Gary Groth Archives - Robot 6 @ Comic Book Resources
Political cartoons | Turkish cartoonist Musa Kart, who was acquitted last month on charges of insulting President Recep Tayyip Erdogan, speaks out: “It’s a well known fact that Erdogan is trying to repress and isolate the opponents by reshaping the laws and the judiciary and by countless prosecutions and libel suits against journalists.” Kart faced a possible penalty of nine years in prison if he had been found guilty, and it’s not clear the case is over yet, as Erdogan could appeal the acquittal.“Unfortunately, day by day, life is getting harder for independent and objective journalists in Turkey,” Kart said. [Index on Censorship]
Political cartoons | Syrian Kurdish cartoonist Dijwar Ibrahim talks about his anti-ISIS cartoons, which are on exhibit in Iraq. [Al-Shorfa]
Digital comics | The digital comics publisher Thrillbent has launched its own iPad app, which allows users to read Thrillbent comics and also load in their own comics in PDF, CBR and CBZ formats via Dropbox. [iTunes]
Publishing | Diamond Comic Distributors is dropping the price of its monthly Previews catalog from $4.50 to $3.99 with the January issue (in stores Dec. 24). That, as the company notes, is “the average price of a standard monthly comic book.” [PreviewsWorld]
Publishing | Dark Horse plans to publish the historical graphic novel Nanjing: The Burning City, by Ethan Young (Tails). [The Beat]
The Ignatz Awards were handed out Saturday night at Small Press Expo in a ceremony that culminated with a mock wedding in which Simon Hanselmann married Comics (represented by a stack of graphic novels and real-life creator Michael DeForge).
Named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, the festival prize recognizes achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists, and then voted on by SPX attendees.
With 23 days left in a Kickstarter campaign to fund its spring/summer season of books, Fantagraphics has already surpassed its initial $150,000 goal.
“We literally are stunned by the support you have shown in less than four days,” Publisher Gary Groth wrote Monday in a Kickstarter update, “it’s incredible and we humbly thank you.”
As he explained last week to Comic Book Resources, the effort came in the wake of the illness and death earlier this year of co-founder Kim Thompson, which led 13 of the books he edited to be canceled or postponed. That amounted to the loss of about one-third of the spring/summer season, and a significant financial blow to the publisher. The Kickstarter is designed to help Fantagraphics finance the next season of books — 39 in all.
With that $150,000 goal now met, Fantagraphics is expanding the number of premiums. The campaign ends Dec. 5.
Creators | Anime legend Hayao Miyazaki, who announced his retirement just two months ago, is reportedly drawing a samurai manga set during the Warring States Period. Asked on the Japanese television show Sekai-ichi Uketai Jugyō over the weekend how the 72-year-old filmmaker will spend his retirement, Studio Ghibli producer Toshio Suzuki replied, “I think he will serialize a manga. From the beginning, he likes drawing about his favorite things. That’s his stress relief.” He also confirmed the manga’s setting before cutting off the line of questioning with, “He’ll get angry if I talk too much. Let’s stop talking about this.” Miyazaki has illustrated several manga over the past four decades, most notably the seven-volume Nausicaä of the Valley of the Wind. [Anime News Network]
Libraries | Mitch Stacy takes a look at the new Billy Ireland Cartoon Library and Museum at Ohio State University, which is scheduled to open this weekend with a gala celebration. [ABC News]
Crime | Three armed men invaded the home of comics collector Antonio Jose da Silva in Sao Paolo, Brazil, and held him and two employees at gunpoint while they stole more than 7,000 comics from his collection of about 200,000. The robbers seemed to know exactly what they were looking for, as they went straight for the most valuable books. Their haul included more than 200 first editions of O Lobinho and O Gibi, which reprinted translations of American comics in the 1930s and 1940s. The value of the thieves haul is estimated at $150,000, and the loss will be borne by da Silva, who was unable to get insurance for his collection. [The Comics Reporter]
Comics | Dana Jennings looks at the renewed interest in EC Comics, once reviled in the popular press as mind-destroying trash that would lead youths astray, now revered by the comics cognoscenti as subversive graphic literature. Locke & Key writer Joe Hill and EC Archives editor Russ Cochran weigh in, as does Fantagraphics President Gary Groth, editor of that company’s EC Library, who says, “They were arguably the best commercial comics company in the history of the medium, and their list of artists and writers between 1950 and 1955 represents a Who’s Who of the most accomplished craftsmen working in comics at that time.” [The New York Times]
This as-yet-untitled book will be Davis’ first major work since 2009’s The Secret Science Alliance and the Copycat Crook from Bloomsbury Children’s. In that time the cartoonist has created extensive shorter works for Fantagraphics’ Mome anthology as well as for Little House Comics, the boutique publishing imprint she co-owns with her husband Drew Weing.
Awards | Slate Book Review and the Center for Cartoon Studies have awarded the Cartoonist Studio Prize for Best Graphic Novel of 2012 to Chris Ware for Building Stories, and the prize for Best Web Comic to Noelle Stevenson for Nimona. Each winner receives $1,000. [Salon.com]
Comics | Tom Spurgeon talks at length to Gary Groth, co-founder of Fantagraphics and editor-in-chief of The Comics Journal, about the prospects for young creators today versus years ago, changes at The Comics Journal, and Groth’s own interview with Maurice Sendak, which runs in the latest issue of TCJ. [The Comics Reporter]
Publishing | Todd Allen analyzes the sales of DC Comics’ New 52 titles from their September 2011 launch to the past month. Sales of any series tend to drop off from one issue to the next — Allen compares it to radioactive decay — and when the numbers drop below 18,000 for a couple of titles, DC tends to cancel them in batches and start up new titles to replace them. That plus crossovers and strong sales of some flagship titles has kept the line fairly stable until recently, but as Allen notes, the replacement titles tend to crash and burn pretty quickly, and overall sales have dipped a bit. [Publishers Weekly]
History | David Brothers has a great column for Black History Month, featuring Krazy Kat, All-Negro Comics and other titles by black creators. [Comics Alliance]
A few years ago, Viz Media published Inio Asano’s manga Solanin and What a Wonderful World to great critical acclaim. Set in present-day Tokyo, they show the lives of twentysomethings trying to navigate their place in the world.
Now Fantagraphics Books has announced it will publish another Asano manga, Nijigahara Holograph, but it’s not a slice-of-life manga; it’s a horror story. Matt Thorn, who has translated the other Fantagraphics manga titles, including Moto Hagio’s A Drunken Dream and Other Stories and Shimura Takako’s Wandering Son, will translate this one as well. The story is complete in a single, 200-page hardcover volume, which will retail for $26.99. Here’s what Fantagraphics President and Co-Publisher Gary Groth has to say about the book:
Inio Asano’s Nijigahara Holograph is both a departure from and entirely consistent with our growing line of manga graphic novels. It is considerably and consistently darker than either Moto Hagio’s or Shimura Takako’s work, using a much more deliberately involuted literary structure, but it’s also in keeping with our editorial imperative to publish unique artistic voices. We’re proud to make this landmark work available to an American readership.
As it happens, Shaenon Garrity just wrote a column about Asano’s manga; here’s her take on Nijigahara Holograph:
Asano blends character studies of directionless young adults with shocking violence, supernatural horror, time travel, and the end of the world, creating a work that’s sort of half Magnolia, half Donnie Darko, with a splash of Stephen King.
Solicitation text and sample artwork can be found below:
Buried within a lengthy Comics Journal discussion about the bizarre — and ultimately unsuccessful — public negotiations between Dave Sim and Fantagraphics to release collected editions of Cerebus, Gary Groth announced Thursday the next books in the publisher’s acclaimed Carl Barks and EC Comics lines.
The next installment of the Carl Barks Library, titled The Old Castle’s Secret, will include reprints of Donald Duck stories from 1947 and 1948: “The Old Castle’s Secret,” “In Darkest Africa,” “Wintertime Wager” “Watching the Watchman,” “Wired,” “Going Ape,” “Spoil the Rod,” “Bird Watching,” “Horseshoe Luck,” “Bean Taken,” “Rocket Race to the Moon,” “Donald of the Coast Guard,” “Gladstone Returns,” “Links Hijinks,” “Sorry to be Safe,” “Sheriff of Bullet Valley,” “Best Laid Plans,” “The Genuine Article,” “Pearls of Wisdom” and “Foxy Relations.”
Following the January release of “50 Girls 50″ and Other Stories by Al Williamson and “Taint the Meat … It’s the Humanity” and Other Stories by Jack Davis, Fantagraphics will expand its EC Comics Library with a crime volume dedicated to the work of Johnny Craig and a science fiction devoted to Al Feldstein.
“I’m very happy I didn’t have to negotiate these contracts on an internet thread,” Groth said.
(via The Beat)
Fantagraphics announced last week it has formed a partnership with Alexander Street Press to include a complete run of The Comics Journal as part of the Underground and Independent Comics, Comix, and Graphic Novels online archive. Not knowing much about Alexander or the archive, I contacted Fantagraphics Co-Publisher Gary Groth to get some more information.
Robot 6: For the uninitiated, can you explain what Alexander Street Press is and what purpose they serve in the academic community?
Gary Groth: I’m by no means an expert on Alexander Street Press, but my understanding is that they provide searchable digital databases to academic institutions composed of classics works in a variety of disciplines — such as film, theater, literature, etc. These are provided primarily for scholarly use. I was able to go into some of their databases and poke around and they’re truly remarkable. You can search for subjects, themes, proper names, historic events, key words, etc.
How did this partnership come about? Did they contact you or vice versa?
They approached us.
Now available On Demand, the documentary Comic Book Independents by director Chris Brandt receives wider distribution at an interesting time. In the midst of a migration of comic book creators from work-for-hire to creator-owned projects, and just as a renewed discussion about creator rights gains momentum, this documentary offers fascinating insight on what it means to go it alone in comics.
It’s not your usual comics documentary, and if you’re a creative type yourself, or are interested by those who are, you’ll probably find yourself inspired. Framed by information from cognitive psychologist Dr. James Kaufman, the human process of creativity as it is realized in comics is broken down and explored by some of the art form’s most interesting thinkers and voices.
Legal | Rico Venditti and six other alleged members of a stolen-goods ring pleaded not guilty Tuesday to federal murder and racketeering charges following a revised grand jury indictment in the July 2010 home invasion of an elderly comics collector. The victim, 78-year-old Homer Marciniak of Medina, New York, died of a heart attack a few hours after being tied up and assaulted during the robbery, which prosecutors claim was set up by Venditti and two others. [The Associated Press]
Conventions | Bruce Lidl looks at the potential “Comic-Con tax” that could hit attendees as a result of the expansion of the San Diego Convention Center. [The Beat]
Walt Disney’s Donald Duck: Lost in the Andes
by Carl Barks
Fantagraphics Books, 240 pages, $24.99.
Is Barks overrated? Is he really the comics master that people claim he is or was it simply that most of his contemporaries — especially where Disney comics were concerned — were so dull in comparison? Did the mystique surrounding Barks — the fact that he worked anonymously for so long — stoke his legend? In praising Barks, are we merely praising the surface elements of his work and ignoring whether his stories are stand up to the sort of strong critical scrutiny? Does mere nostalgia drive the bulk of our interest in his work? As one person put it on Twitter: “Is the worship of Barks just another case of comics culture’s elevation of craft over everything?”
I really don’t think so. Certainly it’s easy to get lost in the surface elements of Barks’ comics — the simple, clean lines, the skilled detail in depicting other cultures and lost civilizations, the slapstick humor. I suppose to some extent there might be a few people who come to Barks expecting to have their molecules re-arranged and will walk away sorely disappointed and wondering what all the fuss was about.