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Comics A.M. | Eisner entries due; Morrison talks Wonder Woman

Eisner Awards

Eisner Awards

Awards | A last-minute reminder: Today is the deadline for Eisner Awards submissions. [Eisner Awards]

Creators | Grant Morrison looks back on his run on Action Comics, which ends today with the release of Issue 18, and touches upon Multiversity and his long-discussed Wonder Woman project: “This is some of the most fun I’ve had in a long time, because it’s a completely different type of comic book. Usually I don’t do masses of research, but for Wonder Woman, I’ve actually been working my way through the entire history of feminism. I want this to be fucking serious, you know? I want this to be really, really good, to reflect not only what women think, but what men think of women. I’m trying to do something really different from what’s been done with the character before. That one’s been amazing fun, because it’s nothing like anything I’ve ever done before.” [Entertainment Weekly]

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Quote of the Day | ‘Comics can actually do the impossible’

Action Comics #18, by Paolo Rivera

Action Comics #18, by Paolo Rivera

“Everyone’s trying really hard to do the three-act structure, and write like movies, and do it by the book. You know what you can do in comics? You can do anything. So what I did was to have the impossible happen. There’s a bit in [Action Comics #18] when Superman comes to the audience and says: ‘If we do the impossible, the devil disappears.’ And you go: What? How? Why? I put it in there because nowhere else — you couldn’t get away with it in TV, you couldn’t get away with it in movies. I wanted to show that comics can actually do the impossible. Here’s a comic that would never get by a committee. This is true weirdness. I’m hoping it will be an actual experience for people. I want it to be almost psychedelic on that level. People should go check it out, because it’s Psychedelic Superman.”

Grant Morrison, discussing the conclusion of his run on Action Comics with this week’s Issue 18

What Are You Reading? with Brendan Tobin and Pedro Delgado

AllStarWestern-tease

Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.

To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.

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By the Numbers | Round Robin … of Death!

joker-death

Today, ROBOT 6 introduces its new weekly feature “By the Numbers,” which takes a look back at the events of the past five days … in numbers. The biggest, or at least most-discussed, story of the week was undoubtedly Grant Morrison’s decision to kill off Damian Wayne in Batman Incorporated #8, a little something to remember the writer by as he wraps up his six-year run on the Dark Knight.

That development, naturally, stirred memories of 1988, when DC Comics bumped off a far less-popular Robin in an even more controversial manner: by having the readers decide whether Jason Todd lived or died … by calling a 1-900 phone number. The Joker may have wielded the crowbar, but Batman fans handed down the death sentence.

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Grumpy Old Fan | Robin is perpetual

Bob-bob-bobbin' along

Bob-bob-bobbin’ along

First I’d like to thank DC Comics for plastering its latest spoiler unavoidably across the Internet bright and early Monday morning. It did confirm something I’d suspected since before Christmas, but being surprised still has a certain appeal, you know?

(That assumes this isn’t reversed in an issue or two. Kyle Rayner was killed one issue and revived the next during a Blackest Night crossover, and something similar is eminently possible, albeit unlikely, in this case.)

Anyway, Caleb has done a great job covering the event’s immediate impact, and Corey and Michael have also talked about significant aspects of you-know-what, so for my part I’ll be taking a closer look at the “position” itself. Some people study the presidency, some the papacy, and some of us have spent most of our lives reading about … well, you know.

SPOILERS FOLLOW, I suppose.

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Damian Wayne, and Grant Morrison’s tendency to kill his darlings

Aztek

In the swelling tide preceding Batman Incorporated #8, the promised death of the current Robin and the impending finale of Grant Morrison’s six-year opus, something jumped out at me about the writer’s previous work for hire: He has a propensity to kill the characters he introduces into the universes of Marvel and DC Comics before he leaves.

Think back to his first major mainstream superhero book, JLA. In it, Morrison and Howard Porter revived the team in a back-to-basics approach featuring the seven most popular and iconic members. But during that time Morrison also created (with Mark Millar and N. Steven Harris) the Mesoamerican hero Aztek. Launched in his own series — whose first issue teased his impending death — Aztek later joined Morrison’s JLA and was killed in JLA #41, the writer’s final issue.

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The slow death of superhero deaths

Batman Incorporated #8

Batman Incorporated #8

Here we go again. A major news outlet has enthusiastically run the exclusive story that a major comic book character dies in a comic released today. Superhero deaths and their inevitable resurrections have been a staple of comics for decades thanks to the sales bump they tend to get from press coverage. But the giddy acceptance of superhero deaths is starting to crack.

Since the heady days of “The Death of Superman,” mainstream news has loved a dying superhero icon. In 1992, Superman’s death was such a big deal, newspapers were writing hand-wringing editorials about what it could mean for the state of America. Right from the start, DC Comics only guaranteed he would be dead until March 1993, but somehow that got lost in the din of cultural symbolism and frenzied collectability. People really thought he was dead, even if they sensed it was financially the stupidest thing DC could do. Needless to say, Superman came back. And ever since, it seems Marvel and DC have been chasing that same media buzz by (temporarily) killing off their marquee characters, whether it be Batman, Captain America, Spider-Man or even the Human Torch. But with each passing media blitz, an interesting thing is happening: Mainstream outlets are beginning to become just as jaded about superhero deaths as we longtime readers are.

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Grant Morrison and the problem of an immortal Batman

batmaninc8

Warning: Spoilers for Batman Inc. #8, The Dark Knight Rises, and Ridley Scott’s Prometheus follow.

Grant Morrison’s reflection on his Batman run is interesting, in that it offers insight into what the writer thinks makes the character tick, but the part that jumps out at me was the very end where he brings up Robin and asks, “What son could ever hope to replace a father like Batman, who never dies?”

It’s something I’ve been thinking about since seeing Ridley Scott’s Prometheus. As flawed as that film is, it has some intriguing ideas about the relationship between creator and creation, whether that’s alien and human, inventor and android, or parent and child. On that last dynamic, Charlize Theron’s character Vickers observes, “A king has his reign, and then he dies. It’s inevitable.” That’s a horrible thing to say about your father. It is, however, true.

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Some thoughts on the future of Damian Wayne

batman-incorporated8-croppe

Hey, have you somehow managed to avoid hearing about the thing that’s going to happen in that one comic book Wednesday? The thing the writer and publisher are so excited about that they’ve been hyping it up in various media?

If so, then you must be the sort of comics fan who doesn’t like to have story points spoiled for you in advance, so out of respect for you, and respect for  the diligence you’ve shown in so far being able to avoid having the story — whatever it is, in whatever book it’s unfolding — spoiled for you, I’m going to bury this entire post below the break.

So, if you already know what I’m talking about, read on!

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Quote of the Day | Grant Morrison on his epic Batman run

Grant Morrison

Grant Morrison

“I chose to build my story around the basic trauma, the murder of his parents, that lies at the heart of Batman’s genesis. It seemed to me there would be a part of Bruce Wayne that resented his parents for leaving him and especially resented his father for not being Batman that night, so the principal villains were an archetypal bad father figure in the form of Dr. Hurt and a dark mother in the form of Talia, our villain for the concluding chapters of the story. This master theme of damaged and ruined families was nowhere more in evidence than in the creation of Damian, the first ‘Son of Batman’ to be acknowledged in the canon. In many ways this has been Damian’s story as much as it has been the story of Bruce Wayne and it’s a story that had its end planned a long time ago – for what son could ever hope to replace a father like Batman, who never dies?

Grant Morrison, in an essay on the DC Comics website, addressing his more than six-year stint
writing the Caped Crusader, from Batman to Batman and Robin to Batman Incorporated

This week it’s a choice between navy beans and Nova

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Nova #1

Nova #1

Chris Arrant

If I had $15, I’d buy the leading contender for best ongoing series this year, Saga #10 (Image, $2.99). I loved the last issue focusing on the Will, but I’m excited at the prospect this one teases of Izabel returning – although in a red-tinged, seemingly evil demeanor. After that I’d get another creator-owned gem with Francesco Francavilla’s The Black Beetle #2 (Dark Horse, $3.99). I love the latitude Dark Horse is giving Francavilla in the design packaging here – that cover is something special — and luckily, the insides have the promise of being even better given what happened last issue. Third and last in my $15 haul this week would be Dark Horse Presents #21 (Dark Horse, $7.99). Criminally underrated and consciously mind-blowing, this issue promises three new serials debuting plus a collaboration between Neil Gaiman and Paul Chadwick about alien saucers. Why isn’t this a top-selling book?

If I had $30, I’d make it a Dark Horse trifecta with Conan the Barbarian #13 (Dark Horse, $3.50). How does Brian Wood do it, finding such great artists that no one else knows about like Mirko Colak? This time, Conan tries to conquer the desert. Then I’d do a Marvel trifecta: Avengers #6 (Marvel, $3.99), Nova #1 (Marvel, $3.99) and Thor: God of Thunder #5 (Marvel, $3.99). Avengers has seemingly the origin of my formerly most favorite D-list hero in the Marvel Universe, Captain Universe – until she upgraded to the A-list as an Avenger. Then Nova has a spirited, seemingly kid-friendly romp by Jeph Loeb and Ed McGuinness. Then Thor … Thor. This thoroughly dark and mythic story has made Jason Aaron’s beard even more ominous than before.

If I could splurge, I’d get Alter-Ego #115 (TwoMorrows, $8.95). Normally a magazine about comics, in this issue they collect some lost gems – namely the stereoscopic comics (3-D!) – of the 1950s. 3-D glasses included, this issue contains work by Joe Simon, Jack Kirby, Joe Kubert, Curt Swan (!!), George Tuska and more. Truly a highlight of the week.

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What Are You Reading? with Tim Lattie

from Phonogram: The Singles Club

Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.

To see what Tim and the Robot 6 crew have been reading, click below.

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Comics A.M. | Marvel’s Axel Alonso on rise of Latino superheroes

Miss America Chavez from "Young Avengers"

Publishing| Marvel Editor-in-Chief Axel Alonso talks about bringing more Latino characters — and more diversity in general — to the Marvel lineup: “People out there reading our comic books are of all sizes, creeds and colors and it’s our responsibility to make them feel included. This isn’t some PC initiative, this is capitalism. This is about supply and demand.” [Fox News Latino]

Passings | Webcomics and minicomics creator Luisa Felix (Candy Blondell) has died at the age of 60. [The Comics Reporter]

Creators | Grant Morrison discusses winding up his run on Action Comics: “Symbolically I’m not a big fan of dealing with politics in superhero comics because I think it diminishes both sides of the argument, but I do have my own take on things. I’ve got my own politics and so they do tend to find their way in. And really for me, its more symbolic, the way story winds up to tackle all those issues and looks at them through the perspective of Superman and Red Kryptonite and weirdness. So it’s gone underground. I think the early Superman was very much more aligned with the anti-establishment, anti-authoritarian current, because I think when Superman started out that he was what entered into.” [Comics Alliance]

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Food or Comics? | Cupcakes or Cave-In

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Invincible #100

Chris Arrant

If I had $15 this Wednesday, it’d be all Image for me – starting with Nowhere Men #3 (Image, $2.99). The Beatles as a scientific supergroup, through the lens of Dr. Strangelove? Let’s do this. I’ve been a big fan of Nate Bellegarde for a while, and this book finally seems to capture what’s unique about him – his comedy, his stark scientific acumen, and his humanism. After that I’d get Glory #32 (Image, $3.99). Beautiful cover by Ricken here, and reads like a great manga building up to some epic battle. After that I’d get Brian Wood and Ming Doyle’s Mara #2 (Image, $2.99). I tried to hold back my expectations before reading Issue 1, and I was blown away – so now Issue 2 has something to prove. Finally, I’d get Invincible #100 (Image, $3.99) (Cory Walker’s cover, if you want to know!). I’ve said it before, but I’ll say it again: I think Invincible is better than The Walking Dead. No need to compare the two really, though, because no matter how you cut it, this series is great … and what Kirkman and Ottley have planned for the 100th issue looks to be unique – both for the promised deaths and the promise of seeing what could have been had Mark Grayson chosen differently.

If I had $30, I’d make up for lost time and get Brian Ralph’s Cave-In (Drawn & Quarterly, $14.95) . I’m reticent to admit this, but I’ve never read this book. I loved Daybreak, but never found a copy or the motivation to seek out more … but this Wednesday that will change.

For splurging, I already have most of this in the single issues, but I can’t help but splurge on the new collection X-Men: Mutant Massacre (Marvel, $34.99). This was my first crossover in comics, buying back-issues before I discovered events like Crisis on Infinite Earths and Secret Wars. In my rose-colored glasses, it’s an ideal crossover for not being too overbearing and relating to a conflict or situation that isn’t superhero-specific. Love the Morlocks, love Uncanny X-Men and the associated books around this time, so I’m buying this and spending an evening enjoying it all over again.

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Grumpy Old Fan | Ten from 2012, ten for 2013

Insert Man of Steel movie joke here

If it’s the first Grumpy Old Fan of 2013, it must be time for “Ten From the Old Year, Ten For the New.” For those who came in late, every January I evaluate 10 predictions/observations from the previous year, and present 10 for the next. Accordingly, first we have commentary on 2012′s items.

1. The Dark Knight Rises. I had three rather superficial questions about the final Christopher Nolan Batman movie. First, “[c]an it make a skillion dollars?” Not quite — while it did make over a billion dollars worldwide, it didn’t make as much as its predecessor domestically, and it came in second to The Avengers. Next was “[w]ill it have Robin?” Well … [SPOILER ALERT] it depends on your definition of “Robin,” I suppose. And finally, referring to certain issues about Bane’s elocution, “[w]ill it have subtitles?” Nope — as it turns out, they weren’t needed. Instead, Bane’s accent was perfectly suited to breaking not just Batman, but Alex Trebek as well.

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