Fred Van Lente
Archer & Armstrong take on the One Percent
It looks as if Occupy Wall Street only scratched the surface, as come August the combat-trained teen Archer and the inebriated immortal Armstrong will discover that the One Percent is part of an ancient cabal that could save the dollar but destroy the world. And they’re doing it while creepy animal masks within a Masonic crypt beneath Wall Street.
The One Percent makes its debut Aug. 8 on the last page of Valiant Entertainment’s Archer & Armstrong, and then returns in Issue 2, out Sept. 5. Writer Fred Van Lente, who reteams with Incredible Hercules artist Clayton Henry for the series revival, says that storyline continues the long comics tradition “of ripping social issues from the headlines so the heroes can punch them in the face.”
“In later issues they’ll fight ninja nuns beneath the Vatican Library and learn the secret connection between Nazi occultists and Tibetan monks,” he tells The Associated Press. “So claiming that the American financial markets are secretly controlled by a Masonic cult of devil-worshippers sacrificing the homeless to the New Testament demon Mammon beneath the NYSE wasn’t really that big of a stretch.”
Check out Valiant’s teaser for Archer & Armstrong #2 below:
Comics A.M. | Comic artist’s claims against songwriter can proceed
Legal | A federal judge has dismissed two claims by comics creator Jason Barnes, aka Jazan Wild, against songwriter Andreas Carlsson but will two others to move forward in a lawsuit over a graphic novel biography. The two signed a deal in 2007 for Dandy: Welcome to a Dandyworld, with Carlsson allegedly retaining the copyrights and Barnes receiving pay plus a percentage of book sales and a cut from any merchandising and movie deals. Carlsson filed suit three years later after Barnes posted Dandyworld online, a move the artist answered with a countersuit claiming, among other things, copyright infringement, bad faith and breach of contract because the songwriter published a bestselling novel in Sweden “inspired by a graphic novel created by Andreas Carlsson and Jazan Wild.” Barnes, who claims he never received residuals from the sales of the novel, asked a federal judge to determine copyright ownership. U.S. District Judge Christina Snyder refused to enter summary judgment about Barnes’ copyright, saying ownership will rest on whether he was an independent contractor of Carlsson’s employee, and dismissed the artists’ claims of negligent representation and fraudulent inducement. However, Carlsson will have to face accusations of breach of contract and bad faith.
If the name Jason Barnes, or Jazan Wild, seems familiar, it’s because two years ago he sued NBC and producer Tim Kring for $60 million, claiming elements from the third season of Heroes were stolen from his 2005-2006 comic series Jazan Wild’s Carnival of Souls. [Courthouse News Service]
Comics A.M. | Are You My Mother?, The Walking Dead top indie bookstore chart
Sales charts | The American Booksellers Association has released its list of the top-selling graphic novels in indie bookstores for the eight weeks ending May 27. At first glance, it looks like it’s mostly literary graphic novels (Habibi, Are You My Mother?) with a healthy sprinkling of The Walking Dead. [Bookselling This Week, via The Beat]
Creators | Grant Morrison discusses the second issue of Batman Incorporated, which features Batman’s lover and Robin’s mom, Talia al Ghul. [USA Today]
Comics history | Could comics history have been radically different if Jerry Siegel had a different last name? Larry Tye, the author of the new Superman a biography, talks to Fresh Air about the origins of the Man of Steel and how he changed over the years: “The editors in New York over time started to exercise their editorial control. They saw this as both a character and a business. They would go down to the level of dictating just what his forelocks looked like. They could be too curly. His arms should be shorter and less ‘ape-like.’ And Joe should get rid of his hero’s ‘nice fat bottom.’ His editor told him that he worried that that made Superman look too ‘la-dee-dah.’ And they were really concerned about the image of the character.” [NPR]
Northstar wedding ‘was in the works’ in Alpha Flight, Eaglesham says [Updated]
Nearly lost amid all the media attention over the upcoming wedding of Northstar and Kyle Jinadu in Astonishing X-Men #51, and the response by One Million Moms, is the revelation that the event was originally planned for another Marvel series — albeit one canceled almost five months ago.
Responding on his message board to news of the impending nuptials, former Alpha Flight artist Dale Eaglesham wrote, “This drives me absolutely crazy: Greg [Pak], Fred [Van Lente] and I do all the work of bringing the series back and they cancel it on us. Why didn’t they let US do the wedding ‘event’ which is clearly garnering attention, to stimulate readership [and] perhaps keep Alpha Flight going? This pisses me off. Oh no, let the ‘X’ books do it, as if they don’t get enough attention. Sigh. … This wedding was in the works on AF.”
Marvel has not yet responded to Robot 6′s request for comment.
Food or Comics? | Dominique Laveau: Voodoo Dog
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Chris Arrant
If I had $15, this ever-lovin’ comics fan would first pick out Dark Horse Presents #12 (Dark Horse, $7.99). First off: John Layman and Sam Kieth doing an Aliens story, can you believe that? That debut, coupled with the return of Mike Baron and Steve Rude’s Nexus, makes this another DHP worth buying. After that, I’d jump into Prophet #25 (Image, $2.99) to see Brandon Graham’s rollicking story with special guest artist Farel Dalrymple. The creators lined up on this Extreme Comics revival continue to impress me, and I’m excited to see new work by Dalrymple here. Third up would be Secret Avengers #27 (Marvel, $3.99), and I’m all hyped up to see how Rick Remender handles the touchy subject of Marvel’s original Captain Marvel. As for the artist, I’m still waiting for Renato Guedes to wow me the way he did before he jumped from DC to Marvel; the previews for this show some promise, so I’m excited to see the entire package.
If I had $30, I’d double back to get the return of Batman Incorporated #1 (DC, $2.99). Grant Morrison’s schedule, along with the New 52, seemed to harpoon this title last year, but I’m hoping this is some attempt to right that ship. Next up would be Fantastic Four #606 (Marvel, $2.99), seeing Jonathan Hickman come full circle as his run nears conclusion by going back to where the FF started: with four people in space suits. Ron Garney is an interesting choice to draw this one, and his take on the Thing is right up there with Stuart Immonen’s. Last up would be Irredeemable #37 (BOOM! Studios, $3.99). I admit I switched to trades a couple issues ago, but I’m jumping back in — spoilers be damned — to find out the end to this story. I’m a little bit morose that artist Peter Krause isn’t the one drawing the finale given all he put into this, but Diego Barretto is an able artist to draw what Waid has set out for this final issue. Oh, hey, I’ve got $5.06 left so I’ll live up to the the title of this Robot 6 feature and get some food: a hot dog from Voodoo Dogs in Tallahassee. Have you seen their new commercial?
If I could splurge, I’d finish eating my hot dog and pick up Comic Book History of Comics (IDW Publishing, $21.99). I’ve failed at life when I couldn’t track down all six of these issues on my own, but IDW offering it all up in one package saves me from that level of hell. Fred Van Lente and Ryan Dunlavey have put on a master class here in doing bio comics, especially bio comics about comics, and as a journalist, comics fan and would be comics writer myself this hits all the right spots for an engrossing read.
Kickstart my art | Two days left to get graphic with Reading With Pictures
Chris Schweizer has a nice post explaining the different premiums he is offering as part of the Graphic Textbook Kickstarter, which reminded me that this Kickstarter is ending in two days. The fund-raising goal is $65,000, which seemed incredibly ambitious to me, but as of this writing it has less than $2,000 to go to reach its goal. As Michael May explained a few weeks ago, the graphic textbook is the work of the nonprofit Reading With Pictures, which promotes the use of comics in classrooms and has already produced one very nice anthology; this book, should it succeed, could lead to a whole line of graphic textbooks. This would have the double benefit of providing children with another way to learn (since different kids have different ways of taking in information, adding the graphic medium will give some students a boost) and providing a lot of creators with paying work, which is always a good thing.
What sets the Graphic Textbook apart from most other educational projects is the quality of the creators, many of whom are already well known in the world of children’s or adult comics: Roger Langridge (Snarked, Popeye), Fred Van Lente and Ryan Dunlavey (Action Philosophers), Raina Telgemeier (Smile) and a host of others. With creators like that on board, the pledge premiums are pretty good.
Anyway, Schweizer’s post grabbed me because I’m a fan of his Crogan Adventures, a series of graphic novels about members of the same family set in different historical eras, and the short story he is doing for The Graphic Textbook is a Crogan story set during the Revolutionary War. His premiums include original art, a video tutoring session, and sketches of the donor in 18th-century garb, but if that doesn’t appeal to you, there are still some other nice premiums left, including Langridge sketches, tickets to the Charles Schulz Museum, a script or portfolio review by former DC/Vertigo editor Brandon Montclare, or a personalized action figure.
Food or Comics? | Spiritwurst
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Graeme McMillan
Well done, DC: For the second time, I’m suckered in by your wave of new launches. This week, if I had $15, I’d drop a chunk of that on Dial H #1, Earth-2 #1 and Worlds’ Finest #1 (All DC, Dial H and Worlds’ Finest both $2.99, Earth-2 $3.99). What can I say? I really love the DC Multiverse as a concept, and I’m curious to see what the new Dial H is like.
If I had $30, I’d add some more new launches in there: Jim McCann and Rodin Esquejo’s Mind The Gap looks like a lot of fun (Image, $2.99), as does the first issue of New Mutants/Journey Into Mystery crossover Exiled #1 (Marvel, $2.99). On the recommendation of many, I’m also going to grab The Spider #1 (Dynamite, $3.99) to try out David Liss’ writing; I had a lot of people say good things about his Black Panther, so I’m looking forward to this new book.
Should I feel the urge to splurge, DC have again won the day: Spirit World HC (DC, $39.99)? Genre stories by Jack Kirby from my favorite period of his work that I’ve never seen before, including some that have never been reprinted before? Seriously, there’s no way I couldn’t want this book.
Kickstart My Art | Reading With Pictures’ Graphic Textbook
The comics literacy non-profit, Reading With Pictures is dedicated to getting comics into classrooms. In addition to cultivating research on the role of comics in education, the mostly volunteer organization seeks to produce its own comics for schools to use and would like your help for their second publication. I say “mostly volunteer,” but that doesn’t include the creators of the new book. They’ll be paid for their contributions and that – plus the large print run – is a major reason Reading With Pictures needs $65,000 to complete the project.
The first Reading With Pictures comic was the Harvey-nominated Reading With Pictures Anthology that featured work by Jill Thompson, Fred Van Lente, Raina Telgemeier, Chris Giarrusso, and others. The new compilation, The Graphic Textbook will include Ben Caldwell, Fred Van Lente, Ryan Dunlavey, Chris Schweizer, Russell Lissau, Marvin Mann, Amy Reeder, Janet Lee, Katie Cook, Roger Langridge, Josh Elder, Dean Trippe, and others.
The collection will contain 12 short stories (both fiction and non-fiction) that are appropriate for grades 3-6 and include a variety of subjects from Social Studies and Math to Language and Science. There will also be a Teacher’s Guide with “lesson plans customized to each story, research-based justifications for using comics in the classroom, a guide to establishing best classroom practices and a comprehensive listing of additional educational resources.”
It’s a great cause with some great creators and some nifty rewards ranging from copies of the book and original art to being drawn into one of the stories.
What Are You Reading? with Simon Monk
Hello and welcome to What Are You Reading? This week’s special guest is Simon Monk, an artist whose “Secret Identity” paintings we featured here on Robot 6 not too long ago. Monk is actually selling limited edition prints of his paintings on his website now, so go check them out.
To see what Simon and the Robot 6 crew have been reading, click below.
Tom Fowler shows off concepts for Hulk: Season One
Comic artist Tom Fowler is right in the middle of a career renaissance, and he’s on his biggest project yet with the upcoming Hulk: Season One. His first major project since getting back in the public eye on Rick Remender’s Venom run, Fowler has spent the break before he begins drawing pages for the graphic novel to work up some concept sketches, inspiration and reference for the project. The image above is one he and colorist Jordie Bellaire worked up to get the creative team (and the readers) excited for what’s coming. Fowler makes it a point to say that it’s not a Marvel-approved image, but something the two artists are aiming toward for the series.
Unwrapping comics: Pros share their holiday memories
A couple of weeks ago, I got to thinking about the holidays and comics. More exactly, I started wondering what some creators might say if i asked them for their favorite comics-related memory. As I got into contact with some creators, they did not have a favorite story per se, but those recollections were definitely memorable. Bottom line, these storytellers not surprisingly had some great stories to share. My holiday memory is an odd one, as a kid in the 1970s reading the Doonesbury comic strip where Rev. Scott Sloan had opening remarks before the Christmas pageant, where he noted that the part of the Baby Jesus would be played by a 40-watt light bulb. A lifelong Doonesbury fan, there are few strips that have made me laugh longer than that one. Told you it was an odd one. Now on to the storytellers with far better tales. My thanks to everyone that responded. Once you’ve read them all, please be sure to chime in with your most memorable comics-related holiday recollection in the comments section.
Every Christmas, comics would show up in my stocking. They’d be rolled up, which I’m sure breaks the heart of every collector out there, but it didn’t bother me much. Comics were for reading. For some reason, my mother thought I liked Thor. I wasn’t a Thor guy, except when he was hanging out in the Avengers. I was, and still am, a Captain America super-fan. How could my Mom not know this? But every year I’d get a couple more Thor comics.
Fast-forward 35 years. I’m the official stocking-stuffer in the household. My wife is the queen of holiday organization, but the stocking assignment has always been mine, primarily because it’s the kind of job you can give to a procrastinator. I can run out on Christmas Eve and grab everything I need: gum, iTunes gift cards, candy bars, extra batteries… and comics. See, my son is 15, and he IS a Thor guy, so I usually try to round up something Asgardian for him, as well as a something with Atomic Robo or Axe Cop. I don’t understand the clothing my daughter is asking for (an “infinity scarf” sounds like something Dr. Who would wear), but by gum, I do know my son’s taste in comics.
What Are You Reading? with Andy Burns
Hello and welcome to What Are You Reading? Our special guest today is Andy Burns, editor-in-chief of the pop culture site Biff Bam Pop!, which is doing a holiday gift guide with giveaways through Dec. 24. You can follow them on Twitter for more information.
To see what Andy and the Robot 6 crew have been reading, click below …
Marvel cancels Destroyers miniseries by Van Lente and Hotz
Marvel has canceled Destroyers, a planned five-issue miniseries starring She-Hulk, The Thing, the Beast, Devil Dinosaur and other “monstrous” heroes. Announced in August at FanExpo Canada, along with the upgrade of Alpha Flight to an ongoing series, the project was set to debut in February from writer Fred Van Lente and artist Kyle Hotz.
Word of the cancellation surfaced this morning on Twitter, where Van Lente revealed “that series got the axe weeks ago.”
“There was no announcement,” he continued, in response to a follower’s question. “The book hadn’t been solicited yet, and just wouldn’t have. … The biggest bummer about Destroyers was Kyle Hotz had #1-2 pencilled, and it looked grrrrreat. Ah, well. That’s showbiz for you.”
The news follows the cancellations of Marvel titles Alpha Flight (co-written by Van Lente), Iron Man 2.0, All-Winners Squad and, just last week, Victor Von Doom, axed before its debut.
What Are You Reading? with Brian Ralph
Welcome to What Are You Reading?, where each week we talk about what comics, graphic novels, books and what-have-you we’ve been reading lately. This week our special guest is Brian Ralph, creator of Daybreak, Cave-In and Reggie 12.
To see what Brian and the Robot 6 crew have been reading lately, click below.
Marvel cancels Alpha Flight with January’s Issue 8
Less than two months after announcing the title had been upgraded from an eight-issue miniseries to an ongoing, Marvel has canceled Alpha Flight — with Issue 8.
The blow was delivered this afternoon in Marvel’s January 2012 solicitations, where the publisher labels “the big showdown between Alpha Flight and the Master of the World,” somewhat uncharacteristically, as “THE FINAL ISSUE!” (Marvel tends not to telegraph a title’s cancellation.)
“Fans and friends, I’m sorry to confirm that #AlphaFlight will indeed end with issue #8,” co-writer Greg Pak said on Twitter, “but the book was originally conceived as an 8 issue mini, so we’re still telling the big, fun story we intended from the start. THANK YOU, #AlphaFlight fans — you guys are the best and have provided us huge amounts of fun and inspiration. And have no fear … the story’s heading for a huge, satisfying ending that @fredvanlente and I have been champing at the bit to unleash for months.”
Featuring the creative team of Pak, his Incredible Herc collaborator Fred Van Lente and artist Dale Eaglesham, Alpha Flight had a strong debut in June, selling an estimated 45,850 copies and claiming the 20th spot on Diamond Comic Distributors’ Top 300 for the month. Sales dropped off dramatically with the second issue, to 26,860; by September’s Issue 4, that number had fallen to about 23,400, barely hovering above Marvel’s traditional line of death.
The cancellation, however, seems par for the course for Alpha Flight, a property that’s had a difficult time finding its footing, and an audience, since the end of its original 130-issue run in 1994 (some might argue since creator John Byrne left in 1985 after 28 issues). The four subsequent revivals were short-lived, with the longest lasting just 20 issues.













