green lantern

Grumpy Old Fan | Waiting for the fair-trade paperbacks

Green Lantern vol. 2 #151

First off, I must acknowledge a significant omission from last week’s Before Watchmen post. I had forgotten about the agreement under which the rights to Watchmen would revert to its creators if the collected edition were out of print for over one year. Accordingly, I characterized Watchmen as work-for-hire. Because DC has never let Watchmen go out of print, as a practical matter I would argue that it’s been treated like a work-for-hire project. Nevertheless, the existence of that agreement adds another layer to the book’s history, and especially to Moore’s relationship with DC. While I don’t think it changes much of what I said, I still regret the omission.

Now then….

I have mentioned previously my odd relationship with Amazing Spider-Man. I have been reading it in single issues for a while now, and as a serialized superhero comic I like it pretty well. I will probably stop reading the singles at some point, most likely after Dan Slott leaves, because I don’t feel any particular need to follow it regularly (like I do with many DC titles).

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DC Comics’ new logo numbering mystery

DC Comics’ new logo was officially unveiled this morning, followed by the release of mockups showing how the “peel” design would appear on digital devices, collected editions and single issues. However, a closer look at the latter reveals a comics conundrum: a New 52 cover for Batman, with the current creative team of Scott Snyder and Greg Capullo, is labeled as Issue 708, while George Perez’s Superman #1 cover is numbered somewhere between #700 and #709 (it’s partially obscured, making it difficult to tell). Here’s the thing — despite the New 52 covers, both of those issues were published before the New 52 was announced in July 2011.

Batman #708 was printed in March 2011 during David Hine and Guillem March’s run on the book. Any issue of Superman that begins with “#70_” would had to have been somewhere between June 2010 and March 2011, spanning J. Michael Straczynski and Chris Roberson’s runs. Assuming these are the numberings from March 2011, that would mean the final two issues should be Green Lantern #64 and Wonder Woman #609. Could this be a sign of the New 52 numbering being a last-minute change for DC? Or maybe DC wasn’t letting the outside firm in on its relaunch plans, which could indicate this logo has been in development since well before March.

Then again, it could just be a coincidence, but it is an odd oversight to present a new logo with numberings from issues that hit stores 10 months ago.

Whatever the case, it brings us to the question why the company didn’t roll out its new brand identity in late August, when it relaunched its entire line, or even last month, when it published a mammoth hardcover collecting all 52 first issues – one that now rests on shelves sporting the nearly seven-year-old “swoosh.”

DC’s “peel” logo will make its comics debut in March, when most of the covers presumably will bear the number 7.


Comics A.M. | Comics rebound in 2011 while graphic novels slump

Justice League #4

Publishing | John Jackson Miller takes apart the December sales numbers and finds that while comics were up for the month, graphic novel sales fell just enough to prevent the direct market from having its first up year since 2008. In fact, trades are down 16 percent from December 2010, and Miller spends some time discussing why that might be — and why next year might be different. [The Comichron]

Publishing | Houghton Mifflin has high hopes for Are You My Mother?, the new graphic novel from Fun Home author Alison Bechdel: The publisher plans a first printing of 100,000 copies. [Publishers Weekly]

Retailing | Diamond’s Retailer Summit will be held the two days before the Chicago Comic & Entertainment Expo, with attendees receiving free admission to the April 13-15 convention. [ICv2]

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Grumpy Old Fan | Ten from 2011, ten for 2012

Red underwear makes a comeback in 2965

Before we jump into 2012, I have one last bit of business to take care of: toting up my 2011 predictions, and offering a set for the new year.

2011

1. The Green Lantern movie. Last year I predicted that GL would be “more lucrative than Captain America, not as much as Thor.  It ended up making $116 million domestically ($219 million worldwide), well behind Cap’s $176 million ($368M globally) and Thor’s $181 million ($449M globally). Also, it wasn’t as good. I liked it well enough (and from what I hear I may like the Blu-Ray version more), but apparently I was in the minority.

2. Superman and Wonder Woman after JMS. I just had questions for this entry: will Roberson and Barrows stay on Superman? (No.) Will Diana keep the jacket and pants? (No jacket, pants optional.) Finally, I asked “[w]ill sales improve once ‘Grounded’ ends?” Guess that depends on how you define “ends,” because “Grounded” closed out that Superman series; and the next issue of Superman was a New-52 No. 1 which sold almost 100,000 more copies than its predecessor. We may never know what might have happened to Superman without the New 52, but probably not that.
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Grumpy Old Fan | The done-right question

Green Lantern vol. 3 #19

Last week’s post discussed a couple of interrelated topics which I thought deserved a little more attention. One comes out of the idea that there can be a “Superman done right,” and the other deals with the development of a concept over time. Both of these are central to any fan of modern corporately-owned superhero comics, and in fact they inform much of our debates. However, they raise some thorny questions.

First off, the notion of “[character] done right” necessarily implies that the character can be “done wrong.” This is nothing new. Many fans might even say that the “wrong” examples far outnumber the “right” ones. For me, though, the problem comes when the “right” examples vary from the original conception of the character.

We can find examples of this in the various Green Lanterns. Writer John Broome, artist Gil Kane, and editor Julius Schwartz revitalized GL by making him an honest, fearless test pilot; but after a decade of straightforward adventures, Denny O’Neil and Neal Adams turned that on its ear. O’Neil and Adams also created Hal’s new deputy, John Stewart, a passionate architect dedicated to social justice. Nevertheless, for his role on the “Justice League” animated series, John became a hard-edged ex-Marine. This portrayal found its way into the comics, where it superseded John’s original (and somewhat lower-key) background.

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Superhero x-ray shirts offer a glimpse of what Superman sees

Ever wonder what’s going on inside your favorite super-hero? Beneath the mask, beneath the skin even… you know their real inner self? Well now you can in a an eye-opening series of shirts. Take a look:

Thanks to the ever-resourceful Mike Sterling for the find, you don’t have to burrow through Previews to see DC’s finest the way Superman can see them with his x-ray vision. The vision of a green-tinted skull with the superhero domino mask is frightening in itself.

I, for one, fully endorse this trend and hope the line is successful enough to we can see more shirts in the line. Who wouldn’t want to see how Plastic Man’s skeleton looks when it bends?

You can find images of each shirt after the jump.

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Grumpy Old Fan | Successor stories

Justice League America #61

Don’t ask me how I remember this, but it was just about twenty years ago that the first previews of Dan Jurgens’ Justice League began appearing. After five years, the “bwah-ha-ha” era was winding down, and Keith Giffen and J.M. DeMatteis were leaving Justice League America. Giffen was also stepping away from plots and breakdowns for Justice League Europe, with JLE’s scripter Gerard Jones taking over as the book’s only writer; and Brian Augustyn replaced Andy Helfer as both books’ editor.

With a number of the New 52 titles changing creative teams before they’re even a year old, it’s too early to start talking about any long-lived, let alone definitive, runs on a particular book. Still, DC clearly hopes these books will be around for a while, even without the folks who launched ‘em. It got me thinking about past changes of the guard, and how they have followed some well-established interpretations.

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‘Heroes will rise’ in Diesel’s new DC Comics underwear

As someone who spent a significant portion of his childhood in superhero Underoos, I can appreciate the sentiment behind these new DC Comics-branded boxerbriefs from Diesel and Warner Bros. — even if I can’t envision myself, as an adult (lacking the body of an underwear model), wearing them. Or, y’know, shelling out $34 for the pleasure.

However, if you’re itching to sport the logos of Batman, Green Lantern, The Flash and The Joker above your cotton- and elastane-clad buttcheeks — or to see someone else do the same — then these are for you.

There’s probably a “stocking stuffer” joke to be made — also, “The Fastest Man Alive” — but I’ll do my best to resist. Alas, the folks at Diesel apparently don’t have that level of restraint, as the (let’s hope intentionally) hilarious promo video for the underwear drops the phrases “heroes will rise” and “show ‘em what you’ve got.” You can check it out below.

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What Are You Reading? with Rik Offenberger

Green Lantern #3

Hey kids, it’s time once again for What Are You Reading?, a weekly look into the reading habits of your Robot 6 bloggers. This week our special guest is Rik Offenberger, comics journalist and public relations coordinator for Archie Comics.

To see what Rik and the Robot 6 crew have been reading, click below.

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Grumpy Old Fan | More polish for the Silver Age

Closing time at Wayne Manor: 1969's Batman #217

Last week I asked why the Silver Age is so pervasive in DC lore. Even though that’s something of a rhetorical question, I felt like it was left largely unanswered. The short answer is that the Silver Age represents the modern DC Universe’s origin story, so you’re never going to get rid of it entirely, regardless of reboots, relaunches, and/or legacy characters. However, in terms of style and tone, things are naturally more complicated.

It’s hard for me to talk about the Silver Age without relating it to the subsequent Bronze Age, mostly because I grew up with the comics of the mid-1970s. I see the Silver Age as an era of wild ideas, told in standalone stories which were light on consequences, whereas the Bronze took those stories and ideas and extrapolated a more “realistic” status quo from them. This is not to say that the Bronze Age was some vast improvement, since realism in superhero comics is a tricky prospect at best.

However, to me that point of compartmentalization, at which a previous creative team’s run goes from an ongoing concern to a finished body of work, is highly significant. That’s when the rules governing a feature are established (or amended), and therefore that’s when the people in charge of that feature decide how (and how much) it can grow. The same applies in the aggregate to the universe those features share.

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Victoria, Australia to offer custom license plates featuring DC heroes

As I continue to wait patiently for word that I can put a Snoopy license plate on my car out here in California, Andy Khouri at ComicsAlliance brings word that Australians in the state of Victoria will soon be able to sport DC Comics heroes on theirs.

The character plates include Superman, Supergirl, Batman, Wonder Woman, The Flash and Green Lantern, and for all but the Flash, you can choose a plate that either features the hero or their associated logo. Or, in the case of Supergirl, a pink license plate. As Khouri points out, the plates will sport images taken directly from the DC Comics Style Guide circa 1982, drawn by Jose Luis Garcia-Lopez and Dick Giordano, rather than the recently redesigned “New 52″ versions of the characters. They’ll become available on Nov. 30, along with several Looney Tunes plates.

Check out the plate after the jump, and for more information, visit the Vic Road Custom Plates website.

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Food or Comics? | Point One, Silver Star, Tezuka and more

Point One

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Arrant

If I had $15, I’d first get the third issue of my favorite New 52 title, Batwoman #3 (DC, $2.99). Seriously, J.H. Williams III is hitting a home run on every outing here when it comes to my tastes. Although the writing isn’t up to the level of Greg Rucka’s time on the book, it’s close and only bound to get better. Next up I’d get Point One #1 (Marvel, $5.99). I think this format–an extra-size preview book for what’s coming next–is an interesting experiment, and I’m intrigued most by the Nova story, but also interested to see what the others do. Third would be Uncanny X-Force #17 (Marvel, $3.99), to get the one-two punch of Rick Remender and Jerome Opena. Iceman as a bad guy? I dig this.

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Grumpy Old Fan | Will DC’s past catch up with it?

A Flash family reunion

Three recent bits of DC news are running together in my mind. Cumulatively they may amount to nothing — housekeeping details and/or fallout from the New-52 relaunch — but individually they seem significant, because they may well speak to the proverbial “reset button” which DC claims does not exist. Put simply, I think that reset button exists, I think it affects all of the New-52 books, and I expect it to be revealed within the next year or two. Whether it gets pushed, and/or how much resetting occurs, is another matter.

While it may be overprotective to put a SPOILER WARNING so early in the post, I realize some of you may want to discover these things as they are actually published.

I don’t blame you — I was trying to avoid the Wonder Woman thing, but that’s what I get for reading convention coverage. (And yes, I have seen the recent news about a certain Flash character.)

Anyway, SPOILERS for potential DC milestones big and small….

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A NSFW sneak peek at the DC Comics/Robot Chicken special

DC Comics Chief Creative Officer Geoff Johns announced at the New York Comic Con earlier this month that the animated series Robot Chicken is planning a special all-DC Comics episode. Johns himself is writing some of the segments, along with MAD‘s Kevin Shinick. Today on Twitter, Johns shared a link to “a taste of Robot Chicken: DC Comics Special Summer ’12 on Adult Swim” in the form of a video featuring Green Lantern and Sinestro. Note that it’s very much not for kids and probably not safe for work, either:

NYCC | A round-up of Saturday news

Avengers Assemble

Saturday at the New York Comic Con brought news for the Avengers, Superman, Legendary Comics and … Disney’s Prep & Landing? Here’s a round-up of announcements from the show today.

• With a big, blockbuster Avengers movie scheduled for next May, Marvel announced a new ongoing series, Avengers Assemble, by writer Brian Michael Bendis and artist Mark Bagley. The book will launch next March and will feature most of the Avengers featured in the movie — Iron Man, Captain America, Black Widow, Hawkeye and the Hulk. The first arc will feature the villainous group the Zodiac.

• Speaking of that big, blockbuster Avengers movie, fans were treated to new footage from it featuring Bruce Banner and the Black Widow. Tom Hiddleston spoke to CBR about his work on the film.

• Marvel also announced that writer Rick Remender and artist Gabriel Hardman will take over Secret Avengers with issue #21.1, adding new members and pitting them against a new Masters of Evil.

At the Cup O’ Joe panel today, Marvel also announced a Disney/Marvel crossover — Prep & Landing: Mansion: Impossible. It features the elves from the Disney television special who prepare homes for the arrival of Santa Claus every Christmas eve — only this time they’re trying to break into Avengers Mansion to get it ready for Santa. Written by director Kevin Deters and drawn by story artist Joe Mateo, the story will run in the back of the Marvel Adventures books as well as Avengers #19 in November.

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