X-POSITION: Phoenix, Upstarts & More Tear Up Bowers & Sims' "X-Men '92"
Manga | Kodansha Comics is teasing the “Biggest ‘Attack on Titan’ Manga Announcement Ever” for its Oct. 8 panel at New York Comic Con. Considering the worldwide popularity, and sales, of Hajime Isayama’s post-apocalyptic fantasy, that’s certainly a bold claim. The series has more than 50 million copies in circulation around the world; 2.5 million of those are in the United States. Kodansha also publishes the manga spinoffs Attack on Titan: Before the Fall and Attack on Titan: Junior High. [Anime News Network, Deb Aoki]
Manga | Attack on Titan has changed the manga market, Kodansha Comics’ top brass tell Deb Aoki, showing that manga can still sell in the millions even after the market slumped, and give publishers a new multimedia model, with spinoff manga and light novels, to build on its success. Hiroaki Morita, editor-in-chief of Shonen Magazine when Attack on Titan debuted, also talks about his early impressions and how he knew the manga would be a hit. Alvin Lu of Kodansha Advance Media also discusses plans for the company’s new digital division, which is publishing digital editions of Kodansha Comics’ current manga but will expand to do digital-first books as well. [Anime News Network]
Graphic novels | BookScan’s list of the Top 20 graphic novels sold in bookstores in August is an eclectic mix of old and new, superheroes and other genres. The top seller, for the second month in a row, is the deluxe edition of Batman: The Killing Joke, with hardy perennials Fun Home, American Born Chinese and Watchmen all making the charts, probably because of school assignments. Manga does well, with the two most recent volumes of Naruto, two volumes of Attack on Titan, the first two volumes of Tokyo Ghoul and the seventh volume of Monster Musume all making the cut. Phoebe Gloeckner’s The Diary of a Teenage Girl also charted, as did the first volume of Saga and the 22nd volume of Fables. [ICv2]
Passings| Underground artist Stephen “The Pizz” Pizzuro has died at age 57. Pizzuro, who described his work as “Lowbrow,” started his professional career as an artist for Rat Fink Comics before moving on to do album covers and, later, gallery art. [Hi Fructose]
Happy Saturday and welcome to Shelf Porn! Today’s shelves are a return engagement by David in Florida, who first shared bis collection back in August 2011. Four years later, things have changed — which he explains below.
If you’d like to see your collection featured here, you can find all the details you need at the bottom of this post.
And now here’s David …
Conventions | After a profitable 2014, Wizard World Inc. is reporting a $1.8 million loss in the second quarter of 2015 (in contrast to a $760,000 profit during the same period last year), owing much to the rapid increase in the number of conventions it’s producing. However, as ICv2.com notes, the company is also seeing a drop in revenue per show. Wizard World also reports that its inaugural convention in China, held May 30-June 1, “was not as successful as we anticipated.” [ICv2]
Graphic novels | A number of incoming freshmen at Duke University have refused to read Alison Bechdel’s Fun Home, chosen as the summer reading selection for the class of 2019. Brian Grasso started the conversation by posting on the class Facebook page that he wouldn’t read the graphic novel because of its depictions of sexuality, saying, “I feel as if I would have to compromise my personal Christian moral beliefs to read it.” That opened up a discussion in which some students defended the book and said that reading it would broaden their horizons, while others shied away from the visual depictions of sexual acts. And Grasso felt that the choice was insensitive, commenting: “Duke did not seem to have people like me in mind. It was like Duke didn’t know we existed, which surprises me.” [Duke Chronicle]
Comics | How do you say “Bam! Pow!” in Russian? A group of Russian translators is calling for comics translators to use words derived from the official languages of the Russian Federation rather than simply rendering the existing sound effects in the Russian alphabet. “In comic books you can often encounter words imitating sounds,” the translators said in a letter to the Vinogradov Russian Language Institute of the Russian Academy of Sciences. “How can one express the sound of a phone ringing, of a creaky door, or a soda can being popped open, or the crinkle of an ice cream wrapper, or the sound of a motorcyclist’s foot rubbing against the ground? Often translators simply transliterate the English words.” Instead, they recommend using indigenous substitutes such as “chorkh” (scratching) and “khurt-khurt” (swallowing), both derived from Lezgian, a language spoken in Dagestan and Azerbaijan. [The Moscow Times, The Calvert Journal]
Graphic novels | BookScan’s Top 20 graphic novels sold in bookstores in July has a decidedly different makeup than usual, with the 1988 one-shot Batman: The Killing Joke topping the list, and seven other DC Comics titles making the cut as well (however, just one of those, Batgirl, Vol. 1, is a new release). Other entries include hardy perennials American Born Chinese and Fun Home make the chart, perhaps as summer reading, and as always, the first volume of Attack on Titan. [ICv2]
Conventions | Denver, already home to one of the larger comics and pop culture conventions, is getting its own independent comics festival, the Denver Independent Comic and Art Expo (DINK), which will launch in March. The show will be held in the Sherman Street Event Center, which organizer Charlie LaGreca describes as “like something out of a Wes Anderson movie,” and is looking for sponsors with ties to the community. “The pop-culture, big-box cons are amazing and incredible, and we have them in spades now. They provide such a huge array [of options],” said LaGreca, a Denver Comic Con co-founder who exited the organization last year in a highly publicized dispute. “What’s cool about this is we can bring the focus back to just art and comics and the cross-pollination of what it means for art. It’s really embracing all comics genres, not [just] focused on sci-fi and superheroes and stuff like that.” [Westword]
Hello and welcome to Shelf Porn, the feature that takes you into the home of a fan without getting arrested. Today’s collection comes from David in San Antonio, who shares a space-faring collection that features Star Wars, Star Trek, Silver Surfer and more.
If you’d like to see your collection here, you can find instructions on how to submit it at the end of this post.
And now here’s David …
Magnetic Press got off to a good start last year, with two Eisner Award nominations (Best Publication for Teens for Tony Sandoval’s Doomboy and Best Graphic Album—Reprint for Dave Dorman’s Wasted Lands), and it looks like the publisher is doing its best best to avoid sophomore slump with the newly announced second-year lineup.
The new books are very much of a piece with the first season’s offerings: Full-color graphic novels that combine action and bold, confident art, much of it from European creators. The recent announcement of a partnership with Darby Pop should shake things up a little.
Here’s a look at what’s on deck for next year:
Manga | More than 2.5 million copies of the English-language editions of Attack on Titan in print, Kodansha USA announced earlier this month at Anime Expo. Although that may seem like a lot, there are more than 44 million copies of the same 15 volumes of Hajime Isayama’s post-apocalyptic manga in print in Japan. The Asahi Shimbun estimates the U.S. comics market as one-fifth the size of the Japanese market. [The Asahi Shimbun]
Passings | Bill Garner, the editorial cartoonist for The Washington Times from 1983 to 2009, has died at age 79. Garner was born in Texas and attended the Texas School of Fine Arts, then went to the University of Texas at Austin for one year. He served in the Army from 1956 to 1962, then went to work as an illustrator for The Washington Star. His editor there suggested he try his hand at cartooning, and it took. He moved on to become the editorial cartoonist for the Memphis Commercial Appeal, where in 1981 he won a National Headliner Award. His best-known cartoon is one he drew for the Times shortly after the overthrow of Saddam Hussein, showing a tank with the bumper sticker “Saddam Happens” driving over a sand dune. [The Washington Times]
Happy Saturday and welcome to Shelf Porn, where one fan invites us over to check out at their stuff. Today Rob shows us his office, where he keeps his action figures, statues, comics and more.
If you’d like to see your collection right here on ROBOT 6, you can find instructions at the end of this post.
And now here’s Rob!
Passings | Archie Comics artist Tom Moore died yesterday at the age of 86. Moore got his start as an artist in the Navy, where he served during the Korean War: His captain found a caricature that Moore had drawn, and instead of calling him on the carpet, he assigned him to be staff cartoonist. Moore’s comic strip, Chick Call, ran in military publications, and after the war he studied cartooning in New York, with help from the GI Bill. Moore signed on with Archie Comics, drawing one comic book a month, from 1953 until 1961, when he left cartooning for public relations. “It’s important to create characters that can adapt to anything, but whose personalities are consistent,” Moore said in a 2008 interview. “Establish that, and don’t deviate. Betty doesn’t act like Veronica, and Charlie Brown doesn’t act like Lucy.” He returned to cartooning in 1970, drawing Snuffy Smith, Underdog, and Mighty Mouse, and then went back to Archie to help reboot Jughead, staying on until his retirement in the late 1980s. After retiring, Moore taught at El Paso Community College and was a regular customer at All Star Comics. [El Paso Times]
Publishing | DC co-publishers Jim Lee and Dan DiDio talk about the comics market as a whole, variant covers, and their move to Burbank, among many other topics, in a three-part interview. [ICv2]
Commentary | Christopher Butcher discusses the way the comics audience has diversified, and the way that parts of the industry (the parts that aren’t involved, basically) have refused to acknowledge the enormous popularity of newer categories of comics by “othering” them: “‘Manga aren’t comics,’ went the discussion. They were, and are in many ways, treated as something else. The success that they had, the massive success that they continue to have, doesn’t ‘count’. All those sales and new readers were just ‘a fad’, and not worthy of interest, respect, or comparison to real comics. It was the one thing that superhero-buying-snobs and art-comics-touting-snobs could agree on (with the exception of Dirk Deppey at TCJ, bless him): This shit just isn’t comics, real comics, therefore we don’t have to engage it.” Butcher sees these attitudes changing at last, though, thanks to the massive commercial and critical success of books like Raina Telgemeier’s Smile (three years on the New York Times graphic novel best-seller list!) and Mariko and Jillian Tamaki’s This One Summer. [Comics212]
Passings | Anastasia Moreno, co-creator of the webcomic Marine Corps Yumi and a manga translator for Seven Seas, has died. Moreno was the translator of Kisses Sighs and Cherry Blossom Pink, Girl Friends, and Strawberry Panic, as well as the Love Hina and Trinity Blood novels. [Crunchyroll]
Comics | Political cartoonist Matt Bors has left his post as editor of The Nib, the comics section of the website The Medium, which he had built into a highly regarded online comics site until Medium gutted it. Bors told Tom Spurgeon he would be launching a Kickstarter for a Nib book, but he did not reveal any future plans. [Comics Reporter]
Editorial Cartoons | Political cartoonist Adrian Raeside is being laid off from the Victoria Times Colonist after 30 years. [Vancouver Sun]
Comics | I rounded up the kids’ comics news at Comic-Con. [Publishers Weekly]
Creators | “I kind of understood inherently — and I wasn’t really conflicted about this — that comics were not for me or by people who looked like me,” says Noelle Stevenson. Discovering the “free for all” of webcomics, and seeing women making stories for women, changed her attitude, and at 23 she already has a solid career, as the creator of Nimona (which started as a webcomic) and one of the co-creators of Lumberjanes. [Hero Complex]
Creators | Kate Beaton talks about her new picture book, The Princess and the Pony, and the power and joy of making kids laugh with poop and fart jokes. [Jezebel]
Creators | Pearls Before Swine creator Stephan Pastis talks about comics and being mistaken for Robert Downey, Jr. [Huffington Post]
Graphic Novels | Leah Hayes talks about her graphic novel Not Funny Ha-Ha, which follows the experiences of two women as they have abortions; the book focuses on the procedure itself, not the decision to have an abortion or the discussion that surrounds it. [MTV]
Graphic Novels | Phil Morehart covers three creator panels on diversity in graphic novels at the American Library Association annual meeting. Trina Robbins, Brenden Fletcher, Noelle Stevenson, and Jeremy Whitley were among the participants. [American Libraries]
Manga | Deb Aoki rounds up the recommendations from the Best and Worst Manga panel at Comic-Con (in which I took part). [MangaComicsManga]
Happy Saturday and welcome to Shelf Porn! Today’s collection comes from Stephan in the Netherlands, who shares his Bat-themed shelves with us.
If you’d like to see your collection right here on ROBOT 6, you can find instructions at the end of this post.
And now here is Stephan …
At Scholastic’s party Thursday night at Comic-Con International, the pubblisher announced the latest addition to its Graphix line of middle-grade graphic novels: Dream Jumper: Nightmare Escape, by actor Greg Grunberg (Heroes, the upcoming Star Wars: The Force Awakens). It will be illustrated by Lucas Turnbloom, creator of the comic strip Imagine This and a contributor to both the Axe Cop graphic novels and the Team Cul de Sac anthology.
The book will feature a foreword by Grunberg’s longtime friend, director J.J. Abrams.
Dream Jumper is a story about a boy who jumps into the nightmares of his friends in order to rescue them from a monster who tries to keep them from waking up. “Lucas and I met at San Diego Comic-Con. We hit it off immediately and knew we wanted to create something together,” Grunberg said in a statement. “When my 12-year-old son Ben described a dream he had about a boy who could jump in and out of his friends’ nightmares to help them fight off bad guys and monsters, it sounded like a really relatable and exciting world to build a graphic novel and I immediately thought of Lucas,” Grunberg said.
Dream Jumper will be released in June 2016.