Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
After teasing fans for a few months, Amy Reeder and Brand Montclare’s Rocket Girl is go for launch.
According to the Kickstarter page, which went live this morning, Rocket Girl is a “teenage cop from a high-tech future” who’s sent back to 1986: “She’s investigating the Quintum Mechanics megacorporation for crimes against time. As she pieces together the clues, she discovers that the ‘future’ — an alternate reality version of 2013 and the place she calls home — shouldn’t exist at all.”
Montclare and Reeder have been on similar flight paths since breaking into comics. They both did their time at Tokyopop before Montclare recruited Reeder to work on Madame Xanadu after he took an editorial position at Vertigo. Last year they re-teamed for a creator-owned one-shot, Halloween Eve, which they used Kickstarter to fund. And now they’ve returned to crowdfunding to finance the production of Rocket Girl, an ongoing series they plan to launch this fall.
I spoke with Montclare and Reeder about Rocket Girl, using Kickstarter to finance their creator-owned works and much more.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start with a couple of Marvel firsts, even though one of them isn’t technically a first issue: Uncanny Avengers #1 ($3.99) and Red She-Hulk #58 ($2.99). This is the first week of Marvel NOW, and they’re starting with books by creative teams I’m excited about. Next I’d get Stumptown V2 #2 ($3.99) and wind things up with the Halloween Eve one-shot. I actually supported the Kickstarter for the latter, so my copy is probably already on the way to my mailbox, but hypothetically let’s assume that it wasn’t. It’s by Brandon Montclare and Amy Reeder, two creators whose work I’ve enjoyed in the past. So if it wasn’t coming to me in the mail, it would come home in a paper bag from the comic shop.
If I had $30, I’d add an outgoing Marvel title (Marvel THEN?), Fantastic Four #611, which features the end of Hickman’s run before he moves on to Avengers and Matt Fraction takes over the first family of Marveldom. Next I’d grab Green Lantern Corps #13 ($2.99) as I like the direction the GL books have been headed in lately, and Conan #9 ($3.50), the second half of Brian Wood’s collaboration with Vasilis Lolos. Finally, I’d grab Point of Impact #1 ($2.99), the new crime book by Jay Faerber and Koray Kuranel.
This is a splurge in price only; if I had $50, then Chris Ware’s Building Stories would definitely have been at the top of my buy list this week. It’s a big box of little comics, as Chris put it, and as luck would have it I really do have $50 in gift certificates that I got for my birthday to buy it with. Thanks Mom and Dad!
Conventions | San Diego City Council has given final approval to the planned $520 million expansion of the San Diego Convention Center, viewed as necessary to keeping Comic-Con International in the city past 2015. The project still faces a legal challenge to a financing scheme involving a hotel-room surtax, as well as state regulatory approval, leading the city attorney to caution that the targeted 2017 completion date is just “a goal.” Whether Comic-Con organizers can be convinced to sign another three-year extension to their contract remains a big question. [NBC San Diego]
Conventions | Most of Heidi MacDonald’s article about New York Comic Con is behind a paywall at Publishers Weekly, but she pulls out some stats at The Beat: Ticket sales are up 190 percent over this time last year. As the capacity of the Javits Center is somewhere south of 110,000 people, this means the ReedPOP folks won’t sell any more tickets than last year, but they are selling out faster. Three-day and four-day passes are already gone, only Friday tickets remain, and ReedPOP vice president Lance Fensterman expects everything to be sold out by the time the show begins. [The Beat]
If you’ve been wondering what Amy Reeder would be doing after her departure from Batwoman, here’s a treat, not a trick–she and writer Brandon Montclare (Fearsome Four) have teamed up for a creator-owned comic called Halloween Eve. The duo is currently raising money on Kickstarter to shoulder the cost of making it.
“It has been so rewarding to work on this,” Reeder said on her blog. “If I could give one person the biggest responsibility for my career at this point, it would be Brandon…he basically discovered me and helped me get work both when he was at Tokyopop and then Vertigo. And, he’s my best friend. So it’s nice that we have a great working relationship and to know that I’m not alone as I venture out into the creator-owned world. He really knows his stuff.”