O Say Can You See: The Greatest Patriotic Super Heroes of All-Time
Legal | A 16-year-old in Nantes, France, was arrested last week for posting a cartoon on Facebook that mocks the Charlie Hebdo killings; the charge is “advocating terrorism.” The cartoon shows someone holding a copy of Charlie Hebdo and being struck by bullets. Electronic Intifada posts what is most likely the offending cartoon (it had been shared widely on social media), a takeoff on one of the more notorious Charlie Hebdo covers, accompanied by the text, “Charlie Hebdo is shit. It doesn’t stop bullets.” The original cover featured a cartoon of an Egyptian protestor holding the Koran, with text that read, “The Quran is shit, it doesn’t stop bullets.” [France 3]
Publishing | Sales were down in 2014 for Diamond Book Distributors, even though the industry overall had an up year. The reason: DBD lost a key client, Dark Horse, to Random House. Nonetheless, Vice President Kuo-Yu Liang sees good things in store for 2015, including strong sales of indie graphic novels, expanding international sales, and the much-anticipated March: Book Two, which was released this week. [Publishers Weekly]
Conventions | With the long-planned expansion of the San Diego Convention Center stalled indefinitely, the Los Angeles Times offers an overview of efforts to keep Comic-Con International in the city past 2016, and what suitors like Los Angeles and Anaheim, California, have to offer. “The proposals we’ve received are pretty amazing,” says Comic-Con spokesman David Glanzer. “It’s not an easy decision.” However, the San Diego Tourism Authority remains confident that convention organizers will sign a deal — possibly with a month — to remain in the city through 2018, based on an agreement for nearby hotels to offer their meeting space for Comic-Con programming. (The Tourism Authority has already asked hotels in the Comic-Con room block to freeze their rates at 2015 levels for the next two years.) [Los Angeles Times]
Tentative categories — they may be altered at the discretion of the judges — are: best short story, best single issue, best continuing series, best limited series, best new series, best publications for kids and teens, best humor publication, best anthology, best digital comic, best graphic album–new material, best graphic album–reprint, best reality-based work, best adaptation from another medium, best archival collection, best U.S. edition of foreign material, best writer, best writer/artist, best penciler/inker (individual or team), best painter (interior art), best lettering, best coloring, best comics-related book, best scholarly/academic work, best comics journalism periodical or website, and best publication design.
Publishers who wish to submit entries must send one copy each of the comics or graphic novels, along with a cover letter that includes what’s being nominated, and in what categories, and the names of the creators. Creators may submit works for consideration if their publisher is no longer in business or is unlikely to submit nominations itself.
Entries should be mailed to: Jackie Estrada, Eisner Awards Administrator, Comic-Con International, P.O. Box 128458, San Diego, CA 92112. Submissions for the best digital comic category can be emailed to Estrada. The full list of nominees will be announced in April.
Additional details can be found on the Eisner Awards website.
It’s deja vu all over again for the Diamond Gem Awards: Voted on by comics retailers, the winners this year look a lot like the 2013 lineup, with Image Comics and BOOM! Studios once again taking honors as top publishers in their divisions. Marvel was named top dollar publisher, DC Comics as top backlist publisher and Viz Media as top manga publisher — just like in 2012 and 2013.
The first issue of the widely acclaimed Ms. Marvel was honored as comic book of the year in the under $3 division, and Thor #1 was the choice among pricier comics. The Amazing Spider-Man #1 brought in the most dollars, however. My Little Pony: Friendship Is Magic was named the best all-ages comic of the year, Batman: Earth One took the honors as best original graphic novel, and Box Brown’s Andre the Giant was the best indie comic.
In terms of who got what, DC Comics won seven awards, Marvel won six and Dark Horse won three, including best anthology for Dark Horse Presents, another three-peat.
Here’s the full list of winners:
Crime | Police have surrounded an industrial park in the town of Dammartin-en-Goele, France, 25 miles north of Paris, where the two suspects in Wednesday’s massacre at the offices of satire magazine Charlie Hebdo are believed to be hiding. Police say brothers Cherif and Said Kouachi have taken over a print shop and are holding a hostage, and have reportedly told negotiators they wish to die as martyrs. The Associated Press reports that a second, apparently linked siege at a kosher supermarket in eastern Paris is believed to involve Amedy Coulibaly, suspected of killing a police officer on Thursday. Police say he’s holding at least six hostages. [The Guardian]
The finalists have been announced for the 2014 Children and Young Adult Bloggers’ Literary Awards, better known as the Cybils.
Established to recognize children’s and young-adult authors and illustrators, the Cybils are selected through a process that involves public nominations, publisher submissions and then, finally, a judging committee. The winners will be announced Feb. 14.
Here are the finalists in the graphic novel divisions:
Analysis | Rob Salkowitz kicks off the new year with big-picture questions about “geek culture”: With the popularity of comics-based movies, will continuity and nostalgia become less important? And will comics themselves become less important? “Putting out comics is a relatively costly and troublesome process with limited revenue potential relative to other ways of exploiting the intellectual property. A fan base that buys licensed merchandise and watches entertainment programming without needing a monthly fix of new art and story is probably considered a feature of the new comics economy, not a bug.” [ICv2]
Creators | Chew artist Rob Guillory, who will appear this weekend at Wizard World New Orleans, talks about the strange comics that he read as a kid (The Adventures of Kool-Aid Man) and the unexpected success of Chew, which will end next year with its 60th issue: “In the beginning, John and I were kind of like, ‘Well, best-case scenario, we can go 60 issues. Worst-case scenario, we can do five and go our separate ways and never speak again.’ I don’t know if we’ve seen the peak of our reception. I don’t think we’ll see how popular we’ve been until it’s over. When it’s wrapped and it’s the complete thing, I think people will start missing us.” [Best of New Orleans]
Conventions | Vendors who paid the $60 deposit to exhibit at Cherry City Comic Con are clamoring for a refund after word circulated that the Salem, Oregon, convention won’t happen this spring as planned. (There appears to have been some discussion about the con being canceled on Facebook, but the convention’s Facebook page now states, “A marketing solutions company is helping us start the new year right and get us back on track to make this a successful show everyone can love.” No other posts appear on the page.) This isn’t the first round of controversy for the con: Last May, organizer Mike Martin called an exhibitor “batshit insane” on Facebook when she asked for a refund and expressed concern that the con would not be a “safe place for female cosplayers.” Martin is also the organizer of a craft fair that was canceled; some exhibitors for that event were denied refunds because of “a locked PayPal account.” [KOIN]
As ROBOT 6’s sixth-anniversary celebration winds down, our contributors look back at some of their favorite comics of 2014, from Ms. Marvel and The Multiversity to Sex Criminals and How to Be Happy.
Let us know what some of your favorites of 2014 were in the comments section.
Jason Little launched his ambitious webcomic Borb earlier this year, telling the story of a homeless man through a series of four-panel comic strips — an homage to Great Depression-era newspaper strips like Little Orphan Annie and Gasoline Alley. In April, Uncivilized Books will release a 96-page collection of the strips.
Courtesy of Uncivilized Books, ROBOT 6 is pleased to present a preview of Borb. Check out the preview and some additional information from the publisher below.
When art school students graduate, they understandably don’t always hit the ground running, creatively. However, in his debut graphic novel from Nobrow, Art Schooled, London-based illustrator (and recent graduate) Jamie Coe found great storytelling fodder with a series of vignettes about a small-town guy who moves to the city in hopes of becoming an artist.
Speaking with ROBOT 6, Coe recalls finding his narrative voice while discovering those of his characters, and why it was critical that this journey from kid to adult be told in full color. Be sure to check out the preview at the end of the interview.
Later this year, Koyama Press will publish Confetti, a collection of the comics, paintings, sculptures and more from Toronto-based artist Ginette Lapalme. According to the publisher, “Lapalme uses cartoons and junk culture as raw material to make ‘cute’ subversive and ‘pretty’ punk.”
Check out the preview below, and look for the collection in May. Our thanks to Koyama for all the previews it provided for our anniversary celebration.
Best known for his award-winning “slice-of-life fantasy” webcomic Tails, Ethan Young turns from the semi-autobiographical to historical fiction for his next project. Nanjing: The Burning City, a graphic novel due out later this year from Dark Horse, tells the story of two Chinese soldiers during the night before the Nanjing Massacre.
This will be big for Young; not only will the year see the release of a graphic novel he’s been planning since college, but he and his wife are also expecting their first child. We spoke about the project, fatherhood and more.
The first volume, which was both an Eisner nominee and an LA Times Book Prize finalist, involved the author’s search for a 19th-century journal, Incidents in the Night, which gave details on a plot to return Napoleon to power (and subsequently try to take over the world). The journey involved an immortal publisher hiding in a book and the angel of death, and ended on a cliffhanger. Book 2 collides with another David B. work, Epileptic, as the author’s dead brother, Jean-Christophe, picks up the search for David B. into this conspiracy-ridden, occult-driven world.
Courtesy of Uncivilized Books, we’re pleased to present a preview of what will likely be another “best of the year” list-topper from the acclaimed French artist, as translated by novelist Brian Evenson. The book is available for preorder on the publisher’s website, where it can also be purchased as a set with Book 1. Check out the preview, along with information on the book from the publisher, below.
As a part of our sixth anniversary, Abrams ComicArts has provided ROBOT 6 with previews of two more books from its 2015 lineup — The Age of Selfishness: Ayn Rand, Morality, and the Financial Crisis by Darryl Cunningham and Trashed by Derf Backderf.
Tracing the emergence of Ayn Rand’s philosophy of objectivism in the 1940s to her present-day influence, Darryl Cunningham’s latest work of graphic-nonfiction investigation leads readers to the heart of the global financial crisis of 2008. Cunningham uses Rand’s biography to illuminate the policies that led to the economic crash in the United States and in Europe, and how her philosophy continues to affect today’s politics and policies.
Announced almost a year ago, Trashed started in 2002 as a comic from SLG Publishing and was revived in 2010 by Backderf as a webcomic. It’s a memoir of the year he spent as a garbageman in his rural hometown, with added fictional characters and situations. As he explained on his website, “It didn’t really happen but, trust me, it’s all too real.”
Check out the previews below. Our thanks to Abrams.