Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Auctions | A page of original artwork from 1971’s Asterix and the Laurel Wreath sold at auction Sunday for more than $158,000, with proceeds going to benefit the families of those killed in the attack on Charlie Hebdo‘s offices. The art included a special dedication by Asterix co-creator Albert Uderzo, who came out of retirement in the days after the attack to draw tributes to the victims. The auction house Christie’s waived its commission for Sunday’s sale. [BBC News]
Political cartoons | Ecuadorean cartoonist Xavier Bonilla, who has been sued, threatened and reprimanded by his own government because of his political cartoons, revealed last week that he has also received threats from an Ecuadorean member of ISIS over a cartoon making fun of the extremist group. While he ultimately decided the threat wasn’t credible, Bonilla said, “It has to be understood within this climate of hostility and harassment that’s been created within the country. It’s gotten to the point where even humor is being persecuted and oppressed by the president.” Reporter Jim Wyss also looks at some other cases of government suppression of political cartoons in Latin America [Miami Herald]
When you’re somebody as well known as James Kochalka, both in terms of music and comics, do you really need an introduction? Probably not, but just in case, Kochalka and I recently got a chance to discuss his latest release, the collected SuperF*ckers (Top Shelf [due out in March])–as well as his upcoming graphic novel/video game project, Glorkian Warrior. As described at the Top Shelf site: “SuperF*ckers collects all four fan-favorite issues of James Kochalka’s beloved series, plus the all-new Jack Krak one-shot! Foul-mouthed, filthy-minded, and completely oblivious, these young ‘heroes’ do everything BUT fight crime – they’re too busy getting high, hazing the new kids, playing video games, scheming to be team leader, and designing new costumes.” I agree with the first line of Top Shelf’s Kochalka bio which states he “is, without question, one of the most unique and prolific alternative cartoonists working in America today”.
After the interview, be sure to check out Top Shelf’s preview of the book here. My thanks to Kochalka for the interview and Top Shelf’s Leigh Walton for his assistance. One final piece of advice, as great as this interview is (thanks to Kochalka’s answers), it only touches upon one of Kochalka’s projects. I reference two of Tom Spurgeon’s interviews in my questions to Kochalka and I strongly recommend that you read both of them.
Tim O’Shea: Looking back at a 2005 Tom Spurgeon interview with you, I was surprised to see you say of SuperF*ckers: “Once it turned into a superhero book, I thought I could force it into some kind of all-ages type book, but the characters just would not stop swearing.” Even the interior page marketing of the first issue has cussing: “Hey kids, take your dicks out of the Playstation Three for one god damn minute and read some fucking comics.” Why do you think the cussing bolsters the comedy (and I ask this thinking it would not be as funny without the cussing).
James Kochalka: Not every character swears. The ones that should swear, do. It fits their personality, a kind of “I can do whatever I want because I’m awesome”, and that includes insane wanton swearing. The swearing is also pretty creative at times, it’s often not just straight up swearing. And it makes the action more dramatic. For instance, instead of yelling “I’m going to punch you” or even “I’m going to fuckin’ punch you”, at one point Jack Krak yells something like “I’m going to fuck your face with my fist”. That’s just way snappier sounding, isn’t it?
To me it isn’t even really an issue of funnier or not. It’s just an issue of the characters being as awesome and overblown as they can be.