom City Creative and Vance Kelly.
If you’re even vaguely familiar with Mondo sales, you know the the prints go quickly. And considering all the buzz surrounding Marvel’s Guardians of the Galaxy, with premieres today nationwide, you can expect these to be snapped up in record time. Check out the prints below, and keep an eye on Mondo’s Twitter account.
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Dark Horse Comics Associate Editor Jim Gibbons is a seasoned social media user. Typically when Jim posts something on his Tumblr, it is something that already was on my radar or something that (thanks to Jim’s post) I put on my radar. A few weeks back, I was considering content that might work best for the Robot 6 Tumblr, when I stumbled upon the idea of somehow tapping into Gibbons’ nose for content. Continue Reading »
As I noted in the intro to the first round of HeroesCon 2014 Day 1 photos, I tried to cover a lot of ground in taking photographs. It turns out I got around to so many people on the first day that I needed to split the photos into two posts. Now on with part II!
The art gallery and online store Mondo has announced the inaugural MondoCon, a Sept. 20-21 event in Austin, Texas, designed to celebrate film, music, art and toys. It will coincide with the first weekend of Alamo Drafthouse’s annual Fantastic Fest.
The initial wave of guests includes such comics artists as Geof Darrow, Francesco Francavilla, Jock, Mike Mignola and Bernie Wrightson. To mark the occasion, Mondo has also announced a Bride of Frankenstein limited-edition print by Mignola, on sale Thursday at MondoTees.com.
“We specifically picked these first 15 to show a sampling of what to expect from MondoCon,” Mondo Creative Director Justin Ishmael explains on the event website. “Not only will we have people that we’ve worked with before, but we’ll also have guys that we’ve been HUGE fans of showing up, too. We want you in the same room as Mike Mignola who is also in the same room as Richey Beckett who has a booth next to Geof Darrow, etc. Picture walking down that aisle and stopping at like every booth. That’s at least the idea and if you do or not is obviously up to you, but if we were to walk into a convention and these guys were all there, it’d be a day long event for me going around bugging everyone. The thing is that we’re 100% fans of everyone in this room.”
MondoCon will feature new artwork and products, as well as panels and special screenings. Tickets, which go on sale Wednesday, cost $35 for one day and $70 for the full weekend.
Typically, I don’t interview a creator twice about the same project. However, David Liss is a writer whom I consider to be greatly undervalued; if you never read the Black Panther stories he did with Francesco Francavilla a few years ago, you should remedy that situation immediately. We initially discussed his creator-owned Angelica Tomorrow in 2012, but along the way publishing plans (and options available to Liss) expanded, and an opportunity presented itself to bring artist Allen Byrns into the discussion.
Archie Comics is in an unusual position among North American comics companies, as not only is a majority of its titles geared toward younger readers, but a majority of that audience is female.
Curious to learn how Archie maintains that readership, I reached out to President Mike Pellerito to discuss how he envisions the market for the company’s core kids line, and how he seeks to expand what it offers. Of course, the recent hiring of Roberto Aguirre-Sacasa as chief creative officer and his potential impact on the line became central to the discussion.
In the comments section, please be sure to answer Pellerito’s question to Robot 6 readers.
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
This week we focus in on some great new comics, including Veil and Afterlife with Archie, as well as the benefit auctions for Stan Sakai and his wife. Plus free comics! What’s better than that? So without further ado, let’s get to it …
Breaking Bad may be over, but Francesco Francavilla has found a new television passion — True Detective. Like he did with Breaking Bad, the Afterlife with Archie artist is drawing posters based on the HBO series. You can find a limited edition one featuring the two main characters for sale at his Big Cartel site, and start speculating now what TV show he’ll focus on after the March 9 finale of True Detective.
ROBOT 6 favorite Francesco Francavilla is well known for his series of themed art posts, ranging from Breaking Bad episode posters to Justified character images to his “Batploitation” renditions of the Batman cast. In keeping with current events, the Eisner Award-winning artist has turned his attention to the Sochi Olympics, posting daily illustrations that insert Marvel and DC characters into the winter games.
And so we’re treated to a bobsledding Fantastic Four
(well, three), a snowboarding Silver Surfer and, above, a cross-country skiing Black Racer. See more on Francavilla’s blog.
While DC Comics sacrificed some bragging rights in 2011 when it rebooted its superhero line, even the never-before-renumbered Action Comics and Detective Comics, one consequence of relaunching TEC was that it was only a matter of time — 26 months, to be exact — before the company got around to publishing a new Detective Comics #27. And that the second Detective Comics #27 would see release during the 75th year of Batman’s career, well, all the better.
The first Detective Comics #27, published in 1939, was, of course, the first appearance of Batman. The anthology’s cover was surrendered to an arresting image of a spooky man in tights, wearing a bat-mask and sporting huge bat-like wings, scooping up a gangster in a headlock while swinging in front of the yellow field above a city skyline. “Starting this issue,” the cover trumpted, “The Amazing and Unique Adventures of The Batman.” Inside, Bob Kane and Bill Finger’s pulp- and film-inspired detective hero cracked the “The Case of the Chemical Syndicate,” and the amazing and unique adventures begun therein have yet to cease.
DC has honored that milestone in various ways over the years, with notable celebrations including Michael Uslan and Peter Snejbjerg’s 2003 Elseworlds one-shot Batman: Detective No. 27, and 1991’s Detective Comics #627, in which the Alan Grant/Norm Breyfogle and Marv Wolfman/Jim Aparo creative teams did their own takes on “The Case of the Chemical Syndicate,” and both the original story and a 30th-anniversary version by Mike Friedrich and Bob Brown were reprinted.
This week brings Detective Comics (Vol. 2) #27, and another opportunity to celebrate that original issue, and Batman’s 75th anniversary, which DC does in a 90-page, prestige-format special issue — essentially a trade paperback with some ads in it — featuring contributions from the writers of all four of the main Batman books of the moment and about as strong a list of contributing artists as a reader could hope for.