SDCC: "Batman: The Killing Joke" Cast & Crew Debuts Film at Comic-Con International
Legal | Todd McFarlane Productions has emerged from bankruptcy after more than seven years, having paid more than $2.2 million to creditors, according to court documents dug up by Daniel Best. Of that, $1.1 million was part of McFarlane’s settlement with Neil Gaiman, which brought to a close the decade-long legal battle over the rights to Medieval Spawn, the heavenly warrior Angela and other characters (it’s unknown how much of that disbursement was eaten up by legal fees and how much actually went to Gaiman; the writer has publicly stated he gives money won in the proceedings to charity). Todd McFarlane Productions filed for Chapter 11 bankruptcy protection in December 2004 following the $15 million court award to former NHL player Tony Twist, who sued over the use of his name in Spawn for the mob enforcer Antonio “Tony Twist” Twistelli. McFarlane and Twist settled in 2007 for $5 million. [20th Century Danny Boy]
The UK comics scene is bustling, with 2000AD celebrating its 35th anniversary, a new kids’ comic making waves, and tons of creators working on tons of new projects.
The indy publisher Blank Slate, home of Psychiatric Tales and the anthology Nelson, will be publishing a collected edition of Nick Abadzis’s Hugo Tate, and in anticipation of that, Abadzis has set up a Hugo Tate Tumblr for photos, thoughts, and even the odd page of comics.
I have good news and bad news about the second volume of Garen Ewing’s The Rainbow Orchid, which was released on Monday.
The bad news is that it is still available only from British sources; like the first volume, it hasn’t been officially published or distributed in the U.S., although I believe you can purchase it as an import.
The good news is that you can read a fairly hefty chunk of both books online at Ewing’s site. Set in the 1920s, The Rainbow Orchid is a graphic novel for Masterpiece Theater fans; it features a distinguished professor, his audacious assistant, a movie star, a crusading reporter, and of course the wicked rival, all in a race to find the mythic rainbow orchid and take top prize in a plant show (although the stakes are much higher, naturally). It’s a familiar plot but done very well and drawn in a lovely ligne claire style reminiscent of (but quite different from) Tintin.
Ewing really uses the web to its fullest potential; in addition to the comic, his site has purchasing information, story details, even a blog with puzzle pages, all organized in a logical and easy to navigate fashion. It’s worth checking out just to see how much information he can include in a single web page without turning it into visual mush. Plus the comic is a lot of fun to read.