Comics | The August direct market sales numbers are in, and things look good: Comics sales are up almost 20 percent over August 2011, and graphic novels are up 15 percent. This isn’t just a fluke, either: Year-to-date sales are up about the same in both categories. DC had a slight edge in market share, Marvel did slightly better on unit sales, and interestingly, the Big Two stole back a bit of market share from everyone else. And as with bookstore sales, Batman ruled the direct market: “The influence of The Dark Knight Rises is more obvious in the bookstore channel with its tendency to foster backlist sales (Frank Miller’s 1980’s classic, The Dark Knight Returns was tops in the bookstores), while the direct market sales are concentrated more on the most recent releases such as Johns’ Batman: Earth One, which was released in July and Snyder’s New 52 volume that was out in May.” [ICv2]
Passings | Illustrator and panel cartoonist Art Cumings has died at the age of 90. Mike Lynch describes Cumings as “an illustrator’s illustrator and a cartoonist’s cartoonist”; his work appeared everywhere from Dr. Seuss books to Penthouse magazine, and it’s worth hitting the link to see his Balloonheads cartoons from the latter. (NSFW, but in a cute, colorful way.) [Mike Lynch Cartoons]
Comics | Green Lantern writer Geoff Johns talks with The Wall Street Journal about the introduction this week of the newest member of the Green Lantern Corps Simon Baz, an Arab-American Muslim from Dearborn, Michigan: “As fantastic as the concept of Green Lantern is of an intergalactic police force, the comic has had a history of grounding in the now and dealing with modern characters and concepts and Simon Baz is that. I wanted to create a character that everyday Americans have to deal with. When 9/11 hit, he was 10-years-old. His family was devastated, just like every other American. He’s grown up in that world. It’s just part of the daily life, the new normal.” [Speakeasy]
Comics | The new Spider-Man, Miles Morales, reaches a key moment in Ultimate Comics: Spider-Man #14, when Aunt May gives him Peter Parker’s web-shooters and the formula for for his web fluid. Writer Brian Michael Bendis explains why he waited so long to pass along the iconic tools: “‘This is like Excalibur. This is it. This is like being bequeathed the sword,’ Bendis says. ‘But, young Miles and (his friend) Ganke trying to figure out how to make web fluid is going to be my favorite stuff to write ever in the history of writing of anything. Just because someone gives you a formula and says, “Here, cook this,” doesn’t mean you can.’” [USA Today]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d buy Boys #70 (only two issues until the big finale) and Classic Popeye #2, IDW Publishing’s ongoing series of reprints devoted to Bud Sagendorf comics from the 1940s, as the first issue was much more fun than I expected it to be.
If I had $30, I’d put those comics back, but would be stuck between a couple of books. The first would be Aya: Life in Yop City, which collects the three previous Aya books by Marguerite Abouet and Clement Oubrerie in one volume. These are great, funny comics, full of life and observation regarding a culture — in this case African culture — most Westerners know nothing about.
There’s also A Chinese Life, a massive doorstop of a memoir by Chinese artist Li Kunwu (with help from writer Philippe Otie) chronicling his life and times. Kunwu lives through some of modern China’s most tumultuous periods, including the Cultural Revolution, and hopefully his book will, like Aya, humanize a time and culture that for many is just a few lines in their history book.
Finally, there’s Message to Adolph, Vol. 1, one of Tezuka’s final works, set during World War II, about three people named Adolph, one a Jew, the other a German boy living in Japan, and the third the fuhrer himself. Originally published by Viz about two decades ago, Vertical has taken it upon themselves to put out a newly translated version which is great news for those that missed this great manga the first time around.
Is there a greater splurge purchase this week that Dal Tokyo, the collected version of Gary Panter’s off-kilter comic strip? I plugged this book last week, but it deserves another one. I’ve been waiting for this book for awhile.
For the scholarly comics type, the splurge of the week might be Crockett Johnson and Ruth Krauss, a look at the creator of Barnaby and Harold and the Purple Crayon and his wife, a children’s author with whom he frequently collaborated.
Legal | Writer Scott Henry details the lengthy attempt to prosecute Dragon*Con co-founder Ed Kramer on charges of child molestation. The case began in 2000 and has yet to go to trial. [Atlanta Magazine]
Publishing | Bandai Entertainment will discontinue sales of manga, novels and anime, with the final shipment of manga going out at the end of October. The company, a subsidiary of Namco Bandai Entertainment, had stopped publishing new work in January and was focusing on sales of its existing properties. [Anime News Network]
DC Comics released Green Lantern Annual #1 this week by Geoff Johns, Ethan Van Sciver, Pete Woods and Cam Smith, the prologue to their “Rise of the Third Army” crossover event that’ll run through the various Lantern titles. It’s a jam-packed issue, featuring the reveal of the Guardians’ nefarious plans, the introduction of someone called the First Lantern and what the Third Army looks like, Guardian-on-Guardian violence, more of the Hal/Sinestro bromance and of course a holdover from the last big Green Lantern crossover, Black Hand.
It’s a lot of plot, but how was the story? Here are just a few opinions from around the web; I would also point you to Caleb’s review and invite you to leave your own thoughts in our comments section.
Brian Hibbs, The Savage Critics: “Now, this is really a model of how an annual should be — it’s the culmination of the last year of story, in all ways. THIS is GL #13, and sets off a new status quo for the book for a smidge at least.”
So what, exactly, does a chief creative officer do? Well, if the chief creative officer in question is Geoff Johns, then one of the most obvious answers is “write a whole heck of a lot of comic books.”
Johns is writing three ongoing monthly books for DC Comics, all of which happened to ship this week. While reading them all doesn’t exactly give one a copy of his job description, it does give one a sense of what he’s doing at DC, what he’s not doing and what’s different from his role at the publisher than when he was merely its most popular and prolific writer.
Passings | Douglas Phillips, who drew many stories over the years for the rough-and-tumble British boys’ comics The Rover and The Victor, has died at the age of 85. [Blimey!]
Creators | Green Lantern writer (and DC chief creative officer) Geoff Johns is returning to his hometown, Detroit, to appear at a comics shop and the Arab American National Museum, promoting Baz, the first Arab-American Green Lantern. Johns himself is of Lebanese descent. [Detroit Free Press]
College basketball season starts back up in November, so that makes thinking about bracketology only a little less premature. Looking at the various discrete (and, occasionally, indirect) crossovers happening throughout November’s New 52 solicitations, I couldn’t help but picture the field of 68, with each individual game a step along the way to … “Trinity War,” I guess …?
Green Lantern’s “Rise of the Third Army” occupies the four GL titles, of course, but it also brings in Justice League, where the solicit for issue #14 wonders where Hal is. (After reading this week’s GL #12, I have a better idea about that.) Likewise, GL #14 guest-stars the League.
From the solicits I wonder if “ROT3A” takes place mainly in GL (with a little JL on the side). “Night of the Owls” was advertised that way (you only need to read Batman, because the other Bat-books dealt with ancillary stories) and it kind-of fits with the way the New-52 books have hyped their creative teams. Johns, Scott Snyder, and Jeff Lemire are responsible for a total of seven books (GL, JL, Aquaman, Batman, Swamp Thing, Animal Man, JL Dark), and each writer has at least one book in some sort of crossover this month.
Tomorrow DC Comics releases the second of the new reader-friendly “Earth One” graphic novels, Batman: Earth One. Originally announced in 2009, this second graphic novel is just hours away from release, and people are already looking toward the line, and this title’s, future. DC has already announced that J. Michael Straczynski and Shane Davis have a sequel to Superman: Earth One due out Nov. 6, and Geoff Johns let slip that he was already writing a Batman: Earth One sequel in an interview posted on Entertainment Weekly‘s website. With those two balls in the air, and DC actively looking to expand their roster of mainstream-friendly characters, I thought I’d give some unsolicited advice on what they should consider next for the “Earth One” line.
Legal | Danny Bradbury takes a look at the financial and copyright aspects of online comics in an insightful article spurred by the recent dust-up between The Oatmeal and FunnyJunk. Among other things, he parses out how The Oatmeal creator Matthew Inman makes $500,000 a year from his comic, why Inman and other creators object to their work being published elsewhere without attribution (and why they sometimes don’t care), the legal protections they can use (and how they sometimes fail), and how sites like Pinterest avoid the problem. There’s also an explanation of why FunnyJunk attorney Charles Carreon is suing Inman et al. on his own behalf, rather than FunnyJunk’s: “Carreon has now effectively abandoned the threat of a FunnyJunk lawsuit, stating that he was misinformed by his client. His letter claimed that all the comics had been removed from FunnyJunk, but Inman pointed out dozens that were still there.” [The Guardian]
DC Comics in September brings together two gimmicks. This being corporate-run superhero comics, naturally these two things have been tried before. September’s unified cover themes remind me of January 2009′s “Faces of Evil” (not particularly uplifting) and January 2011′s “Salute to White Space.” The new “Zero Month” recalls August 1994, when every main-line DC superhero title got an Issue #0 in the wake of July’s weekly, timeline-tweaking Zero Hour miniseries. Just over four years later, in September 1998, the weekly DC One Million miniseries launched all the superhero books into the 853rd Century with #1,000,000 issues.
Personally, I’m looking forward to September 2013′s Roman Numeral Month, September 2014′s Hexadecimal Month, and September 2015′s Binary Month (can’t wait for Justice League #100100!).
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My parents were born in 1942, four years too early to be baby boomers. It also means they were just the wrong age to be exposed heavily to either the Golden or the Silver age of superhero comics. By the time they would have started to read, the Golden Age was half over; and when the Silver Age started in 1956, they were too old to be interested. I confirmed this with my dad, who has vague recollections of the original superheroes, but whose comic collection included more Archies and Little Lulus. (Had I known how much 21st-century hipster cred this would have given me, I’d have pressed him harder about those ….)
Still, these days they can’t get away from the Spandex set. When Conan O’Brien asserted (rightfully) that the Hulk had been in the Fantastic Four, Dad emailed me for confirmation. This itself was a big step up for Dad, who at one point several years ago thought Batman was in the FF. (In fact, I don’t think my folks have seen either of the Christopher Nolan movies, although they did watch a revival of the 1940s serial at the local art-house theater. Dad especially didn’t have any interest in the Schumacher movies, because the characters just “looked like toys.”) Last year, after the Green Lantern movie had been playing for a while, Dad thought he remembered seeing it — but actually, he and Mom had enjoyed Seth Rogen’s Green Hornet. Their nerd knowledge (what there is of it) is more likely to include Star Trek and Sherlock Holmes, although lately they’re into Downton Abbey.
Regardless, when I think about the impact of outing Alan Scott, the original Green Lantern, I tend to gauge it in terms of my dad. He may not be the best representative of the generation that grew up with the Justice Society, but among people I know he was in the best position to become a fan, and for whatever reason it just didn’t stick. Therefore, when I mentioned the revelation of Alan’s sexuality to Dad over the weekend, it really didn’t register one way or another.
Following the temporary retreat from Facebook by the anti-gay One Million Moms, a pro-gay group has sprung up on the social-media site hoping to capitalize on its absence.
Called, yes, One Million Moms, the group describes itself as “One Million Moms and friends of moms who support LGBT rights. Let’s put a positive spin to the group name One Million Moms by supporting equal rights to people of all orientations, creeds, genders and colors.” To further tweak the other One Million Moms, the new Facebook page flies the banner of the Human Rights Campaign and uses an image from the current JC Penney Father’s Day ad that has so enraged the other organization.
The new OMM explains that, “Using a ‘Risk’ metric, any time a territory like this is contested, it weakens the prior occupier’s footing and destabilizes their hold on that particular region of Cyberspace. Fundamentalist mothers looking for the original page will be confused, join the wrong thing, or not join at all; it muddies the message and strengthens the position of the new occupiers. This new page might not garner all that many followers initially, but its presence WILL deny the previous owners their beachhead and create a blockade to one of their most persuasive channels.”
In another setback to One Million Moms, the conservative Christian campaign has retreated from Facebook after a post about DC Comics’ reintroduction of Green Lantern Alan Scott as gay was inundated by comments largely supportive of the publisher’s decision.
The New Civil Rights Movement reports that moments after issuing a “warning” Friday about DC’s official announcement (see below), the page’s administrator began deleting positive comments before apparently giving up and removing the post entirely. Shortly afterward, the One Million Moms page disappeared from Facebook, certainly the initiative’s most valuable social media platform. The abrupt exodus was followed by a tweet announcing, unconvincingly, to Facebook users that, “OMM will be offline most of next week for Vacation Bible School!”
Had anyone suggested a year ago — heck, a month ago — that not only “Green Lantern” but also “Alan Scott” would be U.S. trending topics on Twitter, they’d likely have been soundly mocked. But on the day that DC Comics launched its full-on media assault officially announcing that the 72-year-old superhero will be reintroduced in Earth 2 #2 as the gay-billionaire leader of the Justice Society, “Green Lantern” and “Alan Scott” are on Twitter, sandwiched between “National Donut Day” and “CNBC.”
Granted, “Hal Jordan” is now trending worldwide, with many commenters trying to sort out just which Green Lantern everyone is talking about. One person tweeted, “I’m imagining Hal Jordan spending all day saying ‘No, not me, the other one. Not that there’s anything wrong with that.”
Although it’s clear to most fans of superhero comics that the character in question is the Golden Age Green Lantern — the only Green Lantern on Earth 2 — the finer points of continuity and parallel universes seem to be lost on the general public. (Right about now a DC publicity person is probably struggling to give an ABC News correspondent a crash course in DC Comics history, the New 52 and the Green Lantern Corps, frustrating both of them.)
Whether all of the publicity and social-media interest will result in rapid sellouts for Earth 2 #2 obviously won’t be known until next week, but it’s probably safe to presume DC will start the presses rolling on a second printing any moment now.