Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Legendary Comics, the relatively new publishing arm of film production company Legendary Pictures, had about as audacious a debut as was possible last fall, with its first offering being Frank Miller’s too-controversial-for-DC Batman vs. Al Qaeda comic Holy Terror, the Legendary version scrubbed of DC trademarks just enough that it could be published without risk of a lawsuit.
The company’s latest offering isn’t quite as controversial … nor is it quite as noteworthy. It is, however, the comics project one might expect from film production company: a sort of focus group-testing, balloon-floating introduction to a character and concept that could potentially be adapted into a major motion picture, something I can’t imagine anyone seriously considered doing with Miller’s beautifully told, politically wacky comic about an off-brand Batman and Catwoman fighting terrorists.
If the very thought of a comic book series as film R&D turns you off (believe me, I understand!), then it’s worth noting that this latest project is edited, like Holy Terror was, by Bob Schreck and created by as solid, experienced and talented a creative team as a comics fan could ask for. It’s written by Matt Wagner (yes, Grendel, Mage and Sandman Mystery Theatre‘s Matt Wagner) and penciled by Simon Bisley (the painter whose interior work you’ve seen in Slaine and Batman/Judge Dredd), here being inked and colored by Rodney Ramos and Ryan Brown.
Still not sold on The Tower Chronicles: GeistHawk Volume 1 …? Look, I don’t blame you.