Ayer Reveals Jared Leto's Tattooed "Suicide Squad" Joker
The best of two geeky worlds collide in a new poster series by artist Steve Berrington that mashes together the beloved R2-D2 with iconic superheroes (and a couple of antiheroes).
Available for $30 each from My Modern Shop, the posters feature the beloved Star Wars droid as Superman, Batman, Wonder Woman, Captain America, Harley Quinn, Green Lantern, The Flash and Deadpool.
For many, stars of professional sports are the closest things to real life superheroes. They’re bigger, stronger, and faster than seems humanly possible. They’re able to perform feats beyond the capabilities of your average individual, jumping and twisting and barreling through opponents.
But just imagine: If the stars of the NFL really were superheroes of comic book lore, who would be whom? The folks at NFL Memes went and matched up the biggest names in football with the biggest characters in comics to answer that question with these incredible mashup renditions. Some are obvious, like Calvin Johnson as Megatron and Cam Newton as Superman, but others are pretty spot on. There’s Odell Beckham Jr. as Spider-Man, Peyton Manning as Iron Man, Rob Gronkowski as Thor, and – perhaps best of all – Andrew Luck as the Beast.
After pitting Marvel against DC and the Empire against the heroes of both companies, Alex Luthor has turned his attention to another sci-fi franchise, using the Tesseract to draw in the Decepticons for a fan trailer that mashes together all of the mass destruction of Michael Bay’s Transformers series with all of the … mass destruction of superhero films.
When Megatron & Co. attack, it creates a threat so big that not even the combined powers of the Avengers, Superman, Batman, Spider-Man, the Guardians of the Galaxy, Green Lantern, Spider-Man, Arrow and The Flash aren’t enough to stop them. That’s when Nick Fury calls in some help …
After 50-year-old Renato Garcia found a Green Lantern costume about a month ago among some discarded clothes, he began wearing it around his neighborhood in San Juan, Puerto Rico. When he passed away last week, Garcia’s family and neighbors thought it was only fitting that he continue to be a superhero in death, complete with power ring.
So, they had his embalmed body dressed in the costume and displayed, propped up, at his wake. “I know he would have liked it,” his sister Milagros Garcia said.
Let’s get this out of the way: This story contains photos of a dead body in a Green Lantern uniform leaning in a corner, so be warned.
After releasing a teaser earlier this month, Kotobukiya has now revealed the first details of its DC Universe Super Powers ARTFX+ statues, inspired by the popular 1980s action figures.
The 1/10th-scale series of non-articulated statues (just under 8 inches tall) debuts in August with Superman, which boasts his classic costume, a real cloth cape and “an alternate arm part to recreate the classic ‘power action’ move.”
Ahead of Saturday’s kickoff of Toy Fair 2015, DC Collectibles has unveiled a lineup that includes the debut of the DC Comics Icons action-figure line, based on the work of artist Ivan Reis, and the first 6-inch-scale Batmobile inspired by Batman: The Animated Series.
Accompanying the Batmobile is the fifth wave of figures from Batman: The Animated Series and The New Batman Adventures — Nightwing, Bane, Mad Hatter and Scarecrow — plus a two-pack from Mask of the Phantasm (MTV News has the full details on the figures). The Batmobile features sliding door access and room for two 6-inch figures.
DC Comics has provided ROBOT 6 at an exclusive first look at Green Lantern #38, by Robert Venditti and Admira Wijaya.
Although the third act of the “Godhead” crossover is still playing across the Green Lantern books, this issue finds Hal Jordan returning to Earth for some rest and relaxation. However, judging by the solicitation text — to say nothing of history — he likely has little chance of finding either.
The issue, which features covers by Billy Tan and Doug Mahnke, goes on sale Jan. 7.
Several years ago, in a post for the old Great Curve blog that’s surely lost to history, I called DC Comics’ steady stream of crossovers the “constant campaign.” Just as winning candidates must shift from electoral strategies to actual governing, so I argued that DC had to stop churning and changing and settle into telling stories. These days DC isn’t so much into line-wide crossovers — not like 2004-09, when Identity Crisis led into Infinite Crisis and from there to Final Crisis — but it has a similar lack of focus.
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Although the New 52 makeover is only a little more than three years old, it’s gone through quite a bit of change. Many series, and many creative teams, have come and gone. The original 52-series lineup boasted a number of distinctive, idiosyncratic writer/penciler combinations. Now, however, with this week’s final issue of Brian Azzarello and Cliff Chiang’s (and friends’) Wonder Woman, only Justice League, Batman and Batman & Robin have kept the same writer since the relaunch. Moreover, only the two Bat-books have kept the same writer and penciler.
Although the first issues of Who’s Who and Crisis \on Infinite Earths got a headstart in the closing months of 1984, January 1985 kicked off DC Comics’ 50th anniversary in earnest. No doubt real life — i.e., the DC offices’ upcoming westward move — is preventing the publisher from starting the 80th anniversary celebrations this January, and the solicitations certainly don’t have much in the way of commemoration.
(To be sure, the month’s variant-cover scheme involves the 75th anniversary of The Flash, which Robot 6 contributor J. Caleb Mozzocco has already covered extensively on his own blog.)
Therefore, while the real fireworks will probably have to wait another couple of months, the January solicitation tease the return of Robin, changes in the Super-status quo, and other various and sundry plot churning.
One thing that jumps out at me from these solicits has to do with numbering. Now, we all love numbering — big versus small, gimmicks versus straightforward integer progression — but the January books are soliciting the 38th issues of the remaining original New 52 titles. That puts the 50th issues of those series on track for January 2016; or, more likely, February 2016, if next September is another “take a break for a set of specials” month. If I were DC and wanted to relaunch my various titles, and I were a year away from a set of 50th issues, I’d probably wait a year.
Happy Saturday and welcome to Shelf Porn, our weekly look at one fan’s collection. Today’s shelves come from Eric in Sector 2814, who shows off his collection of Green Lantern (and other) figures.
If you’d like to see your collection featured here on ROBOT 6, you can find instructions on how to do so at the end of this post.
And now here’s Eric …
Last week I laid out a lot of numbers and background on the distribution of character-oriented franchises in the New 52. (Along the way I got confused about the New 52 version of G.I. Combat; it was canceled after Issue 7, but its zero issue brought its total to eight.)
Accordingly, this week discusses whether the New 52 needs to get back up to its eponymous number of titles, or whether a smaller stable of ongoing series is a more sustainable environment. We’ll get into some other concerns as well, but the overarching question — as DC transforms its biggest franchise, the Bat-books — involves how the publisher chooses to allocate its resources.
(Because I forgot to do it directly last week, I want to acknowledge my debt to Dave Carter, who started me thinking about all this when he charted New 52 longevity in January and who, providentially, has just started listing DC rosters of Augusts past.)
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Note: This week’s post, and probably next week’s, get pretty number-heavy. Also, this week’s post contains a lot of history and background data. I have tried to make it all entertaining, but consider yourselves warned. Either way, there’s still the Futures Index.
Starting this week, the Batman line gets a makeover. Gotham Academy, from writers Becky Cloonan and Brenden Fletcher and artist Karl Kerschl, is a delightfully spry addition to the Bat-landscape. Amid a franchise dominated (not unreasonably) by stylized, unflinching urban avenging, GA’s unique perspective is both welcome and necessary. Waiting in the wings are new Batgirl and Catwoman creative teams, as well as new titles Arkham Manor and Gotham After Midnight. (The three new books apparently take the places of Batman: The Dark Knight, Batwing and Birds of Prey.)
All look promising, and each offers a new look at a seldom-seen aspect of the Batman mythology. Moreover, it’s vitally important for DC to reach out to a diverse audience, particularly one that may have felt underappreciated over the past few years.
However, all this innovation comes at a time when the in-name-only New 52 has been stuck for a while at around 40-odd series. Only 21 of the original 52 ongoings are still being published, although books like Teen Titans, Suicide Squad and Deathstroke have been relaunched with new volumes. Similarly, we might view Grayson and Justice League United as continuations of Nightwing and the New-52 version of Justice League of America.
In the near future, some sort of sentient operating system has awoken and taken over the world, transforming its inhabitants into cyborgs that then either kill or assimilate the rest of the population. To try to prevent this apocalyptic nightmare, Batman Bruce Wayne sends Batman Terry McGinnis into the past to stop that operating system from being created.
I know parts of that plot might sound familiar, but notice the presence of Batmen in it, so obviously I am describing The New 52: Futures End, DC Comics’ weekly series set five year in the future, where McGinnis is trying to alter his past to save his future.
I wonder if DC could send someone back in time, whether they would have altered the storyline of Futures End a bit. It’s always difficult to tell exactly how well a particular series is selling — in part because of the insane way the direct market sells comics, in part because publishers don’t typically release numbers — but one expects DC might have had higher hopes for Futures End, given that this year’s theme month of September is devoted entirely to tie-ins to the storyline, as the company has suspended much of its New 52 line and replaced it with
52 42 Futures End one-shots.
Legal | A former Marvel intern has filed a class-action lawsuit against the company, alleging he was incorrectly classified and unfairly denied “minimum wages.” Kenneth Jackson of Lancaster, Pennsylvania, claims he’s owed back pay for the work he performed for Marvel from August 2008 to December 2008, and seeks to include in his motion “all similarly situated persons who are presently or formerly employed by Marvel Entertainment, LLC.” [TheWrap]
Passings | Pran Sharma, the creator of the Indian comics character Chacha Chaudhary, died late Tuesday of complications from cancer. He was 75. The first comic featuring Chacha, “a wise old man who solves problems with his sharp intellect,” was published in 1971, and the character went on to star in his own comics and animated series. Sharma also created the teenage character Billoo. “If I could put a smile on the face of the poor, I would consider my life successful,” he once said. [The Wall Street Journal]
(Note: Post title is taken brazenly from a Mystery Science Theater 3000 riff on the serial The Phantom Creeps.)
When DC announced Grayson in April, I wrote about the dangers of separating Dickie G. first from his mentor, and then from his friends in the Titans. Because Grayson is predicated on removing Dick from the superhero realm entirely, I’ve been ambivalent (at best) about this book. Even after reading the first issue — which was a good introduction to the series, and which stood on its own nicely — I still have some concerns. Most of these come from a desire (perhaps unwarranted) to judge a series in a larger context. Therefore, today we’ll talk both about the debut issue of Grayson (written by Tim Seeley and Tom King, drawn by Mikel Janín, and colored by Jeromy Cox), and whether that sort of big-picture evaluation is fair to it.
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First let’s get some of the obligatory historical perspective out of the way. Dick Grayson has been around for almost 75 years, longer than just about all of DC’s A-listers, including The Flash, Hawkman, Wonder Woman and Green Lantern. Moreover, Dick/Robin has been adapted for various non-comics venues for almost as long, starting with radio and movie serials in the 1940s and continuing right through to today’s Teen Titans Go! Many of these more recent adaptations either alluded to, or showed directly, Dick’s transition to the Nightwing identity; and collectively they speak to the general public’s awareness of the character and his particular dramatic functions.