EXCLUSIVE: Seeley Pits "Deadpool vs. Thanos" in "Very Twisted" New Series
Yesterday we kicked off our holiday gift-giving guide, where we asked creators like Jim McCann, Matt Kindt and more for gift suggestion and what they’d want to receive this year. Today we’re back with six more creators, and we asked them the same questions:
1. What comic-related gift or gifts would you recommend giving this year, and why?
2. What gift (comic or otherwise) is at the top of your personal wish list, and why?
So without further ado, let the joy continue …
1. If you have young children, you can give them hours of quality time with any of Dark Horse’s Harvey Comics collections. My kids have been poring through them repeatedly. I’ll be following up with old back issues of Casper, Dot, Richie Rich and Hot Stuff from the local comics shops; they’re always very cheap.
2. I would not sneeze at getting that Donald Duck: Lost in the Andes volume from Fantagraphics.
1. I’m a firm believer in buying comics for everyone on your list, even if they aren’t an avid fan. Make ‘em a fan! All-Star Superman for the superhero fan, Dungeons & Dragons from IDW for the gamer, Habibi for the sophisticated reader, and, of course, my Hack/Slash Omnibi for the horror fan. Or, if you’re planning on dropping a bit more, might I suggest an iPad, loaded with comics apps?
2. I want the collected version of the web strip OGLAF, which I thoroughly enjoy. I wouldn’t mind a CS Moore Witchblade statue to inspire me while I write.
Tim Seeley seems to be all over the place lately, whether it’s writing the new Bloodstrike series from Extreme or Witchblade for Top Cow, drawing issues of Marvel’s Generation Hope, or working on his own creations like Hack/Slash and Jack Kraken. There’s a good chance I forgot something, but you can follow him on Twitter to learn more.
This Wednesday, February 3, will see the release of the fourth installment in the six-issue Vertigo miniseries, Cinderella: From Fabletown with Love by (writer) Chris Roberson and (artist) Shawn McManus. Recently, I was fortunate enough to email interview Roberson about Cinderella, as well as his upcoming ongoing Vertigo series with artist Mike Allred–I, Zombie.
Tim O’Shea: Looking at the historical flashbacks that open issues 2 and 3 of Cinderella: From Fabletown with Love, I’m curious are you a fan of history? Which of the historical flashbacks you have built into the story reflects your favorite historical era?
Chris Roberson: History is one of my passions (alongside cartoons, puppets, superheroes, quantum physics, etc). I minored in history in college, and taught middle school history for a couple of years before I’d paid off the karmic debt left over from being a smartass when I was in school. In the eighteen years or so it took me to break into comics, I built a career as a writer of science fiction and fantasy prose, and a good percentage of my short stories and novels have played around with history in one way or another—alternate histories, period pieces, you name it.
As for which of the flashbacks in Cinderella reflects my personal favorite era, I’d probably have to punk out and say “All of them.” I’m a fan of stories set in each of those time periods, and getting to work all of them into Cindy’s backstory was like being a kid in a candy store.