graphic novels Archives | Robot 6 | The Comics Culture Blog

Comics A.M. | ‘Naruto,’ ‘One-Punch Man’ top book store sales

Naruto Seventh Hokage

Graphic Novels | The one-volume Naruto sequel, Naruto: The Seventh Hokage and the Scarlet Spring, and the first four volumes of One-Punch Man dominate the BookScan top 20 graphic novels list for January, taking five of the top six slots and making room only for Alison Bechdel’s Fun Home. BookScan tracks sales in bookstores, and the presence of not only Fun Home but Watchmen and American Born Chinese suggests that graphic novels are popping up on lots of required-reading lists for the spring semester. Three collected editions of Star Wars comics, the first four volumes of Tokyo Ghoul, and the fifth volume of Saga also made the list. [ICv2]

Passings | Linus Maurer, a professional cartoonist whose name Charles Schulz borrowed for his Peanuts character, has died at the age of 90. Maurer was a co-worker of Schulz’s at the Art Instruction Schools in Minneapolis when Schulz was developing the characters for Peanuts. “Linus came from a drawing that I made one day of a face almost like the one he now has,” Schulz later wrote. “I experimented with some wild hair, and showed the sketch to a friend of mine who sat near me at art instruction, whose name was Linus Maurer. It seemed appropriate that I should name the character Linus.” Maurer started his career as an illustrator and was an art director for the McCann Erickson ad agency before becoming a full-time cartoonist, working on a number of nationally syndicated comics including Old Harrigan, Abracadabra, and In the Beginning. In his later years he was a cartoonist for the Sonoma Index-Tribune. “I feel very honored that Schulz used my name in his strip,” Maurer said in an interview in 2000. “I can’t imagine what my life would have been like if the cartoon Linus had never existed. I think we have a lot in common. We’re both philosophical and level-headed.” Maurer didn’t carry a security blanket, but, he said, “I do keep a lot of sweaters and jackets in the trunk of my car.” [The Press Democrat]

Continue Reading »

Comics A.M. | Angouleme Grand Prix goes to Hermann

"Jeremiah" art by Hermann

“Jeremiah” art by Hermann

Awards | Jeremiah creator Hermann has been selected as the winner of the Angouleme International Comics Festival Grand Prix. The Belgian artist, who was a finalist last year, will serve as president of the 2017 festival. The prestigious award was mired in controversy this year when the longlist of nominees featured the names of 30 male creators but no women. Hermann is well known in the French-language comics world; some of his work has been published in English by Dark Horse. [Le Monde, YouTube]

Continue Reading »

Comics A.M. | Ben Hatke’s ‘Little Robot’ wins children’s literature award

little robot

Awards | The Center for Children’s Books at the University of Illinois has chosen Ben Hatke’s Little Robot as the winner of this year’s Gryphon Award for Children’s Literature. The award honors children’s books that bridge the gap between being read to and reading on one’s own. “Hatke’s graphic novel is both cleverly crafted and utterly irresistible,” said Assistant Professor Deborah Stevenson, the head of CCB and chair of the committee. “Our young heroine is an admirable adventurer and capable wielder of a tool belt, and the little robot she finds, repairs, and befriends is an endearing pet/sidekick. The balance between wordless sequences and simple speech-balloon dialogue (plus the robot’s sound effects) will reassure tentative readers and encourage them to decode narrative from both visual and textual clues.” [University of Illinois]

Continue Reading »

Comics A.M. | ‘Roller Girl’ named as Newbery Honor Book

Roller Girl

Roller Girl

Awards | Victoria Jamieson’s Roller Girl, a graphic novel about a middle-schooler who joins a roller derby team that changes her life, was one of three children’s books named Newbery Honor Books over the weekend by the American Library Association during its midwinter meeting. The John Newbery Medal is given each year to the “most distinguished” children’s book published the previous year, and the Newbery Honor Books are basically the runners-up. Three other graphic novels were Honor Books in different categories: Liz Suburbia’s Sacred Heart won an Alex Award, given to adult novels with teen appeal; Written and Drawn by Henrietta, by Liniers, was a Mildred Batchelder Honor Book, which recognizes books originally published in languages other than English; and Don Brown’s Drowned City: Hurricane Katrina and New Orleans was a Robert F. Sibert Honor Book, a category that recognizes excellence in nonfiction young adult books. [Publishers Weekly]

Continue Reading »

Comics A.M. | ‘Asterix’ still reigns supreme in France

Asterix and the Missing Scroll

Asterix and the Missing Scroll

Comics | Wim Lockefeer translates and digests the annual report of the ACBD, the French association of comics journalists, which reveals that Asterix continues to rule the roost: The latest album had a print run of 2.25 million, dwarfing the next largest, Titeuf, with 550,000. Overall, sales are up 3.5 percent, but some of the old standards — like Asterix — are down from their historical peaks. Oh, and relevant to the recent debate involving Angouleme: The report lists about 1,400 active comics creators in France and French-speaking Switzerland and Belgium, of whom only 173 are women. [Forbidden Planet]

Continue Reading »

Comics A.M. | The convention market ‘is starting to saturate’

New York Comic Con 2015

New York Comic Con 2015

Conventions | ReedPOP Senior Vice President Lance Fensterman looks back at New York Comic Con 2015, which drew 167,000 people over four days; the increase came from making Thursday a full day, he says. Fensterman also offers some thoughts on conventions in general, saying the market is starting to become saturated, but not in terms of fans, who will always go to a cool show: “I think the saturation is more so on the side of content, and by content, I mean exhibitors, brands, guests, studios,” he says. “They don’t need that many shows.” Dealers will always show up, but, Fensterman says, “Fans don’t want to pay a ticket price to come in to spend money. There needs to be content that is engaging, exciting and unique. And there’s a limited quantity on that.” [ICv2]

Continue Reading »

Comics A.M. | Comic Market draws 520,000 over three days

Comic Market 89 catalog

Comic Market 89 catalog

Conventions | The winter edition of Comic Market (aka Comiket), held Dec. 29-31 at the Tokyo Big Sight, drew 520,000 attendees across three days, down from 560,000 last year. (Note that figures are based on the number of visits to the convention site over the three days, rather than individual attendees.) The largest comic convention in the world, Comic Market is held each year in August and December. [Anime News Network]

Continue Reading »

Comics A.M. | ‘Charlie Hebdo’ to mark anniversary of attack with special issue

 

Publishing | French satirical magazine Charlie Hebdo will release a special double-size issue on Jan. 6 commemorating the one-year anniversary of the  jihadist attack on its Paris office by that left 12 people dead. One million copies will be produced of the issue, which will feature drawings by the cartoonists killed in the massacre, as well as illustrations by current staff members. A special “survivors issue” released after the attack sold 7.5 million copies worldwide. [The Guardian]

Continue Reading »

Comics A.M. | The state of the newspaper comics page

Evil Inc.

Evil Inc.

Comic strips | The end of Edge City has generated a conversation about newspaper comics in general. As co-creator Ray LaBan says, creating a comic strip was his childhood fantasy, and he got to do it, “But I got to do it when everybody stopped paying attention.” This article takes a broad view, looking at the fact that newspapers’ budgets for comics, like everything else, are shrinking, online portals are providing alternatives, and readers’ strong preferences for legacy strips like Beetle Bailey and Blondie, as well as safe topics, are limiting the opportunities for new strips. Universal UClick launches one new strip a year, according to president John Glynn. On the other hand, creator Brad Guigar is taking his comic Evil Inc. out of the Inquirer because he can do better with a more mature version, published online and supported through Patreon. With interviews with the syndicates, a newspaper features editor, and creators, this piece is a well rounded look at the current state of syndicated comics. [The Philadelphia Inquirer]

Continue Reading »

Comics A.M. | Charting the growth of the graphic novel market

"Drama," by Raina Telgemeier

“Drama,” by Raina Telgemeier

Publishing | Calvin Reid and Heidi MacDonald assemble a roundtable of comics insiders to for a detailed discussion of how the graphic novel market has evolved over the past 10 years, how their own business models have evolved, and what challenges they expect the future to bring. “Graphic novels are now firmly established in the book market worldwide in every genre: superhero, creator-owned, kids, middle-grade, young adult, webcomic, media tie-ins … etc,” says Kuo-Yu Liang, vice president of sales & marketing for Diamond Book Distributors. “While the overall book business is flat, most retailers are reporting comics/graphic novels and related merchandise as one of the few segments growing.” [Publishers Weekly]

Continue Reading »

‘Saga,’ ‘Ms. Marvel’ and ‘Nimona’ among Angouleme finalists

Ms. Marvel, Vol. 1

Ms. Marvel, Vol. 1

The 43rd Angouleme International Comics Festival takes place next month, and the organizers have released their list of nominated works in four categories: the Sélection Officielle (the general category), Sélection Jeunesse (young people), Sélection Patrimoine (classics and reprints) and Sélection Polar (mysteries and thrillers).

These graphic novels are eligible for the juried prizes at the festival, and they also make a pretty good reading list that spans the range of graphic novels being made today in Europe, North America, and Japan. As is usually the case, many have been published in English, so I’ll include the English titles, where they are different from the French titles, in parentheses.

Continue Reading »

Comics A.M. | Visiting Koch Comics, Brooklyn’s ‘Warehouse of Wonders’

koch comics

Retailing | The New York Times pays a visit to a comics store that’s unusually hard to find: Joseph Koch’s Comic Book Warehouse, which is tucked away in an industrial area in Sunset Park, Brooklyn. There’s no sign on the door to the second-floor shop, but at the moment Koch is doing the majority of business online, selling comics in bulk to overseas retailers: “If you go to a comic book store in Iceland,” he said, “they’ll probably know who I am.” In New York, not so much, but he has plans to make the store more amenable to walk-in customers. [The New York Times]

Continue Reading »

Comics A.M. | ‘Attack on Titan’ Vol. 18 tops Japan’s weekly chart

Attack on Titan, Vol. 18

Attack on Titan, Vol. 18

Publishing | The 18th volume of Hajime Isayama’s Attack on Titan sold 969,743 copies in its first week of release in Japan, claiming the top spot on the weekly manga sales chart. According to market research firm Oricon, thats an increase of nearly 200,000 copies from the debut of Vol. 17 in August. Attack on Titan has sold about 8.8 million copies this year, a drop of almost 50 percent from 2013. [Crunchyroll]

Passings | Cartoonist and editor Jacques Hurtubise, who went by the pen name Zyx, has died at age 65. Hurtubise attended college in Montreal during a time of separatist turmoil, and in 1971 recceived a government grant to publish L’Hydrocéphale illustré, an anthology of work by emerging Quebecois cartoonists. The magazine folded a year later, but Hurtubise continued to be an active promoter of local comics in various forms, and in 1979, he teamed up with two other editors to start the children’s humor magazine Croc, which carried a large selection of comics. The magazine, which ran until 1995, provided paying work to many eminent Canadian cartoonists in their early years. After Croc folded, Hurtubise left the comics industry for a career in technology, but he was inducted in 2007 into the Shuster Awards Hall of Fame. [Sequential]

Continue Reading »

Comics A.M. | ‘Edge City’ comic strip to end after 15 years

edge-city-r6

Comics strips | Terry LaBan and Patty LaBan are bringing their syndicated comic strip Edge City to an end after 15 years. In his farewell message, Terry LaBan cites not only exhaustion but also a sense that the funny pages aren’t what they used to be: “It’s rare to meet anyone who reads a newspaper anymore, at least anyone under the age of 50. Comic strips, which once occupied a place at the center of pop culture, have fallen completely off most people’s radar. As much as we love it, it’s depressing to work in a form that seems to have lost its relevance and is, for the most part, ignored.” [The Daily Cartoonist]

Continue Reading »

Comics A.M. | New Kickstarter study reveals failure rates

Kickstarter

Kickstarter

Crowdfunding | A new report released by Kickstarter shows that about 9 percent of the projects on the crowdfunding platform failed to deliver the promised rewards. While that is fairly consistent across all categories, comics do appear to do a bit better than most. Another interesting tidbit: Projects that raise less than $1,000 are the most likely to fail. [Kickstarter]

Creators | Writer Kyle Higgins talks about his new Power Rangers comic, Green Ranger: Year One, which focuses on the Ranger who was originally a villain before reforming and joining the team: “Basically, in going the modernization route I decided that I didn’t really want to jump in and tell new origins of the Power Rangers or anything like that. So looking at the introduction of the Green Ranger to the team, of him joining the team, was the window that I took for the story in order to get us into the world.” [Hero Complex]

Continue Reading »


Browse the Robot 6 Archives