Awards | Jamie Smart’s Fish-Head Steve has been shortlisted for the Roald Dahl Funny Prize, the first comic to make the list in the six-year history of the award. The prize recognizes the funniest book for children in two age categories, and the final judges will be 200 children from schools around the United Kingdom. [Forbidden Planet]
Comics | Eric Margolis reports on the difficulties U.K. creator Darren Cullen had in getting his Kickstarter-funded comic (Don’t) Join the Army printed. The format was unusual, so some shops simply couldn’t do it, but printers also took exception to the comic itself, which was an “anti-recruitment leaflet” satirizing the British army. [Comic Book Legal Defense Fund]
Graphic novels | France 24 examines the Thursday release of Asterix and the Picts — the first album by new creative team Jean Yves-Ferri and Didier Conrad — from a political perspective, noting that the story, in which Asterix and Obelix journey from ancient Gaul to Iron Age Scotland, has already become part of the current debate about Scottish independence. [France 24]
Creators | Chinese cartoonist Wang Liming, who spent a night in police custody last week on charges of “suspicion of causing a disturbance,” spoke to the press this week. Liming, who has more than 300,000 followers on his microblog account, first ran into trouble two years ago for one of his cartoons, but police told him that China has freedom of speech and he could continue drawing. Nonetheless, another of his cartoons, depicting Winnie the Pooh (a frequent cartoon stand-in for Chinese President Xi Jinping) kicking a football was deleted and suppressed by censors. “For them, drawing leaders in cartoon form is a big taboo,” the cartoonist said. “I think the controls on the Internet are too harsh. They have no sense of humor. They can’t accept any ridicule.” [Reuters]
At comic conventions, a company like comiXology has to get creative in order to draw traffic to its booth; after all the digital distributor doesn’t have anything physical to sell, and it’s not like you can line up a bunch of creators to sign iPads. (I mean, you could, but why?) At New York Comic Con, however, comiXology is getting physical — by offering limited edition art cards during artist signings.
These limited-edition art cards will be signed and handed out during creator appearances at the comiXology booth, where you can meet Nick Dragotta (East of West), Greg Rucka and Michael Lark (Lazarus), Katie Cook (My Little Pony), Sara Richard (My Little Pony) and Doug Braithwaite (Unity #1). You can also meet Joshua Hale Fialkov and Joe Infurnari, creators of the wonderful The Bunker. They’ll be signing sketch cards that’ll have a code to get the first issue of The Bunker for free.
Legal | A dancer seriously injured last month during a performance of the Broadway musical Spider-Man: Turn Off the Dark insists the accident was caused by malfunctioning equipment and not, as the show’s producers contend, by human error. Daniel Curry made the claim in documents filed Monday in Manhattan Supreme Court that seek to prevent the production from altering or destroying the computerized stage lift before his experts can inspect the equipment in preparation for a potential civil lawsuit. He’s also requesting maintenance records and any internal reports about the accident. The 23-year-old Curry was injured during the Aug. 15 performance of Spider-Man when his leg was pinned in an automated trap door. According to court papers, he suffered fractured legs and a fractured foot, and has had to undergo surgeries and unspecified amputations. [New York Daily News, The New York Times]
“The circumstances could be more pleasant. You never want to take over a book when people leave on not the best terms, but the character is so rich and I’m such a huge fan of everything Greg [Rucka] and Haden and J.H. — especially J.H. — have done on that book, that I’m not going in to rearrange everything and say, ‘Everything that went on before is bad. I’m going to fix it.’ I want to do right by the character, and the character that they have done … I’ve got to say, the reaction on the Internet — I expected to be vilified, and drawn and quartered, and I’ve only been called ‘gay Uncle Tom’ by about three websites, so statistically, I’m ahead of the game. Statistically, the Internet’s been great to me.”
– writer Marc Andreyko, in an interview with CBR TV, discussing taking the reins on DC’s Batwoman following the sudden departure of J.H. Williams III and W. Haden Blackman
While American Vampire is currently on hiatus, creators Scott Snyder and Rafael Albuquerque have killed time until its return by releasing various specials. Earlier this summer we saw The Long Road to Hell, and this past Wednesday brought the American Vampire Anthology, featuring vampire tales by Becky Cloonan, Francesco Francavilla, Gail Simone, Greg Rucka, Jason Aaron, Gabriel Ba, Fabio Moon, Jeff Lemire, John Paul Leon, Declan Shalvey and many more.
Anthologies can be hit or miss from story to story, but how did this one do? Here are a few reviews from around the web:
Two of Gotham Central‘s finest, Greg Rucka and Michael Lark, have reunited on Lazarus, a new series from Image Comics. Along with colorist Santi Arcas, the duo’s creator-owned series focuses on Forever, the “Lazarus,” or protector, of the Carlyle family.
“Lazarus is the story of Forever Carlyle, a genetically engineered young woman and the youngest daughter of the Carlyle family. Her family is one of about 30-odd ruling families left on Earth in a dystopian future where economic collapse has made the difference between the haves and the have-nots so stark, the world has almost returned to a feudal state. She is essentially a member of a royal family,” Rucka told Comic Book Resources. “ As a family’s Lazarus, she is responsible for the protection and defense of the family, hence her nature. That’s why she is the way she is. It’s a very dark, very unpleasant world if you have nothing. The best you can hope for is that maybe a family will find a use for in some way and that they’ll educate you, train you and elevate you to a service class. The other families are very jealous of what they have. They covet what they don’t have and go to great lengths to make sure that the status-quo is maintained.”
So how is the first issue? Here are a few thoughts on it from around the web:
“The Big Two don’t like Rick’s work. It’s as simple as that. In the last ten years, he’s gone from being able to work steadily at Marvel Comics and DC Comics to not being able to get hired. They just won’t give him the time of day.
Rick is one of the most accomplished artists I’ve ever worked with. He’s known primarily for winning Eisners doing Batman & Robin Adventures where Rick himself says that he was paid to draw like Bruce Timm. So, I think for a lot of people there is a sense that he’s too cartoony, his style doesn’t fit in with what the big two want; it’s not sexy or flashy enough. He has a very distinct comic book style, he doesn’t do photo-realistic. Everything he draws, he can draw it. It’s not light-boxing here.
I know at least one editor who went to great lengths to make sure he wouldn’t work at one company and really set him up to fail and did so gleefully. Comics are like any other industry; there are wonderful people in it and there are crappy people in it.”
Last month DC Comics announced it had put together a new list of “essential” graphic novels and collections, designed to help casual readers and completists alike. This week I picked up a copy of the 121-page catalog (Issue 1, of course) along with my regular Wednesday haul.
Now, we all love lists, and this looks to be more comprehensive than the 30-item Jeph Loeb-heavy suggestions DC had previously offered. Could the new DC Entertainment Essential Graphic Novels and Chronology 2013 actually represent the depth and breadth of DC’s vast publishing history, and at least try to give each major character the attention he or she deserved?
I haven’t read the whole thing yet, but judging from the two pages devoted to “Women of DC Comics,” the answer doesn’t look promising for said women. As Sue (of DC Women Kicking Ass) and Bleeding Cool have already pointed out, Green Arrow and the Flash both get two-page spreads (each, to be fair, split between a one-page portrait and a one-page checklist), while Wonder Woman has to share two pages with Batgirl, Batwoman, Catwoman and the Huntress. Although the DC Entertainment Essential Graphic Novels and Chronology 2013 could use more female-centric titles (no Power Girl, Manhunter, Stephanie Brown or Cass Cain Batgirl, or Stars and STRIPE, and not a lot of Supergirl), today it may be enough just to focus on Wonder Woman.
For nearly two years, Greg Rucka and Rick Burchett the high-flying adventures of Lady Seneca Sabre in their twice-weekly webcomic, and now they’re looking to bring their special blend of steampunk, magic and the Wild West to print. To that end, the duo has launched a Kickstarter campaign to publish the first five chapters of Lady Sabre & The Pirates of the Ineffable Aether in a 192-page hardcover collection.
Mere hours into the drive and they’re nearly halfway toward the $27,500 they need to pay for their initial 2,000-copy print run, plus shipping, Kickstarter fees, etc. So odds are, this project is going to get funded. Their pledge tiers a pretty reasonable, too, which may help to explain the campaign’s speedy progress; for instance, $30 gets you a copy of the book. Additional incentives include keychains, bookplates, an inscription from Brian Michael Bendis, and dinner at HeroesCon with the creators.
There’s a lot more information on the Kickstarter page. The campaign ends June 5.
“Words like ‘realism’ and ‘dark’ and ‘gritty’ get bandied about Hollywood as if the only merit a story can have is in its verisimilitude, but that’s a lie. Emotional honesty transcends reality; it’s what allows disbelief to be suspended, and yet what makes a story stay true. When Superman: The Movie was released, Richard Donner promised us we’d believe a man could fly. We did, but it wasn’t the wire-work alone.”
– comics writer and novelist Greg Rucka, voicing his misgivings about the PG-13 rating for director Zack Snyder’s Man of Steel
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Stepping up to the wheel today is Greg Rucka, the prolific and wonderful writer of Stumptown, Lady Sabre & The Pirates of the Ineffable Aether, Whiteout, Queen & Country, Punisher, Gotham Central and the upcoming Lazarus with Michael Lark and Santiago Arcas, which is due from Image this summer.
Now let’s get to it …
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this week, it’d be all first issues, all the time. Being a Trek fan, I couldn’t resist IDW’s Star Trek: Countdown to Darkness #1 ($3.99), offering some glimpses into the new movie for the first time outside of the trailer, for one thing. Kieron Gillen and Jamie McKelvie’s Young Avengers #1 (Marvel, $2.99) looks to be equally unmissable judging from both the previews and interviews heralding its launch, and also Gillen’s performance on Iron Man and other titles recently, so that’d make it in there, too. Finally, I’d grab The Answer #1 (Dark Horse, $3.99), Dennis Hopeless and Mike Norton’s new superhero/mystery series. I’ve been back and forth about Hopeless in the past (loved his X-Men: Season One; hate his Avengers Arena), but the hook for this one looks pretty solid and Norton’s work is always nice to gaze at.
Should I suddenly find myself with an additional $15, I’d add some current favorites to the pile: Chris Roberson and Dennis Calero’s pulp dystopia Masks #3 (Dynamite, $3.99), Jonathan Hickman and Jerome Opena’s Avengers #3 (Marvel, $3.99, and less a “favorite” than an “undecided about, but was surprised by how much I appreciated that second issue”) and Greg Rucka and Matt Southworth’s Stumptown #5 (Oni, $3.99). After the fourth issue of Stumptown, I’d pick that last one up even if Rucka had accidentally forgotten to write any dialogue in there. Did you see that last issue? Man …
Were I to splurge, it’d almost feel greedy after this week of bounty. Nonetheless, I’d grab The Spider, Vol. 1: Terror of The Zombie Queen (Dynamite, $19.99), the collected edition of the first storyline from David Liss’ revival of the pulp hero that I loved based on the first issue but somehow fell off of before the end of that first arc for reasons that escape me. Definitely curious to revisit it.
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
Hello and welcome to What Are You Reading? Today our special guest is Chris Wisnia, creator of the Doris Danger books.
To see what Chris and the Robot 6 crew have been reading, click below.