BOOM! Studios and its imprints KaBOOM! and Archaia Entertainment have announced their exclusive comics and prints for New York Comic Con, held Oct. 10-13 at the Jacob Javits Center in New York City. All of the convention exclusives will be available for sale at the BOOM! booth (#1344), where a number of creators also will be signing.
The London Super Con happened over the weekend, complete with a sizable roll call of legends attending (including Neal Adams, George Perez, Bill Sienkiewicz and Brian Bolland). These days, it wouldn’t be a U.K. comic convention without a fresh batch of photographs turning up in the Twitter stream of 2000AD super-fan John Burdis and friends dragged up as Mega City One judges, administering some on-the-spot justice to his fellow convention goers. This time, there were some familiar faces to be spotted amongst his willing victims: There are literally hundreds of shots like these on Burdis’s Facebook gallery. Also seen at Facebook: a very jolly-looking Batman sharing a joke with Judge Court.
Comics | Scottish publisher DC Thomson has asked Dundee City Council to rename a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. An unnamed street adjacent to 142/144 West Marketgait would be called Bash Street as part of the celebration of the magazine’s 75th anniversary. [LocalGov]
Retailing | North Hollywood will get a new comics shop on Nov. 10, when Blastoff Comics opens its doors. Owner Jud Meyers seems to think it is an essential part of a hip neighborhood: “They want restaurants, they want bars, they want supermarkets, they want gyms. What didn’t they have? They don’t have a comic book store, every neighborhood has got to have a comic book store.” The opening will feature an assortment of comics guests, including Mark Waid, Greg Hurwitz, and Jim Kreuger, whose The High Cost of Happily Ever After will premiere at the event. [Patch.com]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d dutifully pick up Dark Horse Presents #17 (Dark Horse, $7.99). With all the stories and the variety of genres, this is a comics haul all under one roof. This month’s issue has a great looking Carla Speed McNeil cover, and inside’s star looks to be Richard Corben adapting an Edgar Allan Poe story. Beat that, comics! After that I’d do an Image two-fer with Multiple Warheads: Alphabet to Infinity #1 (Image, $3.99) and Invincible #96 (Image, $2.99). On the Multiple Warheads front, I’ve been salivating over this ever since it was announced – I bought the premature version of this back when it was published by Oni, and it’s built up in my mind as potentially greater than King City … and I loved King City. In terms of Invincible, I feel this book has the best artists working in superhero comics – and the writing’s not to shabby either. They’re doing a lot of world-building here, and having Cory Walker join with Ryan Ottley on this essentially split book makes it the highpoint of the series so far.
If I had $30, I’d double back to Image and get Prophet #30 (Image, $3.99). Of all the prophets, I love Old Man Prophet the best – and this issue looks like a mind-bender. After that I’d get Ghost #1 (Dark Horse, $2.99). Kelly Sue DeConnick and Phil Noto look like a dream team and Dark Horse really scored a coup by getting them together on this book. I was a big fan of the original series (Adam Hughes!) so I’m excited to see if this new duo can make it work in a modern context. Third up would be Secret Avengers #33 (Marvel, $3.99). Make no mistake, I love that Rick Remender is so popular now that he’s graduated to the upper echelon of books, but I’m remorseful he’s having to leave his great runs on this, Uncanny X-Force and Venom. This Descendents arc is really picking up steam. Lastly, I’d get National Comics: Madame X #1 (DC, $3.99). I’m a fair-to-middling fan of Madame Xanadu, but the creators here – Rob Williams and Trevor Hairsine – mean it’s a Cla$$war reunion! Love that book, love these guys, and love my expectations here.
If I could splurge, I’d splurge all over Shaolin Cowboy Adventure Magazine (Dark Horse, $15.99). Can DH do two excellent anthologies? We’ll see… but fortunately they’ve got Geof Darrow’s Shaolin Cowboy to lead the way in this pulpy throwback. Shine on, you crazy super-detailed diamond, shine on.
If you didn’t have the massive ticket price for MorrisonCon last weekend, perhaps this is more your speed: the fifth annual Dundee Comics Day at the University of Dundee, Scotland. Much of the day’s event sounds like a redux of the program for Morrison’s high-end Sin City shindig, sans the pop magick angle:
The Dundee Comics day once again welcomes a stellar line-up of top industry talent, this time to celebrate the comics of award-winning Scottish writer Grant Morrison (MBE). Grant will be discussing his approach to writing comics, his thoughts about superheroes, as expressed in his recent book Supergods: Our World in the Age of the Superhero, and his experience of working with some of the best comics artists in the industry.
This exploration of the comics of Grant Morrison is timely given his recent award of an MBE, but also because the University of Dundee is currently leading the way in the emerging field of Comics Studies with modules on comics at Undergraduate and postgraduate level, including the UK’s first MLitt in Comics Studies in the School of Humanities, launched in September 2011. DJCAD has also launched very successful modules on creating comics. The University of Dundee is therefore delighted to have this opportunity to celebrate the huge success of one of Scotland’s most influential and successful authors. The Comics Day talks are designed to appeal to everyone with an interest in comics, and will be accompanied by an exhibition of comic art work.
A raft of Morrison’s past collaborators will be joining him in Dundee, including Cameron Stewart (Seaguy, The Guardian), Frazer Irving (Klarion The Witch Boy, Batman), Frank Quitely (Flex Mentallo, New X-Men, WE3, All Star Superman, Batman & Robin, Multiversity), Rian Hughes (Dare) and Jill Thompson (The Invisibles). Two days prior, the college’s cinema is hosting a showing of Talking to Gods, the seldom-screened documentary on Morrison’s life and career.
Hello and welcome to another edition of What Are You Reading? Our guest today is Caleb Goellner, pug lover and senior editor of ComicsAlliance.
To see what Caleb and the Robot 6 crew have been reading, click below.
Plenty of comic art blogs getting interesting updates recently. The Art of Simon Bisley fansite has a gallery of covers and concept work from Lost Angeles, recently announced by IDW Publishing as migrating there from Heavy Metal. This series will feature Kevin Eastman’s long-overdue return to drawing longform comics.
• Eric Canete has been posting loads of recently commissioned sketches on his blog since Friday, and a lot of them have been a tad NSFW, so let’s insert a break here.
Happy Father’s Day and welcome to What Are You Reading?, where each week we talk about what comics and other stuff have been on our reading piles. Today’s guests are two of the contributors to Skullkickers #18, which features several “Tavern Tales” short stories by different creative teams. Joining us today are Charles Soule of 27, Strange Attractors and Strongman fame, and Aubrey Sitterson, winner of the Skullkickers Tavern Tales Contest. He’s also the writer of Gear Monkey for Double Feature Comics and community manager for WWE Games.
To see what Charles, Aubrey and the Robot 6 crew have been reading, click below.
Oh, now this is nice. Xombi and Gutsville artist Frazer Irving shares a character sketch for “the Celestial Pharaoh,” who will appear in an issue of The Shade next year.
“In the early days my character sketches were rough, hurried and pretty useless as I would modify the overall form as I refined the method used to render them, but since last year I have decided to take a new path and make these “sketches” a little more complete. This chappy gave me a lot of hassle as each idea I had required far more layers than I would have liked and would have been impossible to draw from several angles without the use of a model. Eventually I settled on this design which is practical and does the trick,” he writes on Tumblr. Can’t wait!
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
It’s a slow week, this week; if I had $15, I’d use it to catch up on some recent enjoyments like Action Comics #3 (DC, $3.99) and OMAC #3 (DC, $2.99), two of my favorite titles from the New 52 relaunch–OMAC in particular has been a really weird and wonderful joy–as well as the final issue of Marvel’s great and sadly underrated Mystic revival (#4, $2.99). I’d also see if the parody-tastic Shame Itself #1 (Marvel, $3.99) lives up to its potential, because “Wyatt Cenac + Colleen Coover” sounds pretty promising to these ears.
Hello and welcome once again to What Are You Reading? This week our special guest is Elisabeth Forsythe, marketing manager for online comic shop Things From Another World and frequent contributor to The Blog From Another World.
To see what Elisabeth and the Robot 6 crew have been reading lately, read on.
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
“My not-terribly insightful comic book epiphany of the day: right now, we’ve got a bunch of top-flight writers in the field, and the next generation on the horizon. But what we could really use is a new, young generation of break-out artists. Don’t get me wrong, we’ve got a lot of excellent artists. But who was the last hot young guy who just exploded into the field? I feel like the pump is primed for one or more fresh young artists to just explode in a major, commercial way. When was the last time that happened? We could use an infusion of visual excitement in the books–across all companies.”
–Thus spoke Tom Brevoort, Marvel Senior VP – Executive Editor, on Twitter last night. Personally, I think he’s probably right to wonder about this. Like he says, the point isn’t that there are no good or even great relatively young/relatively new artists right now — there are plenty. Personally I’ve been knocked out by Gabriel Hardman‘s work on Atlas and Hulk over the past year or so, just for example. But what Brevoort is looking for is an artist who just skyrockets to superstardom more or less out of the blue. That requires quite a delicate alchemy. The artist in question must be young enough or new enough or have been working far way enough from the Big Two’s audiences for their work to have “the shock of the new” when fans first see it. They must bring something different to the table than what established artists are doing, so that their work stands out, but they must also be working in a style that’s recognizable and acceptable to large numbers of superhero fans. Their work doesn’t necessarily have to be to your taste, but you should at least be able to understand what others see in it, even if you don’t see it yourself.
DC Comics announced today that Gutsville and Batman & Robin artist Frazer Irving will join writer John Rozum on the new Xombi series that’s coming next year. They also shared the cover for the first issue (above)
“Creator and writer John Rozum returns to the fan-favorite title to continue the story of David, and to give the DCU a new corner of urban horror to explore,” said Editor Rachel Gluckstern on The Source blog. “Right from the start, John’s throwing David in over his head, giving new readers and old friends alike the chance to dive into a new story and hold on for the ride. Joining him will be the excellent star artist Frazer Irving on all visual duties to create a world few have seen and fewer still dare to dwell.”
Xombi, the story of a medical researcher whose supernatural wounds were cured by nanomachines that render him immortal, ran for 22 issues. Like the other Milestone characters, Xombi is now part of the DC universe, having been introduced into it last year in Brave & the Bold #26. Rozum recently posted more background information about the character on his blog.
Over on the CBR mothership, Batman & Robin artist Frazer Irving stops by The Bat Signal column to talk to Kiel Phegley about, among other things, his work with Bat-maestro Grant Morrison. Naturally, Irving dishes on some of the darker moments he’s drawn for the Dark Knight and his associates: