Guggenheim Says Ward Switching Sides Leads "Agents of SHIELD" into "Civil War II"
Debuting in 2001, Marvel’s MAX line was an attempt to draw a clear line between its vaguely older-teen comics and distinctly “adult” titles featuring some of the well, edgier, characters from its library. The imprint largely excelled at that, with the flagship Alias, by Brian Michael Bendis and Michael Gaydos, and Garth Ennis’ takes on Nick Fury and the Punisher. However, in recent years it’s become a shadow of its former self, existing solely to carry Ennis’ recent return to Fury, and the noble but ill-fitting Wolverine MAX. But that doesn’t mean it can’t have a revival.
In today’s Six by 6, I look at six characters that straddle the fence separating “popular” from “popular enough to carry their own series in the long-term” that would do well to take a trip to the MAX line. Some are no-brainers, while others might surprise you.
Marvel’s turning over a new leaf, so to speak, as it enters the Marvel NOW! era. But in that amid the flurry of new titles, new line-ups and new creators, we’re finding some notable absences — notable to us at least. While some missed heroes like Luke Cage, Iron Fist and Mockingbird have popped up in cameos here and there, there are still a significant number of popular players waiting to be brought onto the field. In this installment of “Six by 6,” we suss out six such characters and zero in on their last whereabouts, and where some of them might show up next.
German artist Uwe De Witt draws mainstream comics characters in an expressionistic but commercial style. He’s clearly a fan of the comics from the schools of Ben Templesmith, Bill Sienkiewicz and Simon Bisley. As well as publishing new images of Spawn every Monday, he regularly posts pastiches of old album art with comic book characters inserted into them. Some work better than others, when the original cover image and character choice make sense together, or as a visual pun: other times it’s just drawing bloomin’ X-Force for its own sake, really. But when it works, it really works. More examples below. (via Dangerous Minds)
Marvel on Monday urged the Second Circuit to deny Gary Friedrich’s attempt to revive his copyright claims to Ghost Rider, reiterating that the writer no only signed away his rights to the character three decades earlier but waited too long to file his lawsuit.
Friedrich sued Marvel, Columbia Pictures and Hasbro, among others, shortly after the 2007 release of the first Ghost Rider movie, insisting he had regained the copyright to the fiery Spirit of Vengeance some six years earlier. He argued he created Johnny Blaze/Ghost Rider in 1968 and later agreed to publish the character through Magazine Management, which eventually became Marvel Entertainment. Under the agreement, the publisher held the copyright to the character’s origin story in 1972′s Marvel Spotlight #5, and to subsequent Ghost Rider works. However, Friedrich alleged the company never registered the work with the U.S. Copyright Office, permitting the rights to revert to him in 2001.
In December 2011, a federal judge rejected Friedrich’s lawsuit, finding the writer gave up ownership to the property when he endorsed checks that contained language relinquishing rights to Marvel’s predecessors. The judge said Friedrich signed over all claims to the character in 1971 and again in 1978 in exchange for the possibility of more freelance work for the publisher. (Two months later, Marvel agreed to abandon its 2010 countersuit accusing Friedrich of trademark infringement if the writer would pay $17,000 in damages and stop selling unauthorized Ghost Rider merchandise.)
The writer appealed in July, arguing the court erred in ruling that the language on the back of Marvel paychecks in the early 1970s and in the 1978 contract were sufficient to constitute transfer of copyright. However, his attorney also reasserts the claim that the agreement was entered into under duress, with Friedrich told “if I wanted to continue to work for Marvel that I would have to sign it.”
Ghost Rider co-creator Gary Friedrich has appealed a December 2011 court ruling that he gave up all claims to the fiery spirit of vengeance when he endorsed checks from Marvel’s predecessor 40 years ago.
The writer filed a lawsuit in April 2007, shortly after the release of Columbia Pictures’ Ghost Rider movie, accusing the studio, Marvel, Hasbro and other companies of copyright infringement, false advertising and unfair competition, among other counts, contending he had regained the copyright to the character some six years earlier. Friedrich argued he created Johnny Blaze/Ghost Rider in 1968 and later agreed to publish the character through Magazine Management, which eventually became Marvel Entertainment. Under the agreement, the publisher held the copyright to the character’s origin story in 1972′s Marvel Spotlight #5, and to subsequent Ghost Rider works. However, Friedrich alleged the company never registered the work with the U.S. Copyright Office, permitting the rights to revert to him in 2001.
Marvel fired back in 2010, accusing Friedrich of violating its trademark by using the phrase “Ghost Rider” and selling unauthorized posters, cards and T-shirts online and at comic conventions. In December 2011, a federal judge rejected Friedrich’s lawsuit, finding the writer gave up ownership to the property when he endorsed checks that contained language relinquishing rights to Marvel’s predecessors. The judge said Friedrich signed over all claims to the character in 1971 and again in 1978 in exchange for the possibility of more freelance work for the publisher. Two months later, Marvel agreed to abandon its countersuit if Friedrich would pay $17,000 in damages and stop selling unauthorized Ghost Rider merchandise, a move that drew sharp criticism from creators and fans alike.
Following efforts by Steve Niles, James Stokoe, Brandon Graham and Neal Adams, the T-shirt site World of Strange is offering a T-shirt that supports Gary Friedrich, following his loss in court to Marvel.
According to the site, “Profits from this shirt will go directly to Gary in order to support him with rising medical costs, legal fees and penalties paid to Marvel Comics.” The artwork features skulls drawn by Billy Tackett, Stephen Bissette, Rick Veitch, Bob Burden, Nathan Thomas Milliner, Sam Flegal and Denis St. John. The shirt costs $11.99 and can be purchased on their site.
Publishing | David Gabriel, Marvel’s senior vice president of publishing, says that Marvel is putting “the biggest marketing investment that we’ve ever put into a series or an event” behind its upcoming Avengers vs. X-Men event. The campaign will include online, social media, radio and television promotion. “They’re actually treating every issue as an event, because there’s a different fight going on in every issue, and I’m told that they are pushing every single issue through all 12 issues,” Gabriel said. “The story itself has three acts, and each of those acts has a natural marketing hook to it, so they’re pushing those as well.” [ICv2]
Publishing | While DC’s New 52 has been good for comics sales overall, there is a dark side: Sales of pre-reboot collected editions are down. ICv2 also lists the Top 10 comics and graphic novel franchises in a number of different genres. [ICv2]
Legal | The Justice Department brought more charges of fraud and copyright infringement against Megaupload founder Kim Dotcom and his colleagues on Friday, but also revealed that Megaupload isn’t all that mega: The file-sharing site had only 66.6 million users, not the 180 million previously claimed, and fewer than 6 million had ever actually uploaded a file. The indictment mentions one user who uploaded almost 17,000 items, including copyrighted movies, which were viewed 34 million times. [The Washington Post]
Reacting to analysis of Marvel’s much-publicized dispute with Ghost Rider creator Gary Friedrich, Joe the Barbarian artist Sean Gordon Murphy has announced he’ll no longer sell convention sketches or commissions of characters he doesn’t own, and encourages other creators to do the same.
“Am I rolling over in fear of Marvel? Maybe, but […] they’re in their legal right to come after me if there’s ever a dispute,” Murphy wrote this morning on deviantART. “I love to complain about the Big Two, but I can’t (in good conscience) get upset at them if I’m breaking the rules myself. Being DC exclusive, maybe I can get a waiver that allows me to sketch DC characters, so I’ll keep you updated.”
Friedrich sued Marvel, Sony Pictures and other companies in 2007, claiming the rights to Ghost Rider had reverted to him six years earlier because the publisher never registered the character’s first appearance in 1972′s Marvel Spotlight #5 with the U.S. Copyright Office. Marvel counter-sued in 2010, seeking damages from Friedrich who, through Gary Friedrich Enterprises LLC, had produced and sold unauthorized Ghost Rider posters, cards and T-shirts at conventions and online. The company also asserted that Friedrich had “aided and abetted third parties” in reproducing and selling “graphic and narrative elements” of Ghost Rider comics.
Neal Adams, the legendary comic artist and advocate for creator rights, has joined Steve Niles and others in issuing a call to help Gary Friedrich, the Ghost Rider creator who owes Marvel $17,000 in damages for selling unauthorized merchandise.
Writing this morning on his Facebook page, Adams asked fellow artists to donate artwork for sale or auction to benefit the ailing Friedrich, who’s in danger of losing his home.
“Fellow creators, we can help Gary Friedrich without taking any kind of position in his case with Marvel,” he wrote. “Gary is sick, and he’s about to lose his house, and though he will tell you he is not destitute, he needs help. If I have to do it alone, I will see to it that he gets his mortgage paid, and gets some money in the bank. But I would like to ask you all to help.”
Gary is a victim of the deficiencies of two very bad copyright laws, and the history in the comic book industry of poor practices on everybody’s part. There will be battles in the future, and good will come of them. But this is simply just a bad situation. Gary is one of us. And while we can’t save him from Marvel, and his small place in history, we can help him have a place to live, ongoing. And I can only promise you this. If you find yourself in a bad situation, whether for heath or other reasons, I and others, will join to help you. Just as you have helped to support William Messner-Loebs, Dave Cockrum and others.
While I hope that Marvel would step up and help out too, I can understand that they find themselves in such an unfortunate position that they cannot do so. I would like to believe that they would if they could.
Artists wishing to donate work my send in to: Continuity Studios, 15 W. 39th St., ninth floor, New York, NY 10018.
Friedrich filed the lawsuit in April 2007, shortly after the release of Columbia Pictures’ Ghost Rider movie, accusing the studio, Marvel, Hasbro and other companies of copyright infringement, false advertising and unfair competition, among other counts. The film grossed $228 million worldwide; a sequel, Ghost Rider: Spirit of Vengeance, will be released in February.
The writer asserted he created Johnny Blaze/Ghost Rider in 1968 and, three years later, agreed to publish the character through Magazine Management, which eventually became Marvel Entertainment. Under the agreement, the publisher held the copyright to the character’s origin story in 1972′s Marvel Spotlight #5, and to subsequent Ghost Rider works. However, Friedrich alleged the company never registered the work with the U.S. Copyright Office and, pursuant to federal law, he regained the copyrights to Ghost Rider in 2001.
But The Associated Press reports that on Wednesday, U.S. District Judge Katherine Forrest ruled Friedrich gave up ownership to the property when he endorsed checks that contained language relinquishing rights to Marvel’s predecessors. The judge said the writer signed over all claims to the character in 1971 and again in 1978 in exchange for the possibility of more freelance work for the publisher.
“Either of those contractual transfers would be sufficient to resolve the question of ownership,” Forrest wrote. “Together, they provide redundancy to the answer that leaves no doubt as to its correctness.”
“The law is clear that when an individual endorses a check subject to a condition, he accepts that condition,” the judge ruled, contending her finding made it unnecessary “travel down the rabbit hole” to determine whether Ghost Rider was work for hire.
The Courier Mail reports the Australian Trade Marks Office has rejected an application by Brisbane clothing-store owner Gary Charles to register the words “Ghost Rider” following opposition by Marvel.
Charles had first applied to register the trademark in 2009 and, following a threat of legal action by the company, decided to pursue his case. “I thought why should I let them push me around,” he told the newspaper. “But if I’d known the trouble it would be I would have dropped the trademark.”
Solicitor Fiona Brittain, who represented Marvel Characters Inc., argued Charles’ application was made in bad faith, and that he’d previously attempted to register such marks as Red Bull and Army of One. An investigation by her firm allegedly uncovered counterfeit clothing in his store, “including Spider-Man and Marvel Superheroes branded garments.”
The hearing officer was persuaded by the evidence, ruling: “The evidence which the Opponent has provided in respect of the Applicant’s other trade mark applications and registrations, in conjunction with the evidence of the clothing brands available for sale in the Applicant’s shop, is sufficient for me to be satisfied that this application is an example of the Applicant’s standard pattern of behaviour, a pattern which leaves much to be desired as far as commercial fair dealing is concerned.”
Now Charles is left with Ghost Rider-branded denim shorts that, according to the newspaper, he was still trying to “offload” last week. If that’s the case, he should probably expect another letter from Marvel …
While the big legal story is, of course, a federal judge’s ruling that the family of Jack Kirby has no claim to the copyrights for the characters he co-created for Marvel, the company also scored a courtroom victory this week in another, lower-profile case.
A judge declared on Tuesday that Ghost Rider co-creator Gary Friedrich will have to defend counterclaims by Marvel accusing him of violating its trademark by using the phrase “Ghost Rider” and the character’s image on posters, cards and T-shirts, Courthouse News Service reports.
The dispute stems from a 2007 lawsuit filed by Friedrich against Marvel, Columbia Pictures, Hasbro and other companies alleging the copyrights used in the Ghost Rider movie and related products reverted to him in 2001. He sought unspecified damages for copyright infringement, and violations of federal and Illinois state unfair competition laws, negligence, waste, false advertising and endorsement, and several other claims.
Friedrich claimed he created Johnny Blaze/Ghost Rider in 1968 and, three years later, agreed to publish the character through Magazine Management, which eventually became Marvel Entertainment. Under the agreement, the publisher held the copyright to the character’s origin story in 1972′s Marvel Spotlight #5, and to subsequent Ghost Rider works. However, Friedrich alleged the company never registered the work with the U.S. Copyright Office and, pursuant to federal law, he regained the copyrights to Ghost Rider in 2001.
The case has taken a few turns, with a judge in May 2010 dismissing the claims made under state law after determining that the Copyright Act of 1976 is the relevant federal statute. That decision was followed in December by counterclaims by Marvel Characters, the subsidiary that actually holds the rights to the company’s characters, accusing Friedrich of the unauthorized sale of Ghost Rider posters, T-shirts and cards online and at comic conventions.
Friedrich, who amended his complaint in March 2011, attempted to have the counterclaims dismissed. However, on Tuesday, U.S. District Judge Barbara Jones rejected his motion. Courthouse News Service notes that Friedrich’s lawsuit is in discovery, with Marvel and the other defendants so far turning over 34,000 pages of documents.
Ghost Rider, the 2007 film based on the character Friedrich co-created, grossed $228 million worldwide. Columbia Pictures will release the sequel on Feb. 17, 2012.
The second C2E2 convention, hosted by ReedPOP in Chicago, wrapped up yesterday. Here’s an attempt to round up all the comic-related news that was announced at various panels during the show. I’d be surprised if I didn’t miss something.
While Marvel and DC Comics were both in attendance and held multiple panels, Marvel dominated in terms of the number of announcements, which is no surprise — DC tends to favor announcing new projects and creative teams on their Source blog rather than at conventions these days. I only point this out after seeing the long list of Marvel announcements and the far fewer DC ones in my summary below.
• Marvel confirmed earlier reports by officially announcing the creative teams for the two “Big Shots” titles they’ve been teasing, Daredevil and The Punisher. Irredeemable/Amazing Spider-Man writer Mark Waid will pen Daredevil, with Amazing Spider-Man artists Paolo Rivera and Marcos Martin illustrating.
“Tonally, it’s still very much a crime series, but we’re toning down the noir a bit and playing up the high adventure a bit more,” Waid told Comic Book Resources. “He’s the Man Without Fear. I want to see that constantly. I want to see him diving face-first into perils that would make Green Lantern shriek like a little girl.”
The writing team of Dan Abnett and Andy Lanning have come back down to Earth and the streets of Marvel with the new Heroes for Hire (H4H) series, which premiered in December. After reading the first issue, which ended with a spectacular plot curve ball, I wanted to find out more about the series. This Wednesday, January 5, marks the release of issue 2–featuring Ghost Rider and Silver Sable. Despite his busy comics and prose writing schedule, Abnett was kind enough to do a brief email interview about the series–and offer readers a chance make hero hire suggestions for future issues.
Tim O’Shea: After working in space with myriad Marvel universe alien species, what’s the most enjoyable aspect to getting to also dabble in the “nitty, gritty, human vigilante street action of Heroes for Hire” as you recently described it.
Dan Abnett: The change of pace, really. Bill Rosemann, our editor, asked us if we’d like to do something that was a contrast to the cosmic stuff we’ve been doing, and the first thing Andy and I ever did for Marvel US was a year or so’s run on the Punisher in the early 1990s. So we decided to go ‘back on the streets’.
Happy Halloween! We round out our series of posts on what comics from the past or present left various creators shivering under the blanket until the sun came up. To see the previous posts, go here and here.
Fred Van Lente
I had the oversized MARVEL TREASURY EDITION of MARVEL TEAM-UP when I was a kid. The panel in the Spider-Man & Ghost Rider story in which the Orb removes his helmet and shows how hideously scarred he is scared me so bad I actually cut out a square of black construction paper big enough to tape over the panel to cover it so I could read the rest of the comic without looking at it. I couldn’t have been much older than seven.
Fred Van Lente is the co-writer of Marvel’s current event series Chaos War. He’s also written Action Philosophers!, Iron Man: Legacy and Shadowland: Power Man, among other titles. If you’re looking for something in the spirit of the season, check out his Marvel Zombies work.