Gilbert Hernandez Archives - Page 2 of 5 - Robot 6 @ Comic Book Resources
What’s that, you say? You find it hard to believe there’s a comic book series by Gilbert Hernandez that’s not only out of print but has never been collected in trade paperback?
Oh, but it’s all too true. Read on to learn more …
What is it about childhood that makes us forget about ours so easily? Whether consciously or not, we seem all too eager to not only put our younger years behind us, but obliterate them from our memories. Even as parents we frequently grow exasperated and angry with our own children, seemingly incapable of remembering what it was like to be little.
While many cartoonists are cited for their “childlike” abilities, precious few are able to accurately convey what it actually feels like to be a child – what makes up the significant joys and anxieties of your average 12- or 6- or 3-year-old and how they best express those complicated emotions.
There are a few, however. Lynda Barry is one, Kazuo Umezu is another. Add to that short list Gilbert Hernandez, as evidenced by his latest book, the excellent Marble Season.
It’s the episodic story of Huey, a the middle child of a moderately sized family living in California in the mid-1960s. His adventures, such as they are, consist of avoiding scary things, like neighborhood bullies or the crazy lady in the spooky house down the road; discovering cool stuff, like Mars Attacks cards; and inventing and playing games with the kids in the neighborhood. Taking a page from Peanuts, we never see Huey’s parents or any of his teachers (indeed we never see him in a classroom). The entire book is staged and presented from the viewpoint of Huey, his brothers and their friends.
Graphic novels | Two volumes of The Walking Dead Compendium topped BookScan’s list of the Top 20 graphic novels sold in bookstores in March, and Vol. 60 of Naruto was No. 3, but ICv2 thinks the new Avatar: The Next Airbender graphic novel premiering at No. 4 is headline-worthy. [ICv2]
Awards | With his duties complete, Charles Hatfield describes what it was like to be an Eisner judge. [See Hatfield]
Creators | Gilbert Hernandez talks about his childhood and that influences, from Dennis the Menace to Steve Ditko, that shaped his latest graphic novel, Marble Season. [The Chicago Tribune]
Publishing | Image Comics provided the retail news and analysis website ICv2 with worldwide pre-order figures for 15 of its March titles, allowing for comparison with estimates of Diamond Comic Distributors sales to U.S. direct market stores. [ICv2.com]
Creators | Mark Waid pens a tribute to the late Carmine Infantino. [Hero Complex]
Creators | Gilbert Hernandez distinguishes between autobiography and art in his new graphic novel, Marble Season, which takes on a 1960s suburban childhood not unlike his own. [Chicago Reader]
Awards | A last-minute reminder: Today is the deadline for Eisner Awards submissions. [Eisner Awards]
Creators | Grant Morrison looks back on his run on Action Comics, which ends today with the release of Issue 18, and touches upon Multiversity and his long-discussed Wonder Woman project: “This is some of the most fun I’ve had in a long time, because it’s a completely different type of comic book. Usually I don’t do masses of research, but for Wonder Woman, I’ve actually been working my way through the entire history of feminism. I want this to be fucking serious, you know? I want this to be really, really good, to reflect not only what women think, but what men think of women. I’m trying to do something really different from what’s been done with the character before. That one’s been amazing fun, because it’s nothing like anything I’ve ever done before.” [Entertainment Weekly]
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
The snow is piled high where I am, and May seems like a long time away, but the Free Comic Book Day folks are getting into the spirit by posting some free previews (or “prevues,” as they spell it, since these are Previews prevues). The selection includes Gilbert Hernandez’s Marble Season, a Molly Danger comic by Jamal Igle that will be bundled with a Princeless story by Jeremy Whitley, Atomic Robo, 2000AD, Brian Wood’s Star Wars, and more.
As in previous years, the FCBD website is also running a series of creator interviews. These aren’t particularly deep; all the creators get the same set of softball questions (actual question, I kid you not: “Tell us why everyone should read comic books?”) but some of them, like Fred Van Lente, go beyond “Comics are AWESOME!!!!!” and have a bit of fun with it. Recent interviews worth a glance include Cory Godbey, who is working on an adaptation of Jim Henson’s Labyrinth; Emmanuel Guibert and Mark Boutvant on Ariol; and Robert Venditti on X-O Manowar. It’s all nakedly promotional, but it’s promoting comics after all, and there is some good stuff in there, both in the responses and the art samples.
Having reflected back on the best (and most cruelly ignored) comics of the past year, it’s time to look forward. Here are six comics I’m really excited about reading this year. As usual, my list reflects my own alt-comix/alt-manga interests/biases. So let me know in the comments what titles I’ve been such a clod as to overlook.
Legal | A federal judge this week made final his Oct. 17 decision that the heirs of Superman co-creator Joe Shuster surrendered the ability to reclaim their 50-percent interest in the property in a 1992 agreement with DC Comics, triggering an almost-immediate appeal to the 9th Circuit by Shuster estate lawyer Marc Toberoff. Jeff Trexler delves into the legal strategy behind the attorney’s motion for final judgment. [The Hollywood Reporter]
Legal | Todd McFarlane has settled his lawsuit against former employee Al Simmons, who earlier this year released a book in which he claimed to be the inspiration for Spawn. McFarlane had accused Simmons of violating the terms of his employment pact and breaching his duty of loyalty. Settlement terms weren’t disclosed. [The Hollywood Reporter]
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
G.I. Joe #1: As if G.I. Joe wasn’t entirely in my guilty pleasure wheelhouse already, IDW Publishing relaunches the title with Fred Van Lente as writer and the tease of social and media commentary as the team is forced to go public in its fight against Cobra. Seriously, that’s just unfair, people. (IDW, $3.99)
Hawkeye, Vol. 1: My Life As A Weapon TP: One of the best-looking comics around, thanks to David Aja (and Javier Pulido, on a couple of the issues contained herein), and something that I suspect I’m going to want in a collected edition to give to friends wanting some fun, fast-moving action stuff to read. Best thing Matt Fraction’s done in a long time, too. (Marvel, $16.99)
New Tales of Old Palomar HC: Continuing my Love and Rockets education, a chance for me to pick up Gilbert Hernandez’ return to Palomar in this new collected edition of his Ignatz series. This is definitely my favorite of Beto’s work, so I’m happy to see more. (Fantagraphics, $22.99).
The Sixth Gun: Sons of The Gun #1: A new spin-off series from Cullen Bunn and Brian Hurtt’s spectacular horror western? Why, I really don’t mind if I do, thanks very much. For added benefit, having Brian Churilla show up for art duties is pretty sweet, as well. (Oni Press, $3.99)
Young Romance: A New 52 Valentine’s Day Special #1: Even if I’m feeling less than enthused about the majority of DC’s superhero line lately, I have to admit, the idea of a Valentine’s Day special one-off is just far too tempting for me to ignore. (DC Comics, $7.99).
A few weeks ago we looked at Fantagraphics publishing plans for 2013. Today I thought it might be worthwhile to peek into Drawn & Quarterly’s crystal ball and see what they have in store. I skipped over some re-releases and new volumes of expected material — a new Moomin collection, a paperback release of Paying for It — mainly because I’m lazy.
You’re Just Jealous of My Jetpack by Tom Gauld. Gauld’s weekly comic gets the fancy book deal. Expect lots of really funny riffs on history and pop culture in Gauld’s stone-faced, deadpan style. January, $19.95.
Conventions | John Giuffo does a compare-and-contrast between Comic-Con International and New York Comic Con. While San Diego has more Hollywood presence, NYCC has grown with stunning rapidity — it’s hard to believe that first event had just 25,000 people and shared the Javits Center with a travel convention; this year attendance was 116,000, gaining hard on San Diego’s 125,000. One key difference is that CCI spills out of the San Diego Convention Center into the surrounding neighborhood, which has restaurants and bars and parks, while the area around the Javits is pretty barren, limiting opportunities for parties or even a decent lunch, let alone the sort of outside activities that have sprung up in San Diego. [Forbes]
Legal | A Missouri man has pleaded guilty to federal obscenity charges stemming from comics depicting minors having sex with adults and other minors. The prosecutor has asked that he be sentenced to three years in federal prison without parole. [Anime News Network]
Conventions | MorrisonCon and the Las Vegas Comic Expo aren’t the only comic conventions this weekend (more on them shortly): There’s also Wizard World Ohio Comic Con in Columbus, and Asbury Park Comic Con in New Jersey. Last year, Wizard took over Mid-Ohio Con and turned it into Wizard World Ohio Comic Con, and on the eve of this year’s event, the local alternative weekly looks at how the event has changed and what to expect. Meanwhile, Saturday’s Asbury Park Comic Con gets back to basics: “The problem that I have with the big comic conventions is that they’ve turned into pop culture conventions and it’s anything goes —anything from video games to wrestlers and bands, stuff that has nothing or very little to do with comics. What we want to do is bring it back to what brought us all together — our passion for comics,” says co-founder Cliff Galbraith. The event, which is being held in a rock club/bowling alley, features such comics guests as Larry Hama, Evan Dorkin, Sarah Dyer, Dean Haspiel, Seth Kushner and Reilly Brown. [The Other Paper, Asbury Park Press]
Retailing | The Manchester, Connecticut, comics store Buried Under Comics will reopen with a new name, A Hero’s Journey, and a new owner, April Kenney. A friend of previous owner Brian Kozicki, who died unexpectedly last month, Kenney arranged to purchase the store from Kozicki’s family. [Patch.com]
Retailing | Toronto retailer Silver Snail has moved from its longtime location on Queen Street to Yonge Street. [CityNews]
Publishing | Brian Smith, the DC Comics associate editor publicly ridiculed by Rob Liefeld last month, has announced his departure from the company, apparently under amicable circumstances. Nonetheless, Liefeld took a parting shot on Twitter. [Blog@Newsarama]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I only had $15, I’d walk out a happy camper despite only having one book, because that book is 20th Century Boys, Vol. 22 (Viz, $12.99). While your typical American comics fan may have no idea who Naoki Urasawa is, he is in my mind undoubtedly the best cartoonist working today. Twenty-two books in and he hasn’t let up, delivering comics’ example of long-run storytelling perfection a la Sopranos. Friend is one of the most terrifying villains I’ve seen in comics in some time, and the mad assemblage of childhood pals out to stop him are some of my most treasured fictional friends.
If I had $30, I’d come back to comic stores on an American tip, starting off with Godzilla: Half Century War #2 (IDW Publishing, $3.99) by James Stokoe. I missed this when the first issue came out, but since then I’ve found it and relished its pure cartooning chaos. The first issue was an ideal debut, and I’m interested to see Stokoe take Lt. Murakami to Vietman in the ’60s for the ongoing war on Godzilla. After that I’d get the satisfying chunk, Dark Horse Presents #16 (Dark Horse, $7.99). I’ve been repeating the same praises every month, so let me try to spin it differently. This new issue, I have little idea what’s in it besides the return of Crime Doesn’t Pay; there’s a new series by Jimmy Palmiotti and Justin Gray in it I have heard nothing about, but DHP has re-built its track record of excellence and I’m fine spending $7.99 sight unseen. My final pick would be Daredevil #18 (Marvel, 2.99). Chris Samnee is quite different than the original artists on the book, but is excelling with Mark Waid in a new way — and that’s good. Instead of aping what had gone before, Samnee assuredly gives us his own style that would make any true fan of art in comics smile.
Oh ,wait, I found some money. I know, I’ll buy Memorial, Vol. 1 (IDW, $24.99). I missed this in singles, and this hardcover looks like the perfect chance to me to make up for past mistakes. These covers by Michael WM Kaluta really get my heart beating, and I’ve been wanting to read more of Chris Roberson on his own. The preview on IDW’s website gives me the impression it’s got down-to-earth personality amidst a fantasy world, and reminds me of classic supernatural fiction like A Wrinkle in Time or The Lion, the Witch and the Wardrobe.