Guardians of the Galaxy
It’s rare that you see an artist do a continuous long run on a monthly comic series these days. Mark Bagley, Charlie Adlard and John Romita Jr. are among the relative few, and even their tenures are sometimes broken up by extra-sized issues or a biweekly shipping schedule. But joining those ranks of the most prodigious artists in comics is a fairly new face: Francesco Francavilla.
The Italian artist has been steadily working up through the ranks in the comic industry since his debut in 2006, but 2012 was his breakthrough year, as he won an Eisner Award for his covers, saw his creator-owned series Black Beetle start at Dark Horse and drew two arcs of Captain America and a fill-in issue of DC’s Swamp Thing. But in October, things are getting crazy, with Francavilla working simultaneously as the artist on three series — Marvel’s Guardians of the Galaxy, Archie’s Afterlife with Archie at Archie, and his own Black Beetle: Necrologue at Dark Horse.
This has already been a blockbuster year for Francavilla, with seven complete issues already released — Black Beetle #1-4, Batwoman #21, Hawkeye #10 and #12 — plus an astonishing 46 covers for various publishers. Forty-six!
In an interview earlier this year with ROBOT 6, he commented on his amazing flurry of work by dubbing it “Creative ADD,” and even admitting he sometimes forgets what he does due to the sheer volume.
“The other day I was flipping through Previews and I saw a cover I forgot I did!” The artist told Tim O’Shea. “Then I went to check if I forgot to invoice it too!”
James Brown ain’t got nothing on Francesco Francavilla.
To see what James and the Robot 6 crew are reading, click below …
This week saw the arrival of Guardians of the Galaxy #1 by Brian Michael Bendis, Steve McNiven, John Dell and Justin Ponsor. The series spins out of the events of Bendis’ Avengers Assemble arc, but at the same time sets up a new story and mission for Starlord, Rocket Raccoon and the rest of the team.
So does the comic soar or make a crash landing? Here are a few opinions from around the web to tell you just that ….
“The health of the industry is based upon having good stories and good characters, and a wide customer base. If bringing some of these characters back to the fold in a meaningful way adds to that, then it just strengthens our industry. [...] “Good stories that entertain are something that we all should applaud on any level. Whether we’re doing it directly at Image Comics, or at our competition, it helps keep our industry that we love alive. I will sit back and be as interested as anyone else.”
– Todd McFarlane, who was embroiled in a nearly decade-long legal battle with Neil Gaiman over the rights to the characters they co-created in Spawn #9, responding to the announcement last week that the writer will introduce Angela into the Marvel Universe this summer. McFarlane also confirmed to Newsarama that as part of the 2012 resolution to their lawsuit, Gaiman owns the rights to Angela outright.
In “By the Numbers,” ROBOT 6 takes a look back at the events of the past five days … in numbers.
With Thursday’s announcement that Neil Gaiman is returning to the Marvel Universe and bringing with him Angela, the character at the center of his eight-year legal battle with Todd McFarlane, we’re left to wonder about the whereabouts of Marvelman. We also look at the surprise departures at DC Comics, and what the right price is when you name your own.
Graphic novels | The top-selling graphic novel in bookstores in February was the 60th volume of Naruto, according to Nielsen BookScan; four other manga made the chart as well. Actually, it’s an interestingly eclectic mix, with eight volumes of The Walking Dead, the first volume of Saga, Alison Bechdel’s Fun Home, and Chris Ware’s Building Stories making the list, as well as The Book of Revelation from religious publisher Zondervan. Marvel was entirely absent, but two of DC’s New 52 collections appearing. [ICv2]
Comics | Former DC Comics President Paul Levitz talks about the new edition of 75 Years of DC Comics: The Art of Modern Myth-Making, which has been broken out into five volumes and expanded to include more art and an additional creator interview in every volume; the first volume, The Golden Age of DC Comics, is out now. Levitz also touches on the history of the company, the importance of characters, and the impact of young readers on the early comics: “It wasn’t adults tending to what they wanted their child to read or libraries selecting. It was the kids of America who said I love Uncle Scrooge as its done by Carl Barks, I love the Superman comics that are coming from Mort Weisinger’s team at DC, I love the Marvel comics that Stan Lee, Jack Kirby and Steve Ditko are creating. And they really got to choose those things that became trendsetters in the culture and ultimately leading to the massive success of the superhero movies in more recent years.” [Complex Art + Design]
Marvel announced this morning that it will celebrate the release next month of Guardians of the Galaxy #1 with a series of six limited-edition trading cards available only at those retailers hosting launch parties for the new title by Brian Michael Bendis and Steve McNiven.
However, one of the cards will be even more limited than the others. To learn which one — Star-Lord, Gamora, Drax, Rocket Raccoon, Groot and Iron Man — the publisher is pointing fans to their participating local store.
“We’ve found a way to bring the cosmic elements of the Marvel Universe to the center of the playing field,” Bendis teased last month. “Here’s a wide-open, brand new #1 that starts these characters on the most reader-friendly place you could ever hope to have them without taking away anything that made them special in the first place.” The writer and Marvel Editor-in-Chief Axel Alonso talked more about the series in CBR’s latest “Axel in Charge.”
Guardians of the Galaxy #1 goes on sale March 27.
Faced with growing criticism, Guardians of the Galaxy director James Gunn has apologized for insulting comments he made about women, gays and lesbians in a nearly two-year-old blog post, characterizing his remarks as “poorly worded and offensive to many.”
The statement, released last night by the Gay & Lesbian Alliance Against Defamation and re-posted on Gunn’s Facebook page, followed outreach from the organization, condemnation by the Human Rights Campaign — “James Gunn’s blog post is offensive not just to LGBT people and women but rather to anyone with even the slightest sense of decency” — and online outrage, all stemming from a deleted February 2011 post on the filmmaker’s website.
Newly unearthed via Google Cache, the results of a “Superheroes You Most Want to Have Sex With” poll include commentary in which Gunn refers to Gambit as “this Cajun fruit,” calls teenage mother Stephanie Brown “easy,” admits wanting “to anally do” Kitty Pryde, and suggests Tony Stark could “turn” the lesbian Batwoman.
Even as the casting search gears up for Marvel’s Guardians of the Galaxy, a push has begun online to convince the studio to fire director James Gunn over objections to a nearly two-year-old blog post that many view as misogynistic and homophobic. (Note: This post contains graphic language.)
The Feb. 17, 2011 post containing the results of a “Superheroes You Most Want to Have Sex With” poll, complete with Gunn’s commentary, was deleted at some point from the filmmaker’s website but the cached version resurfaced earlier this week on Tumblr before receiving further exposure Wednesday on The Mary Sue. Why Gunn’s post was only recently unearthed is a bit of a mystery (he was confirmed to direct Guardians of the Galaxy more than two months ago).
Gunn’s superhero sex poll includes male and female characters — 50 in all — ranging from Wonder Woman and Superman to Spider-Man and Ms. Marvel. While The Mary Sue notes “there’s nothing wrong about running a poll for the most sex-able superhero on your site,” the complaints arise over some of the filmmaker’s accompanying commentary.
Now that more books are out and more of the lineup is being revealed, letting us know what’s in store, we’re in a better position to understand Marvel NOW! This week was a big one as All-New X-Men hit the stands with Fantastic Four, Thor: God of Thunder and the possibly underrated X-Men Legacy. The two X-books are important. and I might talk a little about the books as we go along, but the reason why is because, before today, I had no idea what on Earth Marvel’s Merry Mutants were going to be doing. We knew the school was intact, but … that was it? What about this semi-villain team that Scott’s in? He seems to want mutant unity, but has he crossed the line into superiority? Is he just the bad guy now or are we getting two “social justice” stories, two ways of handling the issue of being hated and feared? We may not have gotten all the answers, but there’s a lot more to go on than what we had by the end of AvX: Consequences.
We’re going to be waist deep in Marvel NOW! by the end of the month, so the questions about the new landscape can be more specific instead of just “Wait and see the first issue!” Looking at the solicitations, we start to put what we’re seeing this month with what will be happening three months from now and, like focusing a telescope, stories and characters are becoming more clear.
Despite being in a better position, there’s still going to be a lot of questions and some I’d even like ot pose to you, Dear Reader, as we take a stroll through February 2013 and see what Marvel will be putting to the printed page. Let’s take a look!
While I was enjoying my time at APE up in San Francisco, the New York Comic Con was raging on with announcements and such. Before I get into a rundown of the comic-related news coming out of the East Coast today, let’s jump back to yesterday real quick so I can update one of the items from my Friday round-up. I mentioned that Dark Horse would publish a comic based on the upcoming video game The Last of Us, but I didn’t know at the time the most important part — the always awesome Faith Erin Hicks is co-writing AND drawing the comic. That’s a “Stop the presses” moment if I’ve ever seen one.
Ok, now on to Saturday …
• Apparently space is the place at NYCC … following DC’s announcement of Threshold yesterday, Marvel officially announced the return of two of their cosmic titles — Guardians of the Galaxy and Nova. Guardians, written by Brian Michael Bendis with art by Steve McNiven, comes out in February and apparently will feature Iron Man, or at least someone in his armor. Jeph Loeb and Ed McGuinness are the creative team for Nova, which features Sam Alexander, the Nova from Avengers vs. X-Men.
With just a week to go until New York Comic Con kicks off, Marvel has unveiled a rundown of convention-exclusive merchandise that will be available only at the publisher’s booth (#1838). The items range from the Rocket Raccoon/Guardians of the Galaxy coffee mug above — someone from the Comic Book Resources contingent needs to snag me one, please — and a lithograph to T-shirts and variant covers. (Note that the Marvel booth apparently only accepts credit cards.)
Check out the full list below. New York Comic-Con runs Oct. 11-14 at the Jacob Javits Center in New York City.
You might have heard that Marvel has a big blockbuster Guardians of the Galaxy movie on its docket for 2014. The film will not only tie into their whole movie continuity thing they’ve got going on with the various Avengers movies, but will also introduce Rocket Raccoon to millions of audience members. Comic fans have known about the awesomeness of Bill Mantlo and Keith Giffen’s creation for decades, but no doubt his appearance on the silver screen will lead to billions of Rocket Raccoon dolls, shirts and Underoos making their way into households all over the world. Here’s your chance to get a jump on the rush, as WeLoveFine.com, who regularly dig deep into the wells of Marvel characters for their shirts, offer a Rocket Raccoon T-shirt. That’s his classic Official Handbook of the Marvel Universe image by Mike Mignola, if I’m not mistaken.
Marvel Studios has launched an investigation into a leak that resulted in its major Comic-Con International announcement, the development of a Guardians of the Galaxy movie, being revealed two weeks before the convention began.
Latino Review, the movie website that broke the story on June 28, has posted an email from an unnamed “security consultant” requesting information about “the dissemination of confidential, non-public information concerning Iron Man 3 and Guardians of the Galaxy.” Although the website has since redacted his name, The Hollywood Reporter identifies the “consultant” as Robert Grosser, vice president of loss prevention for Marvel Enterprises.
“I do not want to see you or anyone else get into trouble nor do I want to see anyone’s career be tarnished because of this,” the email states. “However, I am very confident that through your efforts and mine, we will be able to work through this together. I personally feel that you did not have any malicious intent when you posted your spoilers on the fanboy website. Like many fans out there, you just wanted to be the first one to post something on the internet. I get it, however the Iron Man 3 and Guardians of the Galaxy information was confidential and you did not have Marvel’s consent to post it. That was illegal!
No sooner did Marvel Studios confirm development a Guardians of the Galaxy movie at Comic-Con International — moving the cinematic universe in a decidedly more cosmic direction — than the speculator market kicked into gear.
The Los Angeles Times reports that by Sunday afternoon, less than 24 hours after the Marvel announcement, one dealer was trying to sell a near-mint copy of the first appearance for Thanos at 100 times its usual price. The profile of the Mad Titan has, of course, risen considerably since his shadowy cameo in Marvel’s billion-dollar blockbuster The Avengers.
“I’m asking $6,000 for it,” the dealer told Geoff Boucher. “I know that’s high — hey, that’s really high — but that’s next year’s price.”
The comic in question is February 1973′s The Invincible Iron Man #55, by Jim Starlin, Mike Friedrich and Mike Esposito, which another dealer said is unlikely to fetch that hefty figure. However, he said he sold a copy for $1,200, saying, “That is the chosen book this year.”