EXCLUSIVE: Lemire, Ramos Launch "Extraordinary X-Men" Post-"Secret Wars"
Digital comics | Ethan Gach contemplates what the popularity of tablets means for the comics industry, with a particular focus on comiXology. He points out that the digital distributor offers not only bestsellers but also titles that appeal to a broader audience — and has brought success to some indie creators via its comiXology Submit program. [Forbes]
Academia | Tom Spurgeon talks to Professor Benjamin Saunders, director of the Comics & Cartoon Studies Program at the University of Oregon, which just received a major donation that will serve as an endowment for the program. [The Comics Reporter]
Manga | Kodansha will release a second printing of the January issue of Aria magazine, which features the debut of Hikaru Suruga and Gan Sunaaku’s Attack on Titan spinoff No Regrets. The first printing was five times greater than the magazine’s usual press run — Aria has a verified circulation of 13,667 copies — so with this new printing, the January issue will have 10 times the number of copies of the average issue. [Anime News Network]
Drawn and Quarterly announced Wednesday that it has the license for Shigeru Mizuki’s GeGeGe No Kitaro, the third manga the publisher has acquired from the award-winning creator.
The book, which D+Q simply refers to as Kitaro, is a retelling of a traditional Japanese story about a boy who fights with yōkai, the spirits of Japanese folklore who range from good-natured tricksters to dangerous menaces. The series debuted in 1959 in the boys’ manga magazine Weekly Shonen Magazine, and has been adapted for several anime and games as well as a live-action movie.
This is actually the second English translation of Kitaro; the Japanese publisher Kodansha put out a bilingual English/Japanese edition in 2002, but I believe that was intended for English students in Japan, not the import market, and it doesn’t seem to be available in the United States.
D+Q’s other two Mizuki manga are Onward Towards Our Noble Deaths, the story of a doomed battalion of Japanese soldiers in the waning days of World War II, and NonNon Ba, his memoir of growing up with his grandmother in a world populated by yōkai.