Guardians of the Galaxy Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
Comic-Con International attendees who are lucky — or devoted — enough to make it into Hall H on Saturday for the Marvel Studios presentation will walk out with a limited-edition Guardians of the Galaxy mini-poster created by Matt Needle of Poster Posse fame. (The British graphic designer also produced two nice-looking prints for Poster Posse’s 75th-anniversary tribute to Batman.)
The Guardians of the Galaxy may be able to stand toe to toe with Ronan the Accuser, Nebula and Korath, but they were easily vanquished by 5-year-old Mia Grace Montross. The pint-sized Marvel expert, who made her Jimmy Kimmel Live! debut in December, returned to the show last night to face off against the stars of Guardians of the Galaxy in a trivia challenge. The result was … well, about what you might expect.
Start saving your money now, collectors. Hot Toys has unveiled its Rocket Raccoon and Groot action-figure set for Marvel’s Guardians of the Galaxy. It’s undeniably awesome (and I say that as someone who hasn’t collected action figures since childhood), but it’s also $360. I should point out, however, that you can set up a payment plan, which seems absolutely crazy for a toy, but what do I know.
The “movie-accurate” figures come with a weapon (for Rocket), an interchangeable angry expression face (for Groot) and interchangeable hands (for both). See more details and photos on the Sideshow Collectibles website. You can preorder now for shipping in March. Did I mention it’s $360?
Characters from Disney, Pixar, Marvel and Star Wars appeared together on stage Monday for the first time ever as the entertainment giant touted its powerhouse brands ahead of the Licensing Expo in Las Vegas.
According to Variety, Disney is once again the world’s top licensor, with a record $40.9 billion in retail sales last year, up from $39.4 billion in 2012. With looming films like Guardians of the Galaxy, Big Hero 6 and The Avengers: Age of Ultron, based on Marvel comics, the live-action Cinderella and Star Wars: Episode VII, plus the Star Wars Rebels animated television series, that seems unlikely to change in the near future.
Fans who remember checking the pegs at Target for the latest releases in Kenner’s Star Wars action figure line can appreciate this: Eddie Utrata shares a mock-up of what a Guardians of the Galaxy action figure might have looked like in the 1980s, specifically the back of the card that holds the figure (which, if I’m being honest, was always my favorite part of browsing for action figures — looking at the back of the card to see what I was missing).
The box caught the attention of James Gunn, director of the big Guardians movie due in August:
As Marvel prepares for the August premiere of its biggest movie gamble to date, Guardians of the Galaxy, we’ve seen its publishing division reposition what once was an oddball, third-tier concept as a first-rate, if still oddball, franchise, first with the flagship title written by Brian Michael Bendis and next with Rocket Raccoon by Skottie Young.
As interesting as that transformation may be, I’m utterly fascinated by how Marvel’s parent company Disney has gone all in on merchandising an adaptation of a comic that, this time last year, no one outside fan circles had ever heard of. Granted, with the production budget for Guardians of the Galaxy in the neighborhood of $150 million (and probably nearly that much for marketing), the studio can’t afford to be timid.
Still, Disney Consumer Products has lined up more than 50 licensees, from Hasbro and LEGO to Mad Engine and Freeze, for what it views as Marvel’s Next Big Thing, at least as far as merchandise is concerned.
“It is always exciting to launch something new in consumer products, as we did with Iron Man in 2008,” Paul Gitter, senior vice president of licensing for Marvel at Disney Consumer Products, said in a statement. “By showcasing what is unique about this amazing new film we are able to develop a third Marvel franchise that can be at retail alongside our powerhouse franchises of The Avengers and Spider-Man. Continuing to diversify the Marvel offerings for consumers is a key strategy of ours.”
Marvel announced on Monday that as part of its “Original Sin” event, the fate of the original Nova, Richard Rider, finally will be revealed in August’s Guardians of the Galaxy #18, by Brian Michael Bendis and Ed McGuinness. The character last appeared in 2010; since then, the mantle of Nova has been held by Sam Alexander, who’s yet to win over vocal fans of the original Human Rocket.
Green Lantern fans are probably having a ’90s flashback right about now. While Richard Rider wasn’t turned into a homicidal villain, he and Hal Jordan both were summarily shuffled off at the climax of a big event to make way for a younger replacement. Longtime readers initially hated Kyle Rayner, but DC Comics stuck to its guns, as over the following decade he remained the primary Green Lantern in the DC Universe. While a vocal minority never relented, the work of writer Ron Marz and others attracted a new following for the character, and converted some old fans too. Rayner remains a major character in the Green Lantern titles today, even after the return of Jordan in 2005.
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
This time around Carla lovingly tackles the Guardians of the Galaxy trailer, with a shout-out to Rocket Raccoon co-creator Bill Mantlo, while Tim remembers Dwayne McDuffie, who would have celebrated a birthday last week. Plus there’s frozen bromance, rockin’ gods, Daredevil #36 and more. So let’s get to it …
Only days after the debut of Hasbro’s Guardians of the Galaxy action figures, as part of its Marvel Legends series, the Funko POP! Vinyl line has emerged in the wild — at Toy Fair in New York City, naturally.
Planned for summer release, ahead of director James Gunn’s film, the POP! Vinyls feature Drax the Destroyer, Gamora, Rocket Raccoon, Groot and Star-Lord (sorry once again, Yondu fans). Marvel Toy News has more photos and many more details.
It’s rare that you see an artist do a continuous long run on a monthly comic series these days. Mark Bagley, Charlie Adlard and John Romita Jr. are among the relative few, and even their tenures are sometimes broken up by extra-sized issues or a biweekly shipping schedule. But joining those ranks of the most prodigious artists in comics is a fairly new face: Francesco Francavilla.
The Italian artist has been steadily working up through the ranks in the comic industry since his debut in 2006, but 2012 was his breakthrough year, as he won an Eisner Award for his covers, saw his creator-owned series Black Beetle start at Dark Horse and drew two arcs of Captain America and a fill-in issue of DC’s Swamp Thing. But in October, things are getting crazy, with Francavilla working simultaneously as the artist on three series — Marvel’s Guardians of the Galaxy, Archie’s Afterlife with Archie at Archie, and his own Black Beetle: Necrologue at Dark Horse.
This has already been a blockbuster year for Francavilla, with seven complete issues already released — Black Beetle #1-4, Batwoman #21, Hawkeye #10 and #12 — plus an astonishing 46 covers for various publishers. Forty-six!
In an interview earlier this year with ROBOT 6, he commented on his amazing flurry of work by dubbing it “Creative ADD,” and even admitting he sometimes forgets what he does due to the sheer volume.
“The other day I was flipping through Previews and I saw a cover I forgot I did!” The artist told Tim O’Shea. “Then I went to check if I forgot to invoice it too!”
James Brown ain’t got nothing on Francesco Francavilla.
To see what James and the Robot 6 crew are reading, click below …
This week saw the arrival of Guardians of the Galaxy #1 by Brian Michael Bendis, Steve McNiven, John Dell and Justin Ponsor. The series spins out of the events of Bendis’ Avengers Assemble arc, but at the same time sets up a new story and mission for Starlord, Rocket Raccoon and the rest of the team.
So does the comic soar or make a crash landing? Here are a few opinions from around the web to tell you just that ….
“The health of the industry is based upon having good stories and good characters, and a wide customer base. If bringing some of these characters back to the fold in a meaningful way adds to that, then it just strengthens our industry. [...] “Good stories that entertain are something that we all should applaud on any level. Whether we’re doing it directly at Image Comics, or at our competition, it helps keep our industry that we love alive. I will sit back and be as interested as anyone else.”
– Todd McFarlane, who was embroiled in a nearly decade-long legal battle with Neil Gaiman over the rights to the characters they co-created in Spawn #9, responding to the announcement last week that the writer will introduce Angela into the Marvel Universe this summer. McFarlane also confirmed to Newsarama that as part of the 2012 resolution to their lawsuit, Gaiman owns the rights to Angela outright.
In “By the Numbers,” ROBOT 6 takes a look back at the events of the past five days … in numbers.
With Thursday’s announcement that Neil Gaiman is returning to the Marvel Universe and bringing with him Angela, the character at the center of his eight-year legal battle with Todd McFarlane, we’re left to wonder about the whereabouts of Marvelman. We also look at the surprise departures at DC Comics, and what the right price is when you name your own.
Graphic novels | The top-selling graphic novel in bookstores in February was the 60th volume of Naruto, according to Nielsen BookScan; four other manga made the chart as well. Actually, it’s an interestingly eclectic mix, with eight volumes of The Walking Dead, the first volume of Saga, Alison Bechdel’s Fun Home, and Chris Ware’s Building Stories making the list, as well as The Book of Revelation from religious publisher Zondervan. Marvel was entirely absent, but two of DC’s New 52 collections appearing. [ICv2]
Comics | Former DC Comics President Paul Levitz talks about the new edition of 75 Years of DC Comics: The Art of Modern Myth-Making, which has been broken out into five volumes and expanded to include more art and an additional creator interview in every volume; the first volume, The Golden Age of DC Comics, is out now. Levitz also touches on the history of the company, the importance of characters, and the impact of young readers on the early comics: “It wasn’t adults tending to what they wanted their child to read or libraries selecting. It was the kids of America who said I love Uncle Scrooge as its done by Carl Barks, I love the Superman comics that are coming from Mort Weisinger’s team at DC, I love the Marvel comics that Stan Lee, Jack Kirby and Steve Ditko are creating. And they really got to choose those things that became trendsetters in the culture and ultimately leading to the massive success of the superhero movies in more recent years.” [Complex Art + Design]