Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So find out what we thought about the final issue of It Girl & the Atomics, the latest Edison Rex and more.
Creators | Editorial cartoonist Matt Bors talks about his life in a tough field, comics journalism and people who want him to work for free: “No one would hold a ‘contest’ for chefs to all prepare food and then only offer pay to the ‘winner’ whose meal they like best … If you want to draw your friend’s wedding invitation for free, I say go for it. If someone is making money from your work, they can afford to pay you.” [Truthout]
Creators | Brian K. Vaughan is crowned “king of the creator-owned comics” by Alex Hern, who acknowledges that may be an “artificially constrained” compliment before laying out the writer’s claim to the title. [New Statesman]
Calling Alison Bechdel’s Fun Home “pornographic,” a conservative Christian group in South Carolina is criticizing the College of Charleston’s selection of the acclaimed graphic novel as recommended reading for incoming freshmen. The school, however, is standing by its choice.
The Eisner Award-winning 2006 memoir, which details Bechdel’s childhood with her closeted gay father, his apparent suicide and her own coming out as a lesbian, is part of the annual “The College Reads!” program, which provides free copies of the selected works to full-time faculty and new students. The books aren’t required reading.
However, Fun Home was labeled “A Shocking Summer Reading Assignment” by Palmetto Family, an advocacy group whose “vision is to transform the culture in South Carolina by reclaiming the values and virtues of marriage, the traditional family model and sexual purity.”
“If this book were a magazine it would be wrapped in brown paper,” Palmetto Family President Oran Smith is quoted as saying. “We reviewed every book assigned in SC this year. Many were provocative. This one is pornographic. Not a wise choice for 18-year-olds at a taxpayer-supported college.”
Graphic novels | A musical based on Alison Bechdel’s acclaimed 2006 graphic memoir Fun Home will open the fall season of the Public Lab series of the Public Theater in New York City. Featuring music by four-time Tony Award nominee Jeanine Tesori and book and lyrics by Tony nominee Lisa Kron, the show is scheduled to run from Oct. 17 through Nov. 4 at the Shiva Theater. [The New York Times, The Public Theater]
Creators | Gilbert Hernandez guests on the comiXologist podcast to talk about Love and Rockets and what he has been reading lately. [comiXology]
Creators | Brian Wood and Ming Doyle talk about their new comic Mara, which will debut from Image Comics in December and features a volleyball player with superpowers in a world where sports and warfare are no longer so far apart. While Wood is not really a sports fan, he is fascinated by the portrayal of athletes in popular culture: “‘This is tied into the superhero thing, recognizing parallels between the two,’ Wood says. ‘I think there’s a lot to talk about there and part of me feels I’ll need more than one comic series to do it in. We’ll see.’” [USA Today]
1.) It seems appropriate to begin a discussion of Alison Bechdel’s Are You My Mother?: A Comic Drama with an anecdote about myself, rather than something about the cartoonist, her book or its subject matter.
I used to work at a library that was in the midst of reorganizing certain sections of its adult collection along a more bookstore-like model, with books of certain genres being grouped together to be more browsable than the previous, more standard set-up, which had all the non-fiction shelved according to the Dewey Decimal System and fiction by the author’s name.
One day I and another librarian were pulling memoirs to put in the newly designated memoir section, and she mentioned something about a “Mommy Didn’t Love Me Enough” books, which I didn’t quite catch. “Oh,” she explained, “That’s what I call some of these memoirs, ‘Mommy Didn’t Love Me Enough Books.’ Once you get past the particulars, that’s what a lot of them boil down to.”
Are You My Mother? is Bechdel’s follow-up to Fun Home, her 2007 memoir about her father, and focuses on her other parent. As I was reading, I suddenly recalled that conversation from a few years ago, and wondered what my former co-worker would have made of this book, provided she would be able to read all that much of it before giving up.
I have to assume she would regard it as the nee plus ultra of “Mommy Didn’t Love Me Enough” memoirs.
Only in comics instead of prose.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this week, I’d pick up the third issues of what may be becoming my two favorite new series: Saga (Image, $2.99) and Saucer Country (DC/Vertigo, $2.99). The former is easily one of the most enjoyable, most packed books out there right now for me, with Brian K. Vaughan and Fiona Staples firing on all cylinders with the two issues to date, whereas the latter has an enjoyably retro feel that reminds me of the earliest days of the Vertigo imprint in ways that I can’t quite put my finger on but love nonetheless.
If I had $30, I’d grab the new edition of Leviathan (Rebellion, $16.99), a collection of a 2000AD horror story by Ian Edginton and D’Israeli that the creators apparently described as “Agatha Christie meets Silent Hill” about a Titanic-esque cruise ship that disappears in the middle of the ocean, and ends up somewhere else … with no land in sight for more than two decades. Really looking forward to reading this one.
Should I suddenly find enough money down the back of my couch to splurge this week, then I’d hope to find the $29.99 I’d need for the Deadenders trade paperback (DC/Vertigo). I entirely missed the Ed Brubaker/Warren Pleece mod romance comic the first time around, so this collection of the entire series will be a welcome chance to make up for past mistakes.
Fun Home‘s Alison Bechdel and American Splendor‘s Harvey Pekar can be ranked alongside Persepolis‘s Marjane Satrapi and Maus‘s Art Spiegelman (to the extent Maus is autobiographical) as the cartoonists whose autobiographical comics have made the biggest splash in the larger pop-cultural pond. So it must have been a real treat to hear the pair talk about their comics, their lives, and the intersection of the two at UCLA last Friday. Fortunately, CBR’s Tom Gastall was there to tell us all about it today. In addition to talking about process and success, Bechdel and Pekar tease their next projects — Bechdel’s working on a memoir about the making of Fun Home, while Pekar’s got a political work called “How I Lost My Faith in Israel” on the horizon. Should be plenty of grist for discussion. Go read!