Gene Colan Archives - Robot 6 @ Comic Book Resources
Digital comics | I talked to Viz Media Executive Vice President Alvin Lu and the head of Viz Labs, Gagan Singh, about the company’s digital strategy, which includes the recent announcement that their digital magazine Shonen Jump Alpha will publish manga chapters simultaneously with Japan; the idea, Lu explains is to create the same sort of weekly ritual that superhero comics readers have, and to use the digital releases to build a community both online and in the real world. [Good E-Reader]
Creators | Fantastic Four was the first Marvel Universe comic, so it has been around for a while, but writer Matt Fraction is doing his best to keep it fresh: “Anything you can do to run contrary-wise to expectation to keep people guessing and wondering and entertained and surprised, you should do because otherwise people are going to dismiss the book as ‘Been there, read that.’” [USA Today]
Saturday was the birthday of actress Elsa Lanchester, so to celebrate, John Rozum posted an amazing gallery of art inspired by her most famous role, the Bride of Frankenstein. A ton of comics artists are included and you can see many of them below the break. Be sure to visit Rozum’s site for even more, including additional pieces by Mike Mignola, Kevin Nowlan and Bruce Timm, as well as art by Basil Gogos, William Stout, and Mike McKone. Continue Reading »
Hello and welcome to What Are You Reading? Today our special guest is Tim Seeley, whose work you may know from Hack/Slash, Bloodstrike, Witchblade, Colt Noble, the upcoming Ex Sanguine and Revival, and much more.
To see what Tim has been reading lately, click below.
A couple of weeks ago, I got to thinking about the holidays and comics. More exactly, I started wondering what some creators might say if i asked them for their favorite comics-related memory. As I got into contact with some creators, they did not have a favorite story per se, but those recollections were definitely memorable. Bottom line, these storytellers not surprisingly had some great stories to share. My holiday memory is an odd one, as a kid in the 1970s reading the Doonesbury comic strip where Rev. Scott Sloan had opening remarks before the Christmas pageant, where he noted that the part of the Baby Jesus would be played by a 40-watt light bulb. A lifelong Doonesbury fan, there are few strips that have made me laugh longer than that one. Told you it was an odd one. Now on to the storytellers with far better tales. My thanks to everyone that responded. Once you’ve read them all, please be sure to chime in with your most memorable comics-related holiday recollection in the comments section.
Every Christmas, comics would show up in my stocking. They’d be rolled up, which I’m sure breaks the heart of every collector out there, but it didn’t bother me much. Comics were for reading. For some reason, my mother thought I liked Thor. I wasn’t a Thor guy, except when he was hanging out in the Avengers. I was, and still am, a Captain America super-fan. How could my Mom not know this? But every year I’d get a couple more Thor comics.
Fast-forward 35 years. I’m the official stocking-stuffer in the household. My wife is the queen of holiday organization, but the stocking assignment has always been mine, primarily because it’s the kind of job you can give to a procrastinator. I can run out on Christmas Eve and grab everything I need: gum, iTunes gift cards, candy bars, extra batteries… and comics. See, my son is 15, and he IS a Thor guy, so I usually try to round up something Asgardian for him, as well as a something with Atomic Robo or Axe Cop. I don’t understand the clothing my daughter is asking for (an “infinity scarf” sounds like something Dr. Who would wear), but by gum, I do know my son’s taste in comics.
Hello and welcome once again to What Are You Reading? This week it is our distinct pleasure to welcome our very special guest Bully, the little stuffed bull, who blogs about all sorts of comics with the help of his friend, John DiBello.
To see what Bully and the rest of the Robot 6 crew have been reading lately, click on the link below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
As we’re heading towards the middle of August, it’s no surprise that curiosity is getting me to pick up more than a few DC books just see how particular series “end;” I’d be getting Justice League of America #60 and Legion of Super-Heroes #16 (both DC, $2.99) anyway, because I’ve been following those series for awhile, but I’m likely to add Batman #713 (DC, $2.99) to the pile as well, if only to see the explanation as to why Dick quits being Batman before the big relaunch. But it’s not all endings for me with my $15 this week; I’d also make a point of grabbing Daredevil #2 (Marvel, $2.99), because the first issue was just breathtakingly good, and the series became a must-read before I’d even reached the last page.
If I had $30 this week, I’d add to my list of DC final issues with Supergirl #67 (DC, $2.99), which Kelly Sue DeConnick has talked up in interviews as being the highpoint of her short run to date and a great capper to the series as a whole. I’d also check in with the third issue of David Hahn’s All Nighter (Image, $2.99), as well as see if Nick Spencer’s Iron Man 2.0 is worth a look with the mini-collection of the first three issues, Iron Man 2.0: Modern Warfare (Marvel, $4.99).
On the same day that Fantagraphics announced The Complete Zap Comix, the publisher revealed it will bring yet another treasure trove of groundbreaking comics back to the stands. At its panel at Comic-Con International and in an interview with The Comics Reporter’s Tom Spurgeon, Fantagraphics announced it had acquired the rights to publish the EC Comics library from the representatives of its late publisher, William M. Gaines.
Known for pushing comics’ boundaries of formal innovation and craft as well as raw content before anti-comics hysteria and the creation of the Comics Code helped stifle the publisher in the mid-’50s, EC has generally been reprinted in formats that center on its (in)famous horror, crime, science fiction, and war anthology series, such as Tales from the Crypt, The Vault of Horror, The Haunt of Fear, Crime SuspenStories, Weird Science, Weird Fantasy, Two-Fisted Tales, and Frontline Combat. What sets the Fantagraphics reprint project apart is that individual creators’ work will be culled from the series in which it appeared and presented in a series of black-and-white solo spotlight volumes. The first four books announced will collect war stories written by Harvey Kurtzman (Corpse on the Imjin and Other Stories, featuring art by Kurtzman, Gene Colan, Russ Heath, and Joe Kubert), suspense stories by Wally Wood (Came the Dawn and Other Stories), horror stories by written by Al Feldstein and illustrated by Jack Davis, and science fiction stories by Al Williamson.
Click on over to The Comics Reporter for more details, including an interview with editor and co-publisher Gary Groth.
Legal | Brent Staples pens an editorial for the New York Times on the legal battle between the Jack Kirby estate and Marvel: “The Marvel editor Stan Lee sometimes offered general ideas for characters, allowing the artists to run with them. Mr. Kirby plotted stories, fleshing out characters that he had dreamed up or that he had fashioned from Mr. Lee’s sometimes vague enunciations. Mr. Lee shaped the stories and supplied his wisecrack-laden dialogue. And in the end, both men could honestly think of themselves as ‘creators.’ But Mr. Kirby, who was known as the King of Comics, was the defining talent and the driving force at the Marvel shop. Mr. Lee’s biographers have noted that the company’s most important creations started out in Mr. Kirby’s hands before being passed on to others, who were then expected to emulate his artistic style.” [New York Times]
Awards | Writer Neil Gaiman (Sandman, The Graveyard Book) and artist Shaun Tan (The Arrival, Tales from Outer Suburbia) are among the winners of the 2011 Locus Awards. Gaiman’s “The Truth Is a Cave in the Black Mountains” won for best novelette, while “The Thing About Cassandra” won best short story. Tan won for best artist. [Locus Online]
Legal | Jeff Trexler reviews the legal battle between Warner Bros. and the heirs of creators Jerry Siegel and Joe Shuster through the filter of the Neil Gaiman/Todd McFarlane decision, where a judge ruled Gaiman has copyright interest in Medieval Spawn, Angela and other Spawn characters. [The Beat]
“The legacy of his artistic storytelling and abilities played a key role in cementing the enduring popularity of characters like Daredevil, Iron Man, Howard the Duck, Blade and Dr. Strange, and garnered him praise and fans the world over,” columnist George Khoury said in an obituary on Comic Book Resources this morning.
In lieu of flowers, Colan’s friend Clifford Meth is asking folks to contribute to a scholarship being set up in Colan’s name for The Kubert School. Details on how to donate can be found on Meth’s blog.
Fellow creators, fans and friends of Gene Colan are sharing memories. Here are a few; as always, click through to see the entirety of what they have to say about one of comics’ legendary artists:
Clifford Meth: “I knew this day would come but it came too quickly. It’s been a rare pleasure working with Gene. He knew who he was—how valuable his contributions to the world of comic art have been—how prized it remains by so many. Yet he never felt less than grateful to anyone who’d even read a single panel that he’d drawn. Until he was too weak to hold a pencil, he put his whole kishkes into everything he drew—whether it was a $5000 commission or a small drawing for someone’s child. And he was never satisfied with his artwork but always eager to learn a little more, do a little better, try something new. At 84.”
Retailing | A judge on Friday approved a proposal to pay Borders Group executives up to $6.6 million in bonuses as the bookseller reorganizes under federal bankruptcy protection. The company had originally requested $8.3 million — that figure met with objections from the U.S. bankruptcy trustee — in a bid to retain key corporate personnel. Since Borders filed for bankruptcy on Feb. 16, 47 executives and director-level employees have left, leaving only 15 people in senior management positions.
The approved plan comes with conditions, tying some bonuses to the company’s ability to pay creditors and save $10 million over the next two years in leases on the remaining stores or in non-personnel cost reductions. [Businessweek, AnnArbor.com]
Publishing | Dark Horse CEO Mike Richardson talks more about the publisher’s recent layoffs, saying that some reports of the cutbacks were overblown: “We have 150 employees. We let seven people go across three different divisions. What is that 4%, 5%? Our staff was just getting too large. The real reason for the layoffs is that we get worried about the cost of doing business. We’re sitting there looking at the rising health insurance costs, the changes in the cost of doing business. We thought we were going to get some relief in the form of cover prices moving to $3.99, but I guess the market’s made a really strong statement on that price. Meanwhile we’re getting squeezed on paper and printing costs at the same time — and creators certainly don’t want to take any less money.” [ICv2.com]
Learning that DC was cancelling five superhero titles reminded me immediately of the “Saturday Night Massacre,” when President Nixon’s firing of special prosecutor Archibald Cox led directly to the resignations of Attorney General Elliot Richardson and Deputy Attorney General William Ruckleshaus. But, you know, that’s just me. I may be one of the few superhero-comics bloggers who went through a Watergate phase in college. Got two term papers out of it, at any rate.
But I digress. As we all know, the May solicitations are out, and DC will still be publishing a significant number of superhero comics — so let’s get to ‘em, shall we?
* * *
YOU MIGHT HAVE HEARD THERE IS A GREEN LANTERN MOVIE
Seems like the last time DC did a multiple-issue “prequel series” to one of its big movies was 2006, with four lead-ins to Superman Returns. I liked Superman Returns, but those related comics weren’t too memorable. However, I do like the creative teams on these one-shots — Geoff Johns (a no-brainer for GL), Marc Guggenheim, Jerry Ordway, Joe Bennett, Karl Kerschl, Fernando Dagnino, and Cliff Richards, plus the screenwriters — so they may be more worthwhile.
Some good news — according to Clifford Meth, artist Gene Colan has recovered from his injuries, though he’s still living at a hospital/recovery facility in New York because “going home means his wife will have to leave.”
But he’s well enough to leave the facility, as you’ll see in the above video, where his son Erik takes him back to the area where he grew up and talks to him about his early life.
Welcome to a special holiday weekend edition of What Are You Reading?, as we take a break from hot dogs and street festivals to take a look at what comics we’ve been reading this week. Our special guest this week is Vito Delsante, writer of FCHS and the upcoming Stray. When he isn’t making comics, he’s selling them at Jim Hanley’s Universe, located in New York near the Empire State Building.
To see what Vito and the rest of the Robot 6 crew are reading, click below …
Retailing | The struggling Borders Group has raised $25 million from the sale last week of 11.1 million shares of new stock to Bennett S. LeBow, a financier and corporate raider best known for his investments in the tobacco industry. LeBow, who’s now the bookseller’s largest shareholder, also was named chairman, replacing Richard McGuire. [Detroit Free Press, ICv2.com]
Creators | Rich Johnston uncovers the sad family troubles behind Gene Colan’s recent injury, his missing artwork and confusing state of business affairs. Clifford Meth, Colan’s friend and business associate, seems to confirm Johnston’s take on events. [Bleeding Cool]
Legal | Leo Cendrowicz examines the issues surrounding the upcoming trial, set to begin Wednesday in Brussels, Belgium, over whether to ban Herge’s Tintin in the Congo for its racist portrayals of native Africans. The legal battle was launched three years ago by Bienvenu Mbutu Mondondo, a Congolese man living in Belgium, who wants the book removed from the country’s bookstores, or at least sold with warning labels as it is in Britain. “It shows the Africans as childish imbeciles,” Mbutu Mondondo says. “It suggests blacks have not evolved.” [Time.com]
Conventions | Amid Amidi reports that Comic-Con International has raised the price of additional-exhibitor badges from $75 to $200: “As anybody who has ever exhibited at Comic-Con can tell you, artists typically don’t earn truckloads of money at the event, and when all the costs of booth rental, travel, and lodging are factored in, the obscene $200 exhibitor badge essentially guarantees that an independent artist will leave the convention empty-handed.” [Cartoon Brew]