REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
Manga | As part of the 45th-anniversary celebration of Weekly Shonen Jump, legendary Dragon Ball and Dr. Slump creator Akira Toriyama will launch a new manga series called Ginga Patrol Jaka (Galactic Patrol Jaka) in the magazine’s July 13 issue. Teased only with vague declaration “The ‘legend’ of hope for the entire world returns here!!,” the series marks the 58-year-old artist’s first manga since the 2010 one-shot Kintoki, created for Weekly Shonen Jump‘s “Top of the Super Legend” project. [Anime News Network]
Creators | Carol Tyler speaks frankly about her struggle to finish the third book of her trilogy You’ll Never Know while taking care of her dying mother and her seriously ill sister, who are characters in the book: “I literally had to do the back end of Book III in hospitals, nursing homes, at the chemo place and in waiting rooms. It was insane.” She also discusses her style choices and how the finished books differed from her original art. [The Comics Journal]
Passings | Dave Thorne, sometimes called the father of Hawaiian cartooning, has died at the age of 82. His most recent strip was Thorney’s Zoo, which ran in the Honolulu Star-Advertiser. Mark Evanier has a personal appreciation of Thorne and his love of Hawaii. [Honolulu Star-Advertiser]
Creators | Carl Barks once wrote, “Ninety-nine readers out of 100 think Walt Disney writes and draws all those movies and comic books between stints with his hammer and saw building Disneyland,” but for much of his career he was happy to remain anonymous and avoid the hassles that come with fame. Jim Korkis writes the fascinating story of how two fans got through the Disney wall of anonymity — and Barks’ own reticence — to figure out who Barks was and bring him into contact with his admirers. [USA Today]
In the vein of literal videos, Garfield Minus Garfield, and Christ, What an Asshole comes The Monkeys You Ordered, a blog that takes the dry, clever, and/or inscrutable punchlines of New Yorker cartoons and makes them straightforward, and therefore somehow much more hilarious. Which stands to reason, when you think about it: Aren’t talking animals in bars, explosions in board rooms, pirates on analysts’ couches and so on weird enough as it is?
(Via Tom Ewing)
Alexander by George Herriman
The Meanest Man in Town by Milt Stein
Love Punishes the Guilty by Tim Hensley
In addition to that neat Chris Ware strip in this week’s New Yorker magazine (I should note he did the cover too), the venerable magazine is holding a do-it-yourself cartoon contest. Using the cartoon kit provided on the Web site (using art by Alex Gregory), simply create as many gags as you like and send them in by Nov. 22. The top five winners will be featured in a slide show. Yeah, I know, that’s not much of a prize, but still, it beats a poke in the eye with a sharp stick, as my father used to say. Oh, if you register the kit (which you have to do anyway to use it) you’ll enter a sweepstakes to win a trip to New York City. Now that’s more like it.
Thinking Big With Robert Mankoff is a series of video interviews with the New Yorker Cartoon Editor in which he talks about the role and history of humor in society. In the one below he talks about how he became a cartoonist and what makes things funny. (found via Drawn)
The Beat, er, beat me to this Lee Lorenz cartoon in this week’s issue of the New Yorker (I always seem to get my subscription issue several days late), but it’s amusing enough I think to warrant reposting here.
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