Paul Bettany Talks "Age of Ultron," Working with James Spader & More
Creators | Cartoonist Stacy Curtis talks about inking Cul de Sac for creator Richard Thompson, who announced last week he’s ending the celebrated comic strip because Parkinson’s disease has left him unable to maintain the schedule: “I never felt inking Cul de Sac for Richard worked. It was like going into a theater to see Jerry Seinfeld do stand-up and watching Steve Martin deliver his lines. And that’s what it felt like. Every time I sat down at my drawing table to ink Cul de Sac, I could hear a narrator’s voice say, ‘For tonight’s performance, the part of Richard Thompson will be played by his understudy, Stacy Curtis.'” The final strip will appear Sept. 23. [Stacy Curtis]
Graphic novels | Andrews McMeel Publishing, which has focused on comic strips and comic strip compilations up to now, has announced its first original graphic novel series: The Chronicles of Desmond, by Mark Tatulli, creator of Lio and Heart of the City. The books will be published in October 2013 under Andrews McMeel’s new AMP! imprint and will be aimed at middle-grade readers. [Publishers Weekly]
Prism Comics, the nonprofit group that supports lesbian, gay, bisexual and transgender creators and comics, has opened submissions for this year’s Queer Press Grant.
The grant is awarded to writers/artists or teams working on comic books, comic strips, webcomics or graphic novels with significant LGBT characters and themes. Creators don’t need to be LGBT to apply; entries are judged by the Prism board and past recipients based first on artistic merit, and then financial need, proposal presentation and the work’s contributions to the LGBT community.
“The Queer Press Grant is a significant resource to help promote LGBT themes in independent comics, and to support up-and-coming cartoonists bringing their projects into the world,” Justin Hall, Prism’s talent relations chair, said in a statement. “Every year, the QPG gives both financial support and extra publicity to a worthy recipient.”
Past winners include Robert Kirby, Eric Orner, Megan Gedris and Ed Luce.
Guidelines can be found on the Prism website. The deadline is Oct. 1, with the winner announced at the Oct. 13-14 Alternative Press Expo in San Francisco.
Publishing | Vertical Inc. announced Sunday at Otakon in Baltimore that it has licensed Yoshikazu Yasuhiko’s 23-volume Mobile Suit Gundam: The Origin and Mitsuhisa Kuji’s Wolfsmund. [Anime News Network]
Publishing | A year after the launch of Kodansha Comics, general manager Kimi Shimizu and Dallas Middaugh of Random House Publisher Services discuss their re-release of Sailor Moon, Kodansha’s fall line and the state of the manga market in the post-Borders landscape. “Manga numbers have been in decline for the past couple years, but what we’ve discovered in the past year or so is that decline is dramatically slowing,” Middaugh said .”So the simple fact of the matter is that most manga readers —usually when they’re committed, they’re committed—are reading a series. I actually believe that it takes more than the loss of a retail outlet to keep them from pursuing the manga that they want to read.” [ICv2]
Declaring Marvel has “crossed the line,” a Florida fundamentalist group has launched an email campaign in an effort to convince the publisher, parent company Disney and retailers to pull from distribution Astonishing X-Men #51, the June issue that depicts the much-publicized wedding of Northstar and Kyle Jinadu.
Asserting that the comic “asks kids to fantasize about having their own same-sex nuptials,” the Florida Family Association laments on its website “that the comic strip actually has a blank wedding that children can use to make their own same-sex wedding. Talk about propaganda.” That’s a reference to the Phil Noto variant cover (above), which depicts wedding photos of 10 heterosexual superhero couples, as well as Northstar and Kyle.
In a call to “take action,” the organization encourages supporters to send a form email to Marvel, Disney and retailers stating that it is “shameful that two companies like Marvel and Disney would deliberately create a superhero homosexual wedding for our children to embrace and mimic. These companies should show more respect to the overwhelming majority of families who do not want their children targeted with immoral social propaganda through comics.”
Publishing | According to the San Diego Comic Con schedule, Archaia will publish an adaptation of Shotaro Ishinomori’s classic sci-fi manga Cyborg 009, “reimagined” in Western style. The adaptation will be written by F. J. DeSanto and Brad Cramp, and illustrated by Trevor Hairsine. In case you missed it, David Brothers recently wrote a fascinating piece on the original. [Anime News Network]
Creators | Colleen Doran is looking for original art from her creator-owned series A Distant Soil. “I require good quality scans of the art for the future editions of the print books, as well as the upcoming digital editions … If you purchased A Distant Soil original art, I would be very grateful if you would get in touch with me.” [A Distant Soil]
Like clockwork, Comic-Con International organizers have released the programming schedule for Friday, July 13, the second full day of the San Diego convention. It sees publishers kicking things into high gear, with Marrvel’s “Cup O’ Joe” and DC Comics panels on the New 52 and Justice League and Green Lantern groups, as well as presentations from IDW Publishing, Oni Press, BOOM! Studios, UDON, and Fantagraphics and Drawn & Quarterly.
That’s only for starters, though, as AMC’s The Walking Dead, Nickelodeon’s Teenage Mutant Ninja Turtles and The CW’s Arrow make Comic-Con appearances, and creators as diverse as Joss Whedon, Kate Beaton, Larry Hama, Scott Snyder, Lynn Johnston, Dan Piraro, James Robinson and Jeff Lemire get the spotlight. There are also tributes to legendary creators Jerry Robinson and Joe Simon, as well as Comic-Con co-founder Richard Alf.
And to keep off the day, there’s the 24th annual Will Eisner Comic Industry Awards.
We’ve selected some of the comics-related highlights below; visit the Comic-Con website to see the complete schedule.
Comic-Con International organizers have released the programming schedule for Thursday, July 12, the first full day of the San Diego convention. It’s a day that includes the final Twilight presentation — it’s the first event in Hall H, so no squatters! — and plenty of comics panels.
The programming include panels from IDW Publishing, Image, Bongo Comics, Marvel, DC Comics and Viz Media, a Malibu Comics retrospective, a conversation with The Walking Dead creators Robert Kirkman and Charlie Adlard, spotlights on Becky Cloonan, Karl Kerschl, Geof Darrow and Bill Amend, and a look at the depictions of lesbian, gay, bisexual, and transgender characters in comics.
Check out some of the comics-related highlights below, and visit the Comic-Con website for the full schedule.
Publishing | Don MacPherson rails against the current numbering and renumbering practices by Marvel and DC Comics: “I realize other publishers have adopted irregular numbering schemes as well, but DC and Marvel are the ones driving things in that direction. Constant relaunches with new first issues, renumbering those relaunches to exploit a big-number milestone such as a 500th issue, half issues, zero issues, issues with decimal points, Greek letters … it’s exhausting and irritating, and I’m certain it’s frustrating for people preparing price guides and collection databases. Next I’m guessing there will be a series numbered in an alien math rooted in a fictional Kryptonian base-14 numerical system.” [Eye on Comics]
Digital comics | David Brothers articulates what the problem is with DRM: “What I realized is that DRM has a lot of benefits for the publisher, but next to none for the consumer. Blizzard can track exactly who plays Diablo III and when, which is valuable for gathering demographic data, off the top of my head. ComiXology can tell publishers exactly what contexts their comics will appear in and on what devices. DRM is about control, basically, rather than being a value-add. It’s a limiting service, rather than one focused on expansion, and the people most affected by it are consumers who actually want to consume this stuff.” And it does nothing to stop piracy, either. [4thletter!]
Taking a cue from One Million Moms, the president of the National Organization for Marriage has responded to this week’s Astonishing X-Men #51 with a fundraising message voicing concerns about “the sanctity of a comic book gay wedding.”
Brian S. Brown, whose five-year-old nonprofit group is dedicated to fighting same-sex marriage, is troubled not just by the Marvel comic depicting the wedding of Northstar and Kyle Jinadu but by the real-life ceremony it inspired at Midtown Comics in New York City. However, Brown, whose job is to help ensure state legislatures don’t pass marriage-equality laws — or if they do, that they’re overturned by ballot measures — isn’t bothered by the wedding of two men, either fictional or real. Heck, he even wishes Midtown couple Scott Everhart and Jason Welker well, offering a not-at-all-condescending “bless him” to the former.
So it’s not that; oh, no. It’s the crass commercialization of the whole thing.
“… Something is wrong when huge companies push gay marriage into children’s literature in order to make money. Something is wrong when a comic book store decides to host a wedding, again for commercial purposes,” Brown writes in a message that ends by thanking NOM supporters for their financial contributions. “And something is really wrong when a man proposes because, well, somebody else is going to help pay for the wedding and it might mean a cool trip to New York City. Somewhere there may be some foolish man and woman getting married in a comic book store. But nobody else is paying for it and nobody in the media is covering it. Are we really supposed to believe in the ‘sanctity’ of gay comic book weddings?”
Star Trek alum, and gay-rights activist, George Takei is set to guest star early next year in Archie Comics’ Kevin Keller #6.
According to BuzzFeed, cartoonist Dan Parent met the actor at a comic convention, where he pitched him the idea of the cameo so Kevin, Riverdale’s first gay resident, could meet his hero. Takei was thrilled.
Although Archie Comics has traditionally opted for cameos by parodies of celebrities over actual celebrities, the publisher brought President Barack Obama and former Alaska Gov. Sarah Palin to Riverdale in 2010. (Another notable, and downright odd, exception was minor ’80s child actor Glenn Scarpelli — son of Archie cartoonist Henry Scarpelli — who appeared in a handful of shorts, where he rubbed elbows with the likes of Cyndi Lauper, Brooke Shields, Boy George, Valerie Bertinelli and Eddie Van Halen. Seriously.)
Takei, who’s best known for playing Sulu on the original Star Trek series and in six movies, revealed he’s gay in a 2005 magazine interview. He married his longtime partner Brad Altman in 2008, and has been vocal on issues of marriage equality, homophobia and bullying.
Comics | With the release today of Marvel’s heavily publicized Astonishing X-Men #51, which features the wedding of Northstar and Kyle, writer Marjorie Liu and associate editor Daniel Ketchum reiterate that “their story is just beginning.” When asked whether he’d be interested in a Northstar solo series, Ketchum replied, “Is that even a question? I can have a pitch ready by the end of the day. Spoiler alert: Storm and Dazzler will be recurring guest stars.” The New York Times, meanwhile, spotlights Ohio couple Scott Everhart and Jason Welker, who were set to be married this morning in a ceremony at Midtown Comics in Manhattan. Unlike Northstar and Kyle, however, Scott and Jason can’t count Mayor Michael Bloomberg among their wedding guests. [The Advocate]
Publishing | Todd Allen turns an analytical eye on Marvel’s twice-a-month releases as well as the cover prices of the publisher’s comics. Overall, prices are down a bit and frequency is up, but Allen isn’t sure if that’s an actual trend. [The Beat]
Graphic novels | The Will and Ann Eisner Family Foundation and the American Library Association will launch the Will Eisner Graphic Novel Prize for Libraries at the ALA summer conference, held June 21-26 in Anaheim, California. Three libraries each year will be selected to receive all the books nominated for the Will Eisner Comic Industry Awards, as well as a $2,000 voucher to buy additional graphic novels and a $1,000 stipend to hold comics-related or author events. Libraries to register to win at the ALA conference; winners will be announced June 24. [Publishers Weekly]
Graphic novels | Calvin Reid and Heidi MacDonald look at the graphic novel presence at last week’s BookExpo America. [Publishers Weekly]
Since moving to Riverdale nearly two years ago, Kevin Keller has established himself as the town’s first gay resident, gotten married (in the alternate-future Life With Archie, at least) and even beaten back the forces of One Million Moms. But in Kevin Keller #5, which goes on sale Wednesday, he faces a homophobic reaction from one of Cheryl Blossom’s Pembrooke Academy classmates.
Comic Book Resources has an exclusive preview for the issue, by Dan Parent and Rich Koslowski, which finds Kevin enjoying his first summer as a lifeguard on Riverdale Beach — until he meets up with Cheryl and her snobby, trouble-making friends. One in particular, the goateed Sloan, takes issue with Kevin’s sexual orientation, referring to him as “twinkle-toes” — it is Riverdale, after all — and facetiously offering to kiss his hand.
However, apparently not all of the Pembrooke gang has a problem with Kevin: The solicitation text teases that, “to make matters more complicated, a guy across enemy lines has eyes for Kevin … a surefire way to add drama to the whole mix!” Maybe it’s Sloan; he does seem to be overcompensating for something.
Check out the entire exchange below, and read the full preview at CBR.
Publishing | May was a huge month for comics sales in the direct market, and John Jackson Miller quantifies just how huge: It was the biggest month for dollar sales in the “Diamond Exclusive Era” (i.e. since 2003): “Diamond’s Top 300 comics had orders totaling $25.72 million, an increase of 44% over last May and the highest total since Diamond became the sole distributor in 1997. It beats the total of $25.37 million set in December 2008.” [The Comics Chronicles]
Comics | Art Spiegelman is contributing a prescient New Yorker cover from 2001 to the Occupy Comics anthology; other creators who are contributing work include Alan Moore, Jimmy Palmiotti and Dean Haspiel. [Underwire]
History | Joe Sergi takes a look at the comics burnings of 1948, a series of disturbing events in which children, no doubt goaded on by well-meaning adults, collected comics door to door and then burned them in a public bonfire. [CBLDF]
My parents were born in 1942, four years too early to be baby boomers. It also means they were just the wrong age to be exposed heavily to either the Golden or the Silver age of superhero comics. By the time they would have started to read, the Golden Age was half over; and when the Silver Age started in 1956, they were too old to be interested. I confirmed this with my dad, who has vague recollections of the original superheroes, but whose comic collection included more Archies and Little Lulus. (Had I known how much 21st-century hipster cred this would have given me, I’d have pressed him harder about those ….)
Still, these days they can’t get away from the Spandex set. When Conan O’Brien asserted (rightfully) that the Hulk had been in the Fantastic Four, Dad emailed me for confirmation. This itself was a big step up for Dad, who at one point several years ago thought Batman was in the FF. (In fact, I don’t think my folks have seen either of the Christopher Nolan movies, although they did watch a revival of the 1940s serial at the local art-house theater. Dad especially didn’t have any interest in the Schumacher movies, because the characters just “looked like toys.”) Last year, after the Green Lantern movie had been playing for a while, Dad thought he remembered seeing it — but actually, he and Mom had enjoyed Seth Rogen’s Green Hornet. Their nerd knowledge (what there is of it) is more likely to include Star Trek and Sherlock Holmes, although lately they’re into Downton Abbey.
Regardless, when I think about the impact of outing Alan Scott, the original Green Lantern, I tend to gauge it in terms of my dad. He may not be the best representative of the generation that grew up with the Justice Society, but among people I know he was in the best position to become a fan, and for whatever reason it just didn’t stick. Therefore, when I mentioned the revelation of Alan’s sexuality to Dad over the weekend, it really didn’t register one way or another.