Hello and welcome to What Are You Reading? Our guest this week is writer and letterer Ed Brisson, whose comic Comeback with artist Michael Walsh arrives in November. He’s also the writer of Murder Book and Black River.
To see what Ed and the Robot 6 crew have been reading, click below.
Happy Memorial Day, Americans, and welcome to another edition of What Are You Reading? Our special guest today is Mark Andrew Smith, writer of Gladstone’s School for World Conquerors, Amazing Joy Buzzards, The New Brighton Archeological Society and Sullivan’s Sluggers, which is currently available to order via Kickstarter.
To see what Mark and the Robot 6 crew have been reading lately, click below.
If you’re a fan of BPRD, you know that the above image is from that comic and not Guillermo del Toro’s giant-monster film, Pacific Rim. You also know that Guy Davis is pretty great at designing giant monsters.
What you may not know is that Davis is the concept artist for Pacific Rim. No concept art has been shared yet, so this completely slipped by most of us. The other thing you may not know is that he’s been working on the film for almost a year, but is now done with his part of it. The movie doesn’t come out until next year, but seeing it is suddenly even more exciting; something I didn’t think possible in a project involving del Toro and giant monsters.
Awards | The Guy Davis short story “The Phototaker” has been removed from the 2012 Eisner Awards ballot after it was determined to be ineligible. “The ‘Phototaker’ Eisner nomination was a mix up,” Davis wrote on Twitter. ” Jackie Estrada messaged me after I posted asking about the original English version, which came out in Metal Hurlant #9 (2003). So it’s not eligible for the 2012 Eisner nomination and has been removed. Thanks for all the congratulations yesterday, but I’m happy to clear this up and have it removed from the running.” [Eisner Awards]
Publishing | DC Comics’ Senior Vice President of Sales Bob Wayne and Vice President of Marketing John Cunningham respond to March’s direct-market sales estimates, which saw Marvel claim three of the Top 10 spots after a February shutout. “We are pleased that we gained share, and we never expected that we would hold ten out of ten at the top of the chart for ever,” Wayne said. “I think it is better for the business if everybody is firing on all cylinders, that our competitors are doing interesting things, and we are doing interesting things. It keeps everybody on their toes and it keeps enthusiasm in the readership. The retailers remain involved wanting to make sure that they have enough of everything. I think it’s a good thing all around.” [ICv2.com]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d first get the third issue of my favorite New 52 title, Batwoman #3 (DC, $2.99). Seriously, J.H. Williams III is hitting a home run on every outing here when it comes to my tastes. Although the writing isn’t up to the level of Greg Rucka’s time on the book, it’s close and only bound to get better. Next up I’d get Point One #1 (Marvel, $5.99). I think this format–an extra-size preview book for what’s coming next–is an interesting experiment, and I’m intrigued most by the Nova story, but also interested to see what the others do. Third would be Uncanny X-Force #17 (Marvel, $3.99), to get the one-two punch of Rick Remender and Jerome Opena. Iceman as a bad guy? I dig this.
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “Jeff Lemire’s Frankenstein is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Grave Doug Freshley – A lot of publishers are doing Weird Western comics lately and that’s just fine with me.
Spera, Volume 1 – I like the sound of this fairy tale in which a couple of princesses combine efforts to save their kingdoms. It’s not that I’m anti-prince, but that’s a cool, new way to do that story.
Captain Swing and the Electrical Pirates of Cindery Island – Warren Ellis doing Steampunk sounds thrilling, but really all they had to say was “pirates.” I bet this is still really good though, even if you’re pickier than I am.
Roger Langridge’s Snarked #1 – After a well-loved zero-issue, Langridge’s version of Wonderland gets its real, official start.
Next month (August 3 to be exact) marks the release of writer Philip Gelatt and artist Tyler Crook‘s original graphic novel (published by Oni Press), Petrograd. To mark the upcoming release, Crook was kind enough to do an email interview with me. You might also recognize Crook’s name and work, given the fact he started his high profile role as Dark Horse’s B.P.R.D. artist this month. We discuss both projects. But before the interview begins, here’s Oni’s description of Petrograd: “During the height of the first World War, a reluctant British spy stationed in the heart of the Russian empire is handed the most difficult assignment of his career: orchestrate the death of the mad monk, the Tsarina’s most trusted adviser and the surrogate ruler of the nation. From the slums of the working class into the opulent houses of the super rich, he’ll have to negotiate dangerous ties with the secret police, navigate the halls of power, and come to terms with own revolutionary leanings, all while simply trying to survive.” Once you’ve read the interview, be sure to also visit CBR’s Petrograd preview.
Tim O’Shea: Were you interested in Russian history at all before tackling Petrograd? Once you got involved with the project, how much research did you have to do, on a variety of subjects, including the British Secret Service?
Tyler Crook: I was only interested in Russian history a little bit before this project. But mostly I’ve been interested in Russian Literature. Mostly Gogol and Dostoyevsky. Reading that stuff requires a little bit of history knowledge but I only ever figured out enough to get by. Phil Gelatt, the writer, did most of the heavy lifting when it came to doing the research. I read a couple books about the Soviet Revolution and scoured my local libraries for book with photos of Russia during the time period. I tried to use Google sparingly. The hardest part was finding photos of regular people doing regular things.
Conventions | Although final figures aren’t yet available, WonderCon organizers confirm attendance likely surpassed the 39,000 fans who came to last year’s convention. [Publishers Weekly]
Publishing | On his always-interesting new blog, Jim Shooter reminisces about the genesis of Marvel Super Heroes Secret Wars: “We went through a number of ideas for names for the toy line and series. Mattel’s focus group tests indicated that kids reacted positively to the words ‘wars’ and ‘secret.’ Okay.” [Jim Shooter]
Publishing | Longtime print broker Chikara Entertainment, which also offered book packaging and consulting services, has closed. [ICv2.com]
Retailing | Sarah Cohen provides a snapshot of South Florida comic stores struggling amid a weak economy and a changing marketplace. Some retailers have changed their strategies by diversifying their merchandise, holding events and reaching out to customers via the Internet. Others, however, prefer to do business the way they always have. “Making events and using social networking is pushy,” says Jorge Perez, owner of A&M Comics and Books in Miami. “It might help business, but then you would be on the computer all day doing stuff like that.” A&M, the oldest comic store in Florida one of the oldest in the nation, has seen business drop by about 40 percent since 2008. [Miami Herald]
Hello and welcome to What Are You Reading? Our special guest today is Ryan Cody, creator of Icarus and illustrator of Villains and Jesus Christ: In the Name of the Gun. You’ll be seeing more of Icarus around these parts starting very soon …
To see what Ryan and the Robot 6 crew have been reading lately, click below.
Comics | A July house fire in Minneapolis that killed homeowner Gary Dahlberg spared his meticulously preserved comic-book collection, which experts say could be worth $1 million. The comics, which includes first issues of The Amazing Spider-Man, Fantastic Four and Daredevil, will be sold at auction on May 5 by Heritage Auction Galleries, with the money going to Dahlberg’s estate. “To go for the really big money they have to be really perfect, and that what these are,” says Barry Sandoval of Heritage Auction Galleries. “The comics look like they just rolled off the printing press and nobody’s ever touched them.” [KSTP TV, with video]
Crime | A 17-year-old boy accused of attempting to rob Fun 4 All Comics & Games in Ypsilanti, Mich., on Monday has been arraigned on charges of assault with attempt to rob while armed and attempted larceny. Police say the teen, wearing a blond wig, bandanna and dark glasses, gave an employee a list of merchandise — “most, if not all, of it Yu-Gi-Oh! cards” — then opened his coat to reveal what appeared to be an improvised explosive device. The boy allegedly threatened to detonate the bomb if he wasn’t given the merchandise. When the employee yelled for the owner to call police, then teen said he was only joking, then bought some inexpensive items and left the store. The sheriff’s department later arrested the teen in his car in a Burger King parking lot. The Michigan State Police bomb squad responded, and determined the potential explosive device was inert. [AnnArbor.com]
It’s the end of an era. B.P.R.D.: Hell on Earth: Gods #3 hits stores today, the final issue of the long-running Hellboy spinoff’s latest miniseries — and with it, the tenure of Guy Davis as the series’ regular artist draws to a close. Davis will be returning for the occasional project in Mike Mignola’s unique horror-adventure universe, and everyone involved gives his replacement, near-overnight success story Tyler Crook, their vote of confidence; given Mignola and company’s track record in selecting artists, from Davis to Duncan Fegredo to Richard Corben, I’m inclined to take them at their word. Even so, as I wrote at length the other day, Davis’ work on B.P.R.D with Mignola, lead writer John Arcudi, and colorist Dave Stewart (not to mention letterer Clem Robins and editor Scott Allie) has been one of the past decade’s absolute high-water marks for superhero (or supernatural action, if you prefer) comics. From sadness to spectacle, horror to humor, stunning creature designs to quiet character moments, there was pretty much nothing the guy couldn’t do.
In honor of Davis, Arcudi, Mignola, and Stewart’s remarkable achievement, I’ve selected a suite of my favorite moments from the Guy Davis era of B.P.R.D.. And in honor of the Ogdru Jahad, the Seven-Who-Are-One dark gods whose rise the Bureau of Paranormal Research and Defense is battling (perhaps in vain) to stop, I’ve expanded the list past our usual “Six by 6″ format to include seven stunning scenes. My hope is that they showcase the range, subtlety, sophistication, and power of one of the best artists working in genre comics — arguably in all of comics — today, and highlight just how well he and his collaborators worked together. Just be warned: SPOILERS AHEAD.
On any other day this would have been the very first thing I wrote about, but I figured you may have already been aware, thanks to the high-pitched wails of “NOOOOOOOOOO” that echoed throughout Twitterdom when the news broke Saturday at Emerald City Comicon: Artist Guy Davis is leaving B.P.R.D. The current B.P.R.D: Hell on Earth: Gods miniseries will mark the end of Davis’s run as the regular artist for the core Hellboy spinoff, which along with its parent title formed the heart of the “Mignolaverse.” Newcomer Tyler Crook will take over as the book’s artist with the subsequent arc, Monsters — his second-ever comic from a major publisher. Davis himself will focus on his creator-owned title The Marquis and other projects. Click the links for CBR’s interviews with both artists on the changeover.
Courtesy of our friends at Dark Horse, we’re pleased to bring you a couple of cover reveals for their June-shipping books. First up is Conan: Island of No Return #1, above, which is by Michael Kutsche. The book itself is by the team of Ron Marz, Bart Sears and Randy Elliott, features Conan teaming up with a pair of sister thieves for a heist.
And after the jump you’ll find the two covers for the third issue of Solomon Kane: Red Shadows, by Guy Davis and Gregory Manchess. In that issue, Bruce Jones and Rahsan Ekedal take Kane to Africa. You’ll also find complete solicitation information for both books.
Click below for high adventure …
Dark Horse has a new Solomon Kane miniseries, subtitled “Red Shadows,” that starts in April. Written by Bruce Jones with art by Rahsan Ekedal, each issue will feature covers by Guy Davis and Gregory Manchess, with an assist from colorist Dave Stewart. And courtesy of Dark Horse, we’re pleased to bring you a first look at the covers for issue #2.
The Davis cover is up top, and you can find the Manchess one, along with solicitation info, after the jump.
Although I’ve never been to the Emerald City Comicon itself, I dig the artwork they get for the Monsters & Dames art book. Case in point: the above illustration by Guy Davis.
This year’s book once again benefits Seattle Children’s Hospital, and includes contributions from Geof Darrow, Cully Hamner, Humberto Ramos, Frank Cho, Yanick Paquette, Skottie Young, Aaron Lopresti, Cliff Chiang, Mike McKone and many more. After the jump you’ll find their official PR, along with a few more images.