PREVIEW: Rucka & Sharp's "Wonder Woman: Rebirth" Brings Epic Action
Diamond Comic Distributors informed retailers this morning that it won’t ship products the week of Dec. 24 because of the UPS delivery schedule. However, selected items will be included with the previous week’s shipment to go on sale Wednesday, Dec. 26.
The distributor last experienced a holiday-triggered “skip week” in December 2009, leaving the direct market without Diamond deliveries for two Wednesdays. That year, DC Comics stepped in to ship Blackest Night #6 early, ensuring retailers had a major new title on Dec. 30 (of course, some put them on shelves early), while some saw the delay as an opportunity to promote independent comics.
This year, however, the wait will be significantly shorter: Retailers will receive another shipment on Friday, Dec. 28, for sale on Wednesday, Jan. 2. Retailers will be notified later which companies will make products available for early delivery.
In a separate email, Diamond also announced the addition of a “die-cut, cardstock overcovers” by Greg Capullo spotlighting the Joker for the following “Death of the Family” crossover issues: Batman #13, Batgirl #13, Catwoman #13, Suicide Squad #14, Batman and Robin #15, Detective Comics #15, Nightwing #15, Red Hood and the Outlaws #15 and Teen Titans #15.
The Twitter tirade unleashed by Rob Liefeld last week when he announced his abrupt departure from three DC Comics titles boiled over this weekend as the outspoken creator took aim at Batman writer Scott Snyder and Marvel’s Senior Vice President of Publishing Tom Brevoort.
On Wednesday Liefeld, who had been writing and penciling Deathstroke and plotting Grifter and The Savage Hawkman, criticized DC for what he described as ‘massive indecision, last minute and I mean LAST minute changes that alter everything” and “editor pissing contests,” singling out Associate Editor Brian Smith as “a little bitch” and “a big dick.”
Snyder, among other creators, came to Smith’s defense on Twitter, writing that, “from my small experience with him, [Smith] has been a great guy to work with. To be fair, I know absolutely nothing of what went on on Rob’s books (Rob has always been really supportive of me and Jeff and others). But I’d feel bad, having worked with Smitty on N.O.T.O. [“Night of the Owls”] and now Joker, […] if I didn’t say that he’s been a stand-up guy to deal with. Again, nothing against anyone, just deal w/Smitty every week now, and I’d feel bad not saying.”
About that time Liefeld tweeted to his followers, “It’s not you. It never has been. It’s Batman.” That apparently triggered a direct-message exchange with Snyder that Liefeld later made public, first by copying the writer’s private comment, “I can assure you Batman doesn’t sell the way it does because it’s Batman. It sells that way because of me and Greg [Capullo],” and then by posting screencaps (below).
Just two days after DC Comics spoiled the big reveal of the redesigned Joker with the cover of Batgirl #14, Jock has provided a close-up look at his take on the Dark Knight’s arch-nemesis from upcoming backup stories in Batman. Just don’t tell Greg Capullo.
The image, labeled “W.I.P.” (work in progress), appeared only briefly this morning on Twitter before being removed (it remains on Instagram). The panel shows the Joker, last seen last year in Detective Comics #1 having the Dollmaker surgically remove his face, wearing what’s essentially a reclaimed flesh mask, held together with what looks like staples, and some kind of bands stretching the mouth hole into a maniacal grin. Needless to say, it’s a little disturbing (you can see the image below).
DC has used a gruesome promo image to promote the character’s return in October’s Batman #13, which kicks off the “Death of the Family” crossover and marks the beginning of the four-part backup story by Scott Snyder, James T. Tynion IV and Jock.
Despite the best efforts of the Batman creative team to keep the Joker’s new look under wraps, DC Comics spoiled the big reveal Monday with the release of the November solicitations, which show a knife-wielding Clown Prince of Crime front and center on the cover of Batgirl #14. Needless to say, Batman artist Greg Capullo, who redesigned the Dark Knight’s arch-nemesis, was none too pleased.
“As careful as I’ve been to save revealing our new Joker, the powers that be have let it out ahead if our book,” he wrote on Twitter. “Stay tuned fir MY pics. In my younger days, I’d have punched several holes in the walls of my office by now. Rest assured, I will give you terror when I draw him.”
Reintroduced in DC’s New 52 as a homicidal maniac being pursued by police, the Joker was last seen in Detective Comics #1 where, imprisoned in Arkham Asylum, the Dollmaker surgically removed his face. Although much of Gotham presumed the Joker dead, last month DC released a grisly promo image teasing his return in October’s Batman #13, which kicks off the “Death of the Family” crossover (a nod to the 1988-89 story arc in which the Joker killed the second Robin, Jason Todd). That image, of a piercing blue eye peering out of the darkness and through the carved-off face of the classic villain, was followed by the cover for Issue 13, which depicts the partially obscured face of the Joker reflected in a hand mirror.
Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.
To see what Jimmy and the Robot 6 crew have been reading, click below.
Publishing | First Second editorial director Mark Siegel sits down with Milton Greipp to talk about his company’s success, which comes in part by marketing books in a number of different channels — independent bookstores, libraries, even textbook adoptions. He also talks numbers, and it’s interesting to see that Feynman spent 11 weeks at the top of The New York Times graphic books best-seller list with a print run of 10,000; that’s an indication of the order of magnitude of book sales for the titles on that list. Siegel also gives a preview of the fall list. Updated (Aug. 13): Siegel notes to Robot 6 that Feynman has had multiple printings, exceeding 35,000 copies. It will soon be released in paperback. [ICv2]
Legal | The attorney for Tony Moore explains why the artist’s legal dispute with his former Walking Dead collaborator Robert Kirkman has moved into federal court. “Once Moore establishes fraud and rescinds the agreement [as laid out in the first filing], the issue is going to be whether he was a co-author of these works,” Devin McRae tells Newsarama. “And it’s the federal court that has the power to decide that. So we still have to first go in the state court and prove the fraud, which we think we’ll do. This is just something that is part and parcel of the whole thing. Nothing’s really changed.” [Newsarama]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
While the offerings on show at my local comic store this week won’t compare with those available at Comic-Con International, if I had $15 this week, I’d pick up Sean Murphy’s Punk Rock Jesus #1 (DC/Vertigo, $2.99), the new Bloodshot #1 (Valiant, $3.99) and the final issue of the enjoyable Kirby: Genesis #8 (Dynamite, $3.99); the first for the art alone (I know very little about the story, but Murphy’s art is always worth checking out), the second for the high concept, and the third for the payoff that I know is coming from Kurt Busiek, Alex Ross and Jack Herbert’s resuscitation of the King’s concepts after following the series thus far.
That said, if I only had $30, I’d put both Punk Rock Jesus and Bloodshot back on the racks for another week, and add Darwyn Cooke’s new Parker adaptation, Richard Stark’s Parker: The Score (IDW, $24.99) to my pile, instead. Cooke’s Parker books are consistently must-buys, and I can’t see why this one would be any different.
DC Comics has released the first look at Becky Cloonan’s art from Batman #12, which sees the Demo and Conan the Barbarian artist join writer Scott Snyder for a standalone epilogue to “The Court of Owls” storyline.
“This issue is very special to me. It’s the big story that explains and explores the character you met in issue #7 – Harper,” Snyder revealed to Comic Book Resources earlier this month. “That’s the young woman who saved Batman when he tried to escape the labyrinth and ended up in the freezing Gotham bay. The mystery of who she is, why she knows Batman and the secret of their relationship…Becky read the script on the way back from the show, and just did some character sketches of Harper and her brother and the villain of the piece. She was totally on board, and I’m just over the moon about it.”
The issue, which arrives Aug. 8, also features a backup story drawn by Andy Clarke (2000AD, R.E.B.E.L.S.). Series artist Greg Capullo returns for the next arc.
Hello and welcome to What Are You Reading? This week our special guest is artist Ivan Anaya, one of the winners of the winner of the Skullkickers Tavern Tales Contest. He’ll join the other winner, writer Aubrey Sitterson, on a story for Skullkickers #18.
To see what Ivan and the Robot 6 crew have been reading, click below.
With my first $15 I’d get the following: The Massive #1 (Dark Horse, $3.50), X-Men #30 (Marvel, $3.99), Spider-Men #1 (Marvel, $3.99), and Saucer Country #4 (Vertigo, $2.99). That leaves me roughly 50 cents out of my budget. I dunno if it was planned this way or not, but two of Brian Wood’s latest projects, The Massive and his run on the X-Men (of the un-Ultimate variety), kick off this week. We also have the debut of Spider-Men, the crossover that features Peter Parker of the 616 Marvel U meeting up with Miles Morales from the Ultimate-verse. I’ve enjoyed the Miles Morales/Ultimate Spider-Man stories this far, which is the reason I’m getting it. Finally, Saucer Country is the best of the new Vertigo titles, featuring clever writing by Paul Cornell and great art by Ryan Kelly.
Add another $15 and I’d also get Captain America #13 (Marvel, $3.99), Uncanny X-Force #26 (Marvel, $3.99), Resurrection Man #10 (DC Comics, $2.99), and Frankenstein: Agent of Shade #10 (DC Comics, $2.99). Again, with some change left over for a candy bar or whatever. I laughed out loud at the big reveal at the end of the last issue of Captain America, as we learned who the new guy was behind the Scourge mask. I assume this is a What If? comic, along the lines of “What if (name redacted for spoiler reasons) wasn’t lame?” So I have to see this through. I mentioned this weekend on What Are You Reading? that I’d downloaded a whole bunch of the current run of Uncanny X-Force for 99 cents from comiXology, and since then I’ve completely caught up on the book, so I’ll definitley be getting the current issue. Add to that one of the final times I’ll get to see Abnett and Lanning’s Resurrection Man comic (sniff … well, it was probably a longshot anyway, based on how well his last comic did) and the debut of Matt Kindt on Frankenstein, and that rounds out my week of comics.
I don’t really have anything on my splurge radar this week, so maybe I’ll just hold onto the cash and save it for next time.
If I had $15, I’d grab the latest Lio collection, Zombies Need Love Too. Cartoonist Mark Tatulli has one of the better newspaper comic strips going these days.
If I had $30, I’d nab what is clearly the book of the week, NonNonBa, the latest book from Shigeru Mizuki, author of Onward Toward Our Noble Deaths. NonNonBa aims more toward Mizuki’s traditional milieu of Japanese folklore and yokai monsters, though this book is more autobiographical in nature in that it deals with his relationship with his grandmother and how she instilled in him an interest in the spirit world. I’ve been anxiously awaiting this release.
My splurge for the week would likely be one of two books from First Second: Either Baby’s in Black, Arne Bellstorf’s fictionalized tale of the sadly doomed Beatle, Stuart Sutcliffe, or Mastering Comics, Jessica Abel and Matt Madden’s follow-up to their previous how-to textbook, Drawing Words, Writing Pictures.
Hello and welcome to What Are You Reading?, where each week we detail what comics and other stuff have been on our reading piles. Our special guest today is David Harper, associate editor over at the recently redesigned Multiversity Comics.
To see what David and the Robot 6 crew have been reading, click below.
To see what Jessica and the Robot 6 crew have been reading, click below.
Legal | The New York Times ventures deep into the legal battle between Archie Comics Co-CEOs Nancy Silberkleit and Jonathan Goldwater, noting the two sides have gone into court-approved mediation. “Competing lawsuits filed in State Supreme Court in Manhattan and State Supreme Court in Westchester County lay out a litany of bitter allegations. He punctured her car tires, destroyed her Web site and claimed that she sexually harassed employees. She ordered him to fire several longtime employees because they were too old, too fat or too buxom, and let her dog, Willow, roam the offices and defecate in the art department.” [The New York Times]
Conventions | Although no figures have been released for last weekend’s Chicago Comic & Entertainment Expo, organizer Lance Fensterman said attendance was “way up,” noting that, “the size of the show floor doubled and the aisles were much more full than last year. That tells you how much attendance jumped to keep pace with the floor growth.” [Publishers Weekly]
Welcome once again to What Are You Reading?, where we share what comics, books and other good stuff we’ve been checking out lately. This week our special guest is Thomas Hall, writer of the science fiction/fantasy comic Robot 13.
To see what Thomas and the Robot 6 crew have been reading, click below.