Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Manga | A special treat awaits moviegoers who see Boruto: Naruto the Movie in Japanese theaters in August: A special Naruto book that includes both the final chapter of the original Naruto manga and a new one-shot story by Naruto creator Masashi Kishimoto. [Anime News Network]
Creators | Sophie Campbell discusses working on Jem and the Holograms and the reactions she received earlier this year after coming out as trans: “I didn’t know how people would react, my family in particular of course, and I was worried about being fired from Jem because I was scared that IDW or Hasbro would feel like this wasn’t what they signed up for… It’s only been a couple months, but so far it’s been the opposite of what I was expecting. My family has been super great even though it’s tough for them, and as far as work goes, I’ve actually gotten more offers than I’ve ever had, and my publishers have been more than amazing.” [The Advocate]
The 30-minute episode aired as part of the channel’s What Do Artists Do All Day? series, which as the title suggests, centers on the working lives of artists. This installment follows the Glaswegian artist during a day of penciling Jupiter’s Legacy.
“If you’re a brain surgeon or a judge — a bad day at work is a big deal for someone,” Quitely says. “A bad day for me is when I rub out more marks than I leave on the page.”
Scottish fans on Tuesday will be able to tune in for a 30-minute documentary on Frank Quitely airing as part of BBC Four’s series What Do Artists Do All Day?
For the acclaimed Glaswegian artist, the answer is “Draw Jupiter’s Legacy,” his Image Comics collaboration with Mark Millar. The episode follows Quitely over the course of the day, until “he eventually calls it a night at 04.30am, sleeping in his studio, as he does regularly.”
Full details are available on the BBC Four website, along with a clip, which apparently won’t play in the United States.
Avengers: Endless Wartime (Marvel Entertainment): Marvel’s new line of original graphic novels — note the “Marvel OGN” logo on the spine — is off to a pretty strong start with this continuity-light Warren Ellis-written, Mike McKone-drawn story of an Avengers squad facing a new form of semi-sentient weapon evolved from a generation-old attempt to marry Nazi science with Norse magic.
That’s a good conflict for an Avengers comic, as the team includes a Nazi-fighting hero and a Norse god, and, better still, both Captain America and Thor were tied to the this new weapon’s origin.
Ellis does his usual fine job of mixing current science, speculative next-level science, elements of our zeitgeist and corporate superheroes with something that feels appropriate, cool and like the writer has something to say. Additionally, he has a pretty decent handle on the characters, and does a relatively good job of singling out particular voices (this is the first time in a long time that I’ve read an Avengers comic where everyone didn’t talk like Brian Michael Bendis).
Cap, Thor, Iron Man, Wolverine, Captain Marvel, Black Widow and Hawkeye, who reflects Matt Fraction’s version, are a bit of a rag-tag group, but they seem to be assembled primarily for their military backgrounds. “Do you know, I just realized I’m the only non-soldier in the room,” Tony Stark says at one point, and Captain Marvel sneers back, “That’s right, Tony. You’re just an ex-arms manufacturer in a metal death suit.”
In anticipation of the June 14 release of the new Superman movie, DC Entertainment has declared Wednesday, June 12, Man of Steel Day.
Sponsored by Sears, the event will see comic shops and bookstores give away copies of All-Star Superman Special Edition #1 by Grant Morrison and Frank Quitely. Not so coincidentally, June 12 also marks the debut of Superman Unchained, the new DC Comics series by Scott Snyder and Jim Lee launched to coincide with director Zack Snyder’s Man of Steel. That first issue you’ll have to pay $4.99 for (it comes with a two-sided poster).
Here’s Mark Millar explaining why he doesn’t want his creator-owned comics to be released in digital the same day as print:
Digital comics are like TV rights to me in that they’re the tertiary phase of all this. These are for the most casual, mainstream readers or viewers and much cheaper than the primary or secondary waves. They’re a great way of pulling people in for the next product coming out in theatres or in comic stores, but absolutely not the bedrock of your business. The fact they’re not on paper doesn’t matter as these guys aren’t collectors as such and the lower price point is very attractive to them.
That was in November 2011, when same-day release of digital comics was still something of a novelty. Now it is so commonplace that, as Rich Johnston noted, Twitter was full of confused readers last week who couldn’t figure out why the first issue of Millar and Frank Quitely’s new series Jupiter’s Legacy wasn’t available digitally.
You can’t fault Millar for not being able to see the future. It’s pretty counterintuitive to think that sales in the direct market would go up in tandem with the rise of digital media, but that’s exactly what has happened. There’s zero evidence that digital sales are hurting comics shops.
What really bugs me about Millar’s comment, though, is that he seems to be giving the back of his hand to readers who get their comics digitally. Someone should tell him there’s a large audience out there that’s fully engaged, to the point where they are willing to pay full cover price for digital comics in order to get them the day the print editions come out. Those fans seem to me to be precisely “the bedrock of the business.”
I won’t pay $3.99 for a single-issue digital comic, but there is apparently a substantial audience out there who will. Publishers and digital distributors aren’t in the business of losing money, and they wouldn’t maintain that full cover price if people weren’t paying it. Someone who will pay top dollar to get a comic right away, rather than wait a couple of months for the price to drop? That’s an engaged fan.
The first issue of Jupiter’s Legacy — “This is your summer event,” the teaser promised — arrived this week, setting into motion a multi-generational superhero tale by Mark Millar and Frank Quitely. The duo set a high bar for themselves and superhero comics more than 10 years ago with their work on The Authority. And since then they’ve each built up quite a resume that includes Ultimates, Kick Ass, All-Star Superman, Wanted, Sandman, Batman & Robin, Civil War and many more. Now the pair re-teams for a creator-owned “superhero event.”
“It’s very, very much a superhero event. Marvel and DC have their various events this year, and I’m planning on blowing them both away with this,” Millar told Comic Book Resources’ Kiel Phegley. “I see this as the big creator-owned superhero event. Nobody’s tried anything like this before, but it’s a big thing covering a huge time period with tons of characters and tons of dramatic twists. Like I said, this is my love letter to America and everything I like about America. America has had its problems, but this is my way of reminding you what’s cool about America. It’s very timely. This story couldn’t have been done five years ago. It’s straight out of the headlines of today.”
So how does the first issue stack up? Here are a few opinions from around the web:
Image Comics has provided ROBOT 6 with an exclusive first look at Dave Johnson’s variant cover for the debut issue of Jupiter’s Legacy, the Wagnerian superhero saga from Mark Millar and Frank Quitely.
Announced in January 2012 as Jupiter’s Children, the 12-issue miniseries centers on the offspring of superheroes who have essentially squandered their inheritance, failing to live of to the example set by their parents, who gained their powers in the 1920s after discovering a mysterious island.
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Crater XV HC (Top Shelf, $19.95): I’ve been following (and loving) the serialization of Kevin Cannon’s follow-up to Far Arden in the digital pages of Double Barrel, but I know that I’ll be picking up this hardcover collection of the further adventures of sea dog Rusty Shanks nonetheless. The Canadian space program deserves no less.
In The Days of the Mob HC (DC Comics, $39.99): To say that Kirby’s 1970s take on the organized-crime world of the 1930s is something I’ve been longing to read since I first discovered its existence would be an understatement, so I’m definitely looking forward to this deluxe reprint, complete with material that wasn’t in the original edition.
Indigo Prime: Anthropocalypse TP (Rebellion/2000AD, $24.99): John Smith’s cosmic authorities are one of comics’ most secret treasures, I think, especially when he’s paired with an artist like Edmund Bagwell, who brings a wonderful Euro-Kirby influence to the stories in this collection. Really looking forward to this one.
Relish: My Life in the Kitchen GN (First Second, $17.99): As a sucker for good autobiographical comics and also good food writing, the idea of Lucy Knisley creating a food-centric memoir — complete with recipes! — is far too good to ignore. I love that publishers like First Second are publishing work like this.
Solo Deluxe Edition HC (DC Comics, $49.99): Even though I own most of these issues from their original appearance, the oversized hardcover format is waaaay too tempting when you consider some of the material this book has up its 500+ page sleeve: Paul Pope covering Kirby! Brendan McCarthy channeling Ditko as only he could! The amazing Darwyn Cooke issue! The only thing that could make this better would be if it included work completed on follow-up issues before the plug had been pulled … But maybe that can appear in a second volume, one day…
The Hollywood Reporter teases the April debut of Jupiter’s Legacy with a first look at colored and lettered art from the Image Comics series from Mark Millar, Frank Quitely and Peter Doherty.
Announced in January as Jupiter’s Children, the 12-issue miniseries centers on the offspring of superheroes who have essentially squandered their inheritance, failing to live of to the example set by their parents, who gained their powers in the 1920s after discovering a mysterious island.
“We have the last remains of these old-school heroes and their mainly vacuous children living in L.A., a massive disappointment to the first generation of super-people and just lost, no real direction in their lives beyond advertising gigs and opening night-clubs,” Millar explained in November. “This is literally where we find everyone and then we go into the future, taking these guys on a journey like we’ve never seen in comics before.”
On his message board, the writer indicted he’ll likely release more comics through Image, which published his unfinished 2008 miniseries War Heroes. “I like the Image guys,” he wrote. “I’m great friends with the Marvel guys too, of course, but seeing how this goes with Image. They’re doing great things over there and I have plans to do a lot more with them if this hits as big as I think it’s going to. Kick-Ass 3 is still going to be through Marvel’s Icon imprint, but I have high hopes for future stuff at Image.”
Check out some of the panels from Jupiter’s Legacy below, and visit The Hollywood Reporter to see more.
“We just preferred it when we were playing around with finished logos and decided to tweak the title while we still could,” Millar tells Comic Book Movie. “The front cover will now look as below, out in April from Image Comics and priced at a very lovely $2.99. Artist and co-creator Frank Quitely and I are very proud of this little superhero epic and look forward to taking all your money next year.”
Announced in January, the 12-issue miniseries centers on the offspring of superheroes who have essentially squandered their inheritance, failing to live of to the example set by their parents, who gained their powers in the 1920s after discovering a mysterious island.
“We have the last remains of these old-school heroes and their mainly vacuous children living in L.A., a massive disappointment to the first generation of super-people and just lost, no real direction in their lives beyond advertising gigs and opening night-clubs,” Millar explained last month. “This is literally where we find everyone and then we go into the future, taking these guys on a journey like we’ve never seen in comics before.”
As he’s done with some of his other creator-owned projects, Millar held a charity auction for the right to name one of the characters in the comic. The effort raised $3,550, which will go to the St. Bartholomew’s Primary School Pantomime Fund to help send students in Glasgow, Scotland, to Christmas shows.
I remember that a year or two ago, Chris Weston playing a little game with his Twitter followers: casting an imaginary Carry On X-Men film. If memory serves, I may even have contributed to it myself; I think I might have been the first to suggest Bernard Bresslaw as Colossus. And that was the end of that, we thought — until he updated his blog with this image.
Surely he’s not been working on this all that time? Weston is something of a movie poster nut, regularly uploading fine examples from his collection, and I’m also enough of an illustration nerd to realize he’s copping the style used by the great Renato Fratini on several U.K. Carry On movie posters.
Midway through the two-day charity auction to name one of the main characters in Mark Millar and Frank Quitely’s Jupiter’s Children, the high bid is already $2,550 (the starting bid on Wednesday was $100). Proceeds again will go to the St. Bartholomew’s Primary School Pantomime Fund to help send students to Christmas shows.
Millar previously auctioned the rights to name characters in Kick-Ass (Dave Lizewski), Nemesis (Matt Anderson and Blake Morrow), Supercrooks (Chris Matts) and The Secret Service (James Arnold), with proceeds going to such projects in his native Scotland as a playground for children with special needs and a specially equipped mini-bus. Last year’s Secret Service auction also helped to raised funds to send children from his elementary school to the annual pantomimes.
“It’s something I’d like to do every year and expand into other schemes in the community with a few other ideas I have,” Millar told The Hollywood Reporter. “Some of the kids had never been to the city before and when I went back to my old school to hand out prizes last summer they all told me how much they enjoyed it.”
Announced in January, Jupiter’s Children centers on the offspring of superheroes who have essentially squandered their inheritance, failing to live of to the example set by their parents, who gained their powers in the 1920s after discovering a mysterious island. The 12-issue series is expected to debut in April from Image Comics.
By way of comparison, last year’s winning bid to name the villain in The Secret Service was $5,100; the Nemesis auction in 2010 brought in $8,500. You can bid on eBay until Friday at 8 p.m. ET/5 p.m. PT.
The Hollywood Reporter has debuted a first look at Frank Quitely’s character designs for Jupiter’s Children, a planned trilogy that writer Mark Millar hopes will be as epic as The Lord of the Rings or Star Wars.
Announced in January, the ambitious story centers on the offspring of superheroes who have essentially squandered their inheritance, failing to live of to the example set by their parents, who gained their powers in the 1920s after discovering a mysterious island.
“We have the last remains of these old-school heroes and their mainly vacuous children living in L.A., a massive disappointment to the first generation of super-people and just lost, no real direction in their lives beyond advertising gigs and opening night-clubs,” Millar tells the trade paper. “This is literally where we find everyone and then we go into the future, taking these guys on a journey like we’ve never seen in comics before.”
The writer offers character descriptions to accompany a gallery of Quitely’s designs, but he won’t reveal any of their names or powers. So we get a look at figures like “the lady in red,” “the eagle-crested super-heroine,” “the cool guy,” and “the duo,” whom readers will recognize from Quitely’s cover for the first issue, debuted in January on Comic Book Resources.
Check out Quitely’s designs below, and visit The Hollywood Reporter to read Millar’s comments about each of the characters. Originally planned for a September 2012 debut, Jupiter’s Children is now targeted for spring 2013.
Comics | Scottish publisher DC Thomson has asked Dundee City Council to rename a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. An unnamed street adjacent to 142/144 West Marketgait would be called Bash Street as part of the celebration of the magazine’s 75th anniversary. [LocalGov]
Retailing | North Hollywood will get a new comics shop on Nov. 10, when Blastoff Comics opens its doors. Owner Jud Meyers seems to think it is an essential part of a hip neighborhood: “They want restaurants, they want bars, they want supermarkets, they want gyms. What didn’t they have? They don’t have a comic book store, every neighborhood has got to have a comic book store.” The opening will feature an assortment of comics guests, including Mark Waid, Greg Hurwitz, and Jim Kreuger, whose The High Cost of Happily Ever After will premiere at the event. [Patch.com]