Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
In The Shadow Hero, cartoonist Gene Luen Yang collaborates with artist Sonny Liew to tell the story of Hank Chu, the teenage son of Chinese immigrants who run a small store in Depression-era Chinatown. As with much of Yang’s best-known work, this new original graphic novel deals with themes of cultural, national and racial identity, and the tensions and conflicts that arise when identities and outlooks collide.
Here, Hank finds himself pressured by his mother to become a wholly American invention, a sort of ultimate assimilation success story. She doesn’t want him to grow up to be a doctor or lawyer or politician, but a superhero, a thought put in her head when she’s rescued from a robber by the Superman stand-in The Anchor of Justice.
Their book is an excellent one, a perfect example of a modern superhero comic, masterfully and perfectly balancing comedy, crime, action, drama, melodrama, romance and fantasy into an epic story of a young man coming of age and finding himself.
As good as Yang and Liew’s story is, however, the story of their story may be just as fascinating, in large part because it’s true, and gives the comic they crafted a remarkable level of relevance. That story is told after the conclusion of The Shadow Hero, in the generous back-matter of the First Second book, presented in standard superhero-comic size, rather than the smaller, more square shape of most of the publisher’s offerings.
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]
Legal | DragonCon co-founder Ed Kramer, who entered a plea deal in December to avoid more jail time on child molestation charges that date back to 2000, could find himself back behind bars for his use of social media. Kramer, who’s no longer associated with DragonCon, ended years of legal wrangling with an Alford plea that, among other stipulations, barred him from having any direct or indirect contact with anyone under the age of 16. A registered sex offender, Kramer set up a Twitter account under his real name in 2011, but didn’t do much with it until a couple of weeks ago, when he suddenly became active and began following people — including a 14-year-old girl. His Google+ page also shows a connection with the then-14-year-old boy he was charged with molesting. Kramer lists his address as Brooklyn on his social media accounts, but he apparently is still in Georgia. The Gwinnett County district attorney is investigating; a violation of the plea agreement could result in a 60-year prison sentence, 20 years for each of the three counts of child molestation. Heidi MacDonald has more at The Beat. [Gwinnett Daily Post]
Retailing | A federal judge has lifted a temporary restraining order blocking the $21.4 million sale of retail chain Hastings Entertainment to Joel Weinshanker, president and sole shareholder of Wizkids parent National Entertainment Collectibles Association. Two Hastings shareholders had sued to stop the sale, insisting the price paid for the retailer is too low; however, U.S. District Judge Mary Lou Robinson found, in part, that they failed to prove they would be irreparably harmed if the sale were completed before they could have their day in court (Texas law permits dissenting stockholders to seek monetary damages after a merger). Hastings, which operates 149 stores that sell books, comics, video games and more, has called a special shareholder meeting for July 15, during which the sale is expected to be approved. [Amarillo Globe-News, ICv2.com]
Conventions | Samantha Melamed looks at the problem of harassment at comics conventions, particularly of cosplayers, and what some women are doing about it. The article includes interviews with artist Erin Filson, one of the co-founders of Geeks for CONsent, which has called upon Comic-Con International to institute a more specific, and more visible, anti-harassment policy; cosplayer Nicole Jacobs, who describes a recent incident at AwesomeCon; and psychology professor Kimberly Fairchild, who studies harassment. [The Philadelphia Inquirer]
Creators | Frequent collaborators Kieron Gillen and Jamie McKelvie discuss their new series The Wicked + The Divine, which debuted this week from Image Comics. [USA Today]
Manga | Hajime Isayama’s Attack on Titan has knocked longtime bestseller One Piece from the top of Japan’s manga charts. Market research firm Oricon reports that Attack on Titan, which has 13 volumes in print, sold 8,342,268 copies in the first half of the year, making it the bestselling series in Japan. One Piece, which has long held that title, sold 4,936,855 copies of 73 volumes, but it did top the charts for single-volume sales, with 2,825,339 copies sold of the latest volume. The numbers cover the period from mid-November to mid-May. [Anime News Network]
Publishing | DC Entertainment Co-Publisher Jim Lee talks about his history with Batman in advance of DC’s 75th-anniversary celebration for the character. [Asbury Park Press]
Jim Woodring’s Fran has been awarded the 2014 Lynd Ward Graphic Novel Prize, presented annually to the best graphic novel, fiction or non-fiction, published in the previous year by a living American or Canadian citizen or resident.
It’s sponsored by Penn State University Libraries and administered by the Pennsylvania Center for the Book, an affiliate of the Center for the Book at the Library of Congress. The honor comes with a $2,500 prize and a two-volume set of Ward’s six novels.
Published by Fantagraphics, Fran was described by the judges as “hypnotic and subliminal while entertaining and compelling”L “Woodring’s work poses a refreshing change from the trend towards wordy graphic memoir, entreating the reader to reckon with a world whose language we cannot capture in our own.”
The judges also recognized Gene Luen Yang for Boxers & Saints (First Second) and Zander Cannon for Heck (Top Shelf Productions).
Digital comics | Jeff Gomez examines the implications of Amazon’s planned acquisition of comiXology, opining that it will give comics a wider reach but also force publishers of superhero fare to broaden their appeal beyond the core demographic: “The books will now be exposed to millions of newcomers, so it will behoove major publishers to make their stories more female-friendly, streamlined, and accessible. With comiXology’s new aim to make ‘every person on the planet a comics fan,’ publishers will need to consider new genres, greater variety, and more varied age groups.” [Business Insider]
Digital comics | ComiXology will continue to offer its Digital Storefronts for retailers, and it will not allow Amazon to target users of its Pull List service with its own offers, according to spokesman Chip Mosher. Also, no changes are planned to comiXology’s other retailer tools. [ICv2]
The winners of the LA Times Book Prizes were announced Friday night, and not one but two graphic novels took top honors.
Ulli Lust won the Graphic Novels/Comics prize for Today Is the Last Day of the Rest of Your Life, which also picked up an Ignatz Award and won an award at Angouleme in 2011 for the original edition. The other finalists were David B.’s Incidents in the Night: Vol. 1, Ben Katchor’s Hand-Drying in America: And Other Stories, Anders Nilsen’s The End, and Joe Sacco’s The Great War: July 1, 1916: The First Day of the Battle of the Somme, so it was a tough field.
In the Young Adult category, Boxers & Saints was up against four prose books: Elizabeth Knox’s Mortal Fire, Rainbow Rowell’s Fangirl, Joyce Sidman’s What the Heart Knows: Chants, Charms and Blessings, and Jonathan Stroud’s Lockwood & Co: The Screaming Staircase. Yang’s earlier book, American Born Chinese, was nominated for a National Book Award and won a Printz Award; both honors usually go to prose books.
Legal | The creator of the Islamic superhero comic The 99 says he hasn’t been officially notified of a reported ban of the animated adaptation of his comic in Saudi Arabia. “Nobody ever contacted me, nobody ever asked me any questions,” Naif Al Mutawa says. There have been numerous Twitter campaigns against me for a while now and so for me it’s not new. Maybe it is true this time, but I find it very difficult to believe that a group as influential and high profile as them [Saudi Arabia’s Permanent Committee for Scholarly Research and Ifta] wouldn’t recognize the good that The 99 has done for Muslims around the world.” He adds that the comic has been available in Saudi Arabia for seven years, while the cartoon has been airing for two and a half years, making the timing of a ban “a bit weird.” [Gulf Business]
Manga | In a two-part interview, ICv2 talks at length to veteran Dark Horse manga editor Carl Horn about how the manga market has evolved since 1987, which manga do and do not do well, and what the future may hold. The good news is the market seems to be recovering after several years of declining sales; the hard evidence is that Dark Horse is sending more royalties back to the Japanese licensors. And the new reality is that while the market may be smaller, almost everyone knows what manga is now: “You can’t simply put a manga on the market and expect it to sell because it is manga (that was one of the nice things about the boom because you could take a chance on more marginal titles), but on the other hand you don’t have to do as much explaining about what manga is anymore.” In addition, ICv2 lists the top 25 manga and the top 10 shoujo and shonen properties from the last quarter of 2013. [ICv2]
The upcoming graphic novel crafts a new origin for the Green Turtle, an obscure Golden Age character believed to have been imagined as Chinese-American by his creator Chu Hing — making him the very first Asian-American superhero.
“His publishers didn’t think that would fly in the marketplace,” Yang explained last year, “so Chu Hing reacted in this really passive-aggressive way: He drew those original Green Turtle comics so that we never see the hero’s face. Whenever the hero is on a panel, we almost always just see his cape. Whenever he is turned around, something is blocking his face. […] Rumor is that Chu Hing did this so he could imagine his hero as he originally intended, as a Chinese-American.”
In The Shadow Hero, the Green Turtle is envisioned as a young Asian-American immigrant whose mother is excited about having a superhero for a son, “with at times disastrous results.”
Conventions | As comics conventions continue to become an international phenomenon, ReedPOP bags a big one: The company behind New York Comic Con, C2E2, Star Wars Celebration and Penny Arcade Expo has announced a partnership with Oz Comic-Con, which runs several conventions in different locations in Australia. [press release]
Passings | Paul Burgarino reports on Sunday’s memorial service for Wee Pals cartoonist Morrie Turner, who died last month at the age of 90. Wee Pals was the first comic strip by a black creator to get a national syndication deal, and speakers remembered him as both a pioneer and an inspiration. “Through your unique artistry and personal kindness, you’ve helped show the world what we can be, should be and must be,” said David Shaffer, the son of one of Turner’s close friends. [Contra Costa Times]
While we eagerly await the release of Gene Luen Yang and Sonny Liew’s graphic novel The Shadow Hero, a revival of the Golden Age superhero the Green Turtle, Tor.com has posted a seven-part prequel strip by the duo that originally appeared in the comics anthology Shattered. It’s a nice preview of what we can expect from the book, to be published by First Second.
Created in 1944 by artist Chu Hing, the Green Turtle appeared in only a handful of adventures before fading into obscurity. According to Yang, Hing intended for his hero to be of Chinese-American.
“His publishers didn’t think that would fly in the marketplace,” Yang said in a video released last fall, “so Chu Hing reacted in this really passive-aggressive way: He drew those original Green Turtle comics so that we never see the hero’s face. Whenever the hero is on a panel, we almost always just see his cape. Whenever he is turned around, something is blocking his face. […] Rumor is that Chu Hing did this so he could imagine his hero as he originally intended, as a Chinese-American.”
Check out another installment of the strip below, and read the whole series at Tor.com.
Manga | Hayao Miyazaki’s samurai manga will be serialized in the Japanese magazine Model Graphix, but progress is reportedly slow: Miyazaki, the director of classic animated films including My Neighbor Totoro and Spirited Away, has completed just three pages. [Anime News Network]
Creators | Veteran Archie artist Stan Goldberg, who most recently has been drawing Nancy Drew graphic novels for Papercutz, was in a serious car accident recently, along with his wife Pauline. Tom Spurgeon suggests you send them a car. [The Comics Reporter]
Conventions | Cleveland’s small-press comics convention Genghis Con is this weekend, with a guest list that includes Derf Backderf (My Friend Dahmer) and Mike Sangiacomo (Tales of the Starlight Drive-In). [The Plain Dealer]