DC Comics released four of the six “New 52 Second Wave” titles this past week, making it hard to choose what to focus on this week … so I figured I wouldn’t. Instead, here are round-ups of reviews for all four titles: Earth 2 #1 by James Robinson, Nicola Scott, Trevor Scott and Alex Sinclair; Dial H #1 by China Miéville, Mateus Santolouco, Tany Horie and Richard Horie; World’s Finest #1 by Paul Levitz, George Pérez, Scott Koblish, Kevin Maguire, Hi-Fi and Rosemary Cheetham; and G.I. Combat #1 by J.T. Krul, Justin Gray, Jimmy Palmiotti, Ariel Olivetti and Dan Panosian.
Keith Callbeck, Comicosity: “The multiverse returns! To fanfare or dread, depending on how you feel about pre-Crisis DC. But this is not your parents’ Earth 2. Completely reimagined by James Robinson, the creator most responsible for bringing the JSA back to the DCU with his series Golden Age, this Earth 2 is a world recovering from war. The story feels like a really good Elseworlds book (which Golden Age was as well) and not a What If…? type tale, though that element exists.The heroes of Earth 2 have existed for much longer than the five years of Earth Prime. When the parademons attack, paralleling the first arc of Johns’ Justice League, it is a much more mature Superman, Wonder Woman and Batman there to battle them.”
For fans of DC’s various Multiverses, this has turned into a big week. Action Comics vol. 2 #9 offers Earth-23, while the new Earth 2 and Worlds’ Finest series center around the latest take on Earth-2.
First, though, a nitpicky note. As usual with DC’s cosmologies, things can get confusing quickly, so here are some helpful definitions. The Infinite Multiverse refers to DC’s classic Multiverse, which saw its last big hurrah in Crisis On Infinite Earths. Worlds of the Infinite Multiverse have their number-tags spelled out, as with Earth-One and Earth-Two. (The Infinite Multiverse also had some letter-tagged worlds.) The 52 Earths refers to the Multiverse revealed in 2006′s 52 #52. Its worlds are tagged only with numerals, as with Earth-2 and Earth-51. There is the Earth One series of graphic novels, with which we are not concerned. Finally, there is the Current Multiverse, which may in fact still be the 52 Earths, and which apparently follows the same naming conventions. I will try hard to avoid getting into a discussion which dwells on these distinctions.
Now then …
These three issues each take different perspectives on the parallel-world concept. Earth 2 #1 lays out the rough recent history of the parallel world and introduces us to its major players. Similarly, all of Action #9 takes place on Earth-23, although it’s part of the background of Grant Morrison’s larger Superman work. Earth-2 in Worlds’ Finest #1 is background as well, since it’s part of the main characters’ shared backstory, but not a place with which they currently interact. Accordingly, I liked each of these introductory issues on their own merits, because I thought each did what it needed to within those particular contexts.
SPOILERS FOLLOW for Earth 2 #1, Worlds’ Finest #1, and Action Comics vol. 2 #9.
Hello and welcome to What Are You Reading? Today our special guest is Tim Seeley, whose work you may know from Hack/Slash, Bloodstrike, Witchblade, Colt Noble, the upcoming Ex Sanguine and Revival, and much more.
To see what Tim has been reading lately, click below.
The Chicago Comic & Entertainment Expo opened its doors for the 2012 edition at 1:00 in the afternoon on Friday the 13th. I decided to tempt fate, spit in the eye of superstition and join a trio of friends from my local comic shop to make the four-hour trek between Detroit and Chicago, take in the sights to see at C2E2 and return home, all in one day. That’s right: I was silly enough to think a whirlwind visit to Chicago would be a good idea.
We hit the road around eight o’clock and with a pair of stops on the way to coincide with the wonderfully easy traffic all the way into the great state of Illinois, we made it to McCormick place by 11:15 Chicago time. Coming in from the south side of the convention center, we mingled with Chicago White Sox traffic (oddly enough, the Detroit Tigers were in town to play the Sox) and managed to find parking at McCormick after driving through the shipping area of the parking facility.
A full-length trailer has been released for Wonder Women! The Untold Story of American Superheroines, a Kickstarter-funded documentary that will receive its world premiere next month at the South by Southwest Film Festival in Austin, Texas.
Directed by Kristy Guevara-Flanagan, the documentary traces the evolution and legacy of Wonder Woman and examines “how popular representations of powerful women often reflect society’s anxieties about women’s liberation.” Among those interviewed for the film are Gloria Steinem, Lynda Carter, Lindsay Wagner, Trina Robbins, George Perez, Gail Simone, Danny Fingeroth and Andy Mangels.
If you work in the industry for as number of years, you’re bound to gather a number of unique artifacts from your time spent. People have been delighted in recent weeks with Tom Brevoort’s “The Marvel Age of Comics” Tumblr showcasing the editor’s collection of original art and assorted oddities, and now The Hero Initiative is partnering with a Florida gallery to show off one-of-a-kind printer’s proofs for covers collected by renowned editor Julius Schwartz during his 42-year tenure at DC Comics.
Titled “Proof of Heroes,” the exhibit at Bear & Bird Boutique + Gallery will feature nearly 300 comic book cover printer’s proofs from 1964 to 1974. These printer’s proofs were sent to Schwartz for final approval before going to press, and features artwork from such comics legends as Nick Cardy, Neal Adams, Mike Kaluta and Carmine Infantino. The exhibit is set to run from Jan. 20 to March 3 at Bear & Bird’s Lauderhill, Florida, location, just above the comic store Tate’s. On Jan. 21, DC icons Paul Levitz, George Perez and Alex Saviuk will be on hand from 2 p.m. to 4 p.m. for a signing, followed by a reception from 5 p.m. to 8 p.m.
The printer’s proofs will be available for just $100 each (certificate of authenticity included). All proceeds benefit The Hero Initiative.
Former Birds of Prey artist Nicola Scott will step in for Jesus Merino on three issues of Superman, beginning with this month’s Issue 3.
DC Comics announced this morning that Scott will illustrate issues 3, 5 and 6, with regular artist Merino penciling Issue 4 before returning for Issue 7, which features the debut of new writers Dan Jurgens and Keith Giffen. The duo replaces George Perez, who leaves as writer and breakdown artist following the sixth issue.
Scott, a DC-exclusive artist who also worked on Secret Six and Wonder Woman, will next collaborate with James Robinson on the relaunched Justice Society of America.
Superman #3, which pits the Man of Steel against a new foe targeting those dearest to Clark Kent, goes on sale Nov. 23. Check out a preview of the issue below.
Creators | The Hero Initiative offers an update from colorist Tom Ziuko, who was hospitalized earlier this year for acute kidney failure and other health conditions, and then returned to the hospital for emergency surgery about a month ago. “I can’t impress upon you enough how frightening it is to actually come up against a life-threatening medical situation (not to mention two times in less than a year), and not have the financial means to survive if you’re suddenly not able to earn a living. Like so many other freelancers out there, I live paycheck to paycheck, unable to afford health insurance. Without an organization like the Hero Initiative to lend me support in this time of dire need, I truly don’t know where I would be today,” Ziuko said. [The Hero Initiative]
Publishing | CNN asks the question “Are women and comics risky business?” as Christian Sager talks to former DC editor Janelle Asselin, blogger Jill Pantozzi, Womanthology organizer Renae De Liz and others about the number of women who work in comics, the portrayal of female characters and why comic companies don’t actively market books to women. “Think about it from the publisher’s point of view,” Asselin said. “Say you sell 90 percent of your comics to men between 18 and 35, and 10 percent of your comics to women in the same age group. Are you going to a) try to grow that 90 percent of your audience because you feel you already have the hook they want and you just need to get word out about it, or b) are you going to try to figure out what women want in their comics and do that to grow your line?” [CNN]
The New Teen Titans: Games is the latest in an ever-expanding series of projects I never thought I’d see — a list which includes 2001′s The Dark Knight Strikes Again, 2005′s Englehart/Rogers/Austin Dark Detective, the various Giffen/DeMatteis/Maguire Justice League International reunions, and of course George Pérez finally getting his bravura turn on JLA/Avengers.
In the waning years of the 1980s (so the stories go), New Teen Titans co-creator Marv Wolfman had an idea for a Titans graphic novel. Wolfman, Pérez, and editor Barbara Kesel conceived Games — basically a supervillain-caper story with an espionage/terrorism angle — as a one-shot spinoff of the wildly successful ongoing series. Pérez then drew some 70 pages before complications sent the project into the limbo of unfinished possibilities. However, as the years went by and the stars realigned, and that possibility of finishing Games turned into probability, Wolfman and Pérez were forced to rethink their approach to the material, both in terms of changed styles and changes in content.
Accordingly, the Games we have today isn’t quite an artifact or a re-creation. Although it is rooted significantly in Titans lore, it doesn’t seem inaccessible to new readers. It’s a continuation which, for various reasons, can’t be “official,” and it’s also a standalone story which offers another look at the pair’s signature work. It may well be their last word on these characters, but it’s hardly an ending. It’s what they would have done twenty-odd years ago, except that it works best when taken slightly out of that context. Take it from someone who grew up in the land of strong bourbon — Games may be one of the most potent distillations of the Wolfman/Pérez experience.
Naturally, all that requires some explanation, so here we go….
George Pérez will step down as writer and breakdown artist of Superman, Newsarama reports, to be replaced by Keith Giffen and Dan Jurgens with Issue 7.
Pérez was teamed with artist Jesus Merino on the relaunched title, which debuted this week. There’s a possibility that Pérez will remain as finisher/inker.
Superman will be the second title from DC Comics’ New 52 that Giffen has stepped into as writer. News surfaced just last week that he will replace J.T. Krul on Green Arrow, teaming with Jurgens as penciler and Pérez as inker on the series.
Giffen is also drawing and co-writing O.M.A.C., while Jurgens is writing the relaunched Justice League International.
When DC Comics confirmed on Monday that, as of its September relaunch, the 15-year marriage of Clark Kent and Lois Lane never happened, the publisher tossed in another juicy relationship detail: “Lois Lane is dating a colleague at the Daily Planet (and his name isn’t Clark Kent).” Could it be Steve Lombard or Ron Troupe? Perry White or Jimmy Olsen?
It turns out it’s none of those. Instead, the New York Daily News tells us this morning, Lois’ boyfriend is … Jonathan Carroll. No, not the award-winning fantasy author. The blond beau is a new character debuting in September’s Superman #1, where, judging by the preview, he receives a shirtless introduction to Clark and the readers.
Superman #1, by George Perez and Jesus Merino, goes on sale Sept. 28. Expect more details to emerge at Comic-Con International during this afternoon’s “DC Comics: The New 52″ presentation and Friday’s Superman panel.
Updated: DC has released a better-quality preview of Superman #1. You can see Jonathan’s two-page introduction after the break.
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
While most DC Comics fans wait impatiently for the publisher to announce the final details of its sweeping 52-title relaunch, one industrious reader went to work to unearth the covers to Superman #1, Superboy #1 and Supergirl #1.
That leaves only one series, by all accounts Action Comics, which as Comic Book Resources reported last week will likely be written by Grant Morrison. Bleeding Cool contends that Rags Morales is the artist.
The three covers, found Thursday on the DC server by a Comic Book Resources forum member with the time and patience to try numerous file-name combinations, aren’t particularly surprising; Superman and Supergirl, at least, were sure bets for the relaunch, and Scott Lobdell had let slip earlier this week that he’s writing Superboy. However, they seem to confirm Bleeding Cool’s report that George Perez will be drawing, and presumably writing, Superman. Screenwriters Michael Green and Mike Johnson, who worked together on Superman/Batman, are thought to be penning Supergirl, with Mahmud A. Asrar on art (at least judging from the cover).
A question mark remains over Superboy, in part because the character looks radically different on this cover than he appears on the one(s) for Teen Titans #1. (Update: A commenter identifies the Superboy cover artist as Eric Canete.)
DC was expected to officially announce the Superman books today, but as the hours pass it’s beginning to look as if the publisher may hold back until Saturday afternoon, when Co-Publisher Jim Lee and Chief Creative Officer Geoff Johns appear at the Hero Complex Film Festival in Los Angeles.
Update 2: DC officially unveiled the remaining titles this afternoon after all, confirming Morrison and Morales on Action Comics, Perez writing but Jesus Merino penciling Superman, Green, Johnson and Asrar on Supergirl, and Lobdell, R.B. Silva and Rob Lean on Superboy. Comic Book Resources has the details.
Check out the covers for Superboy #1 and Supergirl #1 after the break.
There’s a weird little sequence in the middle of DC Universe: Legacies #3 when the narration’s timeline goes all hazy and oblique, in order to move the story from sometime in the Eisenhower/Kennedy years right into the “X years ago” of modern continuity. Because Legacies tracks some sixty-five years of costumed crimefighting, this sequence bridges the gap between the Justice Society’s retirement and Superman’s debut.
“Hazy and oblique” are also good words for describing DC’s approach to long-term continuity. The history of the DC Universe is well-settled up to the early 1950s, but past then it becomes elastic. This is something we’ve come to expect: fudging the calendar keeps our heroes both as experienced and as youthful as they need to be. However, each passing year also widens the gap between the end of the Golden Age (early ‘50s) and the beginning of the Silver (thought to be 12-15 years ago). Through reader-identification character Paul Lincoln,* DCUL’s writer (and longtime DC favorite) Len Wein aims to put a human face on all those four-color adventures.
That sounds like the premise of 1994′s Marvels and its spiritual descendant Astro City. Really, though, any halfway-entertaining super-survey needs a narrator with a recognizable point of view. Even 1986′s History of the DC Universe, which was basically a series of George Pérez pinups arranged in chronological order, took its florid prose ostensibly from Harbinger’s meditations on the nature of heroism.