Legal | A federal judge on Friday denied DC Comics’ bid for sanctions against the attorney for the heirs of Superman creators Jerry Siegel and Joe Shuster, finding that Marc Toberoff made “no deliberate attempt to mislead” during the discovery process and, perhaps more importantly, did not interfere with the publisher’s rights to the Man of Steel when he allegedly inserted himself into settlement talks in 2001. [The Hollywood Reporter]
Legal | Stan Lee will be deposed this week by lawyers representing Stan Lee Media in its multi-billion-dollar lawsuit against Disney involving the rights to the characters the legendary writer co-created for Marvel. Stan Lee Media, which no longer has ties to its namesake, claims Disney as infringed on the copyrights Iron Man, the Avengers, X-Men and other heroes since 2009, when it purchased Marvel. The long, tortured dispute dates back to a sequence of events that occurred between August 1998, when Marvel used its bankruptcy proceedings to terminate Lee’s lifetime contract, and November 1998, when Lee entered into a new agreement with the House of Ideas and signed over his likeness, and any claims to the characters. Stan Lee Media has long claimed that on Oct. 15, 1998, Lee transferred to that company the rights to his creations and his likeness. SLM asserts in the latest lawsuit that neither Marvel nor Disney, which bought the comic company in 2009, has ever registered Lee’s November 1998 agreement with the U.S. Copyright Office. [The Hollywood Reporter]
Crime | Comix Experience in San Francisco was robbed at gunpoint Friday afternoon, with two young men demanding that owner Brian Hibbs empty the cash register containing about $75 and turn over an iPhone used for credit card transactions. A Lower Haight neighborhood blog interviewed Hibbs about the incident: “Divis [Divisadero Street] is generally pretty safe these days, so I was a LITTLE shocked at, y’know, a ‘brazen daylight armed robbery’ of it — but I am kind of more shocked that anyone thought that a comic book store was a high value target about an hour after they opened. Hell, life is like 85% credit cards these days, so even at our fattest there’s seldom enough to risk that kind of jail time, in my opinion …” [Haighteration]
History | Scholar Carol Tilley gives a first-person account of her research on Fredric Wertham, the super-villain of comics history, and how looking through his papers led her to an unexpected conclusion: His published works misrepresented what his research subjects had told him: “For many hard-to-articulate reasons, I didn’t want to write the scholarly paper on Wertham and the problems I found in his evidence, but not to write it seemed a disservice to the young people whose words and experiences Wertham distorted to help make his case against comics.” [Boing Boing]
Ladies and gentlemen, welcome back for another round of Robot Roulette. It’s kind of like Vegas, without the mob connections or chances of actually winning money–comic creators spin the virtual wheel and get six questions thrown at them to answer.
Today Kurt Busiek takes his six questions and turns them into gold. Kurt, of course, is the award-winning writer of Astro City, Liberty Project, Untold Tales of Spider-Man, Marvels, Avengers, Arrowsmith, Shockrockets, Thunderbolts, Iron Man, Kirby: Genesis, JLA/Avengers, Trinity, Superman: Secret Identity, Conan, Power Company and many, many more comics. You can find out more about him on his website.
My thanks to Kurt for agreeing to answer our questions. Now let’s get to it …
BuzzFeed has debuted Dan Parent’s cover for Archie #641, the first issue of a storyline in which the Riverdale gang meets the cast of Fox’s hit musical comedy-drama Glee. The image is kind of odd, in that it looks as if someone may have gone in after the artist to touch up the faces of Glee characters Rachel, Finn and Quinn. See the full cover below.
Announced in July, the crossover is penned by comics writer and Glee co-producer Roberto Aguirre-Sacasa and illustrated by Parent, and arrives on the heels of publisher’s much-publicized “Archie meets KISS” storyline.
“If you go back to the beginnings of modern music, if you will, with Elvis and moving forward with the Beatles and [Bob] Dylan – they established culturally the tone of what’s going on in the country,” Archie Comics Co-CEO Jon Goldwater told Comic Book Resources. “That’s what I’ve been trying to establish in Riverdale. The characters stay the same, but Riverdale changes. And as musicians change in the culture, they can seamlessly integrate into comic books.”
Archie #641 arrives Feb. 27.
I’ve written before about the fundamental difference between DC and Marvel. (Marvel started with a core group, as opposed to DC’s loose confederation, blah blah blah.) However, as plok reminds me, Marvel also benefited greatly, yesterday and today, simply from not being DC. That is, Marvel was and is free to riff on classic superhero tropes ‘til the Skrull-cows come home, because that’s part of what a competitor does. When DC finally started using serialized storytelling, the “illusion of change,” and the “realistic” flourishes which had become a staple of the House of Ideas, it was pretty much too late: DC would always be playing catch-up. This has, to put it mildly, not worked out so well for the folks who first brought you the superhero.
There may be a way, though, for DC to capitalize on the static nature of its flagship characters while simultaneously making them fresh for today’s readers; and it comes from a little TV show called …
(wait for it)
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