Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
Legal | In their largest raid ever, police departments across Japan arrested 40 people between Feb. 17 and Feb. 19 on suspicion of copyright infringement for illegally sharing anime, manga, music and live-action film and television dramas online. The suspects, all men ranging in age from 21 to 65, are accused of uploading such materials as Detective Conan, XXX Holic, The Wind Rises and the Mobile Suit Gundam UC soundtrack. In Japan, such unauthorized uploads are criminal acts punishable by up to 10 years in jail or fines of about $84,000. [Crunchyroll]
Legal | Malaysian cartoonist Zunar was arrested last night on sedition charges stemming from a tweet criticizing the court that upheld the sodomy conviction of opposition leader Anwar Ibrahim. On Tuesday, Inspector-General of Police Tan Sri Khalid Abu Bakar posted a screencap of the offending tweet, which said, “Followers (Barua-barua) in black robes were proud in delivering judgement. Reward by Mr Politician must be lavish,” reflecting the popular opinion that the conviction was a political ploy by the government of Prime Minister Najib Razak to silence Anwar. Zunar then tweeted a cartoon of Najib as the judge handing down the verdict. Although his lawyer said Zunar offered to come in to answer questions, he was brought to the Dang Wangi police station, where he can be detained until Saturday — or longer, if police renew the remand order. [The Rakyat Post]
Controversial ads on the sides of San Francisco buses that equate Islam with Nazism have been defaced with images of Marvel’s Kamala Khan, accompanied by slogans like “Stamp Out Racism.”
According to SFGate, these banners — only the latest purchased by blogger Pamela Geller’s American Freedom Defense Initiative — went up on buses on Jan. 9, and feature an image of Adolf Hitler and Palestinian Muslim leader Haj Amin al-Husseini, who opposed Zionism. With the headline, “Islamic Jew-Hatred: It’s In The Quran,” the ads encouraged an end to aid to all Islamic countries.
Continuing with our annual “Looking Forward, Looking Back,” we asked creators and other industry figures what they liked in 2014, what they’re looking forward to in 2015, and what projects they have planned for the coming year.
In this installment, we hear from G. Willow Wilson, Tom Spurgeon, Paul Maybury, Chris Roberson, Carla Speed McNeil, Claire Connelly, Patrick Dean, Michael Allred, Amy Chu, Jamie S. Rich, David Lopez and Jeff Loveness!
This will not be a post about how Saga is awesome. I’ve written 30 of those already. No thrilling over Lying Cat here, no desperation for the next issue, none of my hopes to see The Will return to action or for [SPOILER] to [SPOILER] and [SPOILER SPOILER SPOILER].
Nor will I lose my cool over the fact that, right now, my bookshelf contains two excellent and weird and hilarious China Mieville (China Mieville!)-penned trades of Dial H, complete with blink-and-you’ll-miss-‘em anti-MPAA digs. Or that Neil Gaiman, in the – yikes — almost two decades since I picked up my first Sandman trade, has evolved from Sensational Comic Book Writer Neil Gaiman to MechaGaiman, Devourer of Worlds, Savior of Publishing and Champion of Art. Or that Genevieve Valentine is writing Catwoman!
I won’t flip out about The Wicked + The Divine or Chew or either Marvel, Ms. or Captain.
Ms. Marvel writer G. Willow Wilson and editor Sana Amanat are in impressive company on BuzzFeed list of “21 Kick-Ass Muslims Who Changed the Narrative in 2014, which includes a Nobel laureate, a religious scholar and an Olympic athlete.
Written by Ahmed Ali Akbar, the rundown singles out not only the duo behind the creation of teenager Kamala Khan, the Pakistani American superhero, but also the character herself.
Crime | Two people were arrested Friday in Albuquerque, New Mexico, after police say they tried to sell $9,000 worth of stolen comic books to a local retailer. Marcelo Hernandez, 24, and Stacie Niavez, 23, allegedly walked into Astro Zombies with three boxes of comics that matched the description and certification numbers of those stolen from a vehicle about two weeks earlier. The owner pretended to be getting price estimates but instead called police, who arrested Hernandez and Niavez outside the shop. Both were charged with receiving and transferring stolen property and conspiracy; Niavez was also charged with drug possession. [Albuquerque Journal]
Passings | Jon Kennedy, the former editorial cartoonist for the Arkansas Democrat and Arkansas Business, died Friday at age 96. He started work as an editorial cartoonist for the Democrat (now the Democrat-Gazette) in 1941, and served in the Army from 1943 to 1946, during which time he also drew cartoons and training materials. He went back to the Democrat and worked there until his retirement in 1988, then came out of retirement to draw cartoons for Arkansas Business from 1992 to 2005. He published one book, Look Back and Laugh, and was a member of the American Association of Editorial Cartoonists; he was also named Arkansas Journalist of the Year in 1988. [Arkansas Business]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
The conclusion of the two-part Wolverine guest-shot in Ms. Marvel #7 is not just one of the best issues of the series to date, it’s one of the most fun superhero comics I’ve read in a while. Writer G. Willow Wilson, artist Jacob Wyatt and colorist Ian Herring start with a giant sewer alligator, throw in a Family Circus-esque climb, and end with a couple of high-profile cameos ruminating on Kamala Khan’s potential.
In the wake of Comic-Con International, The A.V. Club launched a week-long celebration of comics — called, appropriately enough, Comics Week — that’s included a discussion about diversity by Janelle Asselin, Karl Bollers and G. Willow Wilson, an interview with Becky Cloonan, a spotlight on the comics-inspired song “Alley Oop,” and a comics tribute by Ryan Brown (God Hate Astronauts) to his influences.
However, as much as I’ve liked all of the pieces, my favorite so far is easily cartoonist Chad Sell‘s touching ode to Warren Ellis and Bryan Hitch’s The Authority #8, and how the depiction of Apollo and Midnighter’s relationship affected him as both a closeted teen and as a budding artist.
Conventions | Image Comics content manager David Brothers explains why this year’s Comic-Con International was a great convention, pointing out that there’s a lot more to the event than movies and television, and there’s a lot more to comics than the Big Two: “Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.” [io9.com]
Ms. Marvel #5 is the most important comic of the current era. Wait, I got ahead of myself.
Comics have distinct eras that you can recognize simply by flipping through an issue. Whether it’s the artwork, subject matter, costume design or the overall presentation, fans can get an idea of when the book came out, and who its intended audience is. It’s one of the reasons I have a hard time recommending older first issues to new readers; X-Men #1 is going to seem weird to someone who has never read any X-Men, whether it’s due to the silted language and design of the original or the ’90s posing and over-lettered pages of the Claremont/Lee version. It can seem really dated for new readers, and can completely color a generation of fans’ expectations of what comics should “really be like.” This is my only explanation for the extreme Jim Lee-ness of the New 52 costume designs.
With this is mind, trying to peg the overall theme of the current era of comics is still a little tricky. Do we use the movies as an example of how future generations will view the medium? Will Civil War and Identity Crisis, with their adult themes, be how the early 2000s are remembered? Do we have Brian Michael Bendis to thank for the voice of this modern era?
This brings me back to my cause this week: I would like Ms. Marvel #5 to be the bar by which the current era is measured. This comic does so much right, and is so absolutely inspiring, that I want to see followers, imitators and an entire generation of fans who will expect this level of quality in their comics in the days to come. Did I get ahead of myself again? Let me catch you up.
WARNING: I’ll be discussing Ms. Marvel #5, so grab your copy (buy three more!) and read along!
Manga | The 13 volumes to date of Hajime Isayama’s dystopian fantasy Attack on Titan have sold a combined 30.37 million copies in Japan, making the manga only the third series to do so since market research firm Oricon began tracking the numbers in 2009 (the first two were, of course, mega-hits One Piece and Naruto). [Anime News Network]
Digital comics | John Casteele considers the acquisition of comiXology from Amazon’s point of view: “It’s easy to see how the ComiXology purchase is going to benefit Amazon. Access to the ComiXology platform not only provides the company with additional revenues from the growing digital comics market and to the comic series that had the highest-selling single issue in 2013 (The Walking Dead, which also had five of the top 10 best-selling graphic novels for the year). It could also provide synergy with Jet City Comics and the Kindle, giving both access to the ComiXology publishing platform. Amazon could also use its Kindle platform to further refine the ComiXology’s ‘Comics’ app, which is already available for the Kindle Fire but might enjoy more direct integration in the future.” [Business Insider]
Legal | Algerian cartoonist Djamel Ghanem is seeking asylum in France as the prosecution and plaintiff appeal his acquittal on charges that he insulted Algeria’s president in an unpublished cartoon drawn for the newspaper Voix d’Oranie. The newspaper brought the criminal charges against Ghanem; in possibly related news, Ghanem is suing his employer for seven years’ unpaid wages. Ghanem now claims Algeria wants to make an example of him. [Radio France International, Ennahar Online]
Conventions | Mark Rahner, who has been going to Emerald City Comicon since the first one in 2003, initially as a reporter and then as a creator, talks about why the event has grown so big (75,000 attendees are expected this weekend) and why it’s still awesome anyway. [Seattle Weekly]
Passings | Award-winning science fiction and fantasy author Lucius Shepard, whose work included Life During Wartime and The Jaguar Hunter, passed away March 18. He was 66. Shepard ventured into comics writing on a few occasions, with the series Vermillion, part of DC Comics’ short-lived Helix imprint, and with contributions to Vertigo anthologies Gangland and Flinch. [Tor.com, BoingBoing]
Creators | American Vampire artist Rafael Albuquerque talks about the upcoming “Second Cycle” of the Vertigo series, which returns after a hiatus of more than a year. [Hero Complex]
It looks like Marvel’s emphasis on reaching a female audience may be paying off for Ms. Marvel.
The first issue of the teenaged superhero’s series debuted last Wednesday to a chorus of critical acclaim, just one day after Marvel editor-in-Chief Axel Alonso spoke with The Washington Post about the publisher’s enhanced focus on female characters and creators — along with Ms. Marvel, new series have been launched (or will be launched) featuring female heroes Black Widow, She-Hulk, Captain Marvel and Elektra; under the “All-New Marvel NOW!” initiative. “While we don’t have any market research, the eyes don’t lie,” Alonso said in his interview. “If you go to conventions and comic book stores, more and more female readers are emerging. They are starved for content and looking for content they can relate to.”