5 Undeniably Awesome Super Bowl 50 Trailer Moments
DC Collectibles will test both the depth of your Batman devotion and the size of your bank account next year with the release of a limited-edition brass statue of the Caped Crusader. Limited to just 100 pieces, the statue carries a price tag of $5,000. Yes, that’s three zeroes.
However, if that’s just a little out of your price range, the company has also announced two limited-edition collectibles to celebrate the 30th anniversary of The Dark Knight Returns.
The iTunes’ Terms and Conditions agreement has got to be the least-read-yet-most-signed contract in human history. For pages and pages (and a nearly limitless downward digital scroll), it enumerates Apple’s latest subtle shifts in policy regarding the ways we purchase, license and “own” music and media acquired through the most influential online marketplace to date. Who reads those things? Who could even pretend to? Can one even imagine a more arduous task than going through that document, line by line, and trying to parse what exactly it is we are all signing on for?
But ah, the magic of comics. Cartoonist R. Sikoryak, whose work has appeared in Drawn and Quarterly and The New Yorker, is publishing his painstakingly thorough, unabridged graphic adaptation of the iTunes Terms and Conditions agreement on Tumblr. This version of the contract is no mere dry rendering of legalese — instead, Sikoryak has transformed the document into a showcase of styles from talent all across the history of comics, making each page an experiment in the diverse visual language of the medium’s most beloved luminaries.
Frank Miller will return to the “Dark Knight” world this November with “Dark Knight III: The Master Race,” the conclusion of his Batman story that started with 1986’s seminal “The Dark Knight Returns.” Andy Kubert and Klaus Janson are illustrating the main story, but fans were left wondering to what capacity, if any, Miller himself would contribute art. That all changed Monday when DC unveiled cover art by Frank Miller for “Dark Knight Universe Presents: The Atom” #1, an Atom-centric minicomic included with the first issue of “Master Race.” The image is highly stylized, to say the least, featuring a wrinkled, grimacing Superman with huge fists and a noticeable bulge in the red underwear region. And boy, the Internet reaction was swift. The backlash was vocal, with fans Tweeting their disapproval, jokes and comparisons to Popeye and Miller’s output to the work of other divisive artists. io9.com jumped into the mix with a post titled “DC Lets Frank Miller Draw Superman’s Penis for ‘Dark Knight III.'”
Before too long, “Astro City” writer Kurt Busiek came to Miller’s defense with a string of tweets aimed directly at the haters. “This shot of Superman says everything Frank Miller wants to establish about Superman in this world,” tweeted Busiek before going on to further drive the point home that Miller’s interpretation of the Man of Steel is completely intentional. “It’s cartooning, it’s Frank presenting an idea of Superman that isn’t sleek and pretty,” Busiek said.
The debut of Frank Miller’s cover for the minicomic accompanying Dark Knight III: The Master Race #1 was greeted Monday with a mixture of confusion and criticism, as many fans tried to figure out what happened to the legendary artist. “DC Lets Frank Miller Draw Superman’s Penis For Dark Knight III,” reads the headline on io9.com.
But as the jokes flew on social media, Astro City writer Kurt Busiek stepped up with an alternate view: that Miller, revered for his work on Daredevil, Batman: The Dark Knight Returns and Batman: Year One, knows precisely what he’s doing.
Moleskine has arrived in Gotham City with a collection of limited-edition Batman notebooks, debuting today.
Produced in collaboration with Warner Bros. Consumer Products, the series features four notebooks with cover art by John Cassaday, Mike Mignola and Jim Lee. A fifth with art by Frank Miller from The Dark Knight Returns on its cover and flyleaves will be available in a numbered run of 5,000 exclusively from Moleskine’s website and stores. All of the notebooks come with limited-edition Batman stickers.
“It was like trying to stop a force of nature. He was a sponge. The last time he came, he’d gotten a six-page assignment, and I went over what he’d done wrong, how he could make it better. He said, ‘You’re saying I have to draw it over again.’ I said, ‘Well, yeah.’ He said, ‘OK, but the problem is, I turned it in, and they accepted it.’ I said, ‘In that case, don’t draw it over again; I think you just started your career.’”
— Neal Adams, discussing a young Frank Miller, who repeatedly stopped by his New York City studio for critiques. It’s from Sean Howe’s Wired profile of Miller, probably the best of a handful published ahead of the premiere of Sin City: A Dame to Kill For.
It’s certainly the most unflinching, touching upon the effect of 9/11 on the artist and his work — “I think many people didn’t get over it, that it will continue to affect their lives forever,” Lynn Varley, his longtime colorist and former wife, says. “And I think Frank is one of those people.” — the failure of The Spirit, the response to Holy Terror, the disappearance of All Star Batman & Robin, his tirade against the Occupy movement, and speculation about his health.
“The Dark Knight series is all from Batman’s point of view. But if you look at Dark Knight 2, you’ll see a Superman who’s much calmer than the one in the first Dark Knight. Batman and Superman are dead opposites. I love Superman. Do I love Batman more? They’re not people. They’re only lines on paper.”
Crime | The comics community of Kirkcaldy, Scotland, just north of Edinburgh, has rallied around a local comics shop after thieves broke in two weeks ago and stole cash, a computer, a two-and-a-half-foot-tall Darth Vader figure and a copy of New Mutants #98 (the first appearance of Deadpool), with a total value of more than £500 (about $835 U.S.). It could have been worse: The thieves left some comics boxed up, ready to go, but apparently they were interrupted. But you won’t believe what happened next: Kingdom Comics owner Andrew Magee says customers donated their own comics and DVDs to help rebuild his stock, and a number of local artists have donated art to be auctioned off to help the store. [The Courier]
Creators | Bryan Lee O’Malley discusses his new graphic novel Seconds, and how it reflects where he is in his life. [BoingBoing]
DC Entertainment and Warner Bros.’ year-long celebration of Batman’s 75th anniversary will continue in a big way later this month at Comic-Con International in San Diego, with several of the creators most associated with the character set to appear on the “Batman 75: Legends of the Dark Knight” panel on Thursday, July 24.
Notably, The Dark Knight Returns and Batman: Year One‘s Frank Miller — in a relatively rare appearance at a comics-centric panel — will join fellow Bat-luminaries Grant Morrison, Jim Lee, Denny O’Neil, Neal Adams, current Batman team Scott Snyder and Greg Capullo, and DC Chief Creative Officer Geoff Johns.
On Saturday, DC will commemorate the Caped Crusader’s storied history in other media, with Batman: The Animated Series vet Paul Dini, longtime Batman voice actor Kevin Conroy, Batman ’66 Meets the Green Hornet co-writer Ralph Garman and more.
The two panels are something of a bisected version of the treatment DC gave Superman last summer, with a Superman 75th Anniversary panel including folks from both the worlds of comics (Morrison, Dan Jurgen) and movies/television (Henry Cavill, Tim Daly).
Creators | Stan Lee arrived at Sydney Airport for the Supanova Pop Culture Expo and was immediately presented with a “Captain Australia” shield, colored gold and green rather than red and blue. The Supanova Pop Culture Expo kicked off today, and continues through Sunday. [The Daily Telegraph]
Comics | Hussain Al-Shiblawi says he doesn’t usually mind the pamphlets he regularly receives from the local Bible Baptist Church in Roanoke, Virginia; even though he’s Muslim, he finds them inspirational. But he takes strong exception to the latest one, a Jack Chick tract titled Unforgiven, which claims that all Muslims are going to hell. The pastor, who declined to go on camera, says his church doesn’t create the pamphlets, it just distributes them, but he’s willing to meet with Al-Shiblawi to discuss the comic. [WDBJ News]
Considering that the July solicitations also previewed September’s Futures End tie-ins, and the final issue of Forever Evil arrives this week after being scheduled originally for March, the August listings feel like just one more ingredient in a jumbled publishing stew. When it’s all done, maybe we’ll see that it’s all worked together. Now, though, we might have to wait until the October solicits for a clearer picture of where DC’s superhero line is going.
In the wake of the New 52’s various revisions, the Grant Morrison-written The Multiversity miniseries seems like an artifact — if not a relic — from the pre-relaunch days. Like the Morrison-written Batman Incorporated, it was originally conceived in that environment, when legacy characters abounded and beloved Silver Age elements were reemerging. Of course, with Earth 2, Worlds’ Finest, Forever Evil and Futures End, parallel worlds have hardly been absent from the New 52; so perhaps The Multiversity is meant to expand that storytelling device even further. I get the feeling that many things are about to change (again) for DC’s shared superhero line, and if some Morrison-infused characters are going to be part of that, I hope they stick around for a while.
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to something great fans are doing to an awesome comic that came out. So let’s get to it…
Even if Frank Miller and Jim Lee never finish All Star Batman & Robin, the Boy Wonder — and, let’s face it, they’re never going to — they can take satisfaction in introducing a grateful world to “I’m the goddamn Batman,” a phrase that launched a thousand memes and ended at least as many comic-book arguments. (“How could Batman survive a fall from that height?” “He’s the goddamn Batman, that’s how.”)
And now it’s been immortalized on an Arizona license plate as “GDBTMN,” registered by Phoenix resident, and Batman fan, Art Landis (seen below). “I decided to finally personalize my plates, as celebration of Batman’s 75th,” he tweeted over the weekend. “I honestly didn’t think the MVD would let it happen.”
Now Landis just has to come up with something for next year, the 10th anniversary of the release of All Star Batman & Robin #1.
Frank Cho hates Superman. Don’t take my word for it; just ask him. But after years of friendly queries by an art-collector friend, Cho bit the bullet and took on a rare commission of Superman — but only if he could do it his way.
“One day the impossible happened, I was bored and I had some free time and Hawaiian Dave gave me a big wad of cash. On top of that, he told me that I can draw whatever I desire as long as Batman and Superman is in it …,” Cho explains on his blog. “Since I hated Superman so much, the only logical conclusion was to do the scene in the Frank Miller’s masterpiece The Dark Knight Returns, where the old Batman comes out of retirement and beat the shit out of Superman. And off I went.”
Not that I’d forgotten, but CSBG’s new 75 Greatest Batman Covers poll was just the latest reminder that this is Batman’s 75th anniversary year. According to Mike’s Amazing World of DC Comics, Detective Comics (Vol. 1) #27 hit newsstands on or about April 18, 1939, which means the celebrations don’t have to start right away.
Still, so far Batman’s 75th seems to be a rather low-key affair, at least as compared to Superman’s 75th last year. That anniversary included a special logo, a new movie, a few new ongoing series, a couple of celebratory collections (including one for Lois Lane, who shares the anniversary) and an animated tribute. Batman’s already gotten a giant-sized Detective (Vol. 2) #27, and the final Arkham Asylum video game is coming out. Additionally, before 2014 ends, we’ll probably see Ben Affleck in the new Batsuit, plus whatever Batman Eternal has in store. Beyond that, however, it seems like business as usual for the Dark Knight.
Fortunately, business has been pretty good for a while now, such that slapping an anniversary tag on the various Bat-offerings almost seems superfluous. By this point Batman practically is eternal — but what does that really mean?