Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
The cover of Crisis on Infinite Earths #7 (which hit comics shops in the first week of June 1985) screamed, “This is it! Double-sized SHOCKER!” However, the ending had been spoiled about two months before, when DC Comics revealed this was when Supergirl would die. (The April 10, 1985, edition of USA Today also revealed the fates of the Earth-Two Superman and Lois Lane, seven months early.)
Usually I try to be somewhat coy about Crisis’ plot twists, as if I were coming to it for the first time. With this, however, there’s little use. By now everyone and their super-cat knows Supergirl dies in Crisis, and it was pretty much the same 30 years ago.
Therefore, the question is how well does Crisis’ brain trust sell Supergirl’s death? It’s harder than you might think. Issue 7 is certainly one of the maxiseries’ best single installments (and that’s not a backhanded compliment); but the fact is that Supergirl not only dies to save Superman, she tells him how great he is with her last breaths. It doesn’t get much more meta than that.
Between three solo movies and two Avengers features, there have been a lot of Iron Man action figures release over the past eight years, but few of them — all right, none of them — are as amazing as these custom creations by Sam Kwok.
The artist repaints and sculpts Hot Toys Iron Man and War Machine figures (which don’t come cheap, mind you), reimagining them as characters ranging from Batman and Ultraman to Hello Kitty and the Alien Xenomorph.
Although you may not be ready to save the galaxy, you will be able to save your change in this Green Lantern battery vinyl bank from Diamond Select Toys.
Standing nearly 12 inches tall, the bank is based on the Green Lantern power battery shown in the Justice League animated series. There’s a coin slot and top and and access door in the base. Presumably you’re required to recite the Green Lantern Oath each time you take own money. Set to arrive in October, it’s available for preorder now.
Hello and welcome to Shelf Porn! Today’s collection comes from Bryan, who shows off his DC-oriented collection.
If you’d like to see your collection here, you can find all the details at the end of this post.
And now here’s Bryan …
The best of two geeky worlds collide in a new poster series by artist Steve Berrington that mashes together the beloved R2-D2 with iconic superheroes (and a couple of antiheroes).
Available for $30 each from My Modern Shop, the posters feature the beloved Star Wars droid as Superman, Batman, Wonder Woman, Captain America, Harley Quinn, Green Lantern, The Flash and Deadpool.
For many, stars of professional sports are the closest things to real life superheroes. They’re bigger, stronger, and faster than seems humanly possible. They’re able to perform feats beyond the capabilities of your average individual, jumping and twisting and barreling through opponents.
But just imagine: If the stars of the NFL really were superheroes of comic book lore, who would be whom? The folks at NFL Memes went and matched up the biggest names in football with the biggest characters in comics to answer that question with these incredible mashup renditions. Some are obvious, like Calvin Johnson as Megatron and Cam Newton as Superman, but others are pretty spot on. There’s Odell Beckham Jr. as Spider-Man, Peyton Manning as Iron Man, Rob Gronkowski as Thor, and – perhaps best of all – Andrew Luck as the Beast.
After pitting Marvel against DC and the Empire against the heroes of both companies, Alex Luthor has turned his attention to another sci-fi franchise, using the Tesseract to draw in the Decepticons for a fan trailer that mashes together all of the mass destruction of Michael Bay’s Transformers series with all of the … mass destruction of superhero films.
When Megatron & Co. attack, it creates a threat so big that not even the combined powers of the Avengers, Superman, Batman, Spider-Man, the Guardians of the Galaxy, Green Lantern, Spider-Man, Arrow and The Flash aren’t enough to stop them. That’s when Nick Fury calls in some help …
After 50-year-old Renato Garcia found a Green Lantern costume about a month ago among some discarded clothes, he began wearing it around his neighborhood in San Juan, Puerto Rico. When he passed away last week, Garcia’s family and neighbors thought it was only fitting that he continue to be a superhero in death, complete with power ring.
So, they had his embalmed body dressed in the costume and displayed, propped up, at his wake. “I know he would have liked it,” his sister Milagros Garcia said.
Let’s get this out of the way: This story contains photos of a dead body in a Green Lantern uniform leaning in a corner, so be warned.
After releasing a teaser earlier this month, Kotobukiya has now revealed the first details of its DC Universe Super Powers ARTFX+ statues, inspired by the popular 1980s action figures.
The 1/10th-scale series of non-articulated statues (just under 8 inches tall) debuts in August with Superman, which boasts his classic costume, a real cloth cape and “an alternate arm part to recreate the classic ‘power action’ move.”
Ahead of Saturday’s kickoff of Toy Fair 2015, DC Collectibles has unveiled a lineup that includes the debut of the DC Comics Icons action-figure line, based on the work of artist Ivan Reis, and the first 6-inch-scale Batmobile inspired by Batman: The Animated Series.
Accompanying the Batmobile is the fifth wave of figures from Batman: The Animated Series and The New Batman Adventures — Nightwing, Bane, Mad Hatter and Scarecrow — plus a two-pack from Mask of the Phantasm (MTV News has the full details on the figures). The Batmobile features sliding door access and room for two 6-inch figures.
DC Comics has provided ROBOT 6 at an exclusive first look at Green Lantern #38, by Robert Venditti and Admira Wijaya.
Although the third act of the “Godhead” crossover is still playing across the Green Lantern books, this issue finds Hal Jordan returning to Earth for some rest and relaxation. However, judging by the solicitation text — to say nothing of history — he likely has little chance of finding either.
The issue, which features covers by Billy Tan and Doug Mahnke, goes on sale Jan. 7.
Several years ago, in a post for the old Great Curve blog that’s surely lost to history, I called DC Comics’ steady stream of crossovers the “constant campaign.” Just as winning candidates must shift from electoral strategies to actual governing, so I argued that DC had to stop churning and changing and settle into telling stories. These days DC isn’t so much into line-wide crossovers — not like 2004-09, when Identity Crisis led into Infinite Crisis and from there to Final Crisis — but it has a similar lack of focus.
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Although the New 52 makeover is only a little more than three years old, it’s gone through quite a bit of change. Many series, and many creative teams, have come and gone. The original 52-series lineup boasted a number of distinctive, idiosyncratic writer/penciler combinations. Now, however, with this week’s final issue of Brian Azzarello and Cliff Chiang’s (and friends’) Wonder Woman, only Justice League, Batman and Batman & Robin have kept the same writer since the relaunch. Moreover, only the two Bat-books have kept the same writer and penciler.
Although the first issues of Who’s Who and Crisis \on Infinite Earths got a headstart in the closing months of 1984, January 1985 kicked off DC Comics’ 50th anniversary in earnest. No doubt real life — i.e., the DC offices’ upcoming westward move — is preventing the publisher from starting the 80th anniversary celebrations this January, and the solicitations certainly don’t have much in the way of commemoration.
(To be sure, the month’s variant-cover scheme involves the 75th anniversary of The Flash, which Robot 6 contributor J. Caleb Mozzocco has already covered extensively on his own blog.)
Therefore, while the real fireworks will probably have to wait another couple of months, the January solicitation tease the return of Robin, changes in the Super-status quo, and other various and sundry plot churning.
One thing that jumps out at me from these solicits has to do with numbering. Now, we all love numbering — big versus small, gimmicks versus straightforward integer progression — but the January books are soliciting the 38th issues of the remaining original New 52 titles. That puts the 50th issues of those series on track for January 2016; or, more likely, February 2016, if next September is another “take a break for a set of specials” month. If I were DC and wanted to relaunch my various titles, and I were a year away from a set of 50th issues, I’d probably wait a year.
Happy Saturday and welcome to Shelf Porn, our weekly look at one fan’s collection. Today’s shelves come from Eric in Sector 2814, who shows off his collection of Green Lantern (and other) figures.
If you’d like to see your collection featured here on ROBOT 6, you can find instructions on how to do so at the end of this post.
And now here’s Eric …
Last week I laid out a lot of numbers and background on the distribution of character-oriented franchises in the New 52. (Along the way I got confused about the New 52 version of G.I. Combat; it was canceled after Issue 7, but its zero issue brought its total to eight.)
Accordingly, this week discusses whether the New 52 needs to get back up to its eponymous number of titles, or whether a smaller stable of ongoing series is a more sustainable environment. We’ll get into some other concerns as well, but the overarching question — as DC transforms its biggest franchise, the Bat-books — involves how the publisher chooses to allocate its resources.
(Because I forgot to do it directly last week, I want to acknowledge my debt to Dave Carter, who started me thinking about all this when he charted New 52 longevity in January and who, providentially, has just started listing DC rosters of Augusts past.)
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