Ayer Reveals Jared Leto's Tattooed "Suicide Squad" Joker
Graphic novels | ICv2 has the January graphic novel chart from Nielsen BookScan, which tracks sales in book channels. Roz Chast’s Can’t We Talk About Something More Pleasant? tops the list, with the fourth volume of Saga coming in second, and the 22nd volume of The Walking Dead in third. The list is a bit different from previous months because the chart began including nonfiction graphic novels just last month, and going forward ICv2 will break the titles into three categories: superhero/genre, manga and “author” graphic novels. The retailer-oriented website throws in some interesting bits of analysis, including the fact that six of the Top 20 titles — including books No. 1 and 2 — had female creators or co-creators. [ICv2]
Awards | Longtime MAD Magazine cartoonist Mort Drucker has been named as the first recipient of the National Cartoonists Society’s Medal of Honor. [Comic Riffs]
Publishing | Portland, Oregon, will be the home base for Heavy Metal’s new line of comics, which was announced in October, following the company’s sale to David Boxenbaum and Jeff Krelitz. “I think it’s being closer to the talent,” Krelitz said. “If you wanted to be a painter in the early 20th century, you went to Paris. The comics line launches in March with the second season of Michael Moreci and Steve Seely’s Hoax Hunters. The company plans to be publishing eight original series by the end of this year and another 12 next year, building up to 50 in five years. “We’re positioning to be a premier publisher,” Krelitz said. [The Oregonian]
Passings | Editorial cartoonist R.K. Laxman, who maintained a running commentary on Indian politics for almost 60 years, has died at age 93. The younger brother of novelist R. K. Narayan, Laxman got his start illustrating his brother’s work as well as doing drawings for local newspapers. He became an editorial cartoonist for the Times of India around 1947, about the time India became an independent country, and stayed there until 2010. Laxman’s most famous creation was the Common Man, a character that stood in for the average Indian. As the official obituary in the Times of India said, “His Common Man, created in 1957, was the symbol of India’s ordinary people, their trials and tribulations, their little joys and sorrows, and the mess they found themselves in thanks to the political class and bureaucracy. But despite the sobering reality of this, there was never any rancour in Laxman’s cartoons. His humour was always delightful, and no one could hold a candle to his brushstrokes.” [Times of India]
Crime | Two cosplayers on their way to G-Anime were arrested Friday in Gatineau, Quebec, and their fake weapons were confiscated. The two men, who were wearing camouflage and carrying what appeared to be guns, were spotted in a parking lot near a number of government buildings (the Canadian Parliament was attacked by a lone gunman in October). Someone called the police, and they dispatched about a dozen officers who cordoned off the area and searched for the men. The cosplayers, who were both 18, were taken into custody and fined $270 for violating a municipal bylaw that prohibits carrying certain weapons in public or in a vehicle, although the law seems to be aimed at knives, bows and arrows, and swords, not guns. Their car was impounded, and their weapons are being held as evidence. G-Anime organizers posted a notice Friday asking attendees wearing camouflage or carrying replica weapons to wait until they arrive a the convention to change into costumes. [Ottawa Sun]
Legal | A 16-year-old in Nantes, France, was arrested last week for posting a cartoon on Facebook that mocks the Charlie Hebdo killings; the charge is “advocating terrorism.” The cartoon shows someone holding a copy of Charlie Hebdo and being struck by bullets. Electronic Intifada posts what is most likely the offending cartoon (it had been shared widely on social media), a takeoff on one of the more notorious Charlie Hebdo covers, accompanied by the text, “Charlie Hebdo is shit. It doesn’t stop bullets.” The original cover featured a cartoon of an Egyptian protestor holding the Koran, with text that read, “The Quran is shit, it doesn’t stop bullets.” [France 3]
Publishing | Sales were down in 2014 for Diamond Book Distributors, even though the industry overall had an up year. The reason: DBD lost a key client, Dark Horse, to Random House. Nonetheless, Vice President Kuo-Yu Liang sees good things in store for 2015, including strong sales of indie graphic novels, expanding international sales, and the much-anticipated March: Book Two, which was released this week. [Publishers Weekly]
Conventions | With the long-planned expansion of the San Diego Convention Center stalled indefinitely, the Los Angeles Times offers an overview of efforts to keep Comic-Con International in the city past 2016, and what suitors like Los Angeles and Anaheim, California, have to offer. “The proposals we’ve received are pretty amazing,” says Comic-Con spokesman David Glanzer. “It’s not an easy decision.” However, the San Diego Tourism Authority remains confident that convention organizers will sign a deal — possibly with a month — to remain in the city through 2018, based on an agreement for nearby hotels to offer their meeting space for Comic-Con programming. (The Tourism Authority has already asked hotels in the Comic-Con room block to freeze their rates at 2015 levels for the next two years.) [Los Angeles Times]
Tentative categories — they may be altered at the discretion of the judges — are: best short story, best single issue, best continuing series, best limited series, best new series, best publications for kids and teens, best humor publication, best anthology, best digital comic, best graphic album–new material, best graphic album–reprint, best reality-based work, best adaptation from another medium, best archival collection, best U.S. edition of foreign material, best writer, best writer/artist, best penciler/inker (individual or team), best painter (interior art), best lettering, best coloring, best comics-related book, best scholarly/academic work, best comics journalism periodical or website, and best publication design.
Publishers who wish to submit entries must send one copy each of the comics or graphic novels, along with a cover letter that includes what’s being nominated, and in what categories, and the names of the creators. Creators may submit works for consideration if their publisher is no longer in business or is unlikely to submit nominations itself.
Entries should be mailed to: Jackie Estrada, Eisner Awards Administrator, Comic-Con International, P.O. Box 128458, San Diego, CA 92112. Submissions for the best digital comic category can be emailed to Estrada. The full list of nominees will be announced in April.
Additional details can be found on the Eisner Awards website.
It’s deja vu all over again for the Diamond Gem Awards: Voted on by comics retailers, the winners this year look a lot like the 2013 lineup, with Image Comics and BOOM! Studios once again taking honors as top publishers in their divisions. Marvel was named top dollar publisher, DC Comics as top backlist publisher and Viz Media as top manga publisher — just like in 2012 and 2013.
The first issue of the widely acclaimed Ms. Marvel was honored as comic book of the year in the under $3 division, and Thor #1 was the choice among pricier comics. The Amazing Spider-Man #1 brought in the most dollars, however. My Little Pony: Friendship Is Magic was named the best all-ages comic of the year, Batman: Earth One took the honors as best original graphic novel, and Box Brown’s Andre the Giant was the best indie comic.
In terms of who got what, DC Comics won seven awards, Marvel won six and Dark Horse won three, including best anthology for Dark Horse Presents, another three-peat.
Here’s the full list of winners:
Crime | Police have surrounded an industrial park in the town of Dammartin-en-Goele, France, 25 miles north of Paris, where the two suspects in Wednesday’s massacre at the offices of satire magazine Charlie Hebdo are believed to be hiding. Police say brothers Cherif and Said Kouachi have taken over a print shop and are holding a hostage, and have reportedly told negotiators they wish to die as martyrs. The Associated Press reports that a second, apparently linked siege at a kosher supermarket in eastern Paris is believed to involve Amedy Coulibaly, suspected of killing a police officer on Thursday. Police say he’s holding at least six hostages. [The Guardian]
The finalists have been announced for the 2014 Children and Young Adult Bloggers’ Literary Awards, better known as the Cybils.
Established to recognize children’s and young-adult authors and illustrators, the Cybils are selected through a process that involves public nominations, publisher submissions and then, finally, a judging committee. The winners will be announced Feb. 14.
Here are the finalists in the graphic novel divisions:
Analysis | Rob Salkowitz kicks off the new year with big-picture questions about “geek culture”: With the popularity of comics-based movies, will continuity and nostalgia become less important? And will comics themselves become less important? “Putting out comics is a relatively costly and troublesome process with limited revenue potential relative to other ways of exploiting the intellectual property. A fan base that buys licensed merchandise and watches entertainment programming without needing a monthly fix of new art and story is probably considered a feature of the new comics economy, not a bug.” [ICv2]
Creators | Chew artist Rob Guillory, who will appear this weekend at Wizard World New Orleans, talks about the strange comics that he read as a kid (The Adventures of Kool-Aid Man) and the unexpected success of Chew, which will end next year with its 60th issue: “In the beginning, John and I were kind of like, ‘Well, best-case scenario, we can go 60 issues. Worst-case scenario, we can do five and go our separate ways and never speak again.’ I don’t know if we’ve seen the peak of our reception. I don’t think we’ll see how popular we’ve been until it’s over. When it’s wrapped and it’s the complete thing, I think people will start missing us.” [Best of New Orleans]
Conventions | Vendors who paid the $60 deposit to exhibit at Cherry City Comic Con are clamoring for a refund after word circulated that the Salem, Oregon, convention won’t happen this spring as planned. (There appears to have been some discussion about the con being canceled on Facebook, but the convention’s Facebook page now states, “A marketing solutions company is helping us start the new year right and get us back on track to make this a successful show everyone can love.” No other posts appear on the page.) This isn’t the first round of controversy for the con: Last May, organizer Mike Martin called an exhibitor “batshit insane” on Facebook when she asked for a refund and expressed concern that the con would not be a “safe place for female cosplayers.” Martin is also the organizer of a craft fair that was canceled; some exhibitors for that event were denied refunds because of “a locked PayPal account.” [KOIN]
As ROBOT 6’s sixth-anniversary celebration winds down, our contributors look back at some of their favorite comics of 2014, from Ms. Marvel and The Multiversity to Sex Criminals and How to Be Happy.
Let us know what some of your favorites of 2014 were in the comments section.
Jason Little launched his ambitious webcomic Borb earlier this year, telling the story of a homeless man through a series of four-panel comic strips — an homage to Great Depression-era newspaper strips like Little Orphan Annie and Gasoline Alley. In April, Uncivilized Books will release a 96-page collection of the strips.
Courtesy of Uncivilized Books, ROBOT 6 is pleased to present a preview of Borb. Check out the preview and some additional information from the publisher below.
When art school students graduate, they understandably don’t always hit the ground running, creatively. However, in his debut graphic novel from Nobrow, Art Schooled, London-based illustrator (and recent graduate) Jamie Coe found great storytelling fodder with a series of vignettes about a small-town guy who moves to the city in hopes of becoming an artist.
Speaking with ROBOT 6, Coe recalls finding his narrative voice while discovering those of his characters, and why it was critical that this journey from kid to adult be told in full color. Be sure to check out the preview at the end of the interview.
Later this year, Koyama Press will publish Confetti, a collection of the comics, paintings, sculptures and more from Toronto-based artist Ginette Lapalme. According to the publisher, “Lapalme uses cartoons and junk culture as raw material to make ‘cute’ subversive and ‘pretty’ punk.”
Check out the preview below, and look for the collection in May. Our thanks to Koyama for all the previews it provided for our anniversary celebration.