Heads or Tails
When I got my hands on Lilli Carré‘s newest collection of short stories Heads or Tails, what immediately caught my eye was the variety of styles the writer/artist attempted in her tales. During our recent interview about the collection, I focused some of my questions on the choices she made in terms of the colors, lettering and other story elements. I also learned about Carré’s thought process when approaching a comic tale versus one of her animation projects. The roots to these stories run deep in Carré’s life, and as she notes, the book has an overall theme of ”ambivalence, chance, and flip-sides.”
Once you’ve read this conversation, be sure to learn more about Carré’s animation projects via Alex Dueben’s recent CBR interview. Fantagraphics also offers a 23-page excerpt from the 200-page collection, which was released last fall.
Tim O’Shea: How did you go about picking which stories to include in this collection?
Lilli Carré: I wanted to include the majority of the short stories I’ve produced over the past five years, and so I went through all my stuff and arranged them not chronologically, but by how they each fed into each other. The book contains stories collected from anthologies, some new work, and a few pieces that I reformatted from small run mini-comics, artists books, and drawings that I’ve made over the years. My style changes quite a bit from project to project, so the book has a kind of patchwork quilt feel to it, but I wanted to make sure there was a solid thread between how one story feeds into the next. I also wanted to create some new stories for the book, so Rainbow Moment and Wishy Washy were created specifically for Heads or Tails.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d line up to get the this year’s CBLDF Liberty Annual #5 (Image, $4.99). I’m an anthology junkie, and this hits that perfectly while also benefiting a good cause. The creator list is amazing – even without knowing who’s working with whom. After that, I’d get Happy #2 (Image, $2.99). This book’s first issue hit me harder than I expected; I was buying it for Grant Morrison to wow me with his writing, but it was Darick Robertson’s artwork that hit me square between the eyes. I’ve read all the issues of Transmetropolitan and most of The Boys, but his art here has graduated up a level and I’m almost salivating at thinking of this second issue. Third this week would be Wolverine and the X-Men #19 (Marvel, $3.99), quietly usurping Uncanny X-Force as my favorite Marvel book on the stands. Last issue’s Doop-centric theme was great for me, but I’m excited to see star pupil Nick Bradshaw back on pencils for this issue.
If I had $30, I’d double back and get Higher Earth, Vol. 1 (Boom!, $14.99) Canceled or not, this series looks interesting despite my bailing after Issue 1. It’s a complicated concept (from what I gleaned from the first issue), but I’m looking to let Humphries school me on this.
If I could splurge, I’d snatch up EC: Wally Wood – Came the Dawn and Other Stories (Fantagraphics, $28.99). I’ve been aware of Wally Wood for a almost two decades now, but I tend to go through periods of simply floating around before I consume and learn more about him in short but voracious periods. Last time it was in the bloom of Fear Agent, and seeing this in Previews a few months back got me jonesing to do it again.