graphic novels Archives - Robot 6 @ Comic Book Resources
Taiyo Matsumoto and Emily Carroll are the recipients of the second annual Cartoonist Studio Prize, presented by The Slate Book Review and the Center for Cartoon Studies.
The two were selected by The Slate Book Review editor Dan Kois, the faculty and students of CCS and this year’s guest judge, Chris Butcher, manager of The Beguiling in Toronto and co-founder of the Toronto Comic Arts Festival. Each winner receives $1,000.
How do trolls find true love? How do you a draw a sexy female dwarf with a beard? Those are the kinds of questions artist and long-time fantasy fan Milos Slavkovic has found himself wondering over the past few months. Those idle thoughts have turned into plans for a full-blown graphic novel, and he’s reaching out from his Serbian home for help making it true.
Slavkovic has turned to Kickstarter to raise $10,000 to fund the publication of Enchanted Explorer, a graphic novel taking a sexy look at dating in a fantasy world. The cartoonist says Enchanted Explorer is “by no means an adult comic book,” but rather a satire of the fantasy genre and dating in general.
The South Carolina House Ways and Means committee voted 13-10 last week to cut the College of Charleston’s budget by $52,000, the amount the school spent last summer on The College Reads!, an annual campus-wide initiative designed to promote discussion of “challenging” books among faculty, staff and students. The choice of the gay-themed Fun Home drew fire in July from a conservative Christian group that labeled the graphic novel as “pornographic,” a charge that spilled over into last week’s House debate.
Fun Home details Bechdel’s childhood with her closeted gay father, his apparent suicide and her own coming out as a lesbian.
The Horror Writers Association has announced the final ballot for the 2013 Bram Stoker Awards, which recognize “superior achievement” in horror writing. The graphic novel nominees are:
- Fatale, Vol. 3: West of Hell, by Ed Brubaker, Sean Phillips, Dave Stewart and Bettie Breitweiser (Image Comics)
- Alabaster: Wolves, by Caitlin R. Kiernan, Steve Lieber and Rachelle Rosenberg (Dark Horse)
- Witch Doctor, Vol. 2: Mal Practice, by Brandon Seifert and Lukas Ketner (Image Comics)
- Sin Titulo, by Cameron Stewart (Dark Horse)
- Colder, by Paul Tobin and Juan Ferreyra (Dark Horse)
Voting is open for eligible HWA members through March 31. The winners will be presented May 10 during a ceremony held at the World Horror Convention in Portland, Oregon.
The graphic novel award was first presented in 2012, although there was a best illustrated narrative category from 1998 to 2004. Previous graphic novel winners are: Neonomicon, by Alan Moore and Jacen Burrows; and Witch Hunts: A Graphic History of the Burning Times, by Rocky Wood, Lisa Morton and Greg Chapman.
The finalists have been announced for the 34th annual L.A. Times Book Prizes, which for the fifth year include graphic novel/comic among the 10 categories. Those nominees are:
- David B., Incidents in the Night: Vol. 1 (Uncivilized Books)
- Ben Katchor, Hand-Drying in America: And Other Stories (Pantheon)
- Ulli Lust, Today is the Last Day of the Rest of Your Life (Fantagraphics)
- Anders Nilsen, The End (Fantagraphics)
- Joe Sacco, The Great War: July 1, 1916: The First Day of the Battle of the Somme (W. W. Norton & Co.)
The winners will be presented in an awards ceremony held April 11, on the eve of the L.A. Times Festival of Books.
The finalists, and the winners, are selected by panels of judges — nine panels with three judges each (the fiction panel also handles the first fiction category).
Caliber Comics, which in the 1990s published the debut works of such creators as Brian Michael Bendis, Ed Brubaker, Guy Davis and Michael Allred, is plotting its return within the next few months, with founder Gary Reed again at the helm.
Now a division of Caliber Entertainment, a company formed by Reed and Eagle One Media President Eric Reichert, the revived Caliber will focus primarily on graphic novels and collections of previously released material. Transfuzion Publishing, which Reed launched in 2007 with Rafael Neives, will become a graphic novel imprint of Caliber.
“As far as new monthly comics go, that is a massive undertaking that we’re not going to tackle immediately,” Reed said in a statement. “We will likely look to partner up with an established company on the comic ‘floppies’ because in today’s market, you can’t just make it unless you have enough awareness in the comics market.”
Creators | Frannie Jackson talks with a handful of prominent creator couples — Mike Allred and Laura Allred, Kelly Sue DeConnick and Matt Fraction, Colleen Coover and Paul Tobin — about sexism within the comics industry. “I’m occasionally invited to participate in panel discussions about ‘women in comics,’” Coover says. “I’m usually emotionally torn by those invitations, because, yeah, I want women in comics to thrive and be seen as thriving, but I’d much rather be part of a discussion about ‘awesome creators in comics’ that’s stacked with awesome women and men.” [Paste]
Retailing | Andrew Wyrich visits several comics shops in the North Jersey area and finds they rely on a friendly atmosphere and incentive programs to keep customers coming back. “People who buy comics tend to have a $40 weekly budget,” said Len Katz, co-owner of The Joker’s Child in Fair Lawn, New Jersey. “We hear of people who love comics, but eventually just hit a wall with expenses. The key for us is to get customers coming back. The reality is we are not a necessary item; we aren’t milk, bread or cheese.” [The Record]
The Will and Ann Eisner Family Foundation has announced the dates and schedule for the sixth Will Eisner Week, a series of events in more than a dozen cities designed to promote graphic novels, literacy, free speech and the legacy of the late cartoonist. The celebration is scheduled in the week surrounding Eisner’s birthday on March 6.
“This year, Will Eisner Week’s sixth, we are celebrating events in more places than ever,” organizing committee chair Danny Fingeroth said in a statement. “Some amazing people are planning some incredible events to spread the word about how significant graphic novels have become, and to celebrate Will Eisner’s astonishing body of work created over a career that spanned seven decades.”
Check out the schedule below.
Publishing | Variety speaks with Madrigall President Antoine Gallimard about how the French publishing giant and its holdings (Gallimard, Casterman, Flammarion and Futuropolis, among them) handle the film rights to their many graphic novels, and the popularity of comics as source material: “I think that the French publishing and film industries feed on, complement, and ultimately do help each other. The number of films adapted from books that are produced every year in France is eloquent testimony to this.” Noting that, “In recent years, there’s a real feeding-frenzy for graphic novels, comic books,” Gaillimard says, “Comedy, in all its variants, is the most popular of adapted materials.” [Variety]
Legal | An Algerian judge has made a preliminary recommendation of 18 months’ imprisonment for cartoonist Djamel Ghanem for drawing a cartoon, which was never published, that government officials deemed offensive. In an odd twist, Ghanem was sued by his own newspaper, La Voix de l’Oranie, which tends to favor the current administration, and as a result, he has been blackballed by the Algerian media. The cartoon is critical of President Abdelaziz Bouteflika’s bid for a fourth term but doesn’t even depict the president — it shows two people in conversation, comparing the fourth term to baby diapers — Ghanem said the point was that Algerians were treated like children. Pressed by the district attorney to admit the cartoon was insulting to the Bouteflika, Ghanem insisted that wasn’t his intention. [Global Voices Online]
While the creator has been focused on the Star Wars universe lately — and in fact has a new Star Wars-themed book featuring more adventures of Daddy Darth Vader and little Luke and Leia coming soon — Kids Are Weird returns Brown to his home planet and his observations about his own kid.
Kyle from Ontario, Canada has only been collecting comics for a couple of years, but you can already tell he’s been bitten by the bug. Today he shares his growing collection of graphic novels, video games and more.
“I started buying comics and graphic novels about two years ago and my collection (especially this past year) has just kept growing,” Kyle said. “I mainly stick to DC but have started to branch out recently.”
If you’d like to see your collection here on Robot 6, scroll down to the bottom of this post to find out how.
And now let’s hear from Kyle …
Publishing | DreamWorks Animation’s announcement on Monday that it is launching its own book-publishing unit doesn’t mean the end of the road for its comics licensees, at least not yet: ICv2 talked to representatives from IDW Publishing, which publishes the Rocky & Bullwinkle comics, and Ape Entertainment, which has had a number of DreamWorks licenses, and both say that this won’t affect their comics. [ICv2]
Auctions | A collection of comics that included the first issues of The Amazing Spider-Man and the British satirical comic Viz, as well as long runs of several Marvel series, brought in almost £25,000 (about $41,300 U.S.) at an auction in Newcastle, England. The majority of the comics were from a single collector whose wife decided to put them up for sale after he died. For those who are curious about the details, Duncan Leatherdale of The Northern Echo liveblogged the auction. [BBC News]
Comics sales | ICv2 crunches the January numbers and calculates that just one comic, Batman #27, sold more than 100,000 copies in January, something that hasn’t happened since August 2011; this follows a weak December in which only three comics broke the 100,000 mark. The retail news and analysis site also lists the top 300 comics and graphic novels for the month. [ICv2]
Creators | Batman writer Scott Snyder talks about his plans for Batman #28, writing the Riddler, working with artist Greg Capullo on the action sequences, and getting ready for Batman’s 75th anniversary. [Hero Complex]
Creators | Eugenia Williamson profiles Shelli Paroline and Braden Lamb, whose work as artists on the Adventure Time comics has brought them an unexpected measure of fame. [The Boston Globe]
The shortlists were selected by Slate Book Review editor Dan Kois; the faculty and students at the Center for Cartoon Studies, represented by CCS Fellow Nicole Georges; and this year’s guest judge, Christopher Butcher of the Toronto comic book store The Beguiling and co-founder of the Toronto Comic Arts Festival.
Best Graphic Novel of the Year Shortlist
- Boxers and Saints by Gene Luen Yang. Published by First Second.
- The Encyclopedia of Early Earth by Isabel Greenberg. Published by Little, Brown.
- The Initiates: A Comic Artist and a Wine Artisan Exchange Jobs, by Étienne Davodeau. Published by NBM.
- Julio’s Day by Gilbert Hernandez. Published by Fantagraphics.
- Map of Days, by Robert Hunter. Published by Nobrow Press.
- Paul Joins the Scouts, by Michel Rabagliati. Published by Conundrum Press.
- The Property by Rutu Modan. Published by Drawn and Quarterly.
- Sunny Vol. 1 and Sunny Vol. 2, by Taiyo Matsumoto. Published by VIZ Media.
- Susceptible by Geneviève Castrée. Published by Drawn and Quarterly.
- Today Is the Last Day of the Rest of Your Life by Ulli Lust. Published by Fantagraphics.
Koyama Press’ latest announcement arrived in my in-box while I was on my way home from Angoulême, so I’m just now getting around to it, but it’s impressive enough to merit a bit of belated blogging.
As Koyama Press is a small publisher, the list is short: six titles all together, four for adults and two for kids. But there’s some interesting range to it, and the books are packaged attractively and displayed in a way that makes you want to read each one for different reasons, which isn’t necessarily the case if you’re just looking at a stack of random art-comix. One thing I really enjoyed, as I was reading through their catalog descriptions, was their use of high-concept blurbs. “Richard Scarry and Rube Goldberg collide in John Martz’s whimsical comic book world.” Bring it on!
While children’s comics may seem like a stretch, it’s one of the fastest growing sectors of the comics market, and one can see a niche for books that appeal to children and adults on different levels (such as Luke Pearson’s Hilda books, published by Nobrow Press) and for children’s books that are far off the commercial beaten track. The challenge will be to get them in front of parents and children who aren’t regular readers of The Comics Journal. It will be interesting to see if librarians climb on board; that could be a game-changer.
Anyway, here’s the list: