James Robinson's "Squadron Supreme" Takes Lethal, Pre-Emptive Action
I spent an enjoyable Saturday at the Massachusetts Independent Comics Expo, a.k.a. MICE, last week, and I came away very impressed with the quality of the work on display. This was MICE’s biggest year so far, with three rooms and some corridors of the Lesley College building in Porter Square filled with table after table of hand-crafted comics. For much of the day, the place was packed.
People don’t think of Boston as a comics town, like Portland or Brooklyn, but there’s a lot of talent here, much of it gathered under the aegis of the Boston Comics Roundtable; in addition, a number of the artists had come from New York, Rhode Island and Maine. Here’s a sample of some of the minicomics I picked up.
By far the standout minicomic of the show was The Potter’s Pet, by Braden D. Lamb and Shelli Paroline. The story feels like a traditional folk tale, although I don’t think it is; it’s about a potter in a Moroccan-style marketplace who makes a robot, then keeps re-customizing it to please his customers. The story is well told and the art is professional quality, which is not surprising as Paroline has been doing professional work for some time now, including the art for several of BOOM! Studios’ Muppet Show comics. In The Potter’s Pet, she carries the Moroccan theme through in the panels, which echo the shapes of Islamic architecture. I would say it’s the best $5 I spent at the show, but the book sold out before I could get a copy and I had to borrow it from a friend. I hope they make more.