Gene Luen Yang Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
Publishing | ICv2 notes the near absence of DC Comics and Marvel on the August BookScan chart, which tracks sales in bookstores. There were no Marvel titles in the Top 20, and the four DC titles — Batman: The Dark Knight Returns, Watchmen, Batman: The Killing Joke and V for Vendetta — were all evergreens, not new releases. Particularly noticeable by their absence were any volumes of Wolverine or Kick-Ass, properties with movies released in July and August, respectively. What’s hot? Attack on Titan, apparently, with two volumes charting and Volume 1, which was released more than a year ago, getting stronger every month — which means new readers are finding the series now. Curiously, the series is not selling well in comics shops, perhaps because retailers simply aren’t ordering it. Eight of the top 20 volumes were manga, including the top seller, the 62nd volume of Naruto. Chart mainstay The Walking Dead placed four books, including the nine-year-old first volume. [ICv2]
Creators | Beetle Bailey creator Mort Walker received messages from the likes of New York City Mayor Michael Bloomberg, Dolly Parton and Prince Albert II of Monaco ahead of his 90th birthday today. The cartoonist, who introduced Beetle Bailey in 1950, still supervises daily work on the strip at his Stamford, Connecticut, studio. [The Associated Press]
Creators | Gene Luen Yang discusses his newest work, Boxers and Saints, a 500-page, two-volume set that examines China’s Boxer Rebellion through the eyes of two very different characters. [Graphic Novel Reporter]
“Batman did pretty well, so I sat down with the head of DC Comics. I really wanted to do Kamandi [The Last Boy on Earth], this Jack Kirby character. I had this great pitch … and he said, ‘You think this is gonna be for kids? Stop, stop. We don’t publish comics for kids. We publish comics for 45-year-olds. If you want to do comics for kids, you can do Scooby-Doo. And I thought, ‘I guess we just broke up.’”
– Paul Pope, relating his attempt to pitch an all-ages (or perhaps young-adult) title to DC Comics, during his Comic-Con International conversation with Gene Luen Yang.
Pope has previously mentioned his idea for Kamandi, a collaboration with writer Brian Azzarello that he described as “a violent adventure story for young readers with a boy lead character.” He’s even revealed a few pieces of art from the pitch. However, as the artist noted in 2010, “if DC would’ve given me & Brian Azzarello a Kamandi series, I’d never have created Battling Boy.”
BookExpo America takes place the Javits Center, just like New York Comic Con, but it’s a completely different kind of show. It’s a trade show, not a consumer show, so the folks in the aisles aren’t fans looking for a fix, they are potential customers to be wooed. And what you see there is a pretty reliable guide to what everyone will be talking about in a couple of months.
So if you happened into the little graphic novel enclave at the right time, you might see Gene Luen Yang sitting there, pen in hand, ready to autograph a free Avatar graphic novel for you, or maybe Rep. John Lewis, the civil rights pioneer, sitting next to Andrew Aydin, with ashcans of their graphic novel about Lewis’ life, March, and while you might have to wait a few minutes for your turn, you wouldn’t have to stand on the sort of long lines they might draw at San Diego. The pace is more leisurely than a comic convention — the creators chat as they sign your comics — and the blasting noise of video game and movie displays is blissfully absent.
It’s true there aren’t a lot of comics publishers at BEA, although there are a fair number of book publishers who include comics in their lines. Abrams didn’t send their ComicArts people, but if you consider Diary of a Wimpy Kid to be a comic (I’m always happy to claim that one for our side), then they were well represented, and many attendees had Wimpy Kid stickers on their badges.
The next project from Gene Luen Yang, creator of American Born Chinese, is a set of two graphic novels that tell both sides of the story of the Boxer Rebellion, the anti-foreign, anti-Christianity, pro-Nationalist movement in China circa 1899-1901. One of the books is about a peasant who joins the Boxers, while the other is about a woman who converts to Catholicism. The books will be sold individually or as a boxed set.
Awards | Slate Book Review and the Center for Cartoon Studies have awarded the Cartoonist Studio Prize for Best Graphic Novel of 2012 to Chris Ware for Building Stories, and the prize for Best Web Comic to Noelle Stevenson for Nimona. Each winner receives $1,000. [Salon.com]
Comics | Tom Spurgeon talks at length to Gary Groth, co-founder of Fantagraphics and editor-in-chief of The Comics Journal, about the prospects for young creators today versus years ago, changes at The Comics Journal, and Groth’s own interview with Maurice Sendak, which runs in the latest issue of TCJ. [The Comics Reporter]
Digital comics | The manga publisher Viz Media has signed on to iVerse’s digital comics app for libraries; this is big news, because manga, especially Viz’s teen-friendly line, is still very popular in libraries. [press release]
Publishing | In his address last weekend to the ComicsPRO annual meeting in Atlanta, Image Comics Publisher Eric Stephenson urged the audience to continue asking “What’s next?” [Comics Alliance]
Retailing | Journalist and retailer Matthew Price wraps up the ComicsPRO meeting, noting Diamond’s report of a healthy year for comics retailers, with comics sales up 16 percent, graphic novels up 13 percent, and merchandise up 9 percent from last year. [The Oklahoman]
Since its launch in 2006, First Second has built a solid reputation as a publisher of high-quality graphic novels: Gene Luen Yang’s American Born Chinese, Emmanuel Guibert’s The Photographer, Mark Siegel’s Sailor Twain, and Jorge Aguirre and Rafael Rosado’s Giants Beware testify to both the breadth and the quality of the company’s line.
I was offered the opportunity to interview editor Calista Brill and designer Colleen AF Venable about the past year at First Second and what we can expect in 2013, but I couldn’t resist the temptation to sneak in some questions about the nuts and bolts of working with creators and editing graphic novels.
Creators | Gene Luen Yang, creator of American Born Chinese, has revealed his latest project Boxers and Saints, a set of two graphic novels about the Boxer Rebellion in China; one story is about a peasant who joins the Boxers, while the other is about a woman who converts to Catholicism. First Second will publish them as a slipcased set. There’s a 10-page preview as well as an interview at the link. [Wired]
Comics | Jim Rugg notices that his print copy of Hellboy in Hell doesn’t look as good as his friend’s digital copy, and where most of us would have just shrugged and moved on, he takes the time to think about why that is and how careful publishers can ensure that print comics look their best. [Jim Rugg]
Digital comics | Sony is shutting down its PSP Comic Store as of Oct. 30. After that, readers will no longer be able to purchase new comics from the store, although they will be able to download at least some previously purchased comics until January 2013. After that, the whole thing is just gone. Sony pulled something similar in Japan, but its new PS Vita store includes a manga service. The PSP doesn’t seem to have been a very popular medium for reading comics in the United States, but it’s too bad that those who did take a chance on it have no way to permanently preserve their comics in a way that isn’t dependent on an aging piece of hardware. [Engadget]
Publishing | The Brooklyn Daily chats a bit with Sean Howe, the writer of Marvel Comics: The Untold Story, whose book includes an account of Marvel founder Martin Goodman, a Brooklynite who gave Stan Lee his first gig but was barely remembered by the company when he died. [Brooklyn Daily]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s an odd one for me this week; if I had $15, I’d probably just grab two of DC’s Zero Month books (Batman Incorporated and Flash, both $2.99) and then skip straight to the $30 portion of the week so that I could pick up the Showcase Presents Amethyst, Vol. 1 collection (DC, $19.99), if only to reassure me that the original series was good after last week’s revival.
If I were to splurge, I’d step outside of DC’s purview and go for IDW’s Joe Kubert Tarzan Artist Edition. I was one of the many people who didn’t really “get” Kubert as a kid, but his linework won me over as I got older, and the chance to see some of his best-looking art in ”real size” is something that I’d love to be able to embrace.
If I had $15, I’d get Batman Incorporated #0, probably the only DC zero book I’ll get, and Vol. 11 of Yotsuba&!, because I could use some irrepressibly cute manga about an adorable green-haired girl right about now.
If I had $30, I’d put away Yotsuba&! and get Barbara, Osamu Tezuka’s manga about a would-be artist who takes in a lovely but strange homeless woman, only to become convinced that she is his personal muse. I know there was a bit of grumbling that DMP went the Kickstarter route in getting this published, but honestly, I’m just happy to have more Tezuka in print.
What constitutes a splurge purchase? How about six, hardcover, slipcased volumes of Robert Crumb’s sketchbook work, priced at about $1,600, courtesy of the fine folks at Taschen? Yeah, I think buying that would be a “splurge purchase.” It would also constitute sheer madness and a one-way trip to the poorhouse, but at least you’d have all those nice Crumb books to keep you company. I’m sure they’d make a fine pillow.
Derek Kirk Kim was at the American Library Association midsummer meeting last weekend, and he went through the Artists Alley with a video camera asking the creators what they think of ALA versus comic conventions. The lineup includes Dave Roman, Raina Telegemeier, Gene Luen Yang and Cecil Castelucci, among others, and the answers are interesting; several people focused on the way that the ALA attendees (who are, obviously, mostly librarians) are very engaged in the subject matter and interested in learning about something new, while comic con attendees tend to be looking for more of the same familiar comics.
Check out the video; it’s 10 minutes well spent.
As a former editor myself, I was naturally drawn to Calista Brill’s first-hand account of a day in the life of a First Second editor at the company blog. But as I was reading it, I kept going, “Hey, wait! They’re publishing that?!”
Like, I didn’t realize First Second was publishing a new book by Jillian and Mariko Tamaki, the creators of Skim. But here it is: Awago Beach Babies, due out next year. And Calista shows off some tiny samples of art from the book she is currently editing, Relish, a book about food by Lucy Knisley, which seems like the perfect project for Lucy and a bit of a departure for First Second.
Another project I didn’t know about — but that I’ll be following from now on — is Jerusalem, written by filmmaker Boaz Yakin and illustrated by Nick Bertozzi. It’s the story of a Jewish family at the time when Israel was just becoming an independent country. Also coming up: new books from Gene Luen Yang and Paul Pope and a sequel to their popular anthology Nursery Rhyme Comics, this one featuring fairy tales.
With a lineup like that, being an editor at First Second is my new dream job, even if the microwave in their kitchen isn’t working properly. (Here’s a recent CBR interview with Calista and her boss, Mark Siegel, that mentions a few of these projects.)
Publishing | Single-issue comics sales last month were up 22.26 percent over February 2011, and graphic novels were up 15.6 percent, making for a good month for publishers and retailers. (Of course, there were five Wednesdays in February, which may have something to do with it.) As in previous months, DC sold the most comics but Marvel, with higher cover prices, topped its competitor in terms of dollar share. [ICv2]
Publishing | The top-selling graphic novel in bookstores last month was part one of Avatar: The Last Airbender: The Promise, written by Gene Luen Yang (American Born Chinese). The Walking Dead books took four of the top 20 spots, or a healthy 20 percent of the list, and 13 of the bestsellers were manga. [ICv2]
Publishing | Marvel is cutting costs on its $2.99 comics by going with “self covers,” which just means that the covers are the same paper as the inside of the comic, rather than heavier stock. As the insides are glossy paper anyway, Todd Allen feels the difference is barely noticeable—and that the real news is that Marvel is finding it necessary to cut costs once more. [The Beat]
Awards | The gold medal for Best Graphic Album at the Angoulême International Comics Festival went to Guy Delisle for Jerusalem, and the jury awarded a Special Prize to Jim Woodring for his Congress of the Animals. Veteran French creator Jean-Claude Denis was awarded the Grand Prix de la ville d’Angoulême, so he will preside over next year’s festival, as Art Spiegelman did this year. Two manga won awards as well: Kaoru Mori’s A Bride’s Story won the Intergenerational Award, and Yoshihiro Tatsumi’s autobiographical A Drifting Life received the World Outlook Award. The Heritage Award went to Glenat’s edition of Carl Barks’ Donald Duck. [Paris Match]