Josh Tierney’s Spera is a unique take on the fantasy epic. Rather than telling a straight story about a couple of girls trying to rescue one of their kingdom’s from the evil family of the other, the series offers the quest as the framework that holds the book together, but in an anthology-like format. Each story is written by Tierney, but drawn by a different artist, and the tales vary in how much they relate to the main plot. Some push it along directly, while others are diverting side-adventures.
That’s a template employed by a lot of TV shows, and it also works for Spera. It’s a meandering adventure, but a lovely and diverting one. Tierney is working with some wonderful artists, and the upcoming second volume, which goes on sale Feb. 5, will feature work by Giannis Milonogiannis, Kyla Vanderklugt, Afu Chan, and Timothy Weaver.
Archaia has provided ROBOT 6 with an exclusive preview, below:
Brand New Nostalgia is the sketchblog equivalent of The Defenders, a non-group, if you will — a loose conglomerate of artists doing that sketchblog thing of choosing a theme and then posting the results, originally at their respective deviantART accounts and Tumblrs, and now at their own website. They’re making the leap into the physical world with a book they’re seeking funding for through Kickstarter described as an “anthology consisting of some of the best pieces from the blog as well as all-new comic stories by each of the creators.”
There’s a list of the members’ respective galleries here, and the most easily navigable place to see their combined efforts may well be at deviantART. There’s some top-notch artists amongst their number who’ll probably go on to big things. There’s a representative selection of work from their site below. Continue Reading »
This week Image Comics released the first trade paperback for Glory, on the heels of the collection of Prophet, two parts of one of the publisher’s more interesting ventures this year: the revival of older, Rob Liefeld-created characters and properties by some of comics’ most creative and individual voices, artists whose style couldn’t be further from Liefeld’s (although, like Liefeld’s, are perhaps just as instantly recognizable) .
The Liefeld-by-others aspect was pushed by the publisher as something of a Marvel-esque gimmick with these books (and their companion titles Supreme and Youngblood), numbering the first issues not with #1′s, but by picking up the numbering wherever it left off, so that the first issue of the new Prophet, for example, was Prophet #21, and the new Glory began with Glory #23.
In a sign of just how successful the books have been (creatively, if not financially; I ‘m only speaking to the former and ignoring the latter in this column), it’s worth noting that these trades are titled Prophet Vol. 1: Remission and Glory Vol. 1: The Once and Future Destroyer. That is, now Image is selling them as their own stories with their own beginnings, and have moved past the gimmick.
Happy Labor Day, Americans, and welcome, everybody, to What Are You Reading? Today our special guest is Paul Allor, writer of IDW’s Teenage Mutant Ninja Turtles spinoff, Fugitoid, as well as his own anthology Clockwork.
To see what Paul and the Robot 6 crew have been reading, click below:
Legal | The trial resumed today, if only briefly, in Tunis for the president of a Tunisian television network accused of “insulting sacred values” when he aired the adaptation of Marjane Satrapi’s Persepolis. Tensions were so high in the courtroom that proceedings were postponed until April. The Oct. 7 broadcast resulted in an attempted arson attack on the network’s offices and the arrest of some 50 protesters. Nessma TV President Nebil Karoui, who apologized in October, is charged with “insulting sacred values, offending decent morals and causing public unrest” because of the outrage triggered by a scene in Persepolis showing God, which is prohibited by Islam. [AFP]
Organizations | Stumptown Comics, the organization that puts on the Stumptown Comics Fest every year in Portland, Oregon, has added three new members to its board: Comic Book Legal Defense Fund Executive Director Charles Brownstein, Boilerplate co-author Anina Bennett and editor Shawna Gore. [Stumptown Comics]
As noted at the book’s website, the 12 stories in writer Paul Allor’s Clockwork Volume 1 “defy genre lines, taking you on a journey from the Old West to outer space, from death row to a child’s home … Allor is joined by some of today’s most exciting artists, including JM Ken Niimura, Brett Weldele and Nikki Cook”. After being introduced to the work online, I wanted to email interview Allor about the first volume of his project (with the second volume in development) as well as his work with Comics Experience and the writers group, The Brutal Circle.
Tim O’Shea: When did you realize that you wanted to pursue a project like the 12 short comics in Clockwork, Vol. 1?
Paul Allor: Last year I took a comics writing course through Comics Experience, which is run by former Marvel and IDW editor Andy Schmidt. In that class, Andy told us that writing a strong and complete five-page comic is actually harder than writing a longer work.
I really took that to heart. So, after the class ended, I decided to continue honing my craft on stand-alone five-page stories. Clockwork, Volume 1 features 12 of them, and another 12 are currently in production for Clockwork, Volume 2.