Geoff Johns

Quote of the day | Erik Larsen on the curse of Shazam!

“By that logic I should change my name to Eric Larson. Geoff Johns should change his name to Jeff Johns since everybody spells it that way anyway.”

Savage Dragon creator Erik Larsen, responding to the news that, after 40 years of dancing around Marvel’s trademark by using titles like Shazam and The Power of Shazam, DC Comics is officially changing Captain Marvel’s name to … Shazam. Geoff Johns explained the decision was made, in part, because “everybody thinks he’s called Shazam already, outside of comics.”

Details emerge on Free Comic Book Day offerings for DC Comics, Image

DC Comics: The New 52

When the 2012 Free Comic Book Day line-up was announced, some folks mistakenly assumed that gold-level offering, DC Comics: The New 52 Special Edition would simply be a reprint of previously published material. As revealed on The Source today, that’s not the case.

The comic will feature “art by legendary illustrator Jim Lee and other top talents” and will “include a new story by New York Times bestselling writer Geoff Johns.” In addition, the book will also include previews of DC’s second wave of New 52 titles, including Batman Incorporated, Dial H, Earth 2, G.I. Combat, The Ravagers and Worlds’ Finest. They also say to stay tuned for “more surprises to come.”

In addition, the Free Comic Book Day site also has more information and a preview from Image 20, the 20th anniversary anthology of “six, all-new original stories promoting upcoming Image Comics titles.” Two of the titles will be Revival by Tim Seeley and Mike Norton, which you can preview on the site, as well as G-Man by Chris Giarrusso. The other stories will be announced at a later date.

The FCBD site also has previews from several other FCBD titles, including Oni’s Yo Gabba Gabba and Bad Medicine titles, and Viz’s Voltron Force, among others, so head over there if you want to check them out early.

Update: Apparently I misread the initial post and thought Jim Lee was drawing the new Geoff Johns story, but based on Brian Hibbs’ response in the comments section below, that may or may not be the case. I’ve updated the post above.


Is Justice League #5 the first late book of DC’s New 52? [Updated]

During the promotional push for DC Comics’ “New 52″ relaunch, executives stressed steps were being taken to prevent late-shipping titles. We’ve already seen evidence of that commitment in the use of fill-in artists and some creative assists, but now it looks as if one of its titles is missing a beat — and it’s the biggest title the company has.

Justice League #5 was scheduled for release Jan. 18, according to the Previews catalog as well as the publisher’s own website, but recent information from Diamond Comic Distributors suggests it won’t make that date.

Issue 5 isn’t among the titles the distributor has scheduled to ship Wednesday … or the week after. Robot 6 emailed DC comment and a revised release date, but has yet to receive a response.

Although a late title clearly isn’t unheard of, this one is intriguing for two reasons: first, because it’s the flagship of DC’s “New 52,” and second, because the creators involved, writer Geoff Johns and artist Jim Lee, are also company executives who, at least indirectly, oversee the line editors whose responsibility it is to make sure books ship on time. It’s important to note the reason for the lateness can’t be connected to Johns or Lee; the blame could fall on any step of the production chain.

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Comics A.M. | How digital changed Geoff Johns’ approach to writing

Aquaman #1

Digital comics | Geoff Johns explains how digital presentation made him re-evaluate his approach to writing Aquaman #1, as digital readers focus on stories panel by panel rather than page by page. He notes that they also spend more time on individual panels, taking in all the details before moving on: “It’s weird to go back and look at some of the old comics now. If you read something in this fashion you will notice stuff that you skipped over so quickly because your eye takes in the whole page instead of the panel individually. I think that’s probably one of the biggest advantages of digital.” Johns also reveals digital considerations have also led him to scale back on internal dialogue to “let the art and characters expressions speak for themselves.” [Variety]

Digital comics | On a related note, Shaun Huston ponders the challenges of making “comics as we know them” work on digital devices: “While there’s some latitude to read full pages on the iPad, and the Fire at 4.7” x 7.5” (or the Nooks) affords that option more realistically than the iPhone or similarly-sized devices, in all of these cases there will be situations where most readers will shift to Guided View in order to effectively see some particular detail on a page. For many, Guided View will be the primary choice, which is a qualitatively different experience than reading page-by-page. In fact, while in that mode, ‘the page’ arguably becomes irrelevant as panels are strung together into one linear sequence, rather than into a series of page-specific sequences.” [PopMatters]

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Comics A.M. | Filling void left by Atomic Comics bankruptcy

Atomic Comics

Retailing | In the wake of the August closing of the Atomic Comics chain, Mesa, Arizona-area retailers are searching for ways to diversify in an attempt to keep their own stores afloat. Mike Banks, owner of Samurai Comics, has even opened a new location next to Atomic’s former flagship store to serve customers who suddenly found themselves without a comics shop. [East Valley Tribune]

Creators | Mike Mignola talks about his plans for next year’s Hellboy in Hell: “It’s a personal story about him, but with huge ramifications for the structure of Hell. I’m trying to get Hellboy free of the giant, Beast-of-the-Apocalypse storyline. That story has to get bigger before it can be put away. This first arc is the culmination of all the prophecy crap I’ve been trotting out throughout the years. We put a lot of things to bed.” Mignola also discusses his plans for B.P.R.D. and why he can’t watch the pilot of The Amazing Screw-On Head. [io9]

Creators | Tom Spurgeon continues his holiday interview series with a lengthy chat with Jeff Parker that spans his early comics-reading experiences, the influence of his artistic background on his writing, and his career at Marvel. [The Comics Reporter]

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Grumpy Old Fan | Successor stories

Justice League America #61

Don’t ask me how I remember this, but it was just about twenty years ago that the first previews of Dan Jurgens’ Justice League began appearing. After five years, the “bwah-ha-ha” era was winding down, and Keith Giffen and J.M. DeMatteis were leaving Justice League America. Giffen was also stepping away from plots and breakdowns for Justice League Europe, with JLE’s scripter Gerard Jones taking over as the book’s only writer; and Brian Augustyn replaced Andy Helfer as both books’ editor.

With a number of the New 52 titles changing creative teams before they’re even a year old, it’s too early to start talking about any long-lived, let alone definitive, runs on a particular book. Still, DC clearly hopes these books will be around for a while, even without the folks who launched ‘em. It got me thinking about past changes of the guard, and how they have followed some well-established interpretations.

* * *

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Comics A.M. | Occupy Miami diary, Bill Mantlo followup

Occupy Miami

Creators | Sarah Glidden, creator of How to Understand Israel in 60 Days or Less, chronicles her time at Occupy Miami Nov. 15-21 in a sketchbook. [Cartoon Movement]

Creators | Corey Blake follows up on the Bill Mantlo story published by LIfeHealthPro, including some clarifications of issues raised in the story and additional details on various fundraisers over the years to help pay for Mantlo’s care. [Corey Blake]

Creators | Harvard’s Berkman Center for Internet & Society Podcast interviews Skullkickers writer Jim Zubkavich about piracy and the Stop Online Piracy Act. [Berkman Center for Internet & Society Podcast]

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What Are You Reading? with Thom Zahler

Hiya kids, it’s time for What Are You Reading?, a weekly look into what the Robot 6 crew has been reading lately. Today’s special guest is Thom Zahler, creator of the delightful superhero/romantic comedy comic Love and Capes.

To find out what Thom and the Robot 6 crew have been reading lately, click below.

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Comics A.M. | The Power Within creators land on Out’s ‘Out 100′ list

Charles Christensen and Mark Brill

Creators | Out magazine has included writer Charles “Zan” Christensen and artist Mark Brill in its 17th annual “Out 100″ list highlighting the 100 gay, lesbian, bisexual and transgender people of the year. Christensen and Brill are the creators of The Power Within, an anti-bullying comic book published by Northwest Press. “Inspired, or rather upset, by Tyler Clementi’s tragic death last year, the pair set out to create an empowering story of an eighth-grader picked on for being gay,” the magazine writes. Northwest Press has distributed over 700 free copies of the book to more than 50 gay-straight alliances, schools, churches, community centers and other youth organizations. [Out]

Creators | Uncanny X-Men writer Kieron Gillen considers the accessibility of the relaunched comic in light of reviews he’s read around the web, particularly the fact that some people were thrown by the X-Men living in San Francisco: “Of course, I can see the reason why it’s thrown the people … they know the X-Men live in a mansion in Westchester. That they’re not living in Westchester is the problem. It’s not about giving the information to read the story that’s there. It’s about correcting pre-existing assumptions. In other words, it’s not a problem about being accessible to new readers – because a genuinely new reader would accept the fact the X-Men live on Utopia in the same way that they except that Bilbo lives in the Shire – but rather a problem with the readers being old readers. They feel lost not because of the story on the page, but the gap between the old story in their heads and the story on the page, and wanting to know what connects the two.” [Kieron Gillen]

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Three makes it a trend, right?: The new JLA is A-OK with using lethal force

Justice League #3

“Should Batman kill the Joker?” is a perennial favorite among superhero fan conversation topics, always leading to a variety of different answers. A Golden Age appearance aside, Batman’s bosses at DC Comics have always answered the question the same way, however: Hell no.

Part of the reason for that is practical. You don’t kill off a popular, money-making character (well, you can now and then if it will make more money, but then you have to bring the character back to life somehow). Part of it is smart franchise management. If Batman kills off his enemies, then he runs out of guys to fight awfully quickly. There’s a reason Spider-Man has such a big and colorful rogue’s gallery to fill movies, cartoon and toy lines with, while The Punisher  doesn’t. But a big part of it has to do with Batman’s characterization. Maybe it doesn’t make sense to not kill a mass-murderer you find yourself in deadly combat with on a bi-monthly basis, and sure, it makes even less sense to go out of your way to save the life of said mass-murderer as Batman regularly does for The Joker and his other foes, but then, dressing up as a bat to fight crime doesn’t make much sense either—Batman’s weird, and that’s what makes him so appealing. Of course his moral code is weird too.

The red, un-crossable line Batman has drawn between beating someone within an inch of their life and actually killing them is one shared by most superheroes. The hero pushed to the limit finally getting the villain at their mercy at the climax and forced to decide whether or not to end the villain’s life of evil once and for all is a staple of super-comics.

And it hasn’t changed all that much in the years since, say, “The Trial of The Flash.” Particularly in the DC Universe (The Marvel heroes embraced killing foes en masse during 2008′s Secret Invasion, in which they went to war with the alien Skrulls).

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What Are You Reading? with Rik Offenberger

Green Lantern #3

Hey kids, it’s time once again for What Are You Reading?, a weekly look into the reading habits of your Robot 6 bloggers. This week our special guest is Rik Offenberger, comics journalist and public relations coordinator for Archie Comics.

To see what Rik and the Robot 6 crew have been reading, click below.

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A NSFW sneak peek at the DC Comics/Robot Chicken special

DC Comics Chief Creative Officer Geoff Johns announced at the New York Comic Con earlier this month that the animated series Robot Chicken is planning a special all-DC Comics episode. Johns himself is writing some of the segments, along with MAD‘s Kevin Shinick. Today on Twitter, Johns shared a link to “a taste of Robot Chicken: DC Comics Special Summer ’12 on Adult Swim” in the form of a video featuring Green Lantern and Sinestro. Note that it’s very much not for kids and probably not safe for work, either:

What’s the mystery DC Comics video game coming next year?

In a Los Angeles Times profile pegged to today’s launch of Batman: Arkham City, Warner Bros. Interactive President Martin Tremblay drops an enticing crumb: In addition to a new Lord of the Rings video game and a sequel to LEGO Batman, next year the studio will release an adaptation of a DC Comics superhero he wouldn’t name.

That Warner Bros. is looking to develop more DC properties for its rapidly expanding games division is no secret — a new studio in Montreal is being set up specifically for that task. But what could this mysterious title be?

Kotaku notes that while a Superman game may be the obvious guess, given the release of Zack Snyder’s Man of Steel in June 2013, it hardly requires a veil of secrecy. After all, movie tie-ins are par for the course.

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NYCC | A round-up of Saturday news

Avengers Assemble

Saturday at the New York Comic Con brought news for the Avengers, Superman, Legendary Comics and … Disney’s Prep & Landing? Here’s a round-up of announcements from the show today.

• With a big, blockbuster Avengers movie scheduled for next May, Marvel announced a new ongoing series, Avengers Assemble, by writer Brian Michael Bendis and artist Mark Bagley. The book will launch next March and will feature most of the Avengers featured in the movie — Iron Man, Captain America, Black Widow, Hawkeye and the Hulk. The first arc will feature the villainous group the Zodiac.

• Speaking of that big, blockbuster Avengers movie, fans were treated to new footage from it featuring Bruce Banner and the Black Widow. Tom Hiddleston spoke to CBR about his work on the film.

• Marvel also announced that writer Rick Remender and artist Gabriel Hardman will take over Secret Avengers with issue #21.1, adding new members and pitting them against a new Masters of Evil.

At the Cup O’ Joe panel today, Marvel also announced a Disney/Marvel crossover — Prep & Landing: Mansion: Impossible. It features the elves from the Disney television special who prepare homes for the arrival of Santa Claus every Christmas eve — only this time they’re trying to break into Avengers Mansion to get it ready for Santa. Written by director Kevin Deters and drawn by story artist Joe Mateo, the story will run in the back of the Marvel Adventures books as well as Avengers #19 in November.

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NYCC | Shazam back-up to run in Justice League

Just Imagine ...

Fans wondering if or when the original Captain Marvel, a.k.a. Shazam!, would make an appearance in DC’s New 52 can wonder no more. DC Comics announced today at the New York Comic Con that writer Geoff Johns and artist Gary Frank will team up on a back-up feature, The Curse of Shazam, that will run in issues of Justice League starting with #5.

Beyond that, DC offered very few details. We’ll keep you updated as more news becomes available.

Johns and Frank have worked together previously on Superman: Secret Origin and Action Comics, and are the creative team for the upcoming Batman: Earth One graphic novel.

As I went looking for art for this post, I was reminded that this isn’t the first time Frank has drawn Shazam — back in 2002, when DC Comics recruited Stan Lee to “reimagine” some of their characters, Frank teamed up with him on a very different version of the character.

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