Hanna-Barbera Archives | Robot 6 | The Comics Culture Blog

Space Ghost boards Mezco’s One:12 Collective line, with Blip the monkey


Space Ghost is joining Mezco’s One:12 Collective line of hyper-realistic figures — marking the first entry in the collection to be based on a Hanna-Barbera property. On sale December 2016, the figure is currently available for pre-order over at Mezco’s website for $70 USD.

The 1/12-scale sculpted figure was crafted with 32 points of articulation for a “real world” look, with plenty of accessories and alternate pieces. Plus, he comes with cartoon sidekick Blip the monkey.

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Have a yabba-dabba-doo time in your own Flintstones theme park


If your modern Stone Age family is looking to relocate, you may want to consider Bedrock City. The entire town can be yours for 2 million clams.

ABC News reports the 43-year-old Flintstones-inspired Arizona theme park, located 30 miles south of the Grand Canyon, is being sold by its owner, who’s ready to retire.

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Mondo celebrates Hanna-Barbera classics in new poster series

mondo-jonny quest

While Mondo’s offerings are always impressive, this series of Hanna-Barbera posters strike me as extra-special. Maybe it’s the nostalgia talking — reruns of Jonny Quest and Hong Kong Phooey were staples of my childhood — but I could, I’d probably snatch up all five of the prints when they go on sale Thursday (they tend to sell out within the blink of an eye).

Check out the posters below, and keep a close eye on the Mondo Twitter feed on Thursday for the on-sale announcement.

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‘Wacky Races’ cartoon comes to life in Peugeot TV ad


Peugeot pays tribute to a Hanna-Barbera classic with a fantastic TV commercial for its 208 hatchback that brings the animated Wacky Races to life.

In case you weren’t around in the late 1960s for its initial airing, or haven’t caught reruns on Boomerang, Wacky Races featured 11 cars going up against each other in road rallies across North America to win the title of World’s Wackiest Racer — at any cost. This being the ’60s, these weren’t just any cars, or any drivers, but rather an assortment of bizarre, usually dirty-dealing, characters that included the villainous Dick Dasterdly, with his snickering dog-henchman (hench-dog?) Muttley, the cavemen Slag brothers, the Gruesome Twosome with their stylized hearse, the Southern belle Penelope Pitstop, and the pint-sized gangsters the Ant Hill Mob.

All of them can be seen in the TV spot below, which was directed by Antoine Bardou-Jacquet for Young & Rubicam Brasil.

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Bam! Pow! Amazing ‘Fantastic Four’ cels actually justify this title

ff effects1

I somehow missed this incredible auction when it took place in November, but thanks to Tumblr I still get to marvel at the art (not that I would’ve plunked down $850, mind you): 16 crash effects cels from Hanna-Barbera’s 1967 animated series The Fantastic Four.

Of course, those effects, coupled with Alex Toth’s character designs, are pretty much the best things about the cartoon, which like other series of the era was crippled by poor animation. These, however, are suitable for framing.

Check out some of them below, and more here.

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Real-life Wacky Races

Wacky Races

Wacky Races

I’m sorry I missed this one when it first came out in June, but Carscoop has pictures from Chichester in West Sussex, England, of real-life Wacky Races cars. They were part of the Goodwood Festival of Speed earlier this month. Click through to see all the pictures; they did a nice job bringing them to life. You can see the cars in action on YouTube.

Via Full Body Transplant and Autoblog.

Meanwhile, back at … Union Terminal

The Hall of Justice, from Hanna-Barbera's "Super Friends"

The Hall of Justice, from Hanna-Barbera's "Super Friends"

The Cincinnati Enquirer’s Alex Shebar examines the visual links between the 76-year-old Cincinnati Union Terminal and the Hall of Justice from the 1970s Super Friends cartoon and, more recently, the Justice League of America comic.

“The resemblance is undeniable, from the massive arch to the carved pillars,” Shebar writes. “They are nearly identical, right down to the colossal fountain leading to the front entrance.”

Completed in March 1933, the art deco-style train station apparently made an impact on Joseph Barbera: When Super Friends background supervisor Al Gmuer submitted a headquarters design to Barbera and ABC executives, what was returned looked a lot like Union Terminal.

“In the long run, I hated that building,” Gmuer tells Shebar. “The way it’s designed, it was not easy to draw. I had nightmares about that damn building.”

These blogs have more on Union Terminal — now home to the Cincinnati Museum Center — and the Super Friends connection.

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