X-POSITION: Bunn Brings "Civil War II" to Marvel's X-Men
In his latest video, late-night host Stephen Colbert is the devourer of worlds and baby back ribs. With “The Colbert Report” having ended last December, and his stint as host of “The Late Show” debuting September 8, Colbert has had months to prepare — or maybe months of downtime. Today, Colbert debuted a new five-part video series where the host sits down with you, the viewer, for a nice lunch at the office. But being the huge nerd that he is, Colbert begins the video mid-selfie, wearing a paper Galactus hat.
Has he traded in Captain America’s shield that Marvel’s Chief Creative Officer Joe Quesada bestowed upon him for Galactus’ crown? Will he be the new god-like figure of late night TV, draining the life out of his competitors?
Galactus, the Devourer of Worlds, knows a good planetary buffet when he sees one, and he’s apparently willing to cross universes — and publishers — to get to it.
Among the covers debuted this afternoon by DC Comics to celebrate the 75th anniversary of Green Lantern is Wes Craig’s fun variant for The Flash #44, which depicts Barry Allen and John Stewart racing through space, just ahead of a battalion of Parademons. (Is that what you call them, a battalion? A sleuth? A murder?) Scattered throughout the background are tiny cameos by the likes of Ambush Bug, Superman, Wonder Woman, Hawkman,
Starman Mister Miracle, Orion and even Mister Mxyzptlk. But that’s not all …
Hello and welcome once again to Shelf Porn, our weekly peek at someone’s collection. Today we visit the home and shelves of Matt Page, who runs the Galactus website whencallsgalactus.com. It includes comics, original art, action figures and, oh yes, lots of Galactus.
If you’d like to submit your own collection to this feature, you can find the details at the end of this post.
And now let’s hear from Matt …
Animation designer Andry Rajoelina has created an uplifting, and occasionally funny, series of prints featuring the families of superheroes. That’s “family” as in Superman Family, not as in Jonathan, Martha and Clark Kent. The first set was focused on DC, but he’s now done a second group with Marvel characters.
Some of the characters, but not all, are biologically related, and that’s part of what makes the series so heart-warming. One of the nicest, most reassuring messages of the X-Men was always that people without families could form their own. (I’ve always loved the idea of the X-Men as a family much more than the idea of them as a school.) Rajoelina’s two series highlight that. They focus on adult/child relationships (the Fantastic Four leaves out Johnny Storm and Ben Grimm, for example), but Rajoelina is able to figure out a workaround for Green Lantern, even if it’s a little sad in a humorous way.
Prints of the Justice Families series can be purchased at the Geek Art Store.
On the heels of this morning’s July solicitations, which included a mysterious “Classified” listing for a one-shot called Age of Ultron #10 U.C., Marvel has released a teaser that may tip the company’s hand … a little.
Seen in full below, the image depicts the word “HUNGER,” in telltale Galactus purple, repeated over over a cosmic background. Fiddling in Photoshop also reveals what appears to be mountains, but I could be wrong.
The issue is so secret, that Marvel isn’t revealing the writer and artist, or even what the “U.C.” in the title stands for. Whatever it is, it’ll likely spark the next round of Marvelman speculation. (Hey, Marvel Editor-in-Chief Axel Alonso did recently tell Comic Book Resources the company is moving closer to the character’s debut. MickyMoran vs. the Devourer of Worlds? Nah.)
Booster Gold was introduced in 1986 as a glory-seeking time traveler eager to sign endorsement deals, and in his appearance on The CW’s Smallville wore a costume emblazoned with corporate logos, similar to a NASCAR racing suit. But what if other superheroes followed in Booster’s footsteps?
In his series “Sponsored Heroes,” Roberto Vergati Santos envisions costumed heroes from comics and films if they were getting some sweet, sweet sponsorship money from the likes of Nike, Apple and Coca-Cola (although why a cosmic entity like Galactus, the Devourer of Worlds, would need corporate cash is beyond me).
Some of the results a much better than others. You can see a sampling below, or view the entire series at Behance.
Brazilian pop artist (and firm Robot 6 favorite) Butcher Billy recently told me he was working on a project that would appeal as much to readers of Time as to the readers of this blog. I believed him, and waited eagerly to see what he was going to come up with. He was right, and he’s excelled himself. He’s just posted The Legion of Real Life Supervillains at Behance, a gallery of images recasting some of humanity’s very worst as four-color miscreants.
In Billy’s own words:
“If back in the day comics and movies were pretty naive and faced only as pure escapism, today’s fiction has to evoke reality to create something truly meaningful… and frightening. This series is an experiment where a dictator, a psycho, a murderer (sometimes they are the whole package) or even a suspicious figure from real life is mashed with a comics bad guy – strangely related some way or the other with his counterpart. The depressing thing? Realising that if the comic book supervillains were actually the ones threatening real life, the world wouldn’t be such a bad place.”
This series raises all sorts of questions and invites all sorts of controversies. Some examples below, and be aware that Billy’s Legion of Doom includes a couple of choices whose presence in such nefarious ranks you may well disagree with. I might distrust Facebook’s ubiquity, but Mark Zuckerberg isn’t exactly a genocidal tyrant (yet).
Hello and welcome once again to Shelf Porn, where fans share their shelves and we show them off. Today’s collection comes from Bill Roberge, who show sus his originla art, comics, statues and more. “My collection is mainly Galactus figures/Art, John Byrne art (with some Jack Kirby) oh, and lots of graphic novels!” he said.
Check out his collection below, and scroll to the end to see how you can submit your own collection.
If it’s Saturday, it must be Shelf Porn, and today’s collection comes from Troy Potter. Troy shows us his nicely displayed shelves of statues, trade paperbacks, toys and more.
If you’d like to submit your collection to Shelf Porn, scroll down to the end of the post to find out how. Now let’s hear from Troy …
Our Shelf Porn feature almost died from natural causes earlier this year. It wasn’t because we wanted it to die, but after four years, the submission well began to dry up. Could we have reached a point where everyone who wants to show off their shelves has shown off their shelves? I thought. You always hear about this limited number of comic collectors out there in the world, so maybe, statistically speaking, we’d hit critical mass on the subset of that number who own cameras or like to take pictures or read the site or whatever.
It wasn’t the first time we’d seen submissions slow down, but there was enough of a gap between February and July that I thought maybe that was it. But you can’t keep a good Shelf Porn down, it seems; over the past few months, we’ve had a bit of a resurgence in submissions. In fact, I think I have enough submissions to make it through the end of January. So thanks to everyone who submitted this year and kept it from going the way of the dinosaur.
With it being the end of the year and all, I wanted to look back at the year in Shelf Porn, and as I started going through the ones we’ve posted here, it occurred to me that a lot of them had some defining element that really jumped out at me–usually in the realm of “Man, I wish I had one of those!” So instead of doing a “best of” list, I thought I’d focus in on six 2012 submissions that made me envious …
Welcome to Greatest Comic of All Time, a new weekly column spotlighting great comic books that don’t appear on the bestseller charts or canon lists or big-box bookstore shelves. They are the property of the back issue bins and thrift store crates and swap meet hawkers of America, living like the comics medium itself in the unremembered crags and pockets of publishing history. It is a testament to the form’s strength that overlooked and forgotten work as potent as the celebrated masterpieces exists, and it is a testament to comics’ true devotees that these diamonds still emerge from the rough to shine once more for those who seek them out.
Thor #160, composed and illustrated by Jack Kirby, inked by Vince Colletta, dialogued by Stan Lee. Cover-dated January 1969. Published by Marvel Comics/Perfect Film & Chemical Corporation.
How acquired: Thrown in on top of a box of late-’80s/early ’90s superhero comics given to me by a guy who worked at an iron furnace company whose building I used to hang around. “This one’s actually good,” is the quote I remember.
Best single drawing:
News and reports from the New York Comic Con rolled out even after the lights were turned off on Sunday; here are a few of them, as well as some tidbits we missed the first time around:
• Marvel announced an ongoing Age of Apocalypse series by David Lapham and Roberto De La Torre, spinning out of the current “Dark Angel Saga” storyline in Uncanny X-Force. [CBR]
• Designer Chip Kidd is writing a Batman book called Batman: Death by Design with art by Dave Taylor. It’s due out next summer. [ComicsAlliance]
• USA Today spotlighted Captain Brooklyn, due next May from Jimmy Palmiotti, Frank Tieri and Amanda Conner. The three-issue miniseries will be published by Image Comics. [USA Today]
• Following the convention, Marvel has released pages from the Prep & Landing story that will appear in a few of their upcoming November comics. [CBR]
The Kirby Museum’s Kirby Vision blog points to a gallery of Jack Kirby-inspired cosmic artwork by artist Giorgio Comolo, and the results are pretty astounding. Click on through to check out several pieces, including some DC/Marvel mash-ups like the Teen Titans vs. the X-Men in the shadow of the Anti-Monitor vs. Galactus, Silver Surfer vs. Orion and more.
Everyone enjoys a good crossover. Whether it be Avengers vs. JLA or Archie Meets the Punisher, putting two diametrically (and publishing) opposed forces against each other is a blockbuster waiting to happen. With certain people calling out for a renewed DC/Marvel crossover, artist Marco Rudy has done just that — on his own, for fun.
Check it out below (click to enlarge)!
I don’t know what it is about Galactus that brings out the best in artists, but like James Stokoe before him, Italian illustrator Giorgio Comolo has taken on the big purple planet-eater with spectacular results. The reliably delightful Kirby-Vision blog has assembled a truly stunning Comolo Galactus gallery, vibrantly colored and maniacally detailed. Comolo’s artist page at Red Sector Art is worth a look, too, especially if you’re a MODOK fan.