Gabrielle Bell Archives - Robot 6 @ Comic Book Resources
Publishing | This wrap-up of the third annual India Comic Con, which drew an estimated 50,000 attendees (up from 15,000 last year), doubles as a snapshot of that country’s $22 million comics industry. The growth of the market is attributed in large part to the rise of graphic novels, which are luring young-adult readers. [The Times of India]
Comics | Writing for The Atlantic, Noah Berlatsky weighs in on the backlash over DC Comics hiring Orson Scott Card in an article titled “The Real Reason to Fear a Homophobe Writing a Superman Comic”: “It’s disturbing to have Orson Scott Card writing Superman, then, in part because Superman is supergood, and the supergood shouldn’t hate gay people. But it’s also disturbing, perhaps, because Superman is a violent vigilante — and because violent vigilantism in the name of good is often directed not against injustice, but against the powerless.” [The Atlantic]
Awards | Graphic novels for the first time have made the shortlist for the Costa Book Awards (formerly the Whitbread Awards): Mary and Bryan Talbot’s Dotter of Her Father’s Eyes in the Biography category, and Days of the Bagnold Summer by Joff Winterhart in the Novel category. [The Guardian]
Passings | Indian politician and former editorial cartoonist Bal Thackeray has died at the age of 86; Thackeray was in the news most recently supporting fellow cartoonist Aseem Trivedi, who was jailed briefly on charges of sedition. [The Comics Reporter]
Awards | The Australian Cartoonists Association has bestowed their highest honor, the Gold Stanley Award, on David Pope, cartoonist for The Canberra Times. [The Canberra Times]
Comics | Johan Palme talks to Nathan Hamelberg of The Betweenship Group about the continuing controversy over a Swedish library’s decision to re-shelve some Tintin comics because of racist caricatures and colonialist attitudes. The books were put back following an uproar, but the move has sparked a larger conversation, and it even has its own hashtag, #tintingate. [The Guardian]
Conventions | Heidi MacDonald and the Publishers Weekly team (including Robot 6 contributor Brigid Alverson) post a comprehensive report on New York Comic Con, including debuts, new-title announcements, and a quick look at logistics. [Publishers Weekly Comics World]
Conventions | Dave Smith looks at one of the most vexing problems of New York Comic Con: the lack of decent wireless access, a situation troubling exhibitors and media alike. [International Business Times]
My problem with diary comics, I think, may be that I read them in the same way I do other comics, and then end up feeling guilty when I judge the central character — i.e., the person creating the actual comics — for decisions they’ve made or things they say. It’s not even as if they know that I’m thinking such things, but nevertheless, I find myself feeling bad for being so unsympathetic to such talented people.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
I don’t know quite why, considering I’ve been feeling cynical and disinterested in the DC Universe over the past couple of weeks, but I find myself tempted by both Flash Annual #1 and Justice League International Annual #1 (both DC Comics; $4.99) this week; something even more surprising considering I haven’t been following the JLI series past trying out the first issue. And yet, if I had $15 this week, I suspect I’d be using a chunk of it for that. I’d also grab Joe Hill and Gabriel Hernandez’ Locke & Key: Grindhouse (IDW Publishing, $3.99), because, well, Locke & Key is a very, very good comic book.
If I had $30, I may find myself picking up the first collection of Peter Panzerfaust (Vol. 1: The Great Escape; Image Comics; $14.99) because I like the high concept behind it even if I managed to miss the single issues. People who did pick it up in singles: Is it the kind of thing I’d like, do you think?
Should I find the money and ability to splurge, I find myself surprisingly drawn to Dark Horse’s Star Wars Omnibus: Clone Wars Vol. 1 ($24.99); I blame people in my Twitter feed talking about Star Wars Celebration last week, and my thinking, “I haven’t really kept up with Star Wars in ages” in response. Does that count as peer pressure?
Creators | In the wake of the FunnyJunk/The Oatmeal legal dispute, Ian Pike talks to San Diego-based webcomics creators David King and Phil McAndrew about the problem of having their work re-posted without credit. “If I were to sit there and try to hunt down all the websites that re-post my comics without my name on them,” McAndrew says, “I wouldn’t have any time to draw new stuff. So most of the time I just shrug my shoulders and keep on drawing.” One interesting sidelight is that Matthew Inman, the creator of The Oatmeal, has set up a site called BearFood where users can share their favorite webcomics with the appropriate links. [San Diego Reader]
Digital comics | Matt White surveys the digital-first landscape with a look at the strategies (or the lack thereof) from publishers ranging from DC Comics to Viz Media: “While the majority of digital comics are just digitized versions of print comics, available simultaneously (known as ‘day-and-date’) or after the physical version hits shelves, current digital-first offerings seem to represent an alternative, more specific market as publishers begin to treat digital more as a complement to print rather than a replacement.” [Publishers Weekly]
It’s time once again for our monthly trip through Previews looking for cool, new comics.
Wait a minute … “monthly”?
It’s true that we haven’t taken a What Looks Good tour in a few months, but the feature is back with an all-new approach that we hope will be more varied and useful than the old format. Instead of Michael and Graeme just commenting on everything that catches our attention in the catalog, we’ve invited Chrises Mautner and Arrant to join us in each picking the five new comics we’re most looking forward to. What we’ll end up with is a Top 20 (or so; there may be some overlap) of the best new comics coming out each month.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
1) Love and Rockets New Stories #5 by Gilbert and Jaime Hernandez (Fantagraphics) — How do you possibly top the triumphant storytelling feat that was “The Love Bunglers”? I dunno, but Jaime Hernandez is certainly going to give it the old college try, this time shifting the focus onto the vivacious “Frogmouth” character. Gilbert, meanwhile, brings back some of his classic Palomar characters, so yeah, this is pretty much a “must own” for me.
2) Skippy Vol. 1: Complete Dailies 1925-1927 by Percy Crosby (IDW) — Percy Crosby’s Skippy might well be the great forgotten comic strip of the 20th century. Extremely popular in its day, and a huge influence on such luminaries as Charles Schulz, the strip has largely been forgotten and the name conjures up little more than images of peanut butter. IDW’s effort to reacquaint folks with this strip might change that — the few snippets I’ve read suggest this is real lost gem.
3) The Voyeurs by Gabrielle Bell (Uncivilized Books) — Tom Kaczynski’s small-press publishing company drops its first major, “big book” release with this memoir from the always-excellent Gabrielle Bell. Collecting work from her series Lucky (and, I think, some of her recent minis), the book chronicles a turbulent five year period as she travels around the world. Should be great.
4) Godzilla: The Half Century War by James Stokoe (IDW) — I usually stay as far away from licensed books as possible, but there is one simple reason I’m including this comic in my top five: James Stokoe. Stokoe’s Orc Stain has quickly become one of my favorite serialized comics, and his obsession with detailing every inch of the page combined with his ability to incorporate significant manga storytelling tropes in his work convince me he can do a solid job chronicling the adventures of the big green lizard that spits radioactive fire.
5) Barbara by Osamu Tezuka (Digital Manga) — Speaking of manga, here’s one of the more noteworthy Kickstarter projects of recent years: Digital Manga’s attempt to bring the master’s saga of a famous author and the homeless, beautiful woman he takes in and assumes to be his literal muse. This is well regarded in many Tezuka fan circles as one of the cartoonist’s better adult stories, and I’m glad to see Digital willing to take a chance on bringing more Tezuka to the West. I’ll definitely be buying this. I should also note that Vertical will also be offering some Tezuka this month, namely a new edition of Adolph (originally published by Viz in the ’90s), here titled Message to Adolph but well worth checking out regardless of the title.
If you’ve already made your way through Chris Mautner’s recommended reading list for Cecil and Jordan in New York creator Gabrielle Bell and were thinking, “Man, I wish I had more to read,” well, it’s your lucky day. Bell announced on her blog yesterday that The Voyeurs, a collection of stories from her autobiographical mini-comic Lucky, along with 30 unpublished pages. And the announcement is even in comics form, so head over there to read it for yourself.
The collection will be published by Uncivilized Books in August.
Cartoonist Gabrielle Bell spent the entire month of July posting one diary comic per day on her blog. They were very good. People, including us, got excited about them. They were even nominated for the Ignatz Award for Outstanding Webcomic.
And then they were gone.
Some time after the 31st and final strip was posted, Bell removed all but that last comic. It was a move she’d promised to make from the beginning, but it still came as a surprise given all the attention and acclaim paid to the project. Why’d did the Lucky and Cecil and Jordan in New York: Stories author send those 30 strips down the memory hole? In an interview with Bell at CBR, Alex Dueben asked her:
Well, make that “Gabrielle Bell’s diary.” Actually, make it “Gabrielle Bell’s diary comics.” The Lucky cartoonist has taken on the challenge of posting a diary comic every day for the month of July — and not just a loosely-sketched strip three or four panels, mind you, but a full-fledged page drawn in her customary splotch-driven style. It’s actually a big month for Bell: Besides the diary project, she has an art show with cartoonist Lizz Hickey opening up at Brooklyn’s Desert Island comic shop on July 14, and a collection of her acclaimed San Diego Diary strips bowing next week from Uncivilized Books. Which events, I’m sure, will provide further fuel for the diary project. Down the recursive rabbit hole we go!
A couple weeks ago we linked you to “Nocturnal Guests,” Lucky cartoonist Gabrielle Bell’s comical chronicle of her on-again off-again struggle to rid her apartment of multiple bedbug infestations. Today she’s posted the final chapter, and it’s a dreamy, DDT-laced doozy.
Bell says that from here on out, she’ll be posting comics biweekly rather than weekly, but they’ll be twice as long. We’ll be tuning in.
Cartoonist Gabrielle Bell is a Robot 6 favorite, and her latest strip is as good an example as any of why. Currently being serialized on her website, “Nocturnal Guests” tells the story of Bell’s years-long on-again, off-again battle with bedbugs, the nasty little pests that are every New Yorker’s nightmare. Here’s part one and here’s part two; stay tuned for the remaining two chapters, and try not to start impulsively scratching your legs as you read.
Legal | Michael Renaud, the only witness who can place retailer Michael George at his comic store around the time his first wife Barbara George was killed, testified Monday that a meeting with detectives shortly after the 1990 murder detailed in a recently published book did take place, despite its lack of mention in police files. Defense attorney Carl Marlinga questioned during the evidentiary hearing whether Renaud, who admitted to smoking marijuana, has a reliable memory of events. [Detroit Free Press]
Digital piracy | Four publishing groups in Japan, including the Digital Comic Association, is demanding that Apple stop selling pirated works of Japanese authors in its App Store. Apple says that it removes pirated material upon notification by the copyright holder. [The Wall Street Journal]
Publishing | Although a bill to further restrict the sale in metropolitan Tokyo of manga and anime depicting “extreme” sex won’t be voted on until Wednesday, some creators say the legislation has already had a chilling effect. For instance, one boys love artist contends her publisher is refusing to release works set in schools or featuring school uniforms. [Sankaku Complex]
If you remember Lucky cartoonist Gabrielle Bell’s San Diego Comic Con “comicumentary”, you already know she’s a master of depicting awkward social situations. Well, they don’t come much more awkward than “Voyeurs,” the latest strip Bell has posted to her website. In this one, a rooftop party full of people gets a strangely irresistible eyeful of an unwitting couple’s intimate activities in the building across the street. Like the events it’s about, “Voyeurs” is tough to look away from. Read the whole thing here.
Autobiographical artist Gabrielle Bell recently turned her attention to the process of attending a comic convention … and not just any convention, but Comic-Con International. She goes on to explain her current visits as a professional cartoonist, and also her earliest visit where she obtained free entry by working as a volunteer.
At the beginning, Bell describes the experience as “because there is experiencing a thing and there is drawing comics about that thing and there is reading those comics about that thing, but it’s best not to think about those things in terms of time.”
There are currently five parts, but by all means start with Part One here.