Over what was most likely a perfect cup of Moroccan Mint green tea, Greg Rucka sat down for a discussion with Mark Waid and Steve Wacker about “The Omega Effect,” an upcoming crossover between The Avenging Spider-Man, The Punisher and Daredevil debuting in April.
In the story, the Man Without Fear will find himself in possession the Omega Drive, a file connecting five powerful criminal organizations — dangerous information that everyone’s going to want to get there hands on, right? That’s a well-used motive in our genre with the added twist of science; you see, Spider-Man is operating at the behest of Reed Richards, who invented the Omega Drive to begin with. So either Richards has been collecting dirty sheets on crime bosses in his spare time, or there’s something more delicate to what’s holding all this information in the first place. Remember all the math he used to keep in the basement telling him how to nudge society around? Yeah, this could get ugly.
That’s why we have the Punisher, who’ll go head to head with Spider-Man and Daredevil to put this information to good use — which, as we can guess, probably means shooting some fools. Waid and Rucka are more than willing to throw their supporting casts into the mix, as well as relevant story arcs that coincide with the trouble at hand. Spider-Man vowed that no one else would die on his watch, and that’s a hard vow to keep next to Frank Castle. Daredevil has had a long history with the Punisher, both falling on different sides of the very concept of justice. With his most recent fall from grace and return with a fresh attitude, how will the new Daredevil handle a man acting as judge, jury and executioner?
And the Punisher? Follow me on this one, guys, but what is Frank Castle going to get out of all of this?
(WARNING: Spoilers ahead for PunisherMAX #21 and Punisher #7, out this week. Grab your copies and follow along!)
Seven comics creators are among the finalists for the 2012 Oregon Book Awards, which recognized accomplishments by Oregon writers who work in genres of poetry, fiction, literary nonfiction, drama and young readers literature.
The shortlist for the Pacific Northwest College of Art Graphic Literature Award is:
- Graham Annable of Portland for Book of Grickle
- Aidan Koch of Portland for The Whale
- Sarah Oleksyk of Portland for Ivy
- Greg Rucka of Portland for Stumptown
- Joe Sacco of Portland for Footnotes in Gaza
The winners will be announced April 23 during the Oregon Book Awards ceremony. Voting is also open through April 16 for The Oregonian’s Reader Choice Award.
Hello and welcome to a special birthday bash edition of our weekly “What Are You Reading” feature. Typically the Robot 6 crew talks about what books we’ve read recently, but since it’s our anniversary, we thought we’d invite all our friends and colleagues from Comic Book Resources and Comics Should Be Good! to join in the fun.
To see what everyone has been reading, click below …
This February writer Greg Rucka and artist Marco Checchetto pit the Punisher against a soldier “who is more like him than either of them realize,” as a group of former Hydra and AIM agents work together to bring Frank Castle down. It all happens in The Punisher #8, and courtesy of our friends at Marvel Comics, we’re pleased to bring you an exclusive preview of that issue.
Check it out, along with the solicitation info, below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d first get the third issue of my favorite New 52 title, Batwoman #3 (DC, $2.99). Seriously, J.H. Williams III is hitting a home run on every outing here when it comes to my tastes. Although the writing isn’t up to the level of Greg Rucka’s time on the book, it’s close and only bound to get better. Next up I’d get Point One #1 (Marvel, $5.99). I think this format–an extra-size preview book for what’s coming next–is an interesting experiment, and I’m intrigued most by the Nova story, but also interested to see what the others do. Third would be Uncanny X-Force #17 (Marvel, $3.99), to get the one-two punch of Rick Remender and Jerome Opena. Iceman as a bad guy? I dig this.
Awards | The Visual Effects Society has named Stan Lee as the recipient of the VES 2012 Lifetime Achievement Award, which honors individuals whose “lifetime body of work has made a significant and lasting contribution to the art and/or science of the visual effects industry by way of artistry, invention and/or groundbreaking work.” Previous recipients include George Lucas, Steven Spielberg, Ray Harryhausen and James Cameron. The award will be presented Feb. 7 at the 10th annual VES Awards. [press release]
Organizations | The Comic Book Legal Defense Fund reports it raised $12,500 last weekend at New York Comic Con. [CBLDF]
Awards | Comic-Con International has opened nominations for the The Will Eisner Spirit of Comics Retailer Award, which awarded to “an individual retailer who has done an outstanding job of supporting the comics art medium both in the community and within the industry at large.” [CCI]
This afternoon on Twitter, Marvel Editor Steve Wacker teased two pages of stunning art by Marco Checchetto from “the next Punisher.” Presumably that’s Issue 4, with writer Greg Rucka, which arrives Oct. 12. “Easily one of the best books around,” Wacker wrote. Check out both pages below.
Hello and welcome to What Are You Reading?, our weekly column where we successfully answer the question in the title. Our special guest this week is Janice Headley, events coordinator, publicist and “ambassador of awesome” for Fantagraphics.
To see what Janice and the Robot 6 crew have been reading this week, click the link below.
Retailing | Sacramento, Calif.-area retailers are relatively unconcerned about DC Comics’ newly launched digital initiative or an immediate threat to their bottom lines from digital comics. “I just see it as another way of kind of expanding the whole readership,” says Dave Downey, who runs World’s Best Comics. “If you missed an issue of Spider-Man, and you can’t find it anywhere, you can always go online and read it that way.” However, Kenny Russell of Big Brother Comics sees a time, “years off,” when that will all change: “It’s inevitable, and this is kind of the first step. In no time, iPads are going to be good enough, and it’s going to be easy enough, and it’s going to come out the same day where people are going to just read their comics on their iPads.” [Sacramento News & Review]
Comics | Gene Luen Yang explores the tangled history of comics and Christianity, both of which, he points out, were started by a bunch of Jewish guys who loved a good story. (Good-sized excerpt at the link; full article requires free registration.) [Sojourners]
Writer Greg Rucka and artist Rick Burchett launched their swashbuckling steampunk webcomic today, Lady Sabre & the Pirates of the Ineffable Aether. As announced back in April, Rucka said the comic is “steampunk, pirates, western thing,” noting it would feature airships, floating islands, gunslingers and sword fights.
“Swords are cool. People fighting with swords are cool. Airships are cool. Cowboys are cool. Pirates are cool. Clockwork men are cool. Smart, savvy, witty women are very cool. Laconic gunslingers? Totally cool. Steampunk? Frosty,” the strip’s “About” page reads. “That’s what Lady Sabre & the Pirates of the Ineffable Aether is, that’s what it’s about. The adventures of the Lady Seneca Sabre and those she meets along the way as she travels the Sphere. Who she fights, who she foils, who she befriends. It’s about adventure and romance and excitement and, to paraphrase the great Zaphod Beeblebrox, ‘really wild things.’”
They plan to update the comic every Monday and Thursday, and they’re also selling a limited edition print (above) featuring the title character. Go check it out, or at least add it to your RSS feed for updates.
Broadway | Spider-Man: Turn Off the Dark, the retooled $75 million Broadway musical, took in $1.7 million for the week ending this past Sunday, which is above the $1.2 million the producers have indicated they need to reach to stay viable. The amount made it the No. 3 musical for the week, after Wicked and The Lion King. [Associated Press]
Legal | Robert Corn-Revere, the Comic Book Legal Defense Fund’s general counsel, discusses the U.S. Supreme Court’s decision in Brown v. EMA, which sought to ban the sale of violent video games to minors. He notes that the court drew upon the history of comic book censorship in reaching its conclusion to reject the ban: “Citing the amicus brief filed by the Comic Book Legal Defense Fund, it noted the crusade against comics led by Dr. Frederic Wertham and observed that it was inconsistent with our constitutional traditions. The Court traced the history of censorship that targeted various media directed toward the young and held that restricting depictions of violence could not be justified under established principles of First Amendment law.” [CBLDF]
Publishing | May marked the worst month of the year for the direct market since January as sales of comic books and graphic novels fell 11.21 percent versus May 2010. Chart watcher John Jackson Miller chalks up the decline to a combination of retailers ordering more Free Comic Book Day titles than “for-profit” books and publishers’ summer events heating up a little later this year. Marvel led Diamond Comic Distributors’ list of top comics for the month with Fear Itself #2, followed by the first issue of DC’s Flashpoint. Avatar topped the graphic novel chart with Crossed 3D, Vol. 1. [The Comichron]
Legal | The Comic Book Legal Defense Fund has joined a coalition that includes booksellers, media companies and the ACLU of Utah in seeking to permanently stop enforcement of a 2005 Utah statute that would regulate Internet speech that some consider “harmful to minors,” including works of art, graphic novels, information about sexual health and the rights of gay, lesbian, bisexual and transgender youth. The law has not gone into effect because Utah consented to a temporary injunction until the case can be decided. [press release]
The Stumptown Trade Review posted an audio interview with writer Greg Rucka yesterday, covering a wide range of topics, including an announcement for a new webcomic he’s doing with artist Rick Burchett.
Called Lady Sabre and the Pirates of the Ineffable Aether, Rucka describes it as a “steampunk, pirates, western thing,” noting it would feature airships, floating islands, gunslingers, sword fights and “hopefully witty dialogue.” It’s planned as an ongoing webcomic, and they’re looking to launch it in early July.
Rucka added that they hope to make money off of it so they can fund American Soldier, which he said doesn’t have a publisher yet.
Hello and welcome to What Are You Reading? This week’s guest is Alex Segura, executive director of publicity and marketing at Archie Comics. But we’ll always know him as the guy who founded The Great Curve, the blog that would one day morph into Robot 6.
To see what Alex and the Robot 6 crew have been reading lately, click below …
For longtime comic readers like myself, there’s nothing quite like when a team book introduces a new character to the mix. This Wednesday, artist Nicola Scott gets to bring Solstice, a character she designed, into the Teen Titans mix with the release of Teen Titans 93. In addition to discussing Solstice, Scott notes the shift in tone/sense of fun that series writer J.T. Krul has brought to the series; how she considers herself a character-driven artist; as well as the lessons learned from collaborating with the likes of writer Gail Simone/dealing in subtext (among other topics). At the end of the interview, she invites fans to suggest characters we’d like to see her draw in the future–be sure to chime in with your ideas in the comments section.
Tim O’Shea: Over at the Source, you expressed part of what appealed to working with J.T. Krul on Teen Titans. ” Character, tone, direction. He has blown me away.” What is it about Krul’s approach to character and tone that appealed to you?
Nicola Scott: Over the last couple of years the tone of the book seemed to have become quite dark, and seemed to be missing youthful energy and a sense of fun. The characters weren’t quite connecting in the way DC hoped for them to. Straight off the bat JT had them feel exactly like their regular selves. The comradery had returned too and that’s such an important ingredient with the Teen Titans. The script for the first issue was fun, a great recap of the characters and who they are to each other. There were some gags and some drama and it felt like young people with huge responsibility. Another ingredient that I think was important, was bringing it back to the core members. A couple of new additions is fine but when most of the cast is unrecognizable to outside readers, it’s hard to grow the audience.